Libra - Don DeLillo

From Publisher's Weekly:

DeLillo's ninth novel takes its title from Lee Harvey Oswald's zodiac sign, the sign of "balance." And, as in all his fiction (Running Dog, The Names, White Noise), DeLillo's perfectly realized aim is to balance plot, theme and structure so that the novel he builds around Oswald (an unlikely and disturbingly sympathetic protagonist) provokes the reader with its clever use of history, its dramatic pacing and its immaculate and detailed construction.

The plot of the novel is history itself and history, here, is a system of plots and conspiracies: the U.S. government has plotted to invade Cuba, and there are CIA agents who want retribution against President Kennedy for his half-hearted support of the Bay of Pigs operation; there are Cubans plotting revenge on JFK for the same reason and for, they fear, his plot to forge a rapprochement with Castro; there is a lone gunman, Oswald, who is conspired upon by history and circumstance, and who himself plots against the status quo. 

The novel bears dissection on many levels, but is, taken whole, a seamless, brilliant work of compelling fiction. What makes Libra so unsettling is DeLillo's ability to integrate literary criticism into the narrative, commenting throughout on the nature and conventions of fiction itself without disturbing the flow of his story.

The characters are storytellers: CIA agents and Cuban immigrants retell old plots in their minds and write fantasy plots to keep themselves alive; Nicholas Branch, also of the CIA, has spent 15 years writing an in-house history of the assassination that will never uncover its deepest secrets and that in any case no one will read; Oswald, defecting to the Soviet Union, hopes to write short stories of contemporary American lifedyslexic, he is aware of words as pictures of themselves not simply as name tags for the material world. DeLillo interweaves fact and fiction as he draws us inexorably toward Dallas, November 22.

The real people (Jack Ruby, Oswald, his mother and Russian wife) are retrieved from history and made human, their stories involving and absorbing; the imagined characters are placed into history as DeLillo imagines it to have come to pass. By subtly juxtaposing the blinding intensity of DeLillo's own crystal-clear, composite version of events against the blurred reality of the Zapruder film and other artifacts of the actual assassination, Libra ultimately becomes a comment on the entire body of DeLillo's work:

Why do we understand fiction to reflect truth? Why do we trust a novelist to tell us the whole story? And what is the truth that fiction reveals?

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  • A former member
    A former member

    Thanks, everyone, for coming out to discuss "Libra" and share your insight/perspective. This group is my favorite Meetup for a reason -- and it's folks like you.

    November 26, 2013

    • A former member
      A former member

      I absolutely loved this book and was really sorry to miss yet another meet up. I am looking forward to reconnecting with the group -- hope everyone has a great thanksgiving!

      November 27, 2013

  • Lisa

    You are brave. I could not host my favorite book and probably not even my favorite author. My heart would just break if even one person said something critical. We don't choose our favorite authors based on critical thinking or critical reading. Good job, brave man Brian.

    November 25, 2013

  • Kathy A.

    Another fantastic discussion!

    November 24, 2013

  • Erika

    Sorry Brian - was too overwhelmed by an interview this past week to be able to read this book. Looks interesting though!

    November 24, 2013

  • robert m.

    sorry Brian can't make it have to work this afternoon. Reading the book very interesting. the kind of truth the novels speaks: a qualitative truth.

    November 24, 2013

  • Joe S

    Sorry, Brian - can't make it this Sunday

    November 22, 2013

  • A former member
    A former member

    President Kennedy was assassinated on Nov. 22, 1963 -- 50 years ago. I hope the coincidence of the anniversary will add a dimension to our discussion of the novel and the questions raised above:

    Why do we understand fiction to reflect truth? Why do we trust a novelist to tell us the whole story? And what is the truth that fiction reveals?

    August 6, 2013

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Rafaël

We just grab a coffee and speak French. Some people have been coming every week for months... it creates a kind of warmth to the group.

Rafaël, started French Conversation Group

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