FREE ITALIAN ART SEMINAR
MICHELANGELO, The ART, The AFFECTIONS.
NOTE: TO BE ADMITTED TO THIS EVENT YOU MUST RSVP
with BOTH "PIAZZA ITALIA" and "The ITALIAN EMBASSY"
EMBASSY of ITALY
and ITALIAN CULTURAL INSTITUTE
"MICHELANGELO, The ART, The AFFECTIONS"
A Lecture by Pina RAGIONIERI
FRIDAY, FEBRUARY 08, 2013 @ 7:00PM
(Doors open @ 6:30PM - Close @ 7:00PM)
EMBASSY OF ITALY – Atrium
3000 Whitehaven St. NW | Washington, DC 20008
(Just above Dupont/Sheridan Circles @ intersection with MASS. Ave.)
ADVANCE RESERVATIONS w/ EMBASSY A MUST
(please, READ below)
DRESS: BUSINESS CASUAL / STREETS PARKING
BRING PICTURE ID
EMBASSY OF ITALY/ ITALIAN CULTURAL INSTITUTE NOTICE
VERY LIMITED SEATS - "FREE" EVENT
ADVANCE RESERVATION(s) with the EMBASSY of ITALY
a "MUST" *** 1st COME, 1st SERVED ***
TO RESERVE YOUR SEAT(s) (MANDATORY) WITH THE EMBASSY >>> “CLICK HERE”<<<
IF YOU RSVP with PIAZZA ITALIA ONLY you will NOT BE ADMITTED to this event. YOU MUST RSVP WITH “BOTH” PIAZZA ITALIA AND THE ITALIAN EMBASSY.
Organized by: Embassy of Italy/Italian Cultural Institute
ABOUT the LECTURE
MICHELANGELO - The Holy Family with the infant
St. John the Baptist (c. 1503) - Galleria degli Uffizi, Firenze
A lightness full of pathos characterizes this unusual biography made of glimpses and flashes of inspiration of MICHELANGELO Buonarroti, told by the guardian Pina Ragionieri of his family home in Florence’s Via Ghibellina.
Pina Ragionieri goes on the trail of the life of this great genius of boundless humanity, with a light step and thoughtful attention to the documents. By carefully selecting the essential moments of an incomparable career, she discretely looks beyond the threshold of Michelangelo’s private life with demure emotion, and allows the eyesight to touch the passions, seize the vulnerability and reflect the psychological fragility of the artist.
Pina Ragionieri’s narrative is interspersed with excerpts from Michelangelo’s letters, glimpses of a daily diary of sort, where the arduous efforts of the sculptor-painter freely flow, rhymes that seal an intense and almost unspeakable existential suffering in a sacral hermeticism. All this gives us a Michelangelo seen up close in an enigmatic symbiosis, where the interpreter’s affections and memories effortlessly blend with the artist’s life.