What sense does it make to exclude a sense from your writing? And even if you do remember to mention the smell of someone's socks, does your description stink? Learn what it takes to make the roses bloom in your reader's noses, to let the crisp scent of the sea slap saltily from the pages. We'll talk of all the smells that make reality fascinating and fiction fantastic... and how to combine the two so that one's work begs to be read with your nose in the book.
(Note for newcomers: We actually meet in the Atrium, next door, but access is through the coffee shop. If the coffee shop is closed then there is a security guard at the Atrium's Blanshard St entrance who will usually let you in.)