Tansaekhwa and the Case for Abstraction in Postwar Korea

Professor Joan Kee examines Tansaekhwa (monochromatic painting), a movement that began in the 1960s and became the international face of contemporary Korean art.
Web: http://www.asia.si.edu/events/allevents.asp?trumbaEmbed=view%3Devent%26eventid%3D111082331
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