We will meet at the Nova Restaurant from 6 p.m. onwards, Stefan - 0437777522.
"It’s Nate’s (Rami Malek) first day at the adolescent foster care facility Short Term 12, and his new coworker Mason (John Gallagher Jr., scruffy and soulful) is regaling the staff with a silly monologue about an unfortunate sharting incident he suffered in the line of duty. It's a funny tale, but it also lays out exactly what kind of people these workers are, willing to forego all bodily comfort in order to make sure these kids are okay. They’re a no nonsense bunch who’ve seen it all and remain unflappable, particularly supervisor Grace (Brie Larson), a steely and impenetrable young woman. They don’t even blink when a skinny kid with bright red hair goes bolting out of the house in his long johns, making a break for it. They just toss their coffee and tackle him on the front lawn before he gets past the gate and past their jurisdiction. This is the opening to “Short Term 12,” the second feature from writer/director Destin Daniel Cretton, based on his short film of the same name, which won the Jury Prize at Sundance in 2009. And even though it is a lightly amusing intro to our main characters and where they work, it’s a strong set up for the themes that will be revisited throughout the film, in the touching story of these young workers and their charges.
Its gorgeously shot, many images still lingering in mind: Mason and Grace jumping in a bouncy house; the resident workers running in slow motion after a kid on the run. The cinematography creates an eye-level and visceral naturalistic experience of this world, capturing moments in unexpected ways. Ultimately, the cinematography does what it’s supposed to do: reflect the themes and goals of the film itself, beyond just looking beautiful. “Short Term 12” expresses its serious subject matter in a fresh and authentic manner, never relying on the content itself to keep the viewer’s interest but how it unfolds for the audience, anchored to these characters who we grow to deeply care about. In the end, “Short Term 12” is a roller coaster of every emotion, managing to be both heartwarming and heartrending at once. But what a great ride."