The Williamsburg Book Club Message Board › TIME TO VOTE: FEBRUARY
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The poll to vote for February's selection is up until next Wednesday morning (12/26). Descriptions below, vote here.
Swamplandia! by Karen Russell (416 pgs)
From the celebrated twenty-nine-year-old author of the everywhere-heralded short-story collection St. Lucy’s Home for Girls Raised by Wolves (“How I wish these were my own words, instead of the breakneck demon writer Karen Russell’s . . . Run for your life. This girl is on fire”—Los Angeles Times Book Review) comes a blazingly original debut novel that takes us back to the swamps of the Florida Everglades, and introduces us to Ava Bigtree, an unforgettable young heroine. Against a backdrop of hauntingly fecund plant life animated by ancient lizards and lawless hungers, Karen Russell has written an utterly singular novel about a family’s struggle to stay afloat in a world that is inexorably sinking. An arrestingly beautiful and inventive work from a vibrant new voice in fiction.
The Black Swan: The Impact of the Highly Improbable by Nassim Nicholas Taleb (480 pgs)
In business and government, major money is spent on prediction. Uselessly, according to Taleb, who administers a severe thrashing to MBA- and Nobel Prize-credentialed experts who make their living from economic forecasting. A financial trader and current rebel with a cause, Taleb is mathematically oriented and alludes to statistical concepts that underlie models of prediction, while his expressive energy is expended on roller-coaster passages, bordering on gleeful diatribes, on why experts are wrong. They neglect Taleb's metaphor of "the black swan," whose discovery invalidated the theory that all swans are white. Taleb rides this manifestation of the unpredicted event into a range of phenomena, such as why a book becomes a best-seller or how an entrepreneur becomes a billionaire, taking pit stops with philosophers who have addressed the meaning of the unexpected and confounding. Taleb projects a strong presence here that will tempt outside-the-box thinkers into giving him a look.
Zone One by Colson Whitehead (336 pgs)
The phrase “the thinking person’s [something]” may be terminally overused, but surely that’s what Colson Whitehead has accomplished in Zone One--a savvy zombie classic, the best addition to the genre since George Romero’s Dawn of the Dead. In a nutshell: Zone One is a story of three days in the life of one Mark Spitz and his squad of three “sweepers” moving through the eponymous Zone One of lower Manhattan, a walled-off enclave scheduled for resettlement in the aftermath of a zombie plague. . . Survivorship is his true subject, and with its lower-Manhattan setting, Zone One’s suggestive nod to a post-9/11 New York is no accident. . what truly sets Zone One apart from the literary and filmic zombie hordes is the sheer quality of the writing. Whitehead’s language zings and soars. The zombie genre is an intrinsically playful blend of horror and slapstick, but Whitehead takes this maxim to vertiginous new heights, producing a shockingly full-throttle immediacy in the process. In these pages, the world of the undead is brought vibrantly to life. Friends, you are there.
Why Does the World Exist?: An Existential Detective Story by Jim Holt (320 pgs)
Tackling the “darkest question in all of philosophy” with “raffish erudition” (Dwight Garner, New York Times), author Jim Holt explores the greatest metaphysical mystery of all: why is there something rather than nothing? This runaway bestseller, which has captured the imagination of critics and the public alike, traces our latest efforts to grasp the origins of the universe. Holt adopts the role of cosmological detective, traveling the globe to interview a host of celebrated scientists, philosophers, and writers, “testing the contentions of one against the theories of the other” (Jeremy Bernstein, Wall Street Journal). As he interrogates his list of ontological culprits, the brilliant yet slyly humorous Holt contends that we might have been too narrow in limiting our suspects to God versus the Big Bang. This “deft and consuming” (David Ulin, Los Angeles Times) narrative humanizes the profound questions of meaning and existence it confronts.