• Soar With AIP - A Doors-Off Helicopter Experience Over NYC For Photographers

    FROM THE ORDINARY TO THE EXTRAORDINARY A one hour "DOORS OFF" photo flight over and around New York City JOIN OUR AIP AERIAL FULL MOON PHOTO ADVENTURE THE REASON THAT WE'VE CHOSEN MONDAY NIGHT, JUNE 17TH IS THAT THERE WILL BE A FULL MOON RISING OVER NEW YORK AT 8:56 P.M. IN ADDITION, SUNSET WILL OCCUR AT 8:29 P.M. THIS MEANS THAT EVERYONE ON THE FLIGHT WILL GET TO PHOTOGRAPH NYC WITH A MOON RISING BEHIND THE NEW YORK SKYLINE. OUR PILOTS WILL TRY TO POSITION THE HELICOPTER SO THAT WE CAN SHOOT THE FULL MOON RISING BEHIND THE FREEDOM TOWER. We'll be flying 2 helicopters, each with a capacity of 3 seats (total of 6 seats) available for the FULL MOON PHOTO ADVENTURE. - We start with an hour of training and prep before your scheduled flight time where we'll discuss safety, shooting techniques, camera settings and stabilization. - We will be providing high quality cameras with EXTRA fast glass (F1.4 - f1.8) that you can use in the event that your own cameras or lenses are not fast enough. We will also show you how to use those cameras and pre-set everything so it's ready to insure you get the very best shots. - You'll then board the helicopter for the experience of your life. A Doors-Off 1-hour flight over lower Manhattan, Mid-town and around the Statue of Liberty. SOME OTHER PROGRAM DETAILS: The flight portion of each of our Helicopter Photo Adventures will last for 1 hour. It takes ~7 minutes to get from our lift-off point to a photo position over New York City and 7 minutes to get back. That will gives you 46 minutes over our target areas, which you'll find to be more than enough. AFFECT OF WEATHER ON OUR FLIGHT PROGRAM AND ON YOUR RESERVATION: As you can imagine, weather conditions will have a major effect on our decision to fly or not. If its raining or windy, we don't fly. If conditions for flying and/or photographing are anything less than ideal, we don't fly. If we don't fly, you will receive a refund. MOST EFFECTIVE EQUIPMENT FOR DAY AND/OR NIGHT TIME PHOTOGRAPHY: a. Almost any DSLR will do as long as it's capable of shooting in bursts. b. Most effective lenses are between 35 and 85mm. We think that shooting at 35mm, 50mm and 85mm would be ideal. Anything shorter or longer than this range is pretty ineffective and won't produce the best results, especially if you're a first-timer. c. Generally speaking fast glass is best and your lens of choice should be capable of opening up to at least f 1.8. At the end of blue hour, a faster lens is best. Note that fast glass is usually of higher quality and sharper as well. The most effective way of shooting from a helicopter is to come prepared with 2 camera bodies and a different lens for each body. (You can't change lenses and or fumble around with equipment while in flight.)

  • Soar With AIP - A Doors-Off Helicopter Experience Over NYC For Photographers

    FROM THE ORDINARY TO THE EXTRAORDINARY A one hour "DOOR OFF" photo flight over and around New York City JOIN OUR AIP AERIAL BLUE HOUR/FULL MOON PHOTO ADVENTURE THE REASON THAT WE'VE CHOSEN MONDAY NIGHT, JUNE 17TH IS THAT THERE WILL BE A FULL MOON RISING OVER NEW YORK AT 8:56 P.M. IN ADDITION, SUNSET WILL OCCUR AT 8:29 P.M. THIS MEANS THAT EVERYONE ON THE FLIGHT WILL GET TO PHOTOGRAPH NYC DURING THE BLUE HOUR, WITH A SETTING SUN AND A RISING MOON. We'll be flying 2 helicopters, each with a capacity of 3 seats (total of 6 seats) available for the BLUE HOUR/FULL MOON PHOTO ADVENTURE. - We start with an hour of training and prep before your scheduled flight time where we'll discuss safety, shooting techniques, camera settings and stabilization. - We will be providing high quality cameras with EXTRA fast glass (F1.4 - f1.8) that you can use in the event that your own cameras or lenses are not fast enough. We will also show you how to use those cameras and pre-set everything so it's ready to insure you get the very best shots. - You'll then board the helicopter for the experience of your life. A Doors-Off 1-hour flight over lower Manhattan, Mid-town and around the Statue of Liberty. SOME OTHER PROGRAM DETAILS: The flight portion of each of our Helicopter Photo Adventures will last for 1 hour. It takes ~7 minutes to get from our lift-off point to a photo position over New York City and 7 minutes to get back. That will gives you 46 minutes over our target areas, which you'll find to be more than enough. AIP plans on offering an extended schedule of sunset into the the blue hour and evening photo flights. The afternoon flight will lift off around sunset. AFFECT OF WEATHER ON OUR FLIGHT PROGRAM AND ON YOUR RESERVATION: As you can imagine, weather conditions will have a major effect on our decision to fly or not. If its raining or windy, we don't fly. If conditions for flying and/or photographing are anything less than ideal, we don't fly. If we don't fly, you will receive a refund. MOST EFFECTIVE EQUIPMENT FOR DAY AND/OR NIGHT TIME PHOTOGRAPHY: a. Almost any DSLR will do as long as it's capable of shooting in bursts. b. Most effective lenses are between 35 and 85mm. We think that shooting at 35mm, 50mm and 85mm would be ideal. Anything shorter or longer than this range is pretty ineffective and won't produce the best results, especially if you're a first-timer. c. Generally speaking fast glass is best and your lens of choice should be capable of opening up to at least f 1.8. At the end of blue hour, a faster lens is best. Note that fast glass is usually of higher quality and sharper as well. The most effective way of shooting from a helicopter is to come prepared with 2 camera bodies and a different lens for each body. (You can't change lenses and or fumble around with equipment while in flight.) Malcolm Kahn, Padma Inguva and Martin Joffe Your AIP Organizers

  • CREATING A COMPOSITE IMAGE

    Unique Photo

    $79.00

    WHAT IS A COMPOSITE IMAGE? COMPOSITING is the combining of visual elements from separate sources into single images, often to create the illusion that all those elements are part of the same scene. Unlike a multiple exposure where separate images are made on the same frame. The purpose is usually to make the combined images look as though they were a part of the same scene. WHAT YOU'LL LEARN: WHAT A COMPOSITE IS HOW TO CREATE A SIMPLE COMPOSITE HOW TO CREATE A SINGLE IMAGE COMPOSITE HOW TO SELECT AN IMAGE OR IMAGES FOR A COMPOSITE HOW TO CREATE A MONTAGE YOU'LL ALSO LEARN THE FOLLOWING: ABOUT THE COMPOSITE AS A NARRATIVE THE COMPOSITE IN PORTRAITURE THE COMPOSITE IN LIGHT PAINTING OTHER TYPES OF COMPOSITES, SUCH AS Panoramas High Dynamic Range images Focus Stacking Displacement Mapping Our Presenter - Chuck Almarez: - Degree from Brooks institute of Photography in Santa Barbara, CA - Master's Degree in Digital Photography at the School of Visual Arts in New York City. - Owns and operates a commercial photography studio and gallery (Fire and Light Gallery in Clinton Forge) - Teaches photography courses at Dabney S. Lancaster Community College in Clifton Forge and Blue Ridge Community College in Wyers Cave, VA. To see some of Chuck's photos, go to: http://www.fireandlightgallery.com and/or http://www.almarezphoto.com Attendees (3)

  • LAYERS, MASKS & MODES IN PHOTOSHOP: Your Path to Creativity

    Layers, Masks, and Modes are tools that can supercharge your work in Photoshop. They are the basic building blocks to unleashing your creativity and taking your photography to the next level. In this workshop you will learn to manage your Layers, how to use Masking to reveal or conceal elements in a layer, and how to use Modes to control the interaction between images on different layers. These are the tools you’ll use most often in creating a composite image, colorizing an image, and in making non-destructive edits to your images. Layers were introduced in Photoshop 3.0 in Sept. 1994 and changed everything. Now users could work on separate elements of an image to make local changes without affecting anything else. It's like working with sheets of stacked acetate illustrators used in building a cartoon. Masks can be added to layers to restrict the visibility of the content either completely or incrementally. With masks, you could completely hide a change made on a layer or reduce the visibility of the change, literally by percentages. Modes define how one layer interacts with the layers below and can completely change the resulting image. Think about the days when you picked up two slides by mistake and you could see parts of each slide blended together, although usually a bit too dark. Now think about having 27 different options on how they could blend together. Mind boggling for sure! Using these three tools together and understanding how they work is the first steps in getting complete control over your images. they also are the tools you'll use in making the image you want from the one the camera captured. Even more fundamental, they let you choose between capturing an image or creating one. In this presentation we will review the Layer Palette in Photoshop to discover all of the tools that it contains. We'll break down layers, masks, and modes to understand how they work together to allow you to refine your image and even take the first steps beyond enhancements and into the realm of image manipulation including creating composite images. Time permitting, we'll also delve into Smart Objects and the amazing surprises awaiting when the Stack Mode is changed on a group of layers converted to Smart Objects. Our Presenter - Chuck Almarez: - Degree from Brooks institute of Photography in Santa Barbara, CA - Master's Degree in Digital Photography at the School of Visual Arts in New York City. - Owns and operates a commercial photography studio and gallery (Fire and Light Gallery in Clinton Forge) - Teaches photography courses at Dabney S. Lancaster Community College in Clifton Forge and Blue Ridge Community College in Wyers Cave, VA. To see some of Chuck's photos, go to: http://www.fireandlightgallery.com and/or http://www.almarezphoto.com

  • PHOTOGRAPH BALLERINAS IN GRAND CENTRAL TERMINAL UNDER CONTROLLED LIGHTING

    PHOTOGRAPH BALLERINAS UNDER CONTROLLED LIGHTING CONDITIONS IN THE ICONIC GRANDEUR OF GRAND CENTRAL TERMINAL (GCT). AIP HAS MADE ARRANGEMENTS WITH GCT THAT WILL ALLOW US TO HOLD A 3 HOUR PHOTO SHOOT IN THE TERMINAL ADJACENT TO THE ICONIC LANDMARKS OF THE TERMINAL SUCH AS "THE CLOCK", AND "HARRY'S BAR", ETC. WE HAVE BEEN GIVEN PERMISSION TO USE OUR OWN CONTROLLED LIGHTING TO ASSURE THAT WE CAN SHOOT UNDER A CONTROLLED AND CONSTANT LIGHT SOURCE WITH A CONSTANT COLOR TEMPERATURE. IN ORDER TO INSURE A SUCCESSFUL PHOTO SHOOT FOR ALL PARTICIPANTS, WE WILL SET UP TWO STATIONS, IN DIFFERENT AREAS OF THE TERMINAL. EACH STATION WILL HAVE A MAXIMUM OF 6 PHOTOGRAPHERS. EACH STATION WILL FEATURE A PHOTO LIGHT STAND AND A DEDICATED BALLERINA/DANCER. EACH STATION WILL HAVE IT'S OWN SUPERVISOR/INSTRUCTOR. OUR OWN PADMA INGUVA WILL SUPERVISE ONE STATION AND MALCOLM KAHN THE OTHER. PARTICIPANTS SHOULD MEET THE GROUP AT 5:45 A.M. IN FRONT OF THE CLOCK ON THE MAIN FLOOR OF THE TERMINAL. WE'LL THEN BREAK UP INTO TWO GROUPS AND HEAD TO OUR RESPECTIVE STATIONS TO BEGIN SHOOTING. SINCE WE'LL BE SHOOTING IN THE EARLY MORNING HOURS ON A SUNDAY ANYONE WISHING TO DRIVE INTO THE CITY SHOULD BE ABLE TO FIND AVAILABLE STREET PARKING SPACES IN THE LOCAL STREETS ADJACENT TO THE TERMINAL. BECAUSE OF THE NATURE OF THIS EVENT, REFUNDS WILL ONLY BE GIVEN IF THE EVENT IS CANCELLED OR RESCHEDULED. IN NECESSARY, FINAL INSTRUCTIONS WILL BE SENT TO ALL PARTICIPANTS A FEW DAYS BEFORE THE EVENT. (Photograph provided by Lynne Carmichael)

  • Acadia National Park and Mount Desert Island - Bar Harbor Maine

    Atlantic Oceanside Hotel & Conference Center

    $1,395.00

    Travel with AIP on Wednesday, Oct. 3rd, 2018 - Sunday, Oct. 7th, 2018 when we travel to Bar Harbor, Maine in our own chartered van(s) to photograph Acadia National Park, Mount Desert Island and Bar Harbor at a time of the year when Maine should be displaying it's peak fall colors. Our chartered van(s) will leave the New York/New Jersey area from a central point early Wednesday morning, Oct 3rd,. We'll drive to our hotel in Bar Harbor Maine arriving by late afternoon/early evening. We'll be staying at the 4-1/2 Star Atlantic Oceanside Hotel & Conference Center in Bar Harbor All of our rooms are in the main building and have two queen beds with a balcony. Bar Harbor is one of the most picturesque villages in New England with an assortment of wonderful sea food restaurants. While this is an exceptional Photo Adventure, it will also be an epicurean adventure. NOTHING FANCY BUT DAMN GOOD FOOD!! From Wednesday, late afternoon on Wednesday, Oct. 3rd to late morning on Sunday, Oct. 7th we'll explore and photograph in and around Bar Harbor, Acadia National Park and Mount Desert Island. While it's quite possible to find photographic vantage points along our route, some of the best photo ops will require a moderate amount of hiking. The following images are representative samples of what you can expect to find in and around Bar Harbor, Acadia National Park and Mount Desert Island. Or tour fee of $1,395.00 is based on double occupancy and includes breakfast each day at our hotel. Tour fee also includes round trip transportation and all transportation in Maine. If you don't have a roommate, we will try to match you up with a suitable one. Single rooms are available upon request and payment of a single supplement of $600.00 Highlights of the trip: Our Photo Adventure has been timed to hopefully coincide with with peak fall color. 5 Days/4 nights Four nights at the 4-1/2 Star Atlantic Oceanside Hotel & Conference Center in Bar Harbor. Breakfast each day at our hotel Round trip transportation from the tri state area to Bar Harbor, Maine All ground transportation while on tour is included. Three full days and two 1/2 days of photography at Acadia National Park and Mount Desert Island as well as Bar Harbor, Maine The price of the photo adventure does not include: • Meals other than breakfasts • Drinks • Items of a personal nature • Anything not specifically mentioned as included Prices: Per person based on double occupancy: $$1,395.00 Single supplement: $600.00 Payment schedule: The initial deposit of $350.00 is due within 7 days of booking and is nonrefundable unless the trip is cancelled. Final payment (balance owed) is due 60 days prior to departure. If cancellation is received 60 to 31 days prior to departure, the cancellation fee is 50% of the photo adventure fee. It cancellation is received 30 days or less before departure, the cancellation fee is 100% of the photo adventure fee. The preferred method of payment is by check which should be mailed to: Adventures in Photography, LLC 14 Tamarack Lane Pomona, NY 10970 Form of Payment: The preferred form of payment is by check, however, we can accept payment by PayPal or credit card with the addition of a 4% convenience fee. Call Martin Joffe at[masked] if that is how you wish to pay. Checks should be made payable to Adventures in Photography, LLC and mailed to: Martin Joffe Adventures in Photography, LLC 14 Tamarack Lane Pomona, NY 10970 Health Considerations: AIP Photo Adventures are within the capabilities of average people in good health. Some of these trips require the capability of walking for several miles over uneven trails. If you have any concerns about your own capabilities and/of fitness as it relates to a trip, please inquire with us before reserving a space. Standard Release Form: All tour participants will be required to sign a Standard Release and Acknowledgement of Risks form prior to departure Adventures in Photography LLC – Cancellation Policy CANCELLATION AND REFUND POLICY: Cancellations are only effective upon receipt of written notification signed by the participant(s). Written notification should be mailed to Adventures in Photography, LLC’s corporate office located at 14 Tamarack Lane, Pomona, NY 10970. The initial deposit is used to secure your accommodations, transportation and guides and therefore non-refundable, unless the photo adventure is sold out at the time of departure. Adventures in Photography LLC, hereafter AIP, will do their best to resell your spot and/or return as much of your non-refundable deposit as possible. If the final balance has not been received 90 days prior to trip commencement, AIP shall be entitled, at their, discretion, to treat your reservation as cancelled and the deposit shall be forfeited. We understand that conflicts arise, if you need to cancel your participation in the photo adventure prior to the final payment, all efforts will be made to fill your spot. If AIP fills your spot, a refund of your non-refundable deposit, less a 25% administration fee and less any non-refundable air tickets purchased, will be issued; there are no guarantees but we will do our best. If cancellation is received 60 to 31 days prior to departure, the cancellation fee is 50% of the photo adventure fee. It cancellation is received 30 days or less before departure, the cancellation fee is 100% of the photo adventure fee. In the event you do not join the photo adventure, join it after departure or leave before its completion, no refunds will be made with the exception of any airfare refunds provided by the carrier when applicable. CANCELLATION OR CHANGE IN photo adventure: AIP will make every attempt to operate a photo adventure once confirmed, but will reserve the right to cancel or change a trip at any time, due to insufficient bookings, and/or reasons beyond its control, such as; strikes, war, acts of God, acts of government, civil unrest or any other cause whatsoever, that may make operation of the tour impossible, illegal or inadvisable. All tour payments received will be promptly refunded, and this refund will be the limit of AIP’s liability. AIP is not responsible for any expenses incurred by tour members in preparing for the tour including non-refundable airline tickets, airline penalties, special clothing, visa or passport fees, or other tour-related expenses. Finally: AIP highly recommends the purchase of travel insurance to cover these events and expenses. If you need a recommendation for an insurance carrier, AIP will provide one on request. If you have any questions or require any additional information, you can contact me directly. My personal email address is: [masked] My mobile phone number is[masked] Note: AIP reserves the right to cancel any trip/tour/group due to insufficient registration at any time. In the event of such cancellation, those with reservations shall be notified as soon as possible and a full refund of trip payment will be given. AIP assumes no responsibility for refund or additional expenses incurred in preparation for a trip. WE hope you'll join us. Malcolm Kahn, Padma Inguva, Martin Joffe Your AIP Organizers

  • AIP Monthly Meetup: WATER DROP PHOTOGRAPHY

    Unique Photo

    $20.00

    There is a special beauty to seeing liquid frozen in time, especially when a collision is involved. Join professional photographer Loren Fisher as he shows you the magic of photographing liquid splashes and collisions. Loren will show many examples of what happens when drops collide and the unique images that are created with each shot. He will talk about the special equipment needed to control the timing of water drops to be sure you capture that fraction of a second in your camera. He will also go into how this type of high speed photography works and how lighting changes the look of the splashing liquids. Being able to freeze very fast action is key and Loren will show you what lighting equipment is needed and the settings required to stop action at the precise moment needed for an amazing photo. Loren Fisher bio: Working as a professional photographer since 1978, Loren Fisher has photographed subjects as diverse the Olympics in Seoul, Korea, eagles in Alaska, transporting horses in a 747 from Germany, the 106 covered bridges of Vermont, in the dressing room with the Rockettes and backstage with Bruce Springsteen. Hr has published two photography books: “Pope John Paul II: An American Celebration” which documented the papal visit to New York, New Jersey and Baltimore and “Branson Backstage” which looks at the phenomenon of 35 live music theaters in Branson, Missouri. Crawling through the woods, donning waders in swamps and searching out what’s good is what keeps Loren excited. While he has traveled to 50 states and 18 countries, Loren loves to seek out the beauty that surrounds him locally. Loren can be found displaying his work at art shows year round from Florida to Vermont. He teaches workshops locally and at great destinations around the world including Iceland, Chile, France, Italy and Guatemala. He started working in newspapers in 1978 as a staff photographer and worked for seven newspapers in Indiana, Ohio and New Jersey, plus USA Today as a photographer, photo editor and graphics editor. He was Managing Editor/Digital for two N.J. Gannett newspapers, the Home News Tribune and Courier News and oversaw the combined website. He is a past president of the New Jersey chapter of ASMP and is an adjunct professor at Rutgers University teaching photography, multimedia and video in the journalism department. Loren lives in Somerville, N.J. and Woodstock, Vt. with his wife, Robin Gaby Fisher.

  • 9/11 Memorial Lights - All the best Locations In One Night by Luxury Motor Coach

    PHOTOGRAPH THE 9/11 MEMORIAL LIGHTS FROM THE BEST POSSIBLE GROUND LOCATIONS AND GET THERE IN OUR OWN LUXURY MOTOR COACH!! (There are at least 4 exceptional vantage points in the DUMBO area on the Brooklyn side of the East river. We'll get a chance to explore most, if not all, of them.) What makes this Photo Adventure unique is how we're going to travel to, from, and around the photo locations that we've selected for our photo shoot. We'll all meet at a specified location in the Plaza at Harmon Meadow late in the afternoon on Sept. 11th. Our chartered 56 passenger luxury coach will then whisk us off to New York and be our base. Our first drop off point will be DUMBO (the Brooklyn side of the East river directly opposite the Freedom Tower and it's Memorial Lights.) We will have time to shoot from several different locations. When we're ready to move on, our Luxury Motor Coach will pick up us and take us within walking distance of Ground Zero where we'll encounter a plethora of new photo ops. Please note: How close we will be able to get to Ground Zero may be somewhat limited by site restrictions and regulations. This is a great way to maximize the number of locations we can visit without any hassle or stress. The best part is that you can always go back the coach if you’re tired or need to warm up. We’ll also be able to leave our extra gear on the coach so you don’t have to schlep a heavy backpack just in case and there will be a restroom on board…how convenient is that. I am quite sure that this Photo Adventure will be both a very emotional experience for us all and a very productive one photographically. At the end of our photo shoot we'll board our luxury motor coast for the trip back to our departure point and our cars. Once we board our bus, everyone will get a gourmet box dinner to eat on the way home. This gourmet box dinner has received rave reviews (5 stars) from past motor coach tour participants. Of course, we'll have bottled water on board. PAYMENT DETAILS: THE COST OF THIS PHOTO ADVENTURE IS $250.00 PER PERSON. HOWEVER, SINCE 9/11 IS 6 MONTHS OFF WE'RE ASKING THAT ANYONE WISHING TO PARTICIPATE SUBMIT A NON-REFUNDABLE PARTIAL PAYMENT DEPOSIT OF $50.00 AND MAKE THEIR FINAL PAYMENT 45 DAYS IN ADVANCE OF THE EVENT. ONCE YOU SIGN UP FOR THIS PHOTO ADVENTURE, YOU'LL BE CONTACTED BY ONE OF AIP'S ORGANIZERS AND GIVEN INSTRUCTIONS ON HOW TO SUBMIT PAYMENT. IF YOU HAVE ANY QUESTIONS OR SIMPLY WANT ADDITIONAL INFORMATION, PLEASE CONTACT ME (MARTIN JOFFE) VIA MY PERSONAL EMAIL ADDRESS - [masked] YOU CAN ALSO CALL ME AT[masked] SINCE WE ARE CONFIDENT THAT THIS PHOTO ADVENTURE WILL SELL OUT, WE URGE YOU TO SIGN UP WHILE THERE'S STILL SPACE. MARTIN JOFFE, MALCOLM KAHN AND PADMA INGUVA - YOUR AIP ORGANIZERS.

  • WESTERN ICELAND AND IT'S INCREDIBLE HIGHLANDS - A PHOTO ADVENTURE LIKE NO OTHER!

    Day 1 & 2- August 24th & 25th, 2018 (Reykjavik, Pingvelliir, Geysir) We'll depart from Newark Airport at at 6:55 p.m. for Keflavik, Iceland. We'll land 5:50 minutes later. Local time will be 4:55 a.m., August 25th. We'll be picked up at the airport and after a short drive, we'll have breakfast in Reykjavik. After breakfast, we'll make a few short photo stops such as the Harpa Concert Hall and the Hallgrimskirkja Church. We'll then head to Thingvellir National Park, a UNESCO World Heritage Site. Thingvellir is located in the dramatic rift valley where the North American and Eurasian tectonic plates pull apart, clearly visible at the great Almannagia Gorge. In the afternoon, we'll visit the Geysir Hot Spring area where we'll also spend our first night in Iceland. Along the way, we'll stop at some Ice Caves and Lava Tubes on our way to West Iceland and the Snaellsness Peninsula Ice Cave (even if we see one, we may not be able to go inside as they're not safe in the summer) Day 3 - August 26th, 2018 (Geysir, Gullfoss, Kjolur, Kerlingarfjoll) After some early morning photography in the Geysir area (before other tourists arrive) we'll drive to Gullfoss, The golden Waterfalls which are one of the most beautiful waterfalls in Iceland. We'll then take the Kjolur Highland track to Kerlingarfjoll Mountains which is one of Iceland's greatest geothermal areas. The contrast of snow and ice with the hot springs which are beautifully painted in a colorful red landscape. We'll spend the night in a mountain hotel. Day 4 - August 27th, 2018 (Kerlingarfjoll, Hveravellir, Akureyri, Myvatn) Continuing on the Kjolur Highland track northwards to Hveravellir where one of Iceland's finest hot springs zone is to be found. From Hveravellir we'll drive north to Skagafjordur ant then east towards Akureyri and the region of Lake Myvatn, stopping to visit and photograph the grandeur of Godafoss Waterfall. We'll spend night in a hotel near lake Myvatn. Day 5 - August 28th, 2018 (Myvatn to Northeast Iceland, 1 to 2 hours of driving time) We'll spend the day in the area of Lake Myvatn, the Hverfjall crater, lava formations at Dimmuborgir, Krafla Volcano and the Solfataras of Namaskard geothermal area. The Krafla area has had nine different eruptions from 1975 - 1984 and lava is still warm in some places, emitting steam creating another worldly atmosphere. Day 6, August 29th, 2018 Myvatn, Sprengisandur and Hrauneylar . Sprengisandur is a very desolate and black desert that we'll cross over on our way to the highland center of Hrauneyiar. On our way we'll see Aldeyiarfoss which some say is the most beautiful waterfall in Iceland. We'll also have some stunning views of glaciers like Hofsjokull and Vatnajokull as well as volcanoes like Herdubreid and Askja. We'll spend the night in a Highland Center of Hrauneyiar. Day 7, August 30th, 2018 Hrauneyjar, Landmannalaugar, Fjallabak, Hrifunes After a one hour drive we'll arrive in Landmannalaugar which features the largest geothermal field in Iceland. It's sculptured peaks are made of rhyolite causing amazing colorization of the surrounding mountains. After spending the morning in Landmannalaugar we'll take the Fjallabak mountain track that will lead us to Eldgia - the Fissure of Fire We'll spend the night at a family run Guest House in Hrifunes. Day 8, August 31st, 2018 Eldhraun, Vatnajokull Glacier, Jokulsarlon We'll drive down to the main road and head east towards the south side of the great Vatnajokull glacier by driving across the world's largest lava field, the Eldraun and the huge flood plains of Skeidararsandur all the way to the Jokulsarlon where we'll get to spend some time photographing the incredible glacial lagoon and it's icebergs. In the afternoon we'll drive back to the same accommodations in Hrifunes. Day 9 September 1st, 2018 Hrifunes, Vik, Reynisfjara, Dyrholaey, Skogarfoss, Seljalandsfoss and Hella en route to Keflavik and our flight home. After breakfast, we'll start our photo adventure along the South coast of Iceland where you'll take in some of Iceland's most dramatic scenery - on one side, tall mountains with a succession of waterfalls cascading down from the glaciers above while on the other, views of the North Atlantic coastline with its black sand beaches and dramatic headlands. Our stops include Seljalandsfoss, a narrow waterfall dropping 60 meters into a shallow pool with space to walk behind it and the breathtaking Skogafoss waterfall. After our last breakfast in Iceland and on the way to the airport we'll enjoy the Reykjanes peninsular with its spectacular lava landscape, hot springs and sea cliffs. We'll arrive in Keflavik Airport in time to check in for our 9:00 p.m. flight back to the U.S. After a 6 hour flight, we'll land in Newark at 11:25 p.m. local time. I know what you'll be thinking and that's how soon can you return. One visit to Iceland just isn't enough. NOTE: You must have a valid passport but a Visa isn't necessary. Highlights of the trip: • 9 days/8 nights of incredible photo ops • Our trip has been planned to coincide with the time of the year that the Highlands are most accessible. The price of this photo adventure is $5,495.00 per person based on double occupancy. (Single supplement is $895.00) Price includes: • All breakfasts and dinners • (Lunch isn't included but most if not all lunches will be quick meals in small local eating spots taken on the run and won't be expensive.) • All gratuities • All transportation while in Iceland • Long, long days (it really doesn't get dark in Iceland at the time of the year that we'll be there). We'll be able to photograph for 16 to 17 hours if we wish to (MORE BANG FOR THE BUCK) • Professional local driver/guide • AIP Tour Leader The price of the tour does not include: Round trip transportation from home to airport - Airfare - Lunches - Drinks - Items of a personal nature - Anything not specifically mentioned in the “What’s included section” All of our hotels will probably have internet connections. However, internet service and cellular phone service, while available, will be spotty in some places with very slow upload and download speeds. Cell service will require a local sim chip and cellular plan. Payment schedule: The initial deposit of $1,00.00 is due within 7 days of booking and is nonrefundable unless the trip is cancelled. Final payment (balance owed) is due 60 days prior to departure. If cancellation is received 60 to 31 days prior to departure, the cancellation fee is 50% of the photo adventure fee. It cancellation is received 30 days or less before departure, the cancellation fee is 100% of the photo adventure fee. The preferred method of payment is by check which should be mailed to: Adventures in Photography, LLC 14 Tamarack Lane Pomona, NY 10970 If payment is made by credit card, a convenience fee of 4% will be added. Adventures in Photography LLC – Cancellation Policy CANCELLATION AND REFUND POLICY: Cancellations are only effective upon receipt of written notification signed by the participant(s). Written notification should be mailed to Adventures in Photography, LLC’s corporate office located at 14 Tamarack Lane, Pomona, NY 10970. The initial deposit is used to secure your accommodations, transportation and guides and therefore non-refundable, unless the photo adventure is sold out at the time of departure. Adventures in Photography LLC, hereafter AIP, will do their best to resell your spot and/or return as much of your non-refundable deposit as possible. If the final balance has not been received 90 days prior to trip commencement, AIP shall be entitled, at their, discretion, to treat your reservation as cancelled and the deposit shall be forfeited. We understand that conflicts arise, if you need to cancel your participation in the photo adventure prior to the final payment, all efforts will be made to fill your spot. If AIP fills your spot, a refund of your non-refundable deposit, less a 25% administration fee and less any non-refundable air tickets purchased, will be issued; there are no guarantees but we will do our best. If cancellation is received 60 to 31 days prior to departure, the cancellation fee is 50% of the photo adventure fee. It cancellation is received 30 days or less before departure, the cancellation fee is 100% of the photo adventure fee. In the event you do not join the photo adventure, join it after departure or leave before its completion, no refunds will be made with the exception of any airfare refunds provided by the carrier when applicable. CANCELLATION OR CHANGE IN photo adventure: AIP will make every attempt to operate a photo adventure once confirmed, but will reserve the right to cancel or change a trip at any time, due to insufficient bookings, and/or reasons beyond its control, such as; strikes, war, acts of God, acts of government, civil unrest or any other cause whatsoever, that may make operation of the tour impossible, illegal or inadvisable. All tour payments received will be promptly refunded, and this refund will be the limit of AIP’s liability. AIP is not responsible for any expenses incurred by tour members in preparing for the tour including non-refundable airline tickets, airline penalties, special clothing, visa or passport fees, or other tour-related expenses. Finally: AIP highly recommends the purchase of travel insurance to cover these events and expenses. If you need a recommendation for an insurance carrier, AIP will provide one on request. If you have any questions or require any additional information, you can contact me directly. My personal email address is: [masked] My mobile phone number is[masked] Who hope you choose to join on on this fantastic photo adventure to one of the most unusual and exciting area of Iceland Padma Inguva, Malcolm Kahn and Martin Joffe Your AIP Organizers

  • WELCOME TO THE WORLD OF PAINTING WITH LIGHT WHERE LIGHT BECOMES THE SUBJ ECT

    Light Painting the Photographic Image This photographic discipline encompasses a surprisingly wide variety of styles. There are those who use light as the subject of their images, a wonderful example being the images of a friend from rural Virginia, Jeremy Jackson. His images are recognized world-wide among light painters in his genre. His work can be seen at: http://www.tackyshack.net/ or on You Tube (Jeremy Jackson Light Painting). Jeremy will use any type of light available, including those he makes to suit his needs. to create the image. And in his images, light is the subject. A sub-set of this genre are those who insist that the purest form of this type of image can only be captured with a single, long exposure. Sometimes lasting many minutes. Others are more liberal in their approach and accept multiple exposures combined in post-processing to create the final image. Another type of light painting is practiced by photographers who simply use light to illuminate a scene. Very similar to “traditional” photography except that the lights are typically hand-held illumination devices, eg, flashlights or handheld strobes, that the photographer applies as needed to illuminate different parts of the scene. Once again, there are those who take the one-exposure approach and those who blend multiple exposures in post processing. A great example of this type of light painting is that of Los Angeles-based photographer, Eric Curry at http://www.americanprideandpassion.com (http://www.americanprideandpassion.com/) ,who uses light to bring out the “beauty and passion from everyday objects.” You need to see his You Tube videos (Eric Curry Light Painting) to appreciate the sheer size, scale, and complexity of his subjects, e.g., light painting a B-29 bomber (and crew, of course) at night. If working with smaller subjects in the comfort of your basement or workshop on a cold, winter night is more your cup of tea, you’ll appreciate the work of Harold Ross whose light painting of still life images he refers to as “sculpting with light.” He carefully lights small parts of the image during multi-second exposures and then blends them using layers and masks to paint-in the light from each exposure. The end result are images that are more painted than illuminated. His work can be see at haroldrossfineart.com (http://haroldrossfineart.com/)) and on You Tube (Harold Ross Light Painting). My objective tonight is to introduce you to these various types of light painting and show you the amazingly simple and inexpensive lighting equipment that will serve to get you started in the wonderful world of light painting. Our presenter tonight is Chuck Almarez. He will amaze you with his creative style and ability to "paint with light". Chuck Almarez Biography: After 10 years of military service (four years as a photo intelligence analyst), Chuck formalized his photography education with a degree from Brooks Institute of Photography in Santa Barbara, CA. He participated in the Shroud of Turin project undertaken in 1979 and later worked as a staff photographer for Santa Barbara Research Center, a subsidiary of Hughes Aircraft. In 1982 he joined a fellow Brooks graduate in operating a commercial photography studio in San Francisco. Years working in technology marketing intervened until a move to Glen Wilton, Virginia in 1989. In1994 he started Kid Pix Photography, shooting team and sports photos in Clifton Forge, VA., and by 2002 he had made a transition from film to digital photography. In 2014 Chuck completed a Master’s degree program in Digital Photography at the School of Visual Arts in New York City. He owns and operates a commercial photography studio and gallery (Fire and Light Gallery in Clifton Forge) and teaches photography courses at Dabney S. Lancaster Community College in Clifton Forge and Blue Ridge Community College in Wyers Cave, VA. To see more of Chuck’s photos go to: www.fireandlightgallery.com (http://www.fireandlightgallery.com/) and www.almarezphoto.com (http://www.almarezphoto.com/) or find him on Facebook @ chuck almarez The Philosophy of the art: Light Painting the Photographic Image This photographic discipline encompasses a surprisingly wide variety of styles. There are those who use light as the subject of their images, a wonderful example being the images of a friend from rural Virginia, Jeremy Jackson. His images are recognized world-wide among light painters in his genre. His work can be seen at: http://www.tackyshack.net/ or on You Tube (Jeremy Jackson Light Painting). Jeremy will use any type of light available, including those he makes to suit his needs. to create the image. And in his images, light is the subject. A sub-set of this genre are those who insist that the purest form of this type of image can only be captured with a single, long exposure. Sometimes lasting many minutes. Others are more liberal in their approach and accept multiple exposures combined in post-processing to create the final image. Another type of light painting is practiced by photographers who simply use light to illuminate a scene. Very similar to “traditional” photography except that the lights are typically hand-held illumination devices, eg, flashlights or handheld strobes, that the photographer applies as needed to illuminate different parts of the scene. Once again, there are those who take the one-exposure approach and those who blend multiple exposures in post processing. A great example of this type of light painting is that of Los Angeles-based photographer, Eric Curry at http://www.americanprideandpassion.com (http://www.americanprideandpassion.com/) ,who uses light to bring out the “beauty and passion from everyday objects.” You need to see his You Tube videos (Eric Curry Light Painting) to appreciate the sheer size, scale, and complexity of his subjects, e.g., light painting a B-29 bomber (and crew, of course) at night. If working with smaller subjects in the comfort of your basement or workshop on a cold, winter night is more your cup of tea, you’ll appreciate the work of Harold Ross whose light painting of still life images he refers to as “sculpting with light.” He carefully lights small parts of the image during multi-second exposures and then blends them using layers and masks to paint-in the light from each exposure. The end result are images that are more painted than illuminated. His work can be see at haroldrossfineart.com (http://haroldrossfineart.com/)) and on You Tube (Harold Ross Light Painting). My objective tonight is to introduce you to these various types of light painting and show you the amazingly simple and inexpensive lighting equipment that will serve to get you started in the wonderful world of light painting. Join us and be prepared to be amazed.