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Mika Rottenburg's video installation shows an imaginative world of surrealistic scenes where banal objects created in lengthy processes reminiscent of factory installation on the assembly line. The role of workers gives Rottenberg often women who feed on that they have distinctive kroppsutseenden, such as extreme obesity, muscle, length or unusually long fingernails or hair. In claustrophobic framing produces women maraschino cherries, dough, make-up and wipes in the most amazing ways. The environments Mika Rottenberg creates in the films also extends into the exhibition space. Everyday aesthetics gets new meaning when production and consumption chain that surrounds us is both intimately familiar and intuitive alarming. The exhibition will include works from the early 2000s until today.

Mika Rottenberg was born in 1976 in Buenos Aires, Argentina. Raised and educated in Israel, she moved ten years ago in New York, USA, where she now lives and works. Her work was displayed next to Nottingham Contemporary and FRAC Languedoc-Roussillon, Montpellier (2012), M-Museum Leuven, Belgium (2011), De Appel, Amsterdam (2011) and the San Francisco Museum of Modern Art (2010). Mika Rottenberg was represented at the Whitney Biennial, New York (2008) and has also been exhibited at the Guggenheim Biblao, Spain (2008) and Tate Modern, London (2007). In 2005 appeared the work of her at MoMA P.S. 1, New York, and as part of the exhibition Uncertain States of America (2006) which was shown at the Astrup Fearnley Museum of Modern Art, Oslo, Serpentine Gallery, London and Bard College Center of Curatorial Studies, Annandale-on-Hudson, N Y.

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