Documentary Films

[Profs and Pints Northern Virginia](https://www.profsandpints.com/washingtondc) presents: **“The Hidden Cleopatra,”** an excavation through myth and slander to uncover the real Egyptian queen, with Jacquelyn Williamson, an Egyptologist and associate professor of archaeology and ancient art at George Mason University. [Advance tickets: $13.50 plus sales tax and processing fees. Available at [https://www.ticketleap.events/tickets/profsandpints/hidden-cleopatra](https://www.ticketleap.events/tickets/profsandpints/hidden-cleopatra) .] Depictions of Cleopatra are abundant in popular culture. A long list of painters have depicted her, Marilyn Monroe and Kim Kardashian have posed as her, and Vivien Leigh and Elizabeth Taylor famously portrayed her in Hollywood films. At the end of the day, however, what most of us think we know about Cleopatra is wrong, the product of the ancient Rome’s “fake news” and anti-Egypt propaganda. Learn about the real Cleopatra—and how our understanding of her came to be so distorted—with Professor Jacquelyn Williamson, scholar of women and power in ancient Egypt, teacher of courses on ancient Egyptian art and archaeology, and author of *Nefertiti’s Sun Temple: A New Cult Complex at Tell el-Amarna.* Dr. Williamson will walk us through how the first Roman emperor, Octavian, created the distorted image of Cleopatra as seductress that we know today as part of his political scheming to defeat his rival Antony and end the Roman Republic once and for all. Cleopatra has been the subject of debate and controversy ever since. William Shakespeare later relied on ancient Roman sources such as Horace and Plutarch in writing *Antony and Cleopatra*, and his play helped give rise to countless other works offering a distorted picture of her. Professor Williamson argues that “Cleopatra was a human being, like you and I,” and “deserves the dignity of being represented as accurately as possible.” Her efforts to set the record straight have met frustration, however—after being extensively interviewed for the recent Netflix historical docuseries Queen Cleopatra, she concluded that it, too, had missed the mark. You’ll gain a much deeper appreciation of the challenges of researching and accurately depicting the ancient past from Dr. Williamson, who also has taught at Harvard, Brandeis, and the University of California at Berkeley and is involved with an ongoing archaeological investigation of Queen Nefertiti’s sun temple. (Doors: $17, or $15 with a student ID. Listed time is for doors. Talk starts 30 minutes later.) Image: Layla Taj portrays Cleopatra VII as part of an Egyptian Cultural Performing Arts Society production. (Photo by Amos Gvili / Wikimedia Commons.)

[https://silver.afi.com/capital-irish-film-festival/](https://silver.afi.com/capital-irish-film-festival/) Now in its 20th year, the **Capital Irish Film Festival** brings the best of contemporary Irish cinema by filmmakers from the island of Ireland to audiences in the Washington, DC, metropolitan area. Festival passes are on sale now. Watch out for future news and updates to follow, including the full festival lineup announcement in January 2026. The Capital Irish Film Festival is supported by the Government of Ireland Emigrant Support Programme, Culture Ireland, Fís Éireann/Screen Ireland, Embassy of Ireland, Northern Ireland Bureau, Northern Ireland Screen and the Irish Film Institute’s IFI International Programme supported by Culture Ireland.

Join our partners Watermark Woods Native Plants, Loudoun County Public Library (LCPL), and Birch Tree Bookstore for the Read! Plant! Grow! Book Club, which focuses on native plants, sponsored by Loudoun Wildlife Conservancy and LCPL. At this meeting we’ll discuss the book Animal, Vegetable, Miracle by Barbara Kingsolver. Both memoir and journalistic investigation, this book explores how the Kingsolver family took on a new challenge: to spend a year on a locally -produced diet, paying close attention to the provenance of all they consume. Concerned about the environmental, social, and physical costs of American food culture, they hoped to recover what Kingsolver considers our nation’’s lost appreciation for farms and the natural processes of food production. You can either buy the book from Birch Tree Bookstore or contact Allison Forbes at [Allison.forbes@loudoun.gov](mailto:Allison.forbes@loudoun.gov) to borrow a copy of the book at the library. There are two ways to participate: attend the event online via the library website or [sign up to participate in person at Birch Tree Bookstore](https://www.birchtreebookstore.com/event-details/read-plant-grow-2026-02-24-18-30). ***Questions:*** *Contact [info@loudounwildlife.org](mailto:info@loudounwildlife.org)*.

We've attended this in the past. The films are always good and the Irish Embassy does a great job with the reception. The cost is just $25 for film and reception - pretty reasonable. **SAIPAN -** This nail-biting, darkly comic drama recounts one of the most fractious fallings-outs in the history of sport: the explosive clash between soccer star Roy Keane (Éanna Hardwicke) and manager Mick McCarthy (the great Steve Coogan) on the island of Saipan just days before the Irish national football team competed in the 2002 FIFA World Cup in Japan and South Korea. Reviews have been very good - says you don't need to be a soccer fan to enjoy immensely. Q&A with directors Lisa Barros D’Sa and Glenn Leyburn\, moderated by Professor Darragh Gannon\, Associate Director of Global Irish Studies\, Georgetown University \| Post\-screening reception sponsored by the Embassy of Ireland\, Washington\, DC **TO PURCHASE A TICKET, USE [THIS LINK](https://silver.afi.com/movies/detail/0100005437/). Click on the "7:00 pm" bottom left and then follow the instructions.** Rooted in clashing standards and personalities, their feud transcended the game and gripped the entire nation of Ireland as hopes for glory went into a tailspin that not even the Taoiseach could remedy. Keane’s headline-grabbing eleventh hour departure from Ireland’s squad briefly left a weakened McCarthy to hold together a crumbling situation without his team’s talisman amidst a wealth of negativity from press and fans alike. On the surface it was all about standards, but deep down it was a hugely emotive story of two men whose rivalry and contempt came to surpass the sport they loved. With riveting performances from Coogan and Hardwicke, this gripping true story goes beyond sport to tell a tale of leadership, loyalty and rivalry that captured global attention — and as Ireland are on the cusp of qualifying for the 2026 FIFA World Cup, it is the perfect time to learn about a historic moment for the Boys in Green. (Note adapted from Vertigo Releasing.) DIR Lisa Barros D’Sa, Glenn Leyburn; SCR Paul Fraser; PROD Macdara Kelleher, John Keville, Trevor Birney, Oliver Butler. Ireland/UK, 2025, color, 91 min. NOT RATED

[Profs and Pints Northern Virginia](https://www.profsandpints.com/washingtondc) presents: **“Love and Monsters,”** on the inescapable bond between romance and horror, with Joshua Barton, scholar of horror and lecturer in English at Virginia Commonwealth University. [Advance tickets: $13.50 plus sales tax and processing fees. Available at [https://www.ticketleap.events/tickets/profsandpints/nv-love-monsters](https://www.ticketleap.events/tickets/profsandpints/nv-love-monsters) .] Romance and horror might seem like opposite genres, but they share a deep emotional core, and the combination of them has captivated audiences across time and culture. Put even your worst Valentine’s Day in perspective by hearing this strange relationship discussed by Joshua Barton, who has earned a big following among Profs and Pints fans with his past talks on cryptids, American horror, and Christmas ghosts. He’ll explore the undeniable and unsettling intersection of romance and horror and examine how and why love and fear intensify each other and combined to create tension, drive narratives, and explore human vulnerability. We’ll look at works that have blended passion and terror, including Gothic literature like the vampire novella *Carmilla* and modern films like *Spring* and *Crimson Peak*. We’ll study the fine line between obsession and adoration running through Stephen King’s “I Know What You Need,” Adrian Lyne’s *Fatal Attraction*, and the timeless *The Phantom of the Opera.* We’ll discuss the seeds of monstrous love that were planted with *Beauty and the Beast* and *Creature from the Black Lagoon* and bloom ferociously in works like *Twilight* and *The Shape of Water*. Through it all, we’ll find the threads of otherness and the taboo that intertwine horror, love, and reflections on identity. Join us for a journey through storytelling that combines the grotesque and the scintillating as we uncover why romance and horror are a match made in the dark. (Doors: $17, or $15 with a student ID. Listed time is for doors. Talk starts 30 minutes later.) Image: From the original 1954 advertising poster for *Creature from the Black Lagoon* (Artist: Reynold Brown / Public Domain).

**Joyful Mind Zendo** is happy to invite you to our **first film night** screening the Wim Wenders Oscar nominated film, **Perfect Days**. **Details:** * Come at **6:00 PM** to the **basement Zendo (back door)** to help set up. * Bring pizza, popcorn, dips, or beverages to share. * The screening will begin promptly at **6:30 PM**. * The films running time is 2hrs 4min, and will be followed by a short break and discussion. * Our evening will end by 9:30 PM. * Here is the [trailer](https://youtu.be/QzZBbX5A1FA?si=zTjQF8_t4oDzz3pd). * **See you soon and invite a friend!** | | | --- | | Perfect Days follows Hirayama, a middle-aged man living a life of humble simplicity in Tokyo. His days are governed by a meticulous routine: he wakes at dawn to the sound of a street sweeper, tends to his maple saplings, and drives his small van through the city to his job cleaning public toilets. Despite the seemingly lowly nature of his work, Hirayama performs his duties with the grace and precision of a master craftsman, finding deep contentment in the order and service he provides. | The core of Perfect Days is a celebration of presence and the dignity of labor\. Director Wim Wenders suggests that a meaningful life is not found in grand ambitions or material wealth\, but in the intentional appreciation of the here and now\. The film posits that true freedom comes from accepting life's limitations and finding 'perfection' in the subtle\, fleeting moments of harmony between humanity and nature\, encapsulated in the Japanese concept of Komerobi\. \|