Space Flight

Members of the public are invited to view the wonders of the universe through the telescopes of NOVAC volunteers at the Smithsonian's Udvar-Hazy Center in Chantilly, VA. You do not need to be a member of the club or own any astronomical equipment to attend. Telescopes will be provided by the Smithsonian and pre-approved members of the NOVAC. No other personal telescopes are permitted at the event. The event will take place on the bus parking lot of the museum. **Please park your vehicle at the south end of the main visitors lot and follow signs and red lights to the observing site. As a reminder, parking during the event is free.** Have a cosmic question? One of NOVAC's astronomers or museum staff will be happy to help you. As the sky gets dark, be prepared to enjoy the wonders of the night sky! Don't forget to dress warmly. Please check the weather forecast. For lighting, cover a flashlight in red cellophane (the darker the better). Bring along water to keep hydrated. Note: This outdoor event is weather-dependent and may be cancelled because of significant cloud cover or precipitation.

We're going to be visiting the **Udvar-Hazi** **Air & Space Museum** for an immersive look at humanity’s journey through flight and space exploration! **\#\#\# Details** **Location:** 14390 Air and Space Museum Parkway, Chantilly, VA 20151 **Time:** 2:00pm - 4:00pm (Subject to change) **Price:** $15 per Car (pay on entry) **Fursuiting allowed!**

This class is a practical, hands-on introduction to creating strong, dramatic portraits using a single light source. We’ll be working in a small studio environment with one model and one light, focusing on how light placement, distance, and modifier choice completely change mood and shape. This is not a lecture-only class—you’ll see the setup demonstrated and then rotate through shooting time yourself. What we’ll cover • How to shape dramatic light with a single source • Light placement for short light, broad light, and high-contrast looks • Controlling shadow depth and falloff in tight spaces • Using minimal gear to create intentional, cinematic portraits • Directing a model efficiently while lighting stays simple What to expect • Small group (10 photographers max) • One shared lighting setup, adjusted live so you can see cause and effect • Time to shoot the model and ask questions as we go • Emphasis on decision-making, not presets or gimmicks Who this is for • Beginner to early-intermediate photographers • Anyone who feels overwhelmed by multi-light setups • Photographers who want stronger, more intentional portraits What to bring • Any camera (DSLR or mirrorless) • A lens in the 35–85mm range is ideal • Fully charged batteries and memory card Lighting gear and model are provided. You just focus on shooting and learning.

A Starfinder Society Scenario designed for 1st- through 2nd-level characters, playable in 2-3 hours. From their newly founded lodge in the Sloughscar Hills, the Starfinder Society studies the Wreck of the Returned, a massive crashed starship the Starfinders believe was dispatched by the long-lost First Ones. Recent excavations into other First Ones sites uncovered powerful weapons, dangerous technology, and volatile magic—incredibly valuable discoveries capable of causing immense harm should they fall into irresponsible hands. While the Starfinder Society would love to enter the Wreck of the Returned directly, the Wreck’s automated defenses and networked robotic servitors make such an expedition incredibly dangerous. Fortunately, the Starfinders have discovered a nearby site of interest: a sizable piece of wreckage which detached during the crash and landed off-site. Eager for answers, the Starfinders dispatch a team to the crash site to investigate. Unfortunately, Hellknights from the Order of the Eclipse are already inside the wreckage, and their mandate to control, suppress, or destroy dangerous information and technology means they have no intention of sharing anything they uncover. It’s up to the Starfinders to explore the wreckage and gather information, before the Hellknights systematically seize, censor, and destroy everything in their path. This is an adventure in the ongoing Invasion's Edge metaplot. Written by Shan Wolf.

0700 Buffalo Wing Factory (BWF) Hunter Woods Shopping Center this week only, with the following weeks located at the RCC Hunter Woods meeting rooms 4-5-6-7 with a free medium Ledo's Pizza. This event is for active political party participants engaging in conversation & political discourse. The primary focus of this event is recorded for YouTube Debate Practice Trials beginning at 0704-0705 after Ledo's Pizza from next door. A projector will be used throughout most of the event, especially during the 45-minute-long trial debate sessions. It is open to all 6-7 political divisions and parties & constructive comments & criticisms are welcome. VICTORY SONGS FOR ELECTION CAMPAIGNS WITH TULSI GABBARD RUNNING ON THE DEMOCRATIC TICKET FOR THE NEXT GENERAL ELECTION FOR THE WHITE HOUSE WITH EVENING NEWS BRIEFINGS ON THE TOPIC WITH THE FORMALLY ANNOUNCED AND NEWLY ANNOUNCED DEI COMMANDER IN CHIEF THATS YOU TULSI GABBARD $& PLEASE READ THE BELOW AND TELL ME WHAT YOU THINK AND READ MY EMAILED NOTES ABOUT THE NEXT GENERAL ELECTION CAMPAIGN AND RELATED EMAILED NOTES AND SPEECH TOPICS AND RELATED BILLS THAT I SPONSORED WITH TRICRAFT’S FREELY DONATED MONEY FROM KELLY JOPLIN AT NSA HQ BLDG AND ROOM 10 BEFORE HE LEAVES BECAUSE ITS HIS LAST DAY AND YOU CAN GET THE REST FROM CNN BECAUSE I FORWARDED THESE WORDS WITH MY EXPRESS WRITTEN PERMISSION LIKE I DID WITH CODE WORD JAMES DEAN WHICH IS RELATED TO FBI REQUESTS WRITTEN BY YOURS TRULY FOR THE FBI’S JAMES DEAN TO READ BUT NOT ACT ON IT RIGHT AWAY Victory and some democratic Campaign songs in Proper Sequence and some used for Campaign Speeches and used for ***code words*** during the campaign:; [Verse 1] Love spreads her arms, waits there for the nails I forgive you, boy, I will prevail Too much to take, some cross to bear I'm hiding in the trees with a picnic, she's over there, yeah [Interlude] Yeah, yeah, yeah Yeah, yeah, yeah [Verse 2] She didn't scream, she didn't make a sound I forgive you, boy, but don't leave town Cold black skin, naked in the rain Hammer flash in the lightning, they're hurting her again [Chorus] Let me put you in the picture Let me show you what I mean The messiah is my sister Ain't no king, man, she's my queen Let me put you in the picture Let me show you what I mean The messiah is my sister Ain't no king, man, she's my queen [Post-Chorus] I have a dream, I've seen the light Don't put it out, and she's alright, yeah, she's my sister [Guitar Solo] [Verse 3] She didn't scream, she didn't make a sound I forgive you, boy, but don't leave town Cold black skin, naked in the rain Hammer flash in the lightning, they're hurting her again [Interlude] Oh, oh, oh Yeah, yeah, yeah [Chorus] Let me put you in the picture Let me show you what I mean The messiah is my sister Ain't no king, man, she's my queen Let me put you in the picture Let me show you what I mean The messiah is my sister Ain't no king, man, she's my queen Let me put you in the picture Let me show you what I mean The messiah is my sister Ain't no king, man, she's my queen Let me put you in the picture Let me show you what I mean The messiah is my sister Ain't no king, man, she's my queen Let me put you in the picture Let me show you what I mean The messiah is my sister Ain't no king, man, she's my queen Let me put you in the picture Let me show you what I mean The messiah is my sister Ain't no king, man, she's my queen Let me put you in the picture Let me show you what I mean The messiah is my sister Ain't no king, man, she's my queen Let me put you in the picture Let me show you what I mean The messiah is my sister Ain't no king, man, she's my queen [Outro] I've had a dream, I've seen the light Don't put it out and she's alright, yeah, she's my sister I want it all I want it all And I want it now Only just after Aerosmith Walk This Way Talk This Way JUST-BLOW-ME-A-KISS ORIGINALLY WRITTEN May 08 0709 AM SHE BLINDED ME WITH SCIENCE JUST BEFORE THE ABOVE