Dear
Friends,
Please invite your
friends and relatives for this amazing evening in Baltimore with a
very good performances and very deep & engaging talks. We are
continuing with our tradition of bringing you world renowned artists
and promising upcoming new generation of artist. Please support their
work and work of Association
for India's Development. More than donation, it is important that
you know the reason we are doing this work. It is important that we
understand the issues of other India which are often overlooked.
Problems in India are interconnected, so are the solutions. That is
why we have projects in almost every field of social development.
We also wanted to clarify that there is no entry tickets for the
event. But since this is an AID Banquet, donations are expected at the
venue as per your wish. Also please try to arrive by 5.30 pm, we have
a very tight schedule.
Date & Time:
May 31, 2014; 6 PM Location: Glass Pavilion,
3400 N Charles St, Baltimore, MD 21218 Parking:
JHU South Garage, Intersection of Bowman Drive and Wyman Park Drive,
Baltimore, MD 21218 Entry and Dinner: FREE RSVP: http://www.indiabeckons.org
Beautiful voice of Samia Mahbub Ahmad
Audio
1 Srijana Chande
Audio
2 Eki Ashimo Piyasa
Audio
3 Awakening
Audio
4 Yearning
Beautiful tabla by Debu
Nayak
Video
1
Video
2
Beautiful dance by Prakruti
Hoskere
Video
1
Video
2
Dr. Samia Mahbub Ahmad (download
bio) Artist website: www.samiaclassicalmusic.com
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Dr.
Samia Mahbub Ahmad is a Hindustani (North Indian)
classical vocal musician who has been studying, performing and
teaching this ancient 5000 year-old genre of music of the Vedic times,
in North America, South Asia and Southern Africa for the past two
decades.
Samia has apprenticed with Grandmasters Sri Tapan Baidya, a pioneer
of this genre in Bangladesh, and Vidushi Padma Shri (one of the
highest recognitions from the government of India) Sumitra Guha in
India. Samia has used her classical base to also specialize in Nazrul
Sangeet (song compositions of the Rebel poet Kazi Nazrul Islam),
Bhajans, and New Age music, melding Hindustani classical music with
contemporary melodies and rhythms of South Asia, South Africa, and the
West. She has expanded her collaborative work to combine vocal music
with dance choreography and visual arts. Samia's performances and
teaching explore the notions of spiritual unity in religions that
share a common cultural base.
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Devapriya (Debu) Nayak Artist website: www.tablaguy.com
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Devapriya
Nayak (Debu) was born in West Bengal, India, and began
learning tabla at the age of three from his grandfather, Chaudhury
Kausalya Nandan, who was an accomplished pakhawaj and tabla player of
the Punjab Gharana. Later, Debu became a disciple of Pt. Radhakanta
Nandi of the Benaras Gharana. In 1981, Debu came to the US to pursue
higher studies and continued his tabla taalim from Maestros like Ustad
Zakir Hussain , Pandit Anindo Chattergee and Pt. Samir Chatterjee.
Currently Debu remains a ‘Ganda Bandha’ shishya of Pt. Samir
Chatterjee. Debu is an accomplished soloist and accompanist. He has
performed with renowned artists like Pt. Vinayak Torvi, Pt. Ramesh
Mishra, Ustad Fahimuddin Dagar, Habib Wali Mohammad, Asif Ali Khan,
Shahanaz Begum, Gaurav Mazumdar, Partha Bose, Mitali Banerjee-Bhawmik,
Tulika Ghosh and many others.
Recently, his tabla was featured in a collaborative effort of
Indian Classical Music and Jazz. The CD, called PROBE, is currently
available under ‘World Music’ at the Sackler Gallery Bookstore
in the Smithsonian. He along with the members of PROBE have also
performed at the Smithsonian Institution.
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Prakruti Hoskere (download
bio) Artist Website: www.aidjhu.org/prakruti_hoskere
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Prakruti
Hoskere is an upcoming and promising Bharatanatyam artist
from Bangalore, India. Hailing from a family of traditionalists,
dancers and art connoisseurs she is pursuing the art form with
dedication and passion. She is also an A-grade auditioned Doordarshan
artist.
Prakruti, who is a student of Guru P. Praveen
Kumar, started her training in Bharatanatyam under the able guidance
of Guru Narmada at the age of five. The Late Guru Narmada was one of
the foremost exponents of this traditional art. Guru Narmada’s
expertise in imparting training and Prakruti’s capacity to learn, led
to her Rangapravesha in June 2002. The great Bharatanatyam exponent
Dr. Vyjayantimala Bali witnessed her acclaimed debut.
She
has continued her rigorous training after her Rangapravesham in the
past ten years under the close supervision and training of Sri Praveen
Kumar, director of the Chitkala School of Dance, Bangalore.
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Association for India's Development http://www.aidjhu.org/ |