
What we’re about
BCE is a literary conversation group where we read together “classic” texts in a broad sense, from before the Christian era, anything loosely before/during the first Christian Roman Emperor, Constantine I (272–337), his successor and son Constantius II and his nephew, Julian the Apostate, who rejected Christianity and promoted Neoplatonic Hellenism as a philosophy, and the worship of the traditional Roman gods as ritual practice.
BCE expects participants to have read the text and have formulated questions for discussion and have marked a few passages that we can read aloud and discuss. Participants have the same edition in front of them so they can create a common experience.
Examples of texts we can take on: Seneca, Lucan, the epic of Gilgamesh, the Hebrew book of Genesis, the plays of Aristophanes, Homer’s Odyssey, Ovid, Song of Songs, or the Egyptian Story of Sinuhe.
Upcoming events (4+)
See all- 104: Aristotle: On PoeticsLink visible for attendees
We will be discussing On Poetics by Aristotle, in the translation by Seth Benardete and Michael Davis (St. Augustines Press, 2002).
The Greek text is online at the Perseus website here. An English translation is in this hopper here.
A French translation is on the the Remacle website, "Le site de
L'antiquité grecque et latine du moyen âge," here. If you have German, DigBib.Org (Deutsche Digitale Bibliothek) provides an online version.From the publisher: "Aristotle's much-translated On Poetics is the earliest and arguably the best treatment that we possess of tragedy as a literary form. Seth Benardete and Michael Davis have translated it anew with a view to rendering Aristotle’s text into English as precisely as possible. A literal translation has long been needed, for in order to excavate the argument of On Poetics one has to attend not simply to what is said on the surface but also to the various puzzles, questions, and peculiarities that emerge only on the level of how Aristotle says what he says and thereby leads one to revise and deepen one’s initial understanding of the intent of the argument. As On Poetics is about how tragedy ought to be composed, it should not be surprising that it turns out to be a rather artful piece of literature in its own right.
Benardete and Davis supplement their edition of On Poetics with extensive notes and appendices. They explain nuances of the original that elude translation, and they provide translations of passages found elsewhere in Aristotle’s works as well as in those of other ancient authors that prove useful in thinking through the argument of On Poetics both in terms of its treatment of tragedy and in terms of its broader concerns. By following the connections Aristotle plots between On Poetics and his other works, readers will be in a position to appreciate the centrality of this little book for his thought on the whole.
In an introduction that sketches the overall interpretation of On Poetics presented in his The Poetry of Philosophy (St. Augustine’s Press, 1999), Davis argues that, while On Poetics is certainly about tragedy, it has a further concern extending beyond poetry to the very structure of the human soul in its relation to what is, and that Aristotle reveals in the form of his argument the true character of human action."
Wikipedia has it that Aristotle (Greek: Αριστοτέλης; 384–322 BC) was an Ancient Greek philosopher and polymath. His writings cover a broad range of subjects spanning the natural sciences, philosophy, linguistics, economics, politics, psychology, and the arts. As the founder of the Peripatetic school of philosophy in the Lyceum in Athens, he began the wider Aristotelian tradition that followed, which set the groundwork for the development of modern science.
Little is known about Aristotle's life. He was born in the city of Stagira in northern Greece during the Classical period. His father, Nicomachus, died when Aristotle was a child, and he was brought up by a guardian. At 17 or 18, he joined Plato's Academy in Athens and remained there until the age of 37 (c. 347 BC). Shortly after Plato died, Aristotle left Athens and, at the request of Philip II of Macedon, tutored his son Alexander the Great beginning in 343 BC. He established a library in the Lyceum, which helped him to produce many of his hundreds of books on papyrus scrolls.
Though Aristotle wrote many treatises and dialogues for publication, only around a third of his original output has survived, none of it intended for publication. Aristotle provided a complex synthesis of the various philosophies existing prior to him. His teachings and methods of inquiry have had a significant impact across the world, and remain a subject of contemporary philosophical discussion.
Aristotle's views profoundly shaped medieval scholarship. The influence of his physical science extended from late antiquity and the Early Middle Ages into the Renaissance, and was not replaced systematically until the Enlightenment and theories such as classical mechanics were developed. He influenced Judeo-Islamic philosophies during the Middle Ages, as well as Christian theology, especially the Neoplatonism of the Early Church and the scholastic tradition of the Catholic Church.
Aristotle was revered among medieval Muslim scholars as "The First Teacher", and among medieval Christians like Thomas Aquinas as simply "The Philosopher", while the poet Dante Alighieri called him "the master of those who know". His works contain the earliest known formal study of logic, and were studied by medieval scholars such as Pierre Abélard and Jean Buridan. Aristotle's influence on logic continued well into the 19th century. In addition, his ethics, although always influential, gained renewed interest with the modern advent of virtue ethics.
- 105: Aeschylus: Prometheus BoundLink visible for attendees
Prometheus Bound (Ancient Greek: Προμηθεὺς Δεσμώτης, romanized: Promētheús Desmṓtēs) is an ancient Greek tragedy by Aeschylus and thought to have been composed sometime between 479 BC and 424 BC. The tragedy is based on the myth of Prometheus, a Titan who defies Zeus, and protects and gives fire to mankind, for which he is subjected to the wrath of Zeus and punished (more).
A collection we have used earlier has a translation of Prometheus Bound:
Mary Lefkowitz and James Romm, eds. The Greek Plays: Sixteen Plays by Aeschylus, Sophocles, and Euripides (Modern Library Classics)
Table of Contents of the whole collection:
- Persians ; The Oresteia: Agamemnon ; The Oresteia: Libation bearers ; The Oresteia: Eumenides ; Prometheus Bound / Aeschylus
- Oedipus the king ; Antigone ; Electra ; Oedipus at Colonus / Sophocles
- Alcestis ; Medea ; Hippolytus ; Electra ; Trojan women ; Helen ; Bacchae / Euripides.
The Greek text, edited by Herbert Weir Smyth, is online on the Perseus Hopper at https://www.perseus.tufts.edu/hopper/text?doc=Perseus:text:1999.01.0009
- 106: Sophocles: Oedipus RexLink visible for attendees
Oedipus Rex, also known by its Greek title, Oedipus Tyrannus (Ancient Greek: Οἰδίπους Τύραννος, pronounced [oidípuːs týrannos]), or Oedipus the King, is an Athenian tragedy by Sophocles.
Summary: "Prior to the start of Oedipus Rex, Oedipus has become the king of Thebes while unwittingly fulfilling a prophecy that he would kill his father, Laius (the previous king), and marry his mother, Jocasta (whom Oedipus took as his queen after solving the riddle of the Sphinx). The action of Sophocles's play concerns Oedipus's search for the murderer of Laius in order to end a plague ravaging Thebes, unaware that the killer he is looking for is none other than himself. At the end of the play, after the truth finally comes to light, Jocasta hangs herself while Oedipus, horrified at his patricide and incest, proceeds to gouge out his own eyes in despair" (more).
In his Poetics, Aristotle refers several times to the play in order to exemplify aspects of the genre.
A collection we have used earlier has a translation of Sophocles's Oedipus Rex:
Mary Lefkowitz and James Romm, eds. The Greek Plays: Sixteen Plays by Aeschylus, Sophocles, and Euripides (Modern Library Classics)
Table of Contents of the whole collection:
- Persians ; The Oresteia: Agamemnon ; The Oresteia: Libation bearers ; The Oresteia: Eumenides ; Prometheus Bound / Aeschylus
- Oedipus the king ; Antigone ; Electra ; Oedipus at Colonus / Sophocles
- Alcestis ; Medea ; Hippolytus ; Electra ; Trojan women ; Helen ; Bacchae / Euripides.
The Greek text, edited by Herbert Weir Smyth, is online on the Perseus Hopper at https://www.perseus.tufts.edu/hopper/text?doc=Perseus:text:1999.01.0191