Silver Spring LGBTQ Book Club

Find the book on Bookshop.org, Montgomery County Libraries, and PG County Libraries.
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2025 Lambda Literary winner for Lesbian fiction

* SHORTLISTED FOR THE 2024 BOOKER PRIZE *
* WINNER OF THE NATIONAL JEWISH BOOK AWARD FOR DEBUT FICTION *
* WINNER OF THE 2025 WOMEN’S PRIZE FOR FICTION *

Shortlisted for the 2025 Dylan Thomas Prize and Aspen Words Literary Prize • A Best Book of 2024: The New York Times, The Washington Post, Los Angeles Times, Time, The Economist, The Globe and Mail (Toronto), Kirkus Reviews, The Independent, BookPage, The Sunday Times (London)

“Remarkable…Compelling…Fine and taut…Indelible.” —The New York Times “Moving, unnerving, and deeply sexy.” —Tracy Chevalier, author of Girl with the Pearl Earring • “A brilliant debut, as multi-faceted as a gem.” —Kirkus Reviews

A “razor-sharp, perfectly plotted” (The Sunday Times, London) tale of desire, suspicion, and obsession between two women staying in the same house in the Dutch countryside during the summer of 1961—a powerful exploration of the legacy of WWII and the darker parts of our collective past.

A house is a precious thing...

It is 1961 and the rural Dutch province of Overijssel is quiet. Bomb craters have been filled, buildings reconstructed, and the war is truly over. Living alone in her late mother’s country home, Isabel knows her life is as it should be—led by routine and discipline. But all is upended when her brother Louis brings his graceless new girlfriend Eva, leaving her at Isabel’s doorstep as a guest, to stay for the season.

Eva is Isabel’s antithesis: she sleeps late, walks loudly through the house, and touches things she shouldn’t. In response, Isabel develops a fury-fueled obsession, and when things start disappearing around the house—a spoon, a knife, a bowl—Isabel’s suspicions begin to spiral. In the sweltering peak of summer, Isabel’s paranoia gives way to infatuation, leading to a discovery that unravels all Isabel has ever known. The war might not be well and truly over after all, and neither Eva—nor the house in which they live—are what they seem.

Mysterious, sophisticated, sensual, and infused with intrigue, atmosphere, and sex, The Safekeep is “a brave and thrilling debut about facing up to the truth of history, and to one’s own desires” (The Guardian).

Find the book on Bookshop, Montgomery County Libraries, and PG County Libraries.

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"Irresistible...Filled with surprise, poignancy, and excitement, this is a surefire winner." --Publishers Weekly (starred review)
A brilliant and witty drama about two brave female World War II veterans who survived the unthinkable without ever losing their killer instinct…or their joie de vivre.
Meet the Williamson sisters, Britain’s most treasured World War II veterans. Now in their late nineties, Josephine and Penny are in huge demand, popping up at commemorative events and history festivals all over the country. Despite their age, they’re still in great form—perfectly put together, sprightly and sparky, and always in search of their next “excitement.”
This time it’s a trip to Paris to receive the Légion d’honneur for their part in the liberation of France. And as always, they will be accompanied by their devoted great-nephew, Archie.
Keen historian Archie has always been given to understand that his great aunts had relatively minor roles in the Women’s Royal Navy and the First Aid Nursing Yeomanry, but that’s only half the story. Both sisters are hiding far more than the usual “official secrets”. There’s a reason sweet Auntie Penny can dispatch a would-be mugger with an umbrella.
This trip to Paris is not what it seems either. Scandal and crime have always quietly trailed the Williamson sisters, even in the decades after the war. Now armed with new information about an old adversary, these much decorated (but admittedly ancient) veterans variously intend to settle scores, avenge lost friends, and pull off one last, daring heist before the curtain finally comes down on their illustrious careers.

We'll be discussing Someone Like Us by Dinaw Mengestu. We meet in person at a member's home -- the address will be sent to those attending a week before the event.
Find the book on Bookshop, Montgomery County Libraries, and PG County Libraries.

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A NEW YORK TIMES NOTABLE BOOK • The son of Ethiopian immigrants seeks to understand a hidden family history and uncovers a past colored by unexpected loss, addiction, and the enduring emotional pull toward home.

After abandoning his once-promising career as a journalist in search of a new life in Paris, Mamush meets Hannah—a photographer whose way of seeing the world shows him the possibility of finding not only love but family. Now, five years later, with his marriage to Hannah on the verge of collapse, he returns to the close-knit immigrant Ethiopian community of Washington, DC, that defined his childhood. At its center is Mamush’s stoic, implacable mother, and Samuel, the larger-than-life father figure whose ceaseless charm and humor have always served as a cover for a harder, more troubling truth. But on the same day that Mamush arrives home in Washington, Samuel is found dead in his garage.

With Hannah and their two-year-old son back in Paris, Mamush sets out on an unexpected journey across America in search of answers to questions he'd been told never to ask. As he does so, he begins to understand that perhaps the only chance he has of saving his family and making it back home is to confront not only the unresolved mystery around Samuel’s life and death, but his own troubled memories, and the years spent masking them. Breathtaking, commanding, unforgettable work from one of America’s most prodigiously gifted novelists.

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WINNER OF THE 2025 BOOKER PRIZE AND A NATIONAL BESTSELLER
Finalist for the Kirkus Prize | Longlisted for the Carnegie Medal for Excellence
From “the shrewdest writer on contemporary masculinity we have” (Esquire), a “captivating...hypnotic...virtuosic” (The Baffler) novel about a man whose life veers off course due to a series of unforeseen circumstances.
Teenaged István lives with his mother in a quiet apartment complex in Hungary. Shy and new in town, he is a stranger to the social rituals practiced by his classmates and is soon isolated, drawn instead into a series of events that leave him forever a stranger to peers, his mother, and himself. In the years that follow, István is born along by the goodwill, or self-interest, of strangers, charting a rocky yet upward trajectory that lands him further from his childhood, and the defining events that abruptly ended it, than he could possibly have imagined.
A collection of intimate moments over the course of decades, Flesh chronicles a man at odds with himself—estranged from and by the circumstances and demands of a life not entirely under his control and the roles that he is asked to play. Shadowed by the specter of past tragedy and the apathy of modernity, the tension between István and all that alienates him hurtles forward until sudden tragedy again throws life as he knows it in jeopardy.
“Spare and detached on the page, lush in resonance beyond it” (NPR), Flesh traces the imperceptible but indelible contours of unresolved trauma and its aftermath amid the precarity and violence of an ever-globalizing Europe with incisive insight, unyielding pathos, and startling humanity.