Saxophones

**Update: full for all instruments (spot remains for vocals)** *Please only sign up if your instrument (or vocals) is not indicated above as full for this session.* full list of scheduled sessions: https://www.meetup.com/Practice-Jazz-Jam-Sessions/events/ **What is it** The novice rehearsal sessions provide an opportunity for people who are relatively new to jazz, to play in a friendly, low-pressure environment. With a short set list that attendees can prepare in advance, it becomes a little less daunting to play and get the most out of practising in a group. See below for this week's setlist. Please sign up before attending. Already full for your instrument? Please check back every other Wednesday, when new sessions go live. If you keep not being able to get a spot, please message the organiser (Xie). Location: Vortex upstairs **Who's it for** Anyone who has practised following the forms (chord progressions) of jazz tunes - maybe on their own at home - and would like to build up playing experience, expand repertoire and practice performing with other musicians. There are various introductions on how jazz jams work - see e.g. https://jazznightschool.org/pages/jam-session-basics You don't need to get all these details right for these novice practice sessions. The set list format should offer opportunities for those at different levels of developing their playing. While at the beginning one might struggle to follow/comp the chords or play through the melody, it gets easier over time and one can start to develop approaches to improvisation, harmonise lead lines, add intros/endings, work on communication between band members, and even listen to recordings together and pick up specific arrangements. Bass players are expected to be able to play a walking bass line on swing tunes, and simple bossa lines for bossa novas. Playing the melody, or "head" - the responsibility is shared between horns players (e.g. sax, trumpet, violin), guitar and piano. Feel free to discuss among the group before each song - different parts of the head or the starting / ending heads can be played by different players. Some melodies will better suit several voices at the same time, whereas others are sensitive to variations in how they are played and may prefer a single instrument at a time. **What it's like** A relaxed and welcoming atmosphere - please put aside any worries of making mistakes if you’re thinking of joining us for the first time. To ensure the group is accessible for those at different levels, I ask that each novice session should work on only the below four songs of the set list, unless each and every attendee feels they prefer to move on. Each novice session is limited to up to: 1 drummer, 2 bass, 2 keys, 2 guitar, 3/4 lead instruments. Always use the top of the description to see if there is an available slot for your instrument - please do not try to work this out yourself by looking at the other attendees' instruments. **Tunes this week (Sat Apr 18)** * Freddie freeloader in Bb (warm up) (Dexter Gordon) https://www.youtube.com/watch?v=CiLuG_PFsfI * Song for my father in Fm (George Benson) https://www.youtube.com/watch?v=Xo6C2OkOVGY * Adam's Apple in Ab (learn comping riff) (Wayne Shorter) https://www.youtube.com/watch?v=0wnu1Y7lTVc * Just friends in G (Cohen, Bartley) https://www.youtube.com/watch?v=Rq4pW6GgIMQ Everyone is encouraged to listen to a variety of recordings for each song, but please ensure you are familiar with the recording provided as a primary reference. (Note the recordings provide stylistic reference, but may not be in the key listed, with the latter based on common real books) **Tune preview - next novice session (Sun Apr 26)** * Mack the knife (Moritat) in Bb (warm up) (Kenny Garrett) https://www.youtube.com/watch?v=RbFIVRztZ4E * Cantaloupe Island in Fm (Herbie Hancock) https://www.youtube.com/watch?v=8B1oIXGX0Io * Bemsha Swing in C (Cohen, McBride, Strickland, Gelin) https://www.youtube.com/watch?v=tIN6A8adJyE * Close your eyes in Ebm (Art Blakey & Jazz Messengers) https://www.youtube.com/watch?v=etoyHkoJPBs **Preparing for the session** The chordal form of each song follow the iReal Pro app as a common reference, or you can use sheet music from Real Books. Resource for sheet music: https://www.seventhstring.com/fbindex.html http://therealbook.info/ Try to immerse yourself in the songs by listening to recordings by different artists on youtube, spotify etc. Learn the head (main melody) of the song if you can. Don't hesitate to let the band know you can play it so you can start things off **Playing well together** The rehearsal groups are often quite large for a jazz ensemble setting. Please follow the below arrangements, which are designed to help the group be mindful of each other's volumes, and to build good habits for playing as a group * Every tune should be played at least twice. Swap the bass, piano and guitar players between the two renditions (if there are two attending) * Only one guitarist should comp - i.e. play chords - for each rendition (both guitarists can solo, and comp without amplification) * After each rendition of the warm up tune, the whole group should take a moment together and help each other to check on volumes, including: \*\* Can everyone hear themselves? \*\* Are the drums too loud? \*\* Can everyone hear the bass? \*\* Is the guitar comping too loud? \*\* Is the piano loud enough? (staff at the office can turn this up) \*\* Feel free to revisit volumes after subsequent songs * For any song, if at least two people in the group feel it would be better, the guitar and piano should share the choruses for comping (instead of comping together) - e.g. guitar comps the first time through the head, then piano, then guitar, etc. **Equipment** there is a piano, drum kit (no cymbals or high hat clutch), bass and guitar amps, stands, and microphones. Drummers: please bring cymbals (none available for rental) and hi hat clutch **Percussion** Percussionists are welcome to join with their instruments, alongside the drummer. Feel free to sign up to any session, even one that says "full for all instruments" at the top, unless it explicitly mentions "full for percussion". **Vocalists** Singers are welcome, however please note that the songs have fixed keys, and some of the repertoire are likely not in the right key for your range. If you are an experienced singer, it may be possible to arrange sessions with repertoire catered to you - to explore this, please first come to the "Afternoon Open Jams" so I can get a sense of your singing. **Observing** Would you like to attend a session without playing/singing, to get an idea of the format or to get a sense of what to practise first at home? You can sign up as usual to any novice session, and send me a message that you'd like only to watch the session. When you feel ready, the fee paid can be carried over toward any future session where you join to play or sing at the rehearsal. **Cancellation policy** Please try to make it to any session you sign up to, as the jams are organised around a particular mix of instruments. However, if things do come up and you can no longer make a session, please send a message to the organiser, Xie, as soon as possible. Places are non-refundable if your plans change, but if you provide over 1 week notice it may be possible to carry over the fee for a future session. \-\-\-\-\- any questions do get in touch!

Part of the art of street photography is telling a story. In this workshop you'll learn how to tell a story and develop street photography skills. You'll be given some tips and then set a series of challenges to help build your confidence when shooting street photography. EXPERIENCE Complete beginners or those who would like a refresher. WHAT YOU WILL LEARN: * What makes an interesting subject * Candid or posed and how to approach people * The legalities * Camera settings * Depth of field * Composition * What shutter speeds are important * Black & white and why you need to think about colour EQUIPMENT: * Any camera * A standard 18-55 kit lens will do or use a 70-200 for candid shots OTHER ESSENTIALS * A fun and experimental attitude! PAYMENT OPTIONS * PayPal via RSVP - Meetup transaction fee will be added. and you'll automatically be added to attend * Send £25 via PayPal to \*\*[creativebeansproductions@gmail.com**](http://creativebeansproductions@gmail.com%2A%2A/) with no extra fee. * Text Alex on 07956264049 and we will add you to the event attendee list. TRAVEL * As usual check TFL website for any issues that may delay your journey. CONTACT Alex 07956 264049 **VENICE PHOTOGRAPHY WEEKEND - Oct 2026** [https://www.meetup.com/londonphotographic/events/313109100/](https://www.meetup.com/londonphotographic/events/313109100/) **UPCOMING EVENTS** [www.meetup.com/londonphotographic/events](http://www.meetup.com/londonphotographic/events)

**Update: full for all instruments (spot remains for vocals)** *Please only sign up if your instrument (or vocals) is not indicated above as full for this session.* full list of scheduled sessions: https://www.meetup.com/Practice-Jazz-Jam-Sessions/events/ **What is it** The novice rehearsal sessions provide an opportunity for people who are relatively new to jazz, to play in a friendly, low-pressure environment. With a short set list that attendees can prepare in advance, it becomes a little less daunting to play and get the most out of practising in a group. See below for this week's setlist. Please sign up before attending. Already full for your instrument? Please check back every other Wednesday, when new sessions go live. If you keep not being able to get a spot, please message the organiser (Xie). Location: Vortex upstairs **Who's it for** Anyone who has practised following the forms (chord progressions) of jazz tunes - maybe on their own at home - and would like to build up playing experience, expand repertoire and practice performing with other musicians. There are various introductions on how jazz jams work - see e.g. https://jazznightschool.org/pages/jam-session-basics You don't need to get all these details right for these novice practice sessions. The set list format should offer opportunities for those at different levels of developing their playing. While at the beginning one might struggle to follow/comp the chords or play through the melody, it gets easier over time and one can start to develop approaches to improvisation, harmonise lead lines, add intros/endings, work on communication between band members, and even listen to recordings together and pick up specific arrangements. Bass players are expected to be able to play a walking bass line on swing tunes, and simple bossa lines for bossa novas. Playing the melody, or "head" - the responsibility is shared between horns players (e.g. sax, trumpet, violin), guitar and piano. Feel free to discuss among the group before each song - different parts of the head or the starting / ending heads can be played by different players. Some melodies will better suit several voices at the same time, whereas others are sensitive to variations in how they are played and may prefer a single instrument at a time. **What it's like** A relaxed and welcoming atmosphere - please put aside any worries of making mistakes if you’re thinking of joining us for the first time. To ensure the group is accessible for those at different levels, I ask that each novice session should work on only the below four songs of the set list, unless each and every attendee feels they prefer to move on. Each novice session is limited to up to: 1 drummer, 2 bass, 2 keys, 2 guitar, 3/4 lead instruments. Always use the top of the description to see if there is an available slot for your instrument - please do not try to work this out yourself by looking at the other attendees' instruments. **Tunes this week (Sat Apr 18)** * Freddie freeloader in Bb (warm up) (Dexter Gordon) https://www.youtube.com/watch?v=CiLuG_PFsfI * Song for my father in Fm (George Benson) https://www.youtube.com/watch?v=Xo6C2OkOVGY * Adam's Apple in Ab (learn comping riff) (Wayne Shorter) https://www.youtube.com/watch?v=0wnu1Y7lTVc * Just friends in G (Cohen, Bartley) https://www.youtube.com/watch?v=Rq4pW6GgIMQ Everyone is encouraged to listen to a variety of recordings for each song, but please ensure you are familiar with the recording provided as a primary reference. (Note the recordings provide stylistic reference, but may not be in the key listed, with the latter based on common real books) **Tune preview - next novice session (Sun Apr 26)** * Mack the knife (Moritat) in Bb (warm up) (Kenny Garrett) https://www.youtube.com/watch?v=RbFIVRztZ4E * Cantaloupe Island in Fm (Herbie Hancock) https://www.youtube.com/watch?v=8B1oIXGX0Io * Bemsha Swing in C (Cohen, McBride, Strickland, Gelin) https://www.youtube.com/watch?v=tIN6A8adJyE * Close your eyes in Ebm (Art Blakey & Jazz Messengers) https://www.youtube.com/watch?v=etoyHkoJPBs **Preparing for the session** The chordal form of each song follow the iReal Pro app as a common reference, or you can use sheet music from Real Books. Resource for sheet music: https://www.seventhstring.com/fbindex.html http://therealbook.info/ Try to immerse yourself in the songs by listening to recordings by different artists on youtube, spotify etc. Learn the head (main melody) of the song if you can. Don't hesitate to let the band know you can play it so you can start things off **Playing well together** The rehearsal groups are often quite large for a jazz ensemble setting. Please follow the below arrangements, which are designed to help the group be mindful of each other's volumes, and to build good habits for playing as a group * Every tune should be played at least twice. Swap the bass, piano and guitar players between the two renditions (if there are two attending) * Only one guitarist should comp - i.e. play chords - for each rendition (both guitarists can solo, and comp without amplification) * After each rendition of the warm up tune, the whole group should take a moment together and help each other to check on volumes, including: \*\* Can everyone hear themselves? \*\* Are the drums too loud? \*\* Can everyone hear the bass? \*\* Is the guitar comping too loud? \*\* Is the piano loud enough? (staff at the office can turn this up) \*\* Feel free to revisit volumes after subsequent songs * For any song, if at least two people in the group feel it would be better, the guitar and piano should share the choruses for comping (instead of comping together) - e.g. guitar comps the first time through the head, then piano, then guitar, etc. **Equipment** there is a piano, drum kit (no cymbals or high hat clutch), bass and guitar amps, stands, and microphones. Drummers: please bring cymbals (none available for rental) and hi hat clutch **Percussion** Percussionists are welcome to join with their instruments, alongside the drummer. Feel free to sign up to any session, even one that says "full for all instruments" at the top, unless it explicitly mentions "full for percussion". **Vocalists** Singers are welcome, however please note that the songs have fixed keys, and some of the repertoire are likely not in the right key for your range. If you are an experienced singer, it may be possible to arrange sessions with repertoire catered to you - to explore this, please first come to the "Afternoon Open Jams" so I can get a sense of your singing. **Observing** Would you like to attend a session without playing/singing, to get an idea of the format or to get a sense of what to practise first at home? You can sign up as usual to any novice session, and send me a message that you'd like only to watch the session. When you feel ready, the fee paid can be carried over toward any future session where you join to play or sing at the rehearsal. **Cancellation policy** Please try to make it to any session you sign up to, as the jams are organised around a particular mix of instruments. However, if things do come up and you can no longer make a session, please send a message to the organiser, Xie, as soon as possible. Places are non-refundable if your plans change, but if you provide over 1 week notice it may be possible to carry over the fee for a future session. \-\-\-\-\- any questions do get in touch!

There is something magical about black and white photography. It is a medium that is well known for adding atmosphere and mood and drama to photos. One where you can experiment with the contrast between light and shadow, without the distraction of colour. WHAT YOU WILL LEARN In this workshop you will learn about the elements that make a great black and white photograph and apply that to a variety of subjects including architecture, street and portrait. We will also discuss how you can create a consistent body of work. Join us for an informative and fun session! EXPERIENCE Beginners/Refreshers EQUIPMENT * Any camera / smartphone * Any lens such as 24-70mm or equivalent * A sense of fun and curiosity! Please check the weather and dress accordingly **PAYMENT OPTIONS** * **PayPal via RSVP** * **The Meetup transaction fee will be added and you'll automatically be added to attend** * **Send £25 via PayPal to \*\*[creativebeansproductions@gmail.com**](http://creativebeansproductions@gmail.com%2A%2A/) with no extra fee** * **Text Alex on 07956264049 and we will add you to the event attendee list** CONTACT Alex 07956 264049 VENICE PHOTOGRAPHY WEEKEND - Oct 2026 [https://www.meetup.com/londonphotographic/events/313109100/](https://www.meetup.com/londonphotographic/events/313109100/) UPCOMING EVENTS [www.meetup.com/londonphotographic/events](http://www.meetup.com/londonphotographic/events) Photo ©Daria (DK)

**Chris Corcoran** continues his monthly series of masterclasses at Ain't Nothin' but the Blues in Soho. This month he's joined by our friend **Artie Zaitz** to look at bringing some "outside" sounds into your blues and jazz playing.. I've been a regular at Chris's masterclasses over the last couple of years. He's a great player and teacher. If you're interested in the music of Charlie Christian, Barney Kessel, T-Bone Walker and Tiny Grimes, you'll enjoy Chris's style. **Chris Corcoran** is one of the UK's finest exponent of the early swing, jump blues and R&B guitar styles, and has been performing across the British Isles and Europe for the last 20 years. Hailed by *Blues in Britain* magazine as an antidote to the plethora of blues/rock acts currently dominating the UK blues scene, the Chris Corcoran Trio and the Chris Corcoran Band perform a repertoire of jump blues and swing revival music dating from the 40s and 50s, covering artists such as pioneer and innovator of the jump blues T-Bone Walker, and American jazz guitarist and composer Bill Jennings. **Saturday 18 April 2026** **12pm start** **Ain't Nothin' but the Blues Bar, Soho** **£40 via PayPal to chris@chriscorcoranmusic.com**

Join us for our next meetup at the British Museum, where we’ll focus on indoor street and architecture photography. For our next photowalk, we’ll explore the British Museum, one of London’s most iconic spaces and a perfect setting for indoor street photography. We’ll use the museum’s dramatic architecture, light, and atmosphere to capture candid human stories against a timeless backdrop. We will focus on how people interact with art, history, and space. Please note: **Entry is free but requires booking a timed pass online in advance.** [You can book yours here](https://ticketing.britishmuseum.org/events?k=general%20admission&_gl=1*j9xgpx*_gcl_au*MTk2NzY0MDg5OS4xNzcyNDQ0ODc1*_ga*MTQ5OTg5ODk2Ni4xNzcyNDQ0ODc1*_ga_08TLB9R8X1*czE3NzI0NDQ4NzQkbzEkZzEkdDE3NzI0NDQ5NTkkajU2JGwwJGgw). 📍 Location: British Museum 📍 Meeting point: British Museum Montague Place (rear entrance) 🧭 Map: https://maps.app.goo.gl/4kp4yJMHG3N6oHbN9 Need inspiration? Check out this Pinterest board: [https://pin.it/6mjRxOSbH](https://pin.it/6mjRxOSbH) Bring your any camera (digital, analog, phone or video), and let’s see what we can capture! **What to expect** A friendly environment where all cameras and skill levels are welcome. This is not a workshop; if you’d like to grow your photography skills, check out our other events and workshops designed for those who want to learn more about photography techniques. **Stay connected** The day of the event, Live location will be shared on our WhatsApp group ([https://chat.whatsapp.com/Ek2mMMZioqu19CJJPoQal4](https://chat.whatsapp.com/Ek2mMMZioqu19CJJPoQal4)) **Want help with your camera?** We welcome all kind of photo and video cameras! You’re welcome to ask for tips: we’re a supportive community. However, for a proper learning experience, we recommend asking the host about 1:1 coaching sessions or checking our Meetp page for upcoming workshops. **Join our online communities** * Instagram: https://www.instagram.com/friendsbyframe * WhatsApp: [https://chat.whatsapp.com/Ek2mMMZioqu19CJJPoQal4](https://chat.whatsapp.com/Ek2mMMZioqu19CJJPoQal4)

**Update: full for drums, bass, piano, guitar, 1 of 3 spots taken for lead instruments** Note: please sign up for the session here directly - I will keep the instrument availability up to date. This is a novice session with some of the songs swapped out for more tricky standards. There is also a single slot each for piano and guitar, as part of progression from playing as individuals toward paying more attention to the collective sound of group. The additional time will also allow ballads to be sometimes included. The group is also encouraged to use some of the additional time to listen to parts of well known recordings together and pick up on features and ideas beyond what's on the real book. Attendees would be expected to be comfortable playing at a novice session first before signing up. Sometimes the group gets through the setlist, with multiple renditions, with time still to spare. If everyone is happy to move on, feel free to use the remaining time to call and jam over a few tunes. full list of scheduled sessions: [https://www.meetup.com/Practice-Jazz-Jam-Sessions/events/](https://www.meetup.com/Practice-Jazz-Jam-Sessions/events/) **What is it** a pre-selected set of jazz standards for each session that you can prepare for in advance, and rehearse live with others in a friendly and welcoming environment. See below for this week's setlist. please message Xie to find out more about signing up to attend. Location: Vortex upstairs This novice+ session is limited to up to: 1 drummer, 1 bass, **1 keys, 1 guitar**, 3 lead instruments. The top of the description will indicate if there is an available slot for your instrument. Playing the melody, or "head" - the responbility is shared between horns players (e.g. sax, trumpet), guitar and piano. Feel free to discuss among the group before each song - different parts of the head or the starting / ending heads can be played by different players. Some melodies will better suit several voices at the same time, whereas others are sensitive to variations in how they are played and may prefer a single instrument at a time. **What it's like** a relaxed and welcoming atmosphere - please put aside any worries of making mistakes if you’re thinking of joining us for the first time **Tunes this week (Sat April 18)** * Hot House in C (bebop) (Charlie Parker & Dizzy Gillespie) https://www.youtube.com/watch?v=0PDjh9zgULM (Eric Dolphy) https://www.youtube.com/watch?v=lBsrb-_mKHE * Moonlight in Vermont in Eb (ballad) (Gerry Mulligan) https://www.youtube.com/watch?v=j-LFuSc1sSE * Black Orpheus in Am (Stan Getz) https://www.youtube.com/watch?v=MaiZA7ZRSO8 * Hackensack in F (Coltrane, Getz, Peterson) https://www.youtube.com/watch?v=beCGdmrP8Xc Everyone is encouraged to listen to a variety of recordings for each song, but please ensure you are familiar with the recording provided as a primary reference. **Preparing for the session** The chordal form of each song follow the iReal Pro app as a common reference, or you can use sheet music from Real Books. Resource for sheet music: [https://www.seventhstring.com/fbindex.html](https://www.seventhstring.com/fbindex.html) [http://therealbook.info/](http://therealbook.info/) Try to immerse yourself in the songs by listening to recordings by different artists on youtube, spotify etc. Learn the head (main melody) of the song if you can. Don't hesitate to let the band know you can play it so you can start things off **Equipment** there is a piano, drum kit (no cymbals or high hat clutch), bass and guitar amps, stands, and microphones. Drummers: please bring cymbals (none available for rental) and hi hat clutch **Vocalists** singers very welcome though usually I suggest you come to the intermediate sessions where you can pick your own song and key (as chances are many of the above are not in the right key for your range) **Cancellation policy** Please try to make it to any session you sign up to, as the jams are organised around a particular mix of instruments. However, if things do come up and you can no longer make a session, please send a message to the organiser, Xie, as soon as possible. Places are non-refundable if your plans change, but if you provide over 1 week notice it may be possible to carry over the fee for a future session. \-\-\-\-\- any questions do get in touch!

Join us on a street photography workshop which is all about themes! Theme's are great as they give a point of focus and helps you avoid wandering aimlessly hoping something catches your eye. Themes can also help you build a repeatable process that you can use time after time. Part of our shooting will take us to the St George's Day celebrations where you'll be able to shoot the Pearly Kings and Queens as well as a whole host of colourful and exciting characters! EXPERIENCE * Beginners/Refreshers EQUIPMENT: * Any camera * Any lens 18-55 kit lens or longer for candid shots OTHER ESSENTIALS * A fun and experimental attitude! * Wear appropriate clothing and shoes for the weather TRAVEL * As usual check TFL website for any issues that may delay your journey CONTACT * Alex 07956 264049 VENICE PHOTOGRAPHY WEEKEND - Oct 2026 [https://www.meetup.com/londonphotographic/events/313109100/](https://www.meetup.com/londonphotographic/events/313109100/) UPCOMING EVENTS [www.meetup.com/londonphotographic/events](http://www.meetup.com/londonphotographic/events)

Join us on a street photography workshop which is all about themes! Theme's are great as they give a point of focus and helps you avoid wandering aimlessly hoping something catches your eye. Themes can also help you build a repeatable process that you can use time after time. Part of our shooting will take us to the St George's Day celebrations where you'll be able to shoot the Pearly Kings and Queens as well as a whole host of colourful and exciting characters! EXPERIENCE * Beginners/Refreshers EQUIPMENT: * Any camera * Any lens 18-55 kit lens or longer for candid shots OTHER ESSENTIALS * A fun and experimental attitude! * Wear appropriate clothing and shoes for the weather TRAVEL * As usual check TFL website for any issues that may delay your journey CONTACT * Alex 07956 264049 VENICE PHOTOGRAPHY WEEKEND - Oct 2026 [https://www.meetup.com/londonphotographicopa/events/313109095](https://www.meetup.com/londonphotographicopa/events/313109095) UPCOMING EVENTS [www.meetup.com/londonphotographicopa/events](http://www.meetup.com/londonphotographicopa/events)

I am proud to announce that we having our jam at the Temple Of Art & Music in Elephant & Castle!! 20 Second Chain: A structured improvisation format where a musical “chain” unfolds organically, with each player responding to and building on what came before. Lineup (on stage together): - 2 guitarists - 1 bass - 1 drummer - 1–2 singers - 1 additional instrument (sax, trumpet, percussion, etc.) How It Works: 1. All musicians on stage are assigned a number, which determines the playing order. 2. Playing order, a key (and available chords) is written on a whiteboard opposite the stage. 3. Number 1 begins alone with a simple idea for 20 seconds — leave space for others to build. 4. Every 20 seconds, the next numbered musician joins one at a time, layering something that complements what’s already happening. 5. Once everyone has entered and the full band is playing, the group improvises for 5 minutes, developing the groove — complexity and solos can grow naturally. 6. No on-stage planning — listen and respond in real time. 7. After the timer ends, the group rotates and a new chain begins. The Temple Of Art and Music is a live music venue and bar in Elephant & Castle so I encourage anyone attending to bring friends as it will be great fun for them even if they are not playing. The venue has a PA system, drum kit, mics and guitar/bass amps. There is no guarantee that there will be cymbals or drum accessories with the drum kit at the venue. Drummers please being your own if you can. Like all our other jams it will be a chance to jam with other musicians playing the music that you love in a gentle environment with no judgement and no pressure. This jam also uniquely gives the opportunity to play in front of a crowd! Tickets are **£10 online** message us let us know what instrument you play and we will confirm if there is space and send you the Eventbrite link for the jam. Please do not hesitate to contact me for more information about this jam and London Jam Sessions. At London Jam Sessions we have an active community on WhatsApp where we all discuss the upcoming jams and future events. Everyone in the community is encouraged to ask questions and bring forward new ideas. Dm me and I can add you to our Whatsapp group.

Full for drum, piano Join us for a groovy 'play if its spring' April jam in the den lets look at the following tunes with chord changes based on the I real book as guidance warmup: Watermelon Man in F Herbie St Thomas in C Song for my Father Fm Adams Apple Ab Wayne Shorter The Chicken Bb if there is time and jammers had time to look at these we might also try: Sidewinder Eb Lee Morgan Strasbourg St Denis Bb Roy Hargrove or something else more familiar You should be reasonably comfortable on your Instrument and its meant to be fun Please indicate your instrument - we need one drum - full , one bass- full , and up to maximal 3 horns, guitar, voice etc I will play keys.

Join MOBO Amplified Award winner Terence Collie, with support from Help Musicians, for a special evening of dynamic music. At the piano, Collie leads an outstanding quartet featuring Ted Carrasco on drums, Nick Lenner-Webster on double bass and Cosimo Keita on percussion. Following two sold-out shows, this performance offers an exclusive first look at brand-new material from Collie's forthcoming album, recorded at Peter Gabriel's legendary Real World Studios and set for release in mid-2026. Expect rich interplay, lyrical melodies and deep grooves from one of the UK's most inventive jazz voices in the intimate surroundings of PizzaExpress Love Soho, Tickets £30+booking fee from www.pizzaexpresslive.com or call 202 3798 9192 - Please ask to be on the London Jazz Loves Jazz Meetup Table.

**Love to Drum - Djembe and Percussion Fun!** Join us for an exciting drum circle experience with our regular host, Simon, who will be teaching simple and not-so-simple West African based drum rhythms. Together, we'll create uplifting and positive vibrations through the power of drums and percussion instruments, sharing in the joy of making music in a friendly and inclusive environment. Whether you're a beginner or have some experience, this drumming session is open to all. You'll have the opportunity to learn Djembe and Dundun drum rhythms and playing techniques. It's a chance to immerse yourself in the world of drumming and connect with others through the universal language of music. Don't miss out on this joyful and enriching experience! No matter your level of ability, you're bound to enjoy it. The cost for the entire session, including drum hire, is £15. Advance booking available here or at www.bunow.co/events

We meet up in Hyde Park (Just to the West of the Rose Garden - see pin on the map). The guitars will give us away so we can recognise each other in the mass of other people. From there, we sit on the grass, and after some introductions, we start jamming. My genres are: rock, blues, folk, singer-songwriter but anything goes. For jamming, we'll pick a chord progression, something not too complicated and then we take turn to improvise melodies on top of it (both guitar solos but also vocalising). Intermediate level and above ideally but any level welcome but you should probably be able to play some chords (to get the most out of it). Other things we will do: 1. We can play songs - whoever wants to, not going to go round the circle forcing people to play. The songs can be either originals (your own songs) or known songs. 2. We can chat about music or other things 3. Have a drink - bring your fave drink (wine, beer, non-alcoholic) 4. Food goes too (bring your own) When we've had enough, we say goodbye and go home. People can leave early too if they've got other stuff to do or the whole thing is not their vibe (no hard feelings). All of that is weather permitting. If it rains, it's not happening - unless someone suggests a free venue (I don't know one :-)

**Important time note:** Please plan on arriving between 5:30 and 6:00 as the elevators lock after 6 and you'll need to message us and we'll need to come get you. The building address is 4450 Bridge Park The entrance is 6620 Mooney St, Suite 400 You will need to scan your ID at the door to get a visitor badge. **Abstract** GitHub Copilot is powerful, but what if you could scale from a solo AI assistant to an entire team of specialized agents working in parallel? This session introduces Squad: an open-source framework for multi-agent orchestration that lets you define teams of AI agents with specific roles, responsibilities, and expertise. We'll progress from Copilot basics to the Copilot CLI, explore how Agents add autonomy, and see how Instructions and Skills let you customize agent behavior. Then, the climax: a live demo where a Squad team of 3 agents (Lead, Developer, Tester) stands up and builds a working application in real-time, showcasing true multi-agent collaboration. Whether you're new to AI or exploring how to scale your use of Copilot, this session will show you what's possible when agents work as a team. **YouTube Link** TBD

**Latest Dojo Location!** **Knotty Pine Brewing** 1765 W 3rd Ave, Columbus, OH 43212 We're going to try a new dojo location for a few weeks and see how it works Dojos are informal Python group study sessions where everyone interested in Python gathers to learn about Python, help others with Python, or just hang out. Everyone is welcome from Python beginners to experts. Bringing a laptop is encouraged (we'll have extension cords and power strips). If there's something you want to learn leave a comment on this invite so we can plan ahead. We're looking for speakers for our Monthly Meetups! Fill out the form if you are interested in presenting to the Python Community. https://forms.gle/ehSfUAC2WgR34Crq9

💥 𝐋𝐢𝐧𝐜𝐨𝐥𝐧 𝐒𝐭𝐫𝐞𝐞𝐭 𝐒𝐚𝐥𝐬𝐚 💥 𝐅𝐞𝐚𝐭𝐮𝐫𝐢𝐧𝐠: 💥 𝐋𝐢𝐯𝐞 𝐒𝐚𝐥𝐬𝐚 𝐁𝐚𝐧𝐝: 𝐀𝐥 𝐒𝐨𝐧 𝐃𝐞𝐥 𝐈𝐲𝐚! . 💥 𝐒𝐚𝐭𝐮𝐫𝐝𝐚𝐲, 𝐀𝐩𝐫𝐢𝐥 𝟏𝟖 💥 𝟖 𝐩𝐦 – 𝟏 𝐚𝐦 . 🟣 Salsa, Bachata, and Merengue 🟣 Dancing All Night Long! . 👉 𝐁𝐮𝐲 𝐄𝐚𝐫𝐥𝐲 𝐁𝐢𝐫𝐝 𝐓𝐢𝐜𝐤𝐞𝐭𝐬 𝐍𝐎𝐖 𝐚𝐭: [https://columbussalsadancing.com/live-salsa-band-tickets-early/](https://columbussalsadancing.com/live-salsa-band-tickets-early/) . Lincoln Street Salsa 1717 Brice Rd Reynoldsburg, Ohio 43068 . 🟣 𝐑𝐞𝐠𝐢𝐬𝐭𝐫𝐚𝐭𝐢𝐨𝐧 8:00 pm – 8:30 pm . 🟣 𝐁𝐞𝐠𝐢𝐧𝐧𝐞𝐫 𝐃𝐚𝐧𝐜𝐞 𝐋𝐞𝐬𝐬𝐨𝐧! 8:30 pm – 9:30 pm . 🟣 𝐎𝐩𝐞𝐧 𝐃𝐚𝐧𝐜𝐞 𝐏𝐚𝐫𝐭𝐲 𝐖𝐢𝐭𝐡 𝐋𝐢𝐯𝐞 𝐒𝐚𝐥𝐬𝐚 𝐁𝐚𝐧𝐝! 9:30 pm – 1:00 am . ✅ Cover Includes Dance Lesson and/or Party! . 👉 𝐁𝐮𝐲 𝐄𝐚𝐫𝐥𝐲 𝐁𝐢𝐫𝐝 𝐓𝐢𝐜𝐤𝐞𝐭𝐬 𝐍𝐎𝐖 𝐚𝐭: [https://columbussalsadancing.com/live-salsa-band-tickets-early/](https://columbussalsadancing.com/live-salsa-band-tickets-early/) . 👉 $𝟐𝟓 𝐄𝐚𝐫𝐥𝐲 𝐁𝐢𝐫𝐝 𝐓𝐢𝐜𝐤𝐞𝐭𝐬 (𝐄𝐧𝐝𝐬 𝟒/𝟒 @ 𝟓 𝐩𝐦!) . 👉 $𝟑𝟎 𝐀𝐭 𝐭𝐡𝐞 𝐃𝐨𝐨𝐫 . ✅ 𝐍𝐨 𝐄𝐱𝐩𝐞𝐫𝐢𝐞𝐧𝐜𝐞 𝐍𝐞𝐜𝐞𝐬𝐬𝐚𝐫𝐲! ✅ 𝐍𝐨 𝐏𝐚𝐫𝐭𝐧𝐞𝐫 𝐑𝐞𝐪𝐮𝐢𝐫𝐞𝐝! ✅ Always Other People to Dance With! ✅ Singles, Couples, Beginners, and Pros Welcome! . ✅ BYOB ✅ 18+ . ✅ 𝐐𝐮𝐞𝐬𝐭𝐢𝐨𝐧𝐬? 𝐕𝐢𝐬𝐢𝐭: LincolnStreetSalsa.com 𝐎𝐫 𝐓𝐞𝐱𝐭 𝐓𝐨𝐝𝐝: 𝟔𝟏𝟒-𝟕𝟕𝟒-𝟖𝟏𝟒𝟔 . 👉 𝐁𝐮𝐲 𝐄𝐚𝐫𝐥𝐲 𝐁𝐢𝐫𝐝 𝐓𝐢𝐜𝐤𝐞𝐭𝐬 𝐍𝐎𝐖 𝐚𝐭: [https://columbussalsadancing.com/live-salsa-band-tickets-early/](https://columbussalsadancing.com/live-salsa-band-tickets-early/) .

**Talk Description** Coming soon **Agenda:** 7:00pm - Opening announcements 7:10pm - Main Topic 7:50pm - Q&A

**Caller: Richard Ades** **Band: The McKenzies** **Clinton Heights Lutheran Church** **15 Clinton Heights Ave, Columbus, OH 43202** WHAT IS CONTRA DANCING? Picture the Grand Ball scenes like you’ve seen in period films such as “Pride and Prejudice”, where the dancers are lined up in long lines, across from each other. That’s English Country Dancing, the predecessor of contra dancing. Now, add moves like “swing your partner” and “do-si-do,” like you’ve seen in square dancing. Set it to fabulous, high energy, live music with fiddles, guitars, percussion and more, alá “Riverdance.” Finally, set the whole scene down in the middle of Woodstock, with a hip, groovy atmosphere, a bit of tie-dye, and hints of counter-culture attitude. THAT’s Contra Dancing! Wear cool and comfortable clothes (you will get warm) and clean shoes that won't mark up our nice wood floor. Be sure to come for the beginner's lesson from 7:30 - 8:00, followed by dancing 8:00 - 10:30. All dances are taught; we will help you learn! Beginners always welcome, no need to bring a partner. Cost is $10.00 adults, $5.00 ages 12-26. Under 12 free. Free parking in church lot. For more information contact me or check out our website: [www.bigscioty.com](http://www.bigscioty.com/) Please bring your own refillable water bottle.

Join WQC on April 25th from 11am-1pm at Inniswood Metro Park for a Nature Photo Walk. All types of cameras welcome! Let's enjoy spring to the fullest... 🌻🌼🌷🐤

This month's prompt concerns the idea of the “warrior philosopher” (seemed appropriate in these times)--that is someone whose understanding of violence, power, and justice is forged through direct experience of war. We are looking at Major General Smedley D. Butler, a highly decorated U.S. Marine raised in a Quaker (pacifist) tradition who later became a prominent critic of American militarism (there is a wonderful biography of Gen. Butler called "Gangsters of Capitalism") Butler's argument in *War Is a Racket* (1935): that many U.S. interventions were driven less by national defense than by corporate and financial interests, with Butler portraying himself as an enforcer for business and Wall Street. We can consider the moral ambiguity of his insider critique—whether complicity strengthens or undermines credibility and also consider some of the concrete reforms he proposed (e.g., “conscript” capital before soldiers, restrict the military to coastal defense, and have only those who fight decide on war). Butler’s life arc clearly changed from pacifist upbringing to warrior to antiwar crusader—and asks whether true understanding of peace requires firsthand knowledge of war, and what that implies about the cost of suffering. So do we need to suffer to understand suffering? Do we have to experience war to appreciate peace? As one more question: in the movie "A Few Good Men" Jack Nicholson's character says that "you have the luxury of not knowing what I know" so do most of us go through life oblivious to real violence and suffering? See you at Drunken Philosophy!