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We are obsessed with THE body.

Ozempic, diets, nutritionists, peptides, gyms, shapewear, cosmetic procedures — and the general cult of staying young for as long as humanly possible. We spend a remarkable amount of time thinking about how our bodies look, what they should look like, and what we can do to make them look better.

We tend to think this is a very modern kind of madness. But let's go back about 2,000 years.

Greek and Roman artists were also very interested in the human body — and very good at idealising it. They turned the body into a way of talking about strength, power, sexuality, beauty, heroism and divinity. There were rules, proportions and standards. And artists could follow them, play with them, or deliberately break them.

So what happens when we stop looking at an ancient sculpture simply as “a beautiful statue” and actually try to read the body?

For this Museum Sunday, we’ll go to Palazzo Massimo and spend time with just five works:

The Boxer at Rest
The Discobolus
Trajan as Hercules
Aphrodite
The Sleeping Hermaphroditus

Five very different bodies. And three questions to guide our looking:

How is this body created?
How do proportion, movement, anatomy, balance, surface and material make the body work as a sculpture?

What kind of body is this?
Is it realistic or idealised? Human, heroic, divine, sensual? What kind of body are we actually being shown?

Why this body?
What is it communicating? What ideas, values or symbols are hidden in the way this particular body has been created?

Along the way, we'll talk a little about Classical and Hellenistic Greek sculpture, the relationship between Greek models and Roman versions, and how ideas of beauty and the “ideal body” have changed — and sometimes haven't changed that much at all.

And, as always, we'll leave some room for the most interesting question: what do these bodies make us see, feel and think about our own?

  • 16:00 | Meeting & Introduction: We meet right at the entrance — a few minutes to say hi, get to know each other, and set the frame for the afternoon.
  • 16:15–17:00 | Guided Silent Experience: We enter the museum together and deliberately focus on just five works from its enormous collection.

Inside the galleries, there won't be live lectures or discussions. Instead, our dedicated WhatsApp group will become our silent guide: in front of each sculpture, I'll send you the three questions and a few prompts to help you look, observe and make your own assumptions before getting the context.
So bring a small notebook or be ready to use the notes app on your phone.

  • 17:00–17:15 | Personal Time: You get 15 minutes on your own — use the restroom, catch your breath, or go back to something that caught your attention.
  • 17:15–18:30 | Aperitivo & Reflection: We leave the museum and continue the conversation over drinks at a bar nearby. This is where we open our notes, compare what we saw, argue a little, and finally connect our observations with the art, the artists and the historical context.

Total time: about 2.5 hours, start to finish.

### A note on what this is (and isn't):

I'm not a licensed guide, and this isn't a traditional guided tour.
I'm not going to walk you through the museum giving you a list of dates, names and facts. My role is to create the frame for the conversation and give you a few tools for looking.
The information comes after the looking — not before it.
You don't need to know anything about Greek or Roman art. You just need to be willing to spend some time actually looking at a sculpture before someone tells you what you're supposed to see.

### Cost:

€15, paid on the spot at the beginning, covers the organising, planning, coordination and facilitating of the group.
Museum entry is free on the first Sunday of the month.
Aperitivo is on your own budget.

### Joining:

Groups are capped at 5–10 people, on purpose — small enough that everyone actually gets to talk.
Once you're in, you'll be added to a WhatsApp group for this specific event for logistics, updates and our prompts during the museum visit.

### Cancellations:

Life happens — if something comes up, let me know in the WhatsApp group as soon as you can, so I can offer your spot to someone else.
No penalties, just a heads-up.

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