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“A novel for our time, a courageous and necessary book.” —Jennifer Haigh, author of Heat and Light In this stunning novel about judgment, courage, heartbreak, and change, author Silas House wrestles with the limits of belief and the infinite ways to love. In the aftermath of a flood that washes away much of a small Tennessee town, evangelical preacher Asher Sharp offers shelter to two gay men. In doing so, he starts to see his life anew—and risks losing everything: his wife, locked into her religious prejudices; his congregation, which shuns Asher after he delivers a passionate sermon in defense of tolerance; and his young son, Justin, caught in the middle of what turns into a bitter custody battle. With no way out but ahead, Asher takes Justin and flees to Key West, where he hopes to find his brother, Luke, whom he’d turned against years ago after Luke came out. And it is there, at the southernmost point of the country, that Asher and Justin discover a new way of thinking about the world, and a new way of understanding love. Southernmost is a tender and affecting book, a meditation on love and its consequences.
ONE OF THE 10 BEST BOOKS OF THE YEAR — THE NEW YORK TIMES BOOK REVIEW WINNER OF THE CENTER FOR FICTION FIRST NOVEL PRIZE One of the Best Books of the Year: The Washington Post, NPR, Time, O, The Oprah Magazine, San Francisco Chronicle, Entertainment Weekly, The Boston Globe, GQ, The Dallas Morning News, Buzzfeed, BookPage, Publishers Weekly, Library Journal, Kirkus Reviews Tommy Orange’s “groundbreaking, extraordinary” (The New York Times) There There is the “brilliant, propulsive” (People Magazine) story of twelve unforgettable characters, Urban Indians living in Oakland, California, who converge and collide on one fateful day. It’s “the year’s most galvanizing debut novel” (Entertainment Weekly). As we learn the reasons that each person is attending the Big Oakland Powwow—some generous, some fearful, some joyful, some violent—momentum builds toward a shocking yet inevitable conclusion that changes everything. Jacquie Red Feather is newly sober and trying to make it back to the family she left behind in shame. Dene Oxendene is pulling his life back together after his uncle’s death and has come to work at the powwow to honor his uncle’s memory. Opal Viola Victoria Bear Shield has come to watch her nephew Orvil, who has taught himself traditional Indian dance through YouTube videos and will to perform in public for the very first time. There will be glorious communion, and a spectacle of sacred tradition and pageantry. And there will be sacrifice, and heroism, and loss. There There is a wondrous and shattering portrait of an America few of us have ever seen. It’s “masterful . . . white-hot . . . devastating” (The Washington Post) at the same time as it is fierce, funny, suspenseful, thoroughly modern, and impossible to put down. Here is a voice we have never heard—a voice full of poetry and rage, exploding onto the page with urgency and force. Tommy Orange has written a stunning novel that grapples with a complex and painful history, with an inheritance of beauty and profound spirituality, and with a plague of addiction, abuse, and suicide. This is the book that everyone is talking about right now, and it’s destined to be a classic.
“Evil’s regenerative powers and one girl’s fierce resistance. . . . A book that deserves a wide audience.”—The Cleveland Plain Dealer “Filled with grand plot events and clearly identifiable villains and victims . . . lush with detail and captivating with its story of racial tension and family violence.”—The Washington Post Book World “[An] exceptional debut novel. . . . [Has] a depth and dimension not often characteristic of a first novel.”—Library Journal (starred) “Phillips writes with a no-nonsense elegance. . . . As a vision of African-American life, The Darkest Child is one of the harshest novels to arrive in many years. . . . [Phillips] buttresses those harsh episodes with a depth of characterization worthy of Chekhov, pitch-perfect dialogue, and a profound knowledge of the segregated South in the ’50s.”—The New Leader