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Friends of Opera San Jose, OSJ's volunteer auxiliary, is throwing a free party with a nautical theme celebrating the upcoming production of Moby Dick -- and you are invited! Check out this flyer to see what's in store for you: https://drive.google.com/open?id=0B-qtkbGQxDYCNnhlNGhrVGRvbS1uTklfMUNPMnppY0ZpRjhv (If your system/device can't handle a .docx file, here is an image of it: https://drive.google.com/open?id=0B-qtkbGQxDYCb1R5bjQwY0lSLVdiM2xTczRpSWM1dDhOM3Jz ) In addition to signing up here in Opera Aficionados, please RSVP to [masked] by Thursday January 24 to help with planning. If bringing guests, be sure to mention them by name (for their name tags). I (Jim) am a member of Friends of Opera San Jose. We're giving this party to introduce you to our organization. Members of the auxiliary will be handy to answer your questions about who we are and how we serve OSJ. We hope you'll consider becoming a volunteer with us, but you will be under no obligation to join us -- your only obligation is to enjoy the party:-) I'll be serving drinks -- be sure to come say Hello!
Mark your calendar, we have tickets for Series B (first Sunday Matinee) and we will be sitting, Row F, Seats 10 and 12 More details to follow. In the meanwhile, here are a few links for your reading pleasure: https://jakeheggie.com/moby-dick-2010/ https://en.wikipedia.org/wiki/Moby-Dick_(opera) Tickets available from https://www.operasj.org/tickets/moby-dick
Join us for "I Due Foscari" the 2nd of 3 productions in West Bay Opera's (WBO's) this 63rd season. If you are unable to make this date, other "I Due Foscari" performance dates are: * Sunday February 17, 2019 @ 2pm (talk back following performance) * Saturday February 23, 2019 @ 8pm * Sunday February 24, 2019 @2pm * Preview talk: Thursday February 7, 2019 @8pm Call the box office [masked]) now production season subscription ($129 - $189 for adults) or for single ticket purchases ($65 - $85 for adults). Summary from Wikipedia https://en.wikipedia.org/wiki/I_due_Foscari I due Foscari (The Two Foscari) is an opera in three acts by Giuseppe Verdi to an Italian libretto by Francesco Maria Piave, based on a historical play, The Two Foscari by Lord Byron.
To find a theater where you can view these extraordinary productions, visit this page: https://www.metopera.org/season/in-cinemas/theater-finder/ Many of the theaters with new lounge chairs require advance purchase of tickets, so make sure you plan ahead. SUNG IN FRENCH 2 HRS 35 MINS (1 intermission) World Premiere: Opéra Comique, Paris, 1840. ACT I The Tyrolean mountains. On their way to Austria, the terrified Marquise of Berkenfield and her butler, Hortensius, have paused in their journey because they have found the French army blocking their way. When the marquise hears from the villagers that the French troops have at last retreated, she comments on the crude ways of the French people (“Pour une femme de mon nom”). Hortensius asks Sulpice, sergeant of the 21st regiment, to let the marquise continue on. Sulpice is joined by Marie, the mascot, or “daughter,” of the regiment, which adopted her as an orphaned child. When Sulpice questions her about a young man she has been seen with, she explains that he is a local Tyrolean who—though an enemy—once saved her life. Troops of the 21st arrive with a prisoner: this same Tyrolean, Tonio, who says he has been looking for Marie. She steps in to save him, and while he toasts his new friends, Marie sings the regimental song (“Chacun le sait”). Tonio is ordered to follow the soldiers, but he escapes and returns to declare his love to Marie. Sulpice surprises them, and Marie must admit to Tonio that she can only marry a soldier from the 21st. The Marquise of Berkenfield asks Sulpice for an escort to return her to her castle. When he hears the name Berkenfield, Sulpice remembers a letter he discovered near the young Marie when she was found. The marquise soon admits that she knew the girl’s father and says that Marie is the long-lost daughter of her sister. The child had been left in the care of the marquise, but was lost on a battlefield. Shocked by the girl’s rough manners, the marquise is determined to take her niece to her castle and to give her a proper education. Tonio has enlisted so that he can marry Marie (“Ah, mes amis”), but she has to leave both her regiment and the man she loves (“Il faut partir”). ACT II The marquise has arranged a marriage between Marie and Scipion, nephew of the Duchess of Krakenthorp. Sulpice has joined the marquise at the Berkenfield castle, recovering from an injury and supposed to help her with her plans. The marquise gives Marie a singing lesson, accompanying her at the piano. Encouraged by Sulpice, Marie slips in phrases of the regimental song, and the marquise loses her temper (Trio: “Le jour naissait dans la bocage”). Left alone, Marie thinks about the meaninglessness of money and position (“Par le rang et l’opulence”). She hears soldiers marching in the distance and is delighted when the whole regiment files into the hall. Tonio, Marie, and Sulpice are reunited. Tonio asks for Marie’s hand, declaring that Marie is his whole life (“Pour me rapprocher de Marie”), but the marquise declares her niece engaged to another man and dismisses Tonio. Alone with Sulpice, the marquise confesses the truth: Marie is her own illegitimate daughter whom she abandoned, fearing social disgrace. Hortensius announces the arrival of the wedding party, headed by the Duchess of Krakenthorp. Marie refuses to leave her room, but when Sulpice tells her that the marquise is her mother, the surprised girl declares that she cannot go against her mother’s wishes and agrees to marry a man that she does not love. As she is about to sign the marriage contract, the soldiers of the 21st regiment, led by Tonio, storm in to rescue their “daughter.” The noble guests are horrified to learn that Marie was a canteen girl, but they change their opinion when she describes her upbringing, telling them that she can never repay the debt she owes the soldiers. The marquise is so moved that she gives her daughter permission to marry Tonio. Everyone joins in a final “Salut à la France.”