About us
This meetup started in 2015 as a group for people in the Philadelphia area who were concerned with the current political turmoil in America, but who also felt that the prevailing liberal-vs-conservative political paradigm is unnecessarily limiting our ability to think rationally about politics & search for policy solutions. Since we shifted to mostly online meetups in 2020, we've opened the group up to people everywhere. If you like to talk politics but you've got some moderate or unconventional views that leave you feeling out of place at most of the activist groups, party meetings & political rallies in your area, this meetup is for you!
However, if your political views put you on the far left or far right of the political spectrum - i.e. you're a Marxist, anarchist, "woke" left-wing identitarian, fascist/ethno-nationalist, Islamist, Black Hebrew Israelite, Christian fundamentalist, etc., or sympathetic to these positions - please go elsewhere. Also, if you consider yourself a moderate Republican or moderate Democrat but your views are just generic talking points you've gleaned from listening to Fox News & Tucker Carlson or MSNBC & The View, this group is not for you. It may seem uncharitable to exclude people, but from past experience our discussions just don't work very well with these folks, since they tend to be close-minded and see all of our problems as the result of only one of our political parties - i.e. they're not even remotely "agnostic".
"Political Agnosticism" is a term I came up with back in 2015 to represent a non-dogmatic approach to politics that acknowledges uncertainty and the validity of multiple perspectives, and looks for practical solutions without worrying about adherence to an overarching political ideology. The purpose of this agnostic, skeptical & free-thinking approach is to avoid treating politics as a "culture war" based on group identities or a clash of "political religions" based more on devotion to a party than knowledge of the issues. Instead, when we cover a political issue, we look at what experts in various disciplines know (and don't know) about it, tease out the ethical implications, note the tradeoffs between different policy approaches, and then look at potential solutions that encompass everything we've learned.
The only political values that are prerequisites for members are a belief in civility & tolerance towards those we disagree with, a belief in traditional civil liberties like the freedom of speech, freedom of thought, freedom of association, and the right to privacy, as well as respect for institutional norms like separation of church & state, academic freedom, press freedom, government transparency, due process, judicial impartiality, and free & fair elections. These principles of an "open society" form the preconditions for the existence of a non-partisan political forum like ours.
Our general approach to politics is based on a concept we've borrowed from another organization, the Circle of Reason, called "pluralistic rationalism" – i.e. a personal commitment to reasoning, regardless of one's worldview. We start by assuming that reasonable people can differ in their cores values, whether it's framed as a preference for freedom vs security, tradition vs progress, individualism vs communitarianism, meritocracy vs egalitarianism, patriotism vs cosmopolitanism, etc. However, this approach is also premised on the belief that we should all commit to following the rules of logic & evidence-based reasoning. "Pluralistic Rationalism" is based on 3 tenets: (1) Factualism (as opposed to Denialism) for sourcing knowledge, (2) Skepticism (as opposed to Dogmatism) for vetting knowledge, and (3) Moderation (as opposed to Emotion) for expressing knowledge. To learn more about "pluralistic rationalism", see the Circle of Reason's website: http://www.circleofreason.org/
We are committed to creating a space for non-partisan political discussion based on intellectual honesty, mutual respect & civility. That means adopting the conversational principles of charity & good faith, avoiding name-calling, and trying to understand the best arguments that can be made for each side.
The goals for this meetup group are as follows:
(1) We try to understand why people - including ourselves - are predisposed by inherent psychological traits, cultural milieu & life experiences to have different moral intuitions & political orientations. We generally use a mix of the Big Five personality traits & Jonathan Haidt's Moral Foundations Theory, as well as Dan Kahan's work on "cultural cognition".
(2) We look at moral philosophy to try to better understand how moral axioms logically connect to one another and form ethical systems like deontological ethics, utilitarianism, virtue ethics, and contractarianism. We examine how these ethical systems form the basis for political philosophy, legal philosophy, and normative theories in the social sciences.
(3) We try to increase our level of rationality by learning how to spot logical fallacies, cognitive biases, flawed statistics, and various forms of groupthink. We often look to the bloggers of the "rationalist community" (e.g. Eliezer Yudkowsky, Scott Alexander, Julia Galef, Spencer Greenberg, Nate Soares, Aella, Stefan Schubert, Zvi Moshowitz, Jacob Falkovich, Ozy Brennan, Sarah Constantin, Gwern Branwen, Roko Mijic), the board members of the Center for Applied Rationality (CFAR), as well as the hosts of the Bayesian Conspiracy podcast (Steven Zuber, Eneasz Brodski, Katrina Stanton, Jace Dickey). We could also include "rationalist-adjacent" bloggers like Tim Urban (Wait But Why), Samuel Hammond (Second Best), Matthew Adelstein (Bentham's Bulldog), Jack Despain Zhou (Tracing Woodgrains), as well as data journalists like Nate Silver & Nate Cohn, tech gurus like Paul Graham & Vitalik Buterin, and scholars like Daniel Kahneman, Philip Tetlock, Keith Stanovich, Scott Aaronson, Nick Bostrum, John Nerst, Sabine Hossenfelder, and Zeynep Tufekci who've promoted a similar style of detached, analytical thinking & strategic forecasting.
(4) We try to educate members on both the fundamentals and the latest research from the social sciences, and we discuss how this relates to current events & trending political topics. Aside from looking at academic research, a lot of our reading material comes from data/explainer journalism sites, econ & policy blogs, as well as the major public intellectuals & pundits from across the political spectrum.
(5) We try to imagine alternative types of political & economic systems that could provide better outcomes for the future based on both theory & empirical data. This often involves looking at various "maps of the policy landscape" like the Cato & Fraser Institutes' Human Freedom Index, SPI's Social Progress Index, the Economist's Democracy Index, the UN World Happiness Report, and others, even as we acknowledge the way their limitations, particularly the way they try to quantify qualitative factors that are often vague or inherently subjective.
(6) As part of our effort to break away from the narrow range of ideas represented by the two major political parties, we often look at constellations of ideas that could be described as syncretic, contrarian or heterodox. This often involves looking to intellectuals who've resisted the major populist & identitarian currents on the left and right, such as the scholars associated with Jonathan Haidt's Heterodox Academy, Peter Singer's Journal of Controversial Ideas, Keith E. Whittington's Academic Freedom Alliance, and Yascha Mounck's Persuasion.
(a) For critical insight on trends within conservatism, we often refer to conservative pundits who've criticized the GOP's ideological capture by Trump, e.g. David French, Sarah Isgur, Jonah Goldberg, Charles Sykes, Kevin Williamson, Anne Applebaum, Bret Stephens, George Will, Mona Charen, and other writers at sites like 'The Dispatch' and 'The Bulwark'. Also of interest are the Obama-era "reformicons" (e.g. David Frum, Yuval Levin, Ross Douthat, Reihan Salam, Ramesh & April Ponnuru, David Brooks, James Pethokoukis) who tried to steer the party more towards the interests of the middle & working classes in the wake of the 2008 financial crisis, only to end up politically homeless when Trump took over the GOP. (Note: I specifically didn't include some neocons like Bill Kristol, Max Boot, Stephen Hayes, Liz Cheney, etc., since they've never appeared to modify their hawkish foreign policy views in light of the disastrous Iraq War they championed.)
(b) For critical insight on trends within libertarianism, we often refer to "cosmopolitan libertarians" (a.k.a. Beltway libertarians) at the Cato Institute & its "liberaltarian" offshoot the Niskanen Center, the GMU economics department (e.g. Tyler Cowen, Alex Tabbarock, Robin Hanson, Bryan Caplan, Russ Roberts, Walter E. Williams, Arnold Kling), the members of the '200-Proof Liberals' blog - successor to the now-defunct 'Bleeding Heart Libertarians' blog (e.g. Jason Brennan, Chris Freiman, Kevin Vallier, Matt Zwolinski, Jacob Levy, Steve Horwitz, Sarah Skwire), as well as the 'Fifth Column' podcast (Kmele Foster, Michael Moynihan, Matt Welch) and writers at the magazine 'Reason' (e.g. Nick Gillespie, Robby Soave, Elizabeth Nolan Brown, Katherine Mangu-Ward, Peter Suderman, Ilya Somin, Eugene Volokh), and the anti-Trump libertarians at the new Substack 'The UnPopulist' (e.g. Shikha Dalmia, Cathy Young, Trevor Burrus, Aaron Ross Powell, Berny Belvedere, Radley Balko). The debates within Gene Epstein's Soho Forum and the Cato Institute's 'Cato Unbound' blog (although the latter is now defunct) are good venues for seeing the clash of ideas between libertarians & non-libertarians. (Note that I've excluded the paleolibertarians at the Ludwig von Mises Institute, the objectivists at the Ayn Rand Institute, and the left-libertarians at the Molinari Institute & C4SS since they seem to be more siloed in their echo chambers - although I'm fairly open to revising this opinion.)
(c) For critical insight on trends within progressivism, we often refer to liberal & centrist journalists who've criticized the biases of legacy-media outlets from within (e.g. Jonathan Chait, Adam Gopnik, George Packer, Graeme Wood, Damon Linker, James Bennet, Caitlin Flanagan, Megan McArdle, Pamela Paul, Josh Barro, Conor Friedersdorf, Jonathan Rauch, Shadi Hamid) and those who've moved to independent platforms like Substack (e.g. Andrew Sullivan, Matt Yglesias, Emily Yoffe, Freddie deBoer, Matt Taibbi, Jesse Singal, Katie Herzog, Zaid Jilani, Lee Fang). Many of these people signed the open letter against cancel culture in Harper's magazine back in July 2020. Left-leaning scholars who've broken with the progressive orthodoxy on some key issues (e.g. Camille Paglia, Kathleen Stock, Anne Applebaum, Mark Lilla, Scott Galloway, Richard Reeves) also fit into this loose intellectual cluster, as do the advocates of the "Abundance Agenda" (e.g. Ezra Klein, Derek Thompson, Steven Teles, Jerusalem Demsas, Marc Dunkelman, Binyamin & Yoni Applebaum, Misha Chellam).
(d) For critiques of trends within both conservatism & progressivism, we often look to the scholars at the Heterodox Academy (e.g. Jonathan Haidt, John Tomasi, Nadine Strossen, Musa al-Gharbi, Lee Jussim, Phil Tetlock, Scott Lilienfeld, Alice Dreger, Allison Stenger, Nicholas Christakis, Eric Smith, Sean Stevens, Yascha Mounck, Eric Kaufmann) and the moderate "enlightened centrist" faction of what used to be called the "Intellectual Dark Web", e.g. Sam Harris, Steven Pinker, Ayaan Hirsi Ali, Sarah Haider, Douglas Murray, Claire Lehmann, Helen Pluckrose, Peter Boghossian, Glenn Loury, John McWhorter, Coleman Hughes, and the various other writers & editors at media outlets like 'Quillette' and 'Areo Magazine' (although the latter is now defunct). Some other heterodox pundits like Bill Maher, Razib Khan, Richard Hanania, Meghan Daum, Debra Soh, Melissa Chen, Meghan Murphy, Konstantin Kisin, Michael Shellenberger, Freddie Sayers, Winston Marshall, Bari Weiss, Nellie Bowles - as well as other writers at 'Unherd' and 'The Free Press' - could be considered the successors to the IDW. (Note I've excluded some of the former IDW members like Dave Rubin, Jordan Peterson, Brett & Eric Weinstein, and Maajid Nawaz since they appeared to go off the rails amid the COVID pandemic & 2020 election due to "audience capture" and knee-jerk contrarianism. I've also excluded Joe Rogan due to his interest in pseudoscience & conspiracy theories, and Ben Shapiro is excluded because he seems more like a garden-variety conservative pundit.)
(e) For critical insight on trends within the emerging "bipartisan populist" sphere, we may refer to some members of the new think tank 'American Compass' (e.g. Oren Cass, Chris Griswold, Abigail Ball), writers at Julius Krein's journal 'American Affairs' (e.g. Michael Lind, David P. Goldman, Joel Kotkin), the strange bedfellows at Sohrab Amari's magazine 'Compact' (e.g. Edwin Aponte, Patrick Deneen, Matthew Schmitz, Geoff Shullenberger, Alex Gutentag, Adam Lehrer, Michael Tracey), so-called "reactionary feminists" who criticize both unrestrained capitalism & the sexual revolution (e.g. Mary Harrington, Louise Perry, Nina Power, Helen Andrews, Ashley Frawley), and several "post-left" writers formerly affiliated with the "Dirtbag Left" (e.g. Amber A'Lee Frost, Angela Nagle, Aimee Terese, Oliver Bateman, Malcolm Kyeyune). We could also refer to the 'Breaking Points' online news show headed by Krystal Ball & Saagar Enjeti (with co-hosts Emily Jashinsky & Ryan Grim; and their former 'Rising' co-hosts Kim Iversen & Batya Ungar-Sargon), Glenn Greenwald's post-Intercept output (e.g. the 'System Update' podcast), the writers at 'The Liberal Patriot' blog (Ruy Teixeria, John Halpin, Michael Bahareen), as well as some of the journalists at the socialist magazine 'Jacobin' who are partly sympathetic to populism (e.g. Jennifer Pan, Dustin Guastella, Paul Prescod). This loosely defined intellectual space is still evolving from conversations between anti-woke "class-first socialists" and "post-liberal conservatives" and is less ideologically coherent right now, although it has similarities to earlier Third Way ideologues like producerism and communitarianism. In some cases, figures in this movement have taken positions at odds with the core tenets of classical liberalism, but the left-right dialogue seems to be moderating some of their stances. (The comedians-turned-pundits Jimmy Dore & Russell Brand might fit into this space, as would Tucker Carlson, but I've excluded them as they've all promoted conspiracy theories so - like some of the former IDW members I listed above - they don't help us toward a rational view of politics. There's a similar problem with Anna Khachiyan & Dasha Nekrasova's 'Red Scare' podcast - they're too uninformed on policy & prone to knee-jerk contrarianism for shock value. The "MAGA Communism" guys have a similar problem.)
-- The common feature among all of the new media projects & public intellectuals listed above is that they are openly critical of intellectual blindspots & bad ideas coming from both the left & right, although most of them are not always *equally* aware or critical of problems on both sides of the political spectrum.
(7) In order to do our part combatting political polarization, we borrow ideas from a range of organizations that are currently working on enabling mutual understanding & civil dialogue, such as David Blankenhorn's Braver Angels project, Frank Burton's Circle of Reason, Alexandra Hudson's Civic Renaissance, Liz Joyner's Village Square, Joan Blades' Living Room Conversations, John Gable's AllSides team, David Nevins & Debilyn Molineaux's Bridge Alliance, Lisa Swallow & Kareem Abdelsadek's Crossing Party Lines, Tim Dixon & Gemma Mortensen's More In Common project, David Brooks's Social Fabric Project (a.k.a. Weave), Michael Smerconish's The Mingle Project, Charles Wheelan's Centrist Project (now called "Unite America"), Irshad Manji's Moral Courage Project, the Foundation Against Intolerance and Racism (FAIR), and others.
Upcoming events
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HxA Event: The Ethical Limits of Philosophical Inquiry
·OnlineOnlineEvent Title:
“The Ethical Limits of Philosophical Inquiry" with Rebecca TuvelHow to Watch:
This online event is FREE, but you need to be a member of Heterodox Academy to register to get the Zoom link:
https://heterodoxacademy.org/events/the-ethical-limits-of-philosophical-inquiry/Event Topic:
Join us for Heterodox Academy’s Colloquium Series, a virtual seminar series designed to highlight the scholarship and thought leadership emerging from our community.This colloquium will feature Rebecca Tuvel, Associate Professor of Philosophy at Rhodes College, presenting her framework for defending philosophers' right to advance controversial ideas in service of philosophical inquiry.
The Ethical Limits of Philosophical Inquiry
Recently, some philosophers have called for censoring, deplatforming, or otherwise discouraging academics who defend “radioactive” philosophical views, citing their potential for harm to marginalized groups. Others concede that academic freedom protects such work but insist that advancing it is nonetheless morally wrong. Targets include work on gender, voluntary eugenics, transracialism, and consensual adult–child sex. These controversies sharpen a pressing question: What are the ethical limits of philosophical inquiry?This question has received little attention due to its frequent conflation with questions of academic freedom. In this presentation, Dr. Tuvel will share the theory she has co-developed called the Institutional Model. On this view, academic philosophy is a legitimate institution whose role-players may permissibly advance even (unintentionally) harmful or mistaken views in service of its core aim: advancing philosophical understanding. She’ll defend the model by drawing parallels to other institutions where comparable conclusions are far less controversial—the adversarial legal system, investigative journalism, and markets. She’ll then address three objections: that the model overgeneralizes; that it licenses unjust power imbalances within the discipline; and that it licenses excessive harm to marginalized groups. She argues that, while each is instructive, none succeeds.
This colloquium, offered exclusively to HxA members on September 30, 2026 from 4:00–5:00 PM ET, will include time for audience discussion and Q&A. You'll hear Dr. Tuvel respond directly to the toughest objections to her own framework, and get the chance to bring your own questions to the conversation.
About the Speaker:
* Rebecca Tuvel is Associate Professor of Philosophy at Rhodes College. She works on the philosophy of race, sex, and gender, the ethics of identity, and the ethics of academic inquiry. She's best known as the author of a controversial 2017 article entitled "In Defense of Transracialism" which compared the cases of Caitlyn Jenner and Rachel Dolezal. It was published by the feminist philosophy journal Hypatia but then retracted a week later after an open letter condemned it. She's currently working on an upcoming book that expands upon that article entitled Transracialism: The Ethics and Metaphysics of Changing Race.About the Event Host:
The Heterodox Academy (HxA) is a nonpartisan collaborative of thousands of professors, administrators, and students committed to enhancing the quality of research and education by promoting open inquiry, viewpoint diversity, and constructive disagreement in institutions of higher learning. It was founded in 2015 by Jonathan Haidt, a psychology professor at the University of Virginia, Nicholas Quinn Rosenkranz, a Georgetown University law professor, and Chris Martin, an Emory University sociologist.To learn more about their mission, go to https://heterodoxacademy.org/our-mission/
2 attendees
Free Library Event: Malcolm Gladwell, "The American Way of Killing"
Parkway Central Library, 1901 Vine St, Philadelphia, PA, USEvent Title: Malcolm Gladwell, The American Way of Killing: The Invention of an Epidemic
Date & Time: Wed., Oct., 14, 2026; 7:00 p.m. - 8:00 p.m. EDT
Cost: $5.00 - you can purchase tickets here:
https://10991a.blackbaudhosting.com/10991a/tickets?tab=2&txobjid=6518b2d8-fb49-41f0-ba2e-20ebd87f4d1bBooks will be available for purchase at the library on event night.
This program is free and open to the public and will meet in the auditorium of Parkway Central Library. Please use Wood Street entrance/exit.
About the Book:
Malcolm Gladwell returns with his most urgent book yet: a provocative investigation of America's epidemic of gun violence.The United States has far more homicides than any of its peers around the world. Why?
In this groundbreaking book, Malcolm Gladwell explores the American "peculiarity"--how the world's wealthiest country came to suffer from a problem typically only seen in the world's poorest countries.
Drawing on original interviews, archival and social science research, and his trademark insight, Gladwell approaches the American paradox through a series of stories. What can we learn from the miracle of a young gunshot victim in Washington, D.C.? How have the legal troubles of a seventeenth-century English knight influenced American attempts at gun control? Why would a European police chief be baffled by the graduation ceremony at any American police academy?
In a sweeping narrative, Gladwell travels from a shooting range in North Carolina, to the South Side of Chicago, to an old plantation house in Alabama, painting a picture of a country that does not understand its most pressing social problem, and as result, does not understand how to fix it.
About the Author & Host:
* Malcolm Gladwell is the author of eight New York Times bestsellers: The Tipping Point (2000), Blink (2005), Outliers (2008), What the Dog Saw (2009), David and Goliath (2009), Talking to Strangers (2019), The Bomber Mafia (2021), and Revenge of the Tipping Point (2024). He is also the cofounder of Pushkin Industries, an audio-content company that produces "Revisionist History", among other podcasts and audiobooks. He was born in England, raised in Canada, and holds a BA in history from Trinity College at the University of Toronto.* Tamala Edwards, the host, is a TV news anchor and reporter who joined 6ABC in January of 2005. She is the weekday co-anchor of "Action News Mornings" from 4 a.m to 7 a.m. and is a regular co-host of "Inside Story", conducting probing interviews with newsmakers like Governor Tom Corbett, Senator Bob Casey, Mayor Michael Nutter and others, as well as moderating many election debates. Prior to joining 6ABC, Tamala Edwards was the anchor of ABC's World News Now, and World News This Morning.
About the Free Library Author Events:
The Author Events program at the Free Library of Philadelphia offers the opportunity to engage in meaningful dialogue with today’s most celebrated voices in the humanities and sciences.- For more information, call the Author Events Office at 215-567-4341 or email authorevents@freelibrary.org or go to https://libwww.freelibrary.org/programs/authorevents/?id=155263
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1 attendee
Bi-Weekly Discussion - The Implicit Sociology of "Literally Me" Characters
·OnlineOnlineThis is going to be an online meetup using Zoom. If you've never used Zoom before, don't worry — it's easy to use and free to join.
Click on the link above at the scheduled date/time to log in...
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THE IMPLICIT SOCIOLOGY OF "LITERALLY ME" CHARACTERS: HOW CAN GEN Z'S IDENTIFICATION WITH ANTI-HEROES GIVE US INSIGHT INTO THEIR QUARTER-LIFE CRISES?
INTRODUCTION:
In this meetup, we'll look at what Gen Z calls "literally me" characters - i.e. fictional characters whose lives seem to mirror one's own, leading the viewer to identify with the character. The main thing that makes this remarkable is that many of Gen Z's favorite characters seem to be highly flawed rather than aspirational. Of course, "tragic heroes" are nothing new - they date back to Ancient Greece - and young people over-identifying with flawed characters is also a well-worn tradition. There was a famous case in the 1770s where Goethe's novel The Sorrows of Young Werther inspired a rash of copycat suicides among young men who'd been romantically disappointed like the protagonist. By the early 1800s, the Romantic movement had created the angrier counterpart to Werther in the brooding & cynical "Byronic hero", named after the English poet Lord Byron whose characters were loosely based on his own life. We can find analogous figures in the gunslingers of late 19th-century dime novels, the hardboiled detective novels of the 1930s, and the various criminals & social misfits that gained prominence in the "New Hollywood" films of the 1970s.
Similarly, you can find plenty of lovelorn female protagonists who become self-destructive in Victorian novels - e.g. Catherine Earnshaw in Wuthering Heights (1847) and Emma Bovary in Madame Bovary (1856) - which provoked controversy at the time about their potential impact on female readers who could be driven to "hysteria". And the female analogue to the Byronic hero, the seductive & manipulative "vamp" or "femme fatale", appeared in novels like Great Expectations (1861) and Lady Audley's Secret (1862) well before appearing on the silver screen.
But even while we can find historical precedents for today's top antiheroes, each generation's antiheroes are also unique in the ways they reflect the current fears & frustrations of their audience. For example, a 2014 study used "big data" methods to analyze 20th-century literature and found a positive correlation between the "economic misery index" (the sum of inflation and unemployment rates) and the "literary misery index" (frequency of keywords in book indicating sadness vs happiness), albeit with a decade lag due to the time it takes for authors to find inspiration, write their book & get it published. High levels of literary gloom surfaced in the 1920s, 1940s, and 1980s—reflecting the economic trauma of the previous decades (i.e. World War I, the Great Depression, and 1970s stagflation). The reactions of audiences to bad economic conditions are more nuanced, with some people consuming happy escapist fiction & pop music to distract them from their cares while others seek out horror fiction & downbeat music for catharsis.
For our purposes, it's important to note that much of Gen Z appears to be more likely than past generations to root for the antihero and consume darker fiction. A 2022 consumer sentiment poll revealed that 36% of all respondents name the antihero as their favorite type of character, but 69% of Gen Z stated they explicitly prefer villains & antiheroes due to their moral complexity, while 45% preferred villains-turned-heroes over traditional, pure-hearted protagonists. This can perhaps be explained by Gen Z feeling that more lighthearted fiction is too distant from their real-world experience - for example, a 2023 poll found that "more than a third of respondents said they turn to literature about people experiencing adverse times more now during a cost-of-living crisis compared with previous years."
The "literally me" memes about iconic antiheroes & sympathetic villains appear to date to the mid 2010s, driven primarily by younger Millennials. According to the website Know Your Meme, 4Chan users began idolizing Ryan Gosling's getaway driver character in the 2011 film "Drive" around 2014, and the internet's list of "literally me guys" began to grow over time to include the characters we'll examine in this meetup (Patrick Bateman, Officer K, Fight Club's Narrator, the Joker) and many more. This became common enough online that it was getting mocked as "literally me syndrome" by 2018. Usually, this sort of mockery kills a trend, and it's rare to see any specific meme or internet slang persist for more than a couple years due to the rapid churn of internet commentary and our increasingly short attention spans. However, the "literally me" memes about antiheroes (both ironic and sincere) appear to have accelerated during 2020 due to the isolation of the COVID pandemic lockdowns. Soon enough, Gen Z "film bros" were taking clips of their favorite movie antiheroes and turning them into moody montages set to darkwave music on YouTube & TikTok, as well taking to Reddit to plot them on an "alignment chart" to showcase their differing moralities, graph them on the "political compass" to analyze their implied political orientation, or rank them on the "Iceberg Chart" by their level of sophistication & obscurity. Judging from Google Trends, the "literally me" trend appears to have peaked in 2023 as a lot of Gen-Z YouTubers, Letterboxd reviewers, Medium bloggers & college journalists picked up on it as a new type of "parasocial relationship" and began to analyze it. However, Ryan Gosling's role as the handsome but purposeless Ken doll come to life in Barbie (2023) seems to broke the brooding spell of the original "literally me" trope. At the San Diego Comic-Con last year, Gosling finally acknowledged the meme by shouting "you're literally me!" at screaming fans, which seems to have left behind a much lighter and self-aware joke that is now fading away due to over-exposure. Thus, we'll be reviewing this meme format in retrospect, even as antiheroes may continue to be popular with Gen Z.
The "literally me" term seems to have been originally applied almost exclusively to male characters by male fans, but by the early 2020s it was taken up by female fans for female anti-heroes who freely express their anger, anxiety and sadness in a way that contrasts sharply with the more uplifting "girlboss" characters in pop culture. There's a clear precedent for these sorts of darker female characters in the "sad girl" aesthetic that evolved on Tumblr in the 2010s. Natalie Portman's disturbed ballerina in Black Swan (2010) and Saoirse Ronan's high-school misfit in Lady Bird (2017) are common examples from this era that are still popular. Tragic "sad girl" characters still find their way onto some lists of "literally me" characters, and this often overlaps with what are now called "girlfailure" characters - i.e. women are anxious "hot messes" struggling with adult responsibilities. Lena Dunham's character Hannah Horvath in Girls (2012-2017) is a clear precedent for Phoebe Waller-Bridge's Fleabag. However, many of the anti-heroines that Gen-Z women idolize today in the 2020s are quite capable but are "angry women", and so their stories often show them lash out violently at their cheating spouses, dysfunctional families, stupid coworkers, cruel classmates or society in general rather than just wallowing in their misery or self-destructing.
The general consensus seems to be that many members of Gen Z are attracted to dark anti-heroes & even outright villains because the characters' struggles with mental health, social expectations, financial insecurity & unstable relationships are similar to broader social crises facing young people today. However, the way in which these crises affect characters and the ways in which they process what's happening, as well as the social strategies and coping mechanisms they select, often depends on their gender and socio-economic class. That's why in this discussion I've divided up Gen Z's top "literally me" characters by social class, but also set up a comparison between male & female characters of the same class.
In the 1st section, we'll compare & contrast two wealthy status-obsessed characters: Christian Bale's Patrick Bateman from American Psycho (2000) and Rosamund Pike's Amy Dunne from Gone Girl (2014).
Runners up for this section include: Jordan Belfort from The Wolf of Wall Street (2013), Gus Fring from Breaking Bad (2008-2013) & Better Call Saul (2015-2022), Love Quinn from You Seasons 2-3 (2018-2020), and Shiv Roy from Succession (2018-2023).In the 2nd section, we'll compare & contrast two badass "lone wolf" characters: Ryan Gosling's Officer K from Blade Runner 2049 (2017) and Emma Stone's Estella Miller from Cruella (2021). Runners up for this section include: Thomas Shelby from Peaky Blinders (2013-2022), Lou Boom from Nightcrawler (2014), Lisbeth Salander from The Girl with the Dragon Tattoo (2011), and Wednesday Addams from Wednesday (2022-2026).
In the 3rd section, we'll compare & contrast two frustrated middle-class characters: Edward Norton's nameless insurance investigator & his Tyler Durden alter-ego from Fight Club (1999) and Phoebe Waller-Bridge's nameless cafe owner from the BBC series Fleabag (2016-2019). Runners up for this section include: Walter White in Season 1 of Breaking Bad (2008), Joe Young from You (2018-2025), Dani Ardor from Midsommar (2019), and Rue Bennett from Euphoria (2019-2026).
In the 4th section, we'll compare & contrast two social outcast characters: Joaquin Phoenix's Arthur Fleck from The Joker (2019) and The Joker: Folie à Deux (2024) and Mia Goth's Pearl Douglas from X (2022) and Pearl (2022). Runners up for this section include: Travis Bickle from Taxi Driver (1974), Jesse Pinkman from Breaking Bad (2008-2013) and Breaking Bad: El Camino (2019), Lisa Rowe from Girl, Interrupted (1999), and Carrie White from Carrie (1976) and the 2013 remake - as well as the 2026 TV miniseries.
NOTE: As you'll notice, several of these characters are from films produced when many members of Gen Z were quite young or not even born. They've since been rediscovered by today's teens & twenty-somethings, who have unprecedented access to older films thanks to streaming services.
To help us analyze these characters, we'll use the "Socio-Sexual Hierarchy" (SSH) chart of right-wing manosphere blogger Vox Day (real name: Theodore Robert Beale) that's gone viral since 2021. Vox Day's chart started as an armchair theory put forth in a blog post back in 2010 and follow-up post in 2011 that attempted to create a more nuanced framework for understanding men's position in both the male social world and the dating world rather then the standard "alpha male" winner vs "beta male" loser dichotomy. His chart had 6 different ranks in its hierarchy:
- Alpha: The top tier of the hierarchy. Alphas are natural leaders, highly confident, professionally successful, and attractive to women.
- Beta: The second tier, sometimes mistaken for alphas by lower ranks. Betas act as lieutenants & enforcers for alphas, but tend to lack the alpha's ambition, confidence or leadership ability.
- Delta: The average middle-class or working-class man. Deltas are reliable workers when treated fairly and form the foundation of society, and they can be attractive to women of their social class when hypergamy is held in check.
- Gamma: Middle or working-class men who are smart but overly sensitive and socially clueless, leading to problems with work & dating. Their intelligence often leads them to resent alphas and think they should be the leaders instead.
- Sigma: The "lone wolf" archetype. Sigmas possess alpha-level competence & attractiveness, but tend to be more introverted & operate outside the mainstream social hierarchy, often working as freelancers or entrepreneurs - or career criminals.
- Omega: The lowest tier on the social hierarchy. Omegas are socially inept, poor, isolated, and completely unsuccessful with dating or professional advancement.
NOTE: Paul Elam, another manosphere blogger, coined the term "Zeta Male" for men who refuse to let their value or masculinity be defined by women, relationships, or career status, and it's become associated with the MGTOW (Men Going Their Own Way) movement. It's only occasionally included in Vox Day's SSH and seems like the loner equivalent to the average "Delta" male, like Sigma is the loner equivalent to the Alpha Male.
Essentially, the SSH has more & less successful versions of elite men (alpha vs beta), middle/working-class men (delta vs gamma), and outsiders (sigma vs omega). The SSH is also relative in the sense that someone could be an alpha in a small group but a delta in a larger group, but this nuance is often overlooked. Since the SSH chart went viral, its proponents have made the rankings more fixed but gradually softened the negative qualities associated with the gamma & omega descriptions, repurposing its rankings to denote personality types applicable to both genders, almost akin to Myers-Briggs types or astrological signs. Journalists often just dismiss the SSH and its offshoots as "pseudoscientific", but it's useful for our purposes since it shapes how some "very online" members of Gen Z think of themselves in relation to character archetypes from pop culture. We'll also see how each SSH rank is associated with various male & female subtypes that have been spawned by bloggers & Internet forums such as the "Chad", "Stacy", "Becky", "toxic male", "bro", "grinder/ hustler", "mean girl", "pick-me girl/cool girl", "basic girl", "brat", "girlboss", "girlfailure", "high/mid/low-tier normie", "main character (MC)", "NPC", "performative male"/"nice guy", "simp"/"white knight", "soy boy/nu-male", "doomer", "chud", "incel", "volcel", and "femcel". While a few of these terms might be used as self-descriptors, many are insults leveled at people believed to be on a different level of the social hierarchy and have a political connotation as well.
Vox Day's SSH is interesting because it bears an uncanny resemblance to a more accepted theory from sociology - i.e. Raewyn Connell's theory of "Hegemonic Masculinity" - which has an explicitly progressive political perspective. Connell's theory posits 4 main types of masculinity:
- Hegemonic: The culturally idealized form of manhood in a given time and place. In modern America, it's associated with traits like dominance, emotional stoicism, financial independence, physical strength, and heterosexuality. While very few men actually embody this ideal perfectly, it serves as the standard that legitimizes the global dominance of men over women.
- Complicit: Masculinity enacted by men who do not fully embody the hegemonic ideal but do not challenge it either. They receive the "patriarchal dividend"—the systemic benefits, privileges, and institutional power that come with being male—without having to front the costs or pressures of being the "alpha" figure.
- Subordinate: Masculinities that are directly oppressed or excluded by the hegemonic standard, such as gay or gender-nonconforming men. These men are framed as the opposite of "real men" and are often pushed to the bottom of the gender hierarchy, facing social stigma & discrimination.
- Marginalized: Masculinities that are enacted by men who may possess hegemonic traits (like physical strength or street smarts) but are denied structural power due to their marginalized identity (e.g., working-class, non-white, or immigrant men). They are barred from achieving true hegemonic status because the dominant culture's ideal is typically racialized (white) and classed (wealthy).
It's easy to see how hegemonic masculinity corresponds to the SSH's alpha male, complicit masculinity corresponds to the SSH's beta & delta males, and subordinate masculinity corresponds to the gamma & omega males. There's also a tentative correspondence between marginalized masculinity and the SSH's sigma male since both possess traits that resemble hegemonic/alpha masculinity but operate outside the mainstream social hierarchy. The difference between the two concepts is whether or not this exclusion is voluntary & whether a marginalized man can still be expected to succeed socially & professionally.
So how does Connell's theory apply to women? While sociologists that study gender roles debate whether or not there can be a corresponding "Hegemonic Femininity" in a patriarchal society, they appear to agree that there is an idealized form of femininity in Western societies that women are measured against and this typically corresponds with a beautiful, white, heterosexual, bourgeois wife/mother. Gender sociologists also appear to agree that there are complicit, subordinate and marginalized forms of femininity, but also resistant forms as well. The sociologist Mimi Schippers coined the term "Pariah Femininities" for oppositional figures like the "bitch" (refusing to be compliant), the "slut" (refusing to restrict sexual availability to a single dominant man), and the "butch lesbian" (refusing to be the passive object of male desire).
WHAT CAN EXPERTS TELL US ABOUT THE UNDERLYING SOCIAL PROBLEMS EVOKED BY MANY "LITERALLY ME" CHARACTERS:
While interpreting films is highly subjective & speculative, the underlying social problems that plague the characters in many of the films we'll discuss can be measured more objectively & accurately by social scientists:
- LONELINESS EPIDEMIC & PARASOCIAL RELATIONSHIPS
- DEPRESSION EPIDEMIC & "DISSOCIATIVE FEMINISM"
- AFFORDABILITY CRISIS & "FINANCIAL NIHILISM"
- SEX RECESSION & THE "DATING APOCALYPSE"
- "HETEROPESSIMISM" & ADVERSARIAL GENDER RELATIONS
- POLITICAL CYNICISM & VIOLENT FANTASIES
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RELEVANT MATERIAL FROM PAST MEETUPS:
Back in August, we had a meetup entitled "How Rap Predicted the Manosphere". In the 4th section, we discussed the rise of the manosphere influencers and their pseudo-scientific and semi-scientific theories about sexual attraction, social hierarchies, gender roles, etc. This is relevant to today's discussion because the various "pill" subcultures of the manosphere overlap with the various types of male "literally me" characters we'll analyze - i.e. the "red pill" applies to the alpha male characters, the MGTOW "white pill" applies to the sigma male characters, the "blue pill" applies to the average frustrated delta/gamma male characters, and the incel's "black pill" applies to the omega male characters.
Back in Aug. 2025, we had a meetup entitled "Can We Escape The 'Iron Laws' of Bureaucracy?" In the 2nd section, we discussed Venkatesh Rao's Gervais Principle that analyzed corporate office dynamics by dividing employees into "Sociopaths" (Leaders), "Clueless" (HR/Middle-Managers), and "Losers" (Workers). We also noted how it roughly aligns with the Prussian general Kurt von Hammerstein-Equort's famous quip about dividing officers into four classes; the clever & lazy (born leaders), clever & industrious (general staff), stupid & lazy (routine work), and stupid & industrious (liabilities). This is relevant to today's discussion because the type of officer staff & military officers overlap with the various rank in Vox Day's SSH and the types of male "literally me" characters we'll analyze.
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DIRECTIONS ON HOW TO PREPARE FOR OUR DISCUSSION:
The videos & articles you see linked below are intended to give you a basic overview of some of the theories about how Gen Z's film fandoms helps shed some light on the various struggles with mental health, financial insecurity, and unstable relationships experienced by both sexes. As usual, I certainly don't expect you to read all the articles prior to attending our discussion. The easiest way to prepare for our discussion is to just watch the numbered videos linked under each section - the videos come to about 68 minutes total. If that seems like too much time to spend preparing, just watch the videos that pertain the films you have NOT seen so you get the general gist. The articles marked with asterisks are just there to supply additional details. You can browse and look at whichever ones you want, but don't worry - we'll cover the stuff you missed in our discussion.
In terms of the discussion format, my general idea is that we'll address the topics in the order presented here. I've listed some questions under each section to stimulate discussion. We'll do our best to address most of them, as well as whatever other questions our members raise. I figure we'll spend about 30 minutes on each section.
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I. ANALYZING THE SCHEMING ELITE (ALPHA/BETA) CHARACTERS FROM AMERICAN PSYCHO & GONE GIRL:
- SECTION 1, QUESTION 1: XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX
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1a) Blunti, "American Psycho Was a Warning (And Men Didn't Listen)" (video - 8:22 min)
https://www.youtube.com/watch?v=Mw94rNt1S0k1b) The Take, "Gone Girl - Why Amy's Fury Still Resonates 10 Years Later" (video - 12:05 min)
https://www.youtube.com/watch?v=1-vAvse_ifY- Taylor Trudon, "Christian Bale, Gen-Z Heartthrob" (The Cut)
https://archive.ph/tqQvf - Bethany Dunn, "Patrick Bateman: the blueprint for looksmaxxing and mewing culture"
https://www.thegryphon.co.uk/2025/04/16/patrick-bateman-the-blueprint-for-looksmaxxing-and-mewing-culture/ - James Hoghaug, "American Psycho: Is Patrick Bateman Actually a Sigma?"
https://www.cbr.com/patrick-bateman-sigma-status-explained-american-psycho/ - Emma Henault, "Why Do We Shame Women for Identifying With Amy Dunne?"
https://film-cred.com/amy-dunne-gone-girl-david-fincher/ - Sara Li, "Still Not Over It: Amy Dunne's [Cool Girl] Monologue in 'Gone Girl' - When a woman is allowed to be the villain..."
https://www.thecherrypicks.com/stories/still-not-over-it-amy-dunnes-monologue-in-gone-girl - Viasal Wagh, "Did You Know? 'Gone Girl' Uses Voiceover to Trick You: How Amy Dunne’s diary voiceover draws us in—only to twist the knife later."
https://nofilmschool.com/gone-girl-voiceover-analysis
II. ANALYZING THE HIGHLY COMPETENT LONER (SIGMA) CHARACTERS FROM BLADE RUNNER 2049 & CRUELLA:
- SECTION 2, QUESTION 1: XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX
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2a) Hippo Lore, "An Analysis of Blade Runner 2049's Most Iconic Scene" (video - 4:28 min)
https://www.youtube.com/watch?v=IHSaiVYClfs2b) The Take, "Cruella De Vil: Our Fear and Awe of the Spinster" (video - 20:58 min, start at 11:35 listen to 19:50)
https://www.youtube.com/watch?v=luEEV_UiArQ&t=11m35s- Emily St. James, "The best thing about Blade Runner 2049 is what it isn’t: The long-awaited sequel takes a hammer to a tired storytelling trope [i.e. the chosen one]"
https://archive.ph/5Al1u - Angelica Jade Bastien, "The Vulnerability of Ryan Gosling in Blade Runner 2049"
https://www.vulture.com/2017/10/ryan-goslings-vulnerable-performance-in-blade-runner-2049.html - Phil H., "“You Seem Lonely, I Can Fix That”: What Is Lost When Intimacy Demands Nothing"
https://medium.com/philling-in-the-gaps/you-seem-lonely-i-can-fix-that-what-is-lost-when-intimacy-demands-nothing-649a0718ab13 - Angelica Jade Bastién, "Cruella Is the Girl-Bossification of the Madwoman"
https://archive.ph/0u4Yc - Francesca Steele, "Emma Stone’s Cruella proves that women do not have to be likeable on screen anymore"
https://inews.co.uk/news/long-reads/emma-stone-cruella-proves-women-likeable-on-screen-1021056
III. ANALYZING THE STRUGGLING EVERYMAN (DELTA/GAMMA) CHARACTERS FROM FIGHT CLUB & FLEABAG:
- SECTION 3, QUESTION 1: XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX
- SECTION 3, QUESTION 2: XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX
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3a) Merandil, "Sigma males DON'T understand Fight Club" (video - 12:12 min)
https://www.youtube.com/watch?v=Rvc1PFNTRDw3b) Maia C., "Fleabag and a New Era of Feminism" (video - 9:15 min)
https://www.youtube.com/watch?v=Md6uJqHNhd8- Rebecca Renner, "Everyone Misunderstands the Point of Fight Club: The Forgotten Anti-Capitalist Message of an Unjustly Vilified Work"
https://lithub.com/everyone-misunderstands-the-point-of-fight-club/ - Stephen Kearse, "We’re Still Living in a Fight Club World: In the 25 years since its release, the film has burrowed deeply into American culture—and its insights remain apt."
https://archive.ph/Bifm7 - Hilarie Ashton, "In Defense of Fleabag Feminism"
https://msmagazine.com/2019/01/02/defense-fleabag-feminism/ - Emma Garland, "Enter the Fleabag era: What does it mean to be a ‘dissociative feminist’? Young women on Tiktok are embracing self-destruction and nonchalant fatalism. Is it all a big joke or a sign of something more serious?"
https://www.dazeddigital.com/life-culture/article/55375/1/fleabag-era-what-does-it-mean-to-be-a-dissociative-feminist - Sarah Gorr, "Fight Club, Fleabag and The Battle Against Toxicity: A look back at the movie that inadvertently launched a toxic movement & the TV series that better understood postmodern pain."
https://thespool.net/reviews/movies/fight-club-at-20-fleabag/
IV. ANALYZING THE NEGLECTED OUTCAST (OMEGA) CHARACTERS FROM JOKER & PEARL:
- SECTION 4, QUESTION 1: XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX
- SECTION 4, QUESTION 2: XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX
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4a) The Take, "How the Joker Became Political" (video - 22:08 min, start at 10:57 listen to 21:12)
https://www.youtube.com/watch?v=nZM1dUyd3Zc&t=10m57s4b) The Horror Discourse, "Why Pearl’s 8-Minute Monologue Was So Terrifying" (video - 10:05 min, start at 1:35 & listen to 7:26)
https://www.youtube.com/watch?v=cz7WSQYln4s&t=1m35s- Maria Flood, "Joker makes for uncomfortable viewing – it shows how society creates extremists"
https://theconversation.com/joker-makes-for-uncomfortable-viewing-it-shows-how-society-creates-extremists-124832 - David Crow, "Joker Controversy Aims at Wrong Target: The anxiety around the Joker controversy is understandable, but it's based in an antiquated way of thinking as old as the Hays Code."
https://www.denofgeek.com/movies/joker-controversy-2019/ - Barry Langford, "Joker: Folie à Deux is relentlessly claustrophobic – and castigates its fans at every turn"
https://theconversation.com/joker-folie-a-deux-is-relentlessly-claustrophobic-and-castigates-its-fans-at-every-turn-240576 - Sofia Treviño, "How Gen Z Women Found Their Joker in ‘Pearl’"
https://www.texasmonthly.com/arts-entertainment/how-gen-z-women-found-their-joker-in-pearl/ - Kleigh Belugo, "Pearl and The Internet's Obsession with Feminine Rage"
https://www.polyesterzine.com/features/pearl-and-the-internets-obsession-with-feminine-rage - Claire Donner, "MaXXXine Isn't Horror's First Fame Monster"
https://www.cbr.com/maxxxine-isnt-horrors-first-fame-monster/
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Past events
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