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Re: [filmind-228] Fw: [BR Film Peeps] Something worth reading....

From: user 2.
Sent on: Saturday, March 16, 2013 10:48 AM

Dear Louisiana MoveOn member,

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On Mar 16, 2013, at 10:35 AM, Susie Labry <[address removed]> wrote:

That is why we have meetups, yahoo groups and other areas, as well as the old time ways: email, telephone and in person visits covering all the bases. Gathering the troops getting ready to go to Baton Rouge. I will be going to meetings/rallies, and will be setting up a couple of meetings this week. Lots going on. Working Cheekie as School Principal now and working the Grassroots efforts and garnering up clarity and TONS of support!
Sent via BlackBerry by AT&T

From: Sherry Verdel <[address removed]>
Sender: [address removed]
Date: Sat, 16 Mar[masked]:25:47 -0400
To: <[address removed]>
ReplyTo: [address removed]
Subject: Re: [filmind-228] Fw: [BR Film Peeps] Something worth reading....

Unfortunately, I can't get into this discussion on facebook because it's private. A $3 million dollar cap is still chicken feed. Will still run business out of town. We just filmed Oblivion. We need to keep doing more of that.

On Sat, Mar 16, 2013 at 9:21 AM, Susie Labry <[address removed]> wrote:
Sent via BlackBerry by AT&T

From: Lisa Poché Calhoun <notification+oh=[address removed]>
Date: Sat, 16 Mar[masked]:07:36 -0700
To: BR Film Peeps<[address removed]>
ReplyTo: Reply to Comment <g+[address removed]>
Subject: Re: [BR Film Peeps] Something worth reading....

Yes, Kari. One of my friends was going into...
Lisa Poché Calhoun 9:07am Mar 16
Yes, Kari. One of my friends was going into preproduction on a film in Michigan three years ago and less than a week before starting, they moved the film to Louisiana. They gave her the opportunity to move to Louisiana and keep her in less than a week she moved permanently to NOLA. A lot of her coworkers from there moved here in the next two years. Production after production stated that it was that INSTABILITY in Michigan's film incentives that unnerved them and made them leave. Those crew members are now permanent residents of this state and are paying their taxes here, just like the rest of us. They're part of our family now.
Comment History
Shelby Swatek
Shelby Swatek 9:05am Mar 16
Agreed, when producers feel a program is continually under attack, as it was in New Mexico, they will go elsewhere. The stability of the LA program has been its strength. Keep in mind this is all related to Jindal trying to eliminate income tax and he is going after a lot of industries, not just film. Thankfully many, many people will be up in arms.
Karri O'Reilly
Karri O'Reilly 9:00am Mar 16
A big point you all should be making is that what the industry fears most is instability in a program - more so than the particulars of the rules. ANY change to a working program will scare producers off.
Shelby Swatek
Shelby Swatek 8:59am Mar 16
The only state I know of that has a salary cap is North Carolina where it's $1 million. But they also have a per project cap of $20 million, which would really gut out program. In spite of those limitations, they are actually doing pretty well and just landed Spielberg's series Under the Dome.
Karri O'Reilly
Karri O'Reilly 8:58am Mar 16
Again, I'm not taking a side - I just wanted to clarify what the cap meant. I have been in dozens of legislative hearings and unfortunately heard crew member after crew member state half truths and their misunderstandings about a particular piece of legislation, and it hurts the cause. Nate is correct - you need to act together and with a unified, fact-driven argument.
Lisa Poché Calhoun
Lisa Poché Calhoun 8:54am Mar 16
I agree with both Karri and Nate. We've worked for a production company that has moved some films overseas because it's already cheaper. A location manager in Bulgaria will work for a week for what I expect to be paid in a day. I have many film friends that have been living in Louisiana for the past 2 to 3 years because their state lost most of the films just by talking about changes in their tax incentives. It breeds unrest and the productions will not be filmed where there are unknowns in the incentives. In other words, they don't want to invest in a location (like Louisiana) and have the deal change on them before they finish their film. They want to know what they're getting. They would still be able to pay their talent the star's going rate, bu

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