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In the Soviet Union, art was envisioned as a tool for the people, a shared cultural resource meant to be understood and appreciated by everyone. It was carefully shaped to be clear, accessible, and instructive, so that no one would feel excluded by its language or symbolism. At the same time, this clarity came with constraints: art could not be too complex, too challenging, or too disruptive. It was encouraged to inspire, educate, and unify, but it was discouraged from questioning the state or stirring social upheaval. In this sense, art was a medium of inclusion, but also of control, a reflection of a society that sought to make creativity both widespread and safe.

Yet today, the question remains: should art be a luxury for the few, preserved in museums and galleries, or a driving force for disruption, capable of unsettling norms and challenging perceptions? What does it even mean to call something “art,” and who decides its boundaries?

This debate will follow a British Parliamentary format with eight debaters split into four teams of two.

Participants who wish to speak are highly encouraged to bring a paper and pen. You are welcome to participate even if you have no prior debating experience.

We aim for debates that are respectful, constructive, and welcoming:

  • Respect ideas and people Listen actively, stay quiet while others speak, and debate arguments, not identities or beliefs.
  • Be concise and civil Keep questions short and relevant; avoid hostility, hate speech, or discrimination.
  • Respect boundaries and time No unwanted advances or suggestive behavior; arrive on time to avoid disrupting the debate.
  • Follow moderators They guide the discussion and ensure fairness.

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