Hell: Cantos 33 and 34; Purgatory Cantos 1 and 2

This month we’ll look at cantos 33 and 34 of Hell, and cantos 1 and 2 of Purgatory, with emphasis on Count Ugolino, on Satan, and on Cato. There’s a lot to chew over here.

What should we make of the story of Ugolino, which is particularly rich?

Why is Satan presented as he is?

Why is Cato not amongst the suicides?

How does the boat with the angel impact the general vibe?

What is the impact of Dante's meeting with Casella?