*NOTE: This is a **spillover date** for DEEP DIVE: Film Noir Pt. 1 — Classic Noir. If you're on the Going list for November 17, please do not sign up for this one.*

**This is a "watch at home, discuss in-person" event,** the first in a two-part series tracing how film noir emerged from postwar disillusionment to redefine cinematic morality, desire, and fate.

In this discussion, we explore the genre's origins–films shaped by moral uncertainty, postwar anxiety, and the pull of doomed desire. *Out of the Past* gives noir its tragic heartbeat: a man trapped between memory and desire, doomed to repeat his own mistakes. *Nightmare Alley* turns inward, exposing the carnival of ambition and deceit beneath America’s bright surface. And *The Third Man* expands the canvas to a war-torn Europe, where loyalty and betrayal blur amid the ruins. Together, these films define classic noir's moral terrain—worlds where truth is relative, redemption rarely arrives, and light itself can't be trusted.

We will meet to discuss our thoughts on **Wednesday, November 19**, at **Odell Brewing Sloan's Lake**. Please try to watch all three before attending.

Here is the list of films with instructions on how to find them.

**[OUT OF THE PAST](https://boxd.it/29PK)** **(1947, Jacques Tourneur, USA)**
Shadows in *Out of the Past* fall across small towns and mountain roads, where the past lingers like smoke. Jeff Bailey, a man trying to escape his old life, is drawn back into a web of deceit that feels less like choice than destiny. Beneath its taut dialogue and cigarette haze lies a story about memory’s grip—the way desire and guilt intertwine until neither can be undone. As the circle closes, the film reveals noir's essential truth: no one ever really starts over.

* [Rent from YouTube](https://youtu.be/fryuS6Zd_mc?si=aNIBSOXrQyJztq-2)
* [Rent from Prime](https://www.amazon.com/gp/video/detail/B00BP6CQ2I/ref=atv_dp_share_cu_r)

**[NIGHTMARE ALLEY](https://boxd.it/1Fya) (1947, Edmund Goulding, USA)**
In *Nightmare Alley*, the darkness isn't in the alleys but under the carnival tent. Stanton Carlisle rises from sideshow hustler to celebrated spiritualist, mastering the art of manipulation until he starts to believe his own act. The film strips away noir's city streets for a more intimate con—how ambition and self-delusion can turn faith into fraud. Beneath its grit and showmanship lies a bleak parable of the American dream, where every ascent carries the seeds of its own fall.

* [Watch for free with ads on YouTube](https://youtu.be/GuGvNkfQgik?si=0JpFgCnmYq-_MoDO)

**[THE THIRD MAN](https://boxd.it/294E)** **(1949, Carol Reed, UK)**
In *The Third Man*, postwar Vienna becomes a labyrinth of shadows and suspicion. Holly Martins arrives to find his old friend Harry Lime dead—or so it seems—and discovers a city divided by occupation and moral decay. Carol Reed turns the rubble into a moral landscape, where charm and corruption are indistinguishable and survival demands compromise. Beneath its sharp wit and zither score lies a study in disillusionment: friendship, loyalty, and even goodness twisted by the ruins of war.

* Watch with a library card on Kanopy
* Watch for free with ads on Tubi
* Watch with ads on Prime

Jason

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DEEP DIVE: Film Noir Pt. 1 — Classic Noir (Spillover Date)

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DEEP DIVE: Film Noir Pt. 1 — Classic Noir (Spillover Date)

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