Master Copy Painting Class: Rembrandt

We’ll create a copy of his portrait of Herman Doomer (from the Met collection), a painting that exhibits both the tight realism of his early years and moments of thick bravura in his later years.
RSVP HERE - STARTS TUESDAY!
There are few artists as legendary as Rembrandt, and for good reason. In his early career, he exemplified the best qualities of Dutch Golden Age painting, and in the latter half of his life, he developed a loose, painterly style that still influences artists today. Although Rembrandt used numerous approaches across his many paintings, this class will offer a general overview of his technique.
Week 1: Underpainting and Texture, Week 2: Color Layer Part 1, Week 3: Color Layer Part 2, Week 4: Glazing, broken color, and finishing
Materials List
Paint: White (lead white or flake white replacement or alkyd white, if you want to use titanium you must also use Galkyd)
Cadmium Yellow or Lead, Tin Yellow, Cadmium Red or Vermillion, Yellow Ochre, Burnt Sienna, Burnt Umber, Raw Umber (optional), Ivory Black,, Alizarin Crimson, Transparent Red Iron Oxide, Ultramarine Blue, Indian Yellow (optional)
Brushes: mid-size to large stiff bristle brushes (hog or synthetic hair, filbert and/or round shaped) and mid-size to small soft brushes (I like taklon synthetic or sable, filbert and/or round shaped)
Primed panel or smooth linen, 16×20 or 18×24 inches