Singing With Piano

⚠️ ATTENZIONE: RSVP su Meetup NON equivale a biglietto. 🎟️ È necessario acquistare il biglietto su [Eventbrite ](https://www.eventbrite.co.uk/e/stand-up-comedy-in-italiano-tickets-1989457208064)per partecipare. Questo è il link per prenotare i biglietti: [https://www.eventbrite.co.uk/e/stand-up-comedy-in-italiano-tickets-1987734448243](https://www.eventbrite.co.uk/e/stand-up-comedy-in-italiano-tickets-1989457208064) Preparati a una serata di risate non-stop nel cuore di South Kensington! Sabato 30 maggio alle 21:00, il nostro palco si accende con alcuni dei comici più brillanti della scena londinese (e non solo). Una line-up esplosiva di talenti affermati e nuove voci promette battute taglienti, aneddoti irresistibili e tanta, tanta comicità. 📅 Sabato 30 maggio \| 🕘 Porte aprono alle: 20:30 🕘 Lo show inizia alle: 21:00 📍 South Kensington Comedy Club, di sopra nella function room del pub Hoop and Toy 👀 Prenotazione vivamente consigliata 🎫 Biglietti online e all’ingresso (fino a esaurimento) 🎟️ Biglietti all'ingresso (se ci sono): £20.00 Che tu sia un fan della stand-up o solo in cerca di una serata diversa, vieni a goderti lo show… risate garantite!

Full for all instruments (spot remains for vocals) **Please use this link to sign up and pay** https://tickts.co.uk/events/novice-10-12pm-may-30-vortex-upstairs (Note you must already be accepted as a member of this group, otherwise your ticket will be cancelled) **Note the Vortex rehearsals will be starting at 10am and 12pm in the coming weeks.** full list of scheduled sessions: https://www.meetup.com/Practice-Jazz-Jam-Sessions/events/ **What is it** The novice rehearsal sessions provide an opportunity for people who are relatively new to jazz, to play in a friendly, low-pressure environment. With a short set list that attendees can prepare in advance, it becomes a little less daunting to play and get the most out of practising in a group. See below for this week's setlist. Please sign up before attending. Already full for your instrument? Please check back every other Wednesday, when new sessions go live. If you keep not being able to get a spot, please message the organiser (Xie). Location: Vortex upstairs **Who's it for** Anyone who has practised following the forms (chord progressions) of jazz tunes - maybe on their own at home - and would like to build up playing experience, expand repertoire and practice performing with other musicians. There are various introductions on how jazz jams work - see e.g. https://jazznightschool.org/pages/jam-session-basics You don't need to get all these details right for these novice practice sessions. The set list format should offer opportunities for those at different levels of developing their playing. While at the beginning one might struggle to follow/comp the chords or play through the melody, it gets easier over time and one can start to develop approaches to improvisation, harmonise lead lines, add intros/endings, work on communication between band members, and even listen to recordings together and pick up specific arrangements. Bass players are expected to be able to play a walking bass line on swing tunes, and simple bossa lines for bossa novas. Playing the melody, or "head" - the responsibility is shared between horns players (e.g. sax, trumpet, violin), guitar and piano. Feel free to discuss among the group before each song - different parts of the head or the starting / ending heads can be played by different players. Some melodies will better suit several voices at the same time, whereas others are sensitive to variations in how they are played and may prefer a single instrument at a time. **What it's like** A relaxed and welcoming atmosphere - please put aside any worries of making mistakes if you’re thinking of joining us for the first time. To ensure the group is accessible for those at different levels, I ask that each novice session should work on only the below four songs of the set list, unless each and every attendee feels they prefer to move on. Each novice session is limited to up to: 1 drummer, 2 bass, 2 keys, 2 guitar, 3/4 lead instruments. The tickts.co.uk page will have tickets available only for the instruments/vocals with spots remaining. **Tunes this week (Sat May 30)** * Chitlins Con Carne in C (warm up) (Kenny Burrell) https://www.youtube.com/watch?v=ylGjvwXV3HA * Work Song in Fm (The Jazz Networks) https://www.youtube.com/watch?v=m4sTguG5aV8 * Well you needn't in F (Miles Davis) https://www.youtube.com/watch?v=5JC1iqeoNQg * Satin Doll in C (as slow swing) (Johnny Hodges) https://www.youtube.com/watch?v=8dS2Dod7CIY Everyone is encouraged to listen to a variety of recordings for each song, but please ensure you are familiar with the recording provided as a primary reference. (Note the recordings provide stylistic reference, but may not be in the key listed, with the latter based on common real books) **Tune preview - next novice session (Sat June 6)** * Mack the knife (Moritat) (warm up) (Kenny Garrett) https://www.youtube.com/watch?v=RbFIVRztZ4E * Black Orpheus in Am (Freddie Hubbard) https://www.youtube.com/watch?v=XK1lgP0WUhw * Take Five in Ebm (tricky) (Dave Brubeck) https://www.youtube.com/watch?v=vmDDOFXSgAs * Our love is here to stay in F (Dexter Gordon) https://www.youtube.com/watch?v=k_QEvFIz0qU **Preparing for the session** The chordal form of each song follow the iReal Pro app as a common reference, or you can use sheet music from Real Books. Resource for sheet music: https://www.seventhstring.com/fbindex.html http://therealbook.info/ Try to immerse yourself in the songs by listening to recordings by different artists on youtube, spotify etc. Learn the head (main melody) of the song if you can. Don't hesitate to let the band know you can play it so you can start things off **Playing well together** The rehearsal groups are often quite large for a jazz ensemble setting. Please follow the below arrangements, which are designed to help the group be mindful of each other's volumes, and to build good habits for playing as a group * Every tune should be played at least twice. Swap the bass, piano and guitar players between the two renditions (if there are two attending) * Only one guitarist should comp - i.e. play chords - for each rendition (both guitarists can solo, and comp without amplification) * After each rendition of the warm up tune, the whole group should take a moment together and help each other to check on volumes, including: \*\* Can everyone hear themselves? \*\* Are the drums too loud? \*\* Can everyone hear the bass? \*\* Is the guitar comping too loud? \*\* Is the piano loud enough? (staff at the office can turn this up) \*\* Feel free to revisit volumes after subsequent songs * For any song, if at least two people in the group feel it would be better, the guitar and piano should share the choruses for comping (instead of comping together) - e.g. guitar comps the first time through the head, then piano, then guitar, etc. **Equipment** there is a piano, drum kit (no cymbals or high hat clutch), bass and guitar amps, stands, and microphones. Drummers: please bring cymbals (none available for rental) and hi hat clutch **Percussion** Percussionists are welcome to join with their instruments, alongside the drummer. Feel free to sign up to any session, even one that says "full for all instruments" at the top, unless it explicitly mentions "full for percussion". **Vocalists** Singers are welcome, however please note that the songs have fixed keys, and some of the repertoire are likely not in the right key for your range. If you are an experienced singer, it may be possible to arrange sessions with repertoire catered to you - to explore this, please first come to the "Afternoon Open Jams" so I can get a sense of your singing. **Observing** Would you like to attend a session without playing/singing, to get an idea of the format or to get a sense of what to practise first at home? You can sign up as usual to any novice session, and send me a message that you'd like only to watch the session. When you feel ready, the fee paid can be carried over toward any future session where you join to play or sing at the rehearsal. **Cancellation policy** Please try to make it to any session you sign up to, as the jams are organised around a particular mix of instruments. However, if things do come up and you can no longer make a session, please send a message to the organiser, Xie, as soon as possible. Places are non-refundable if your plans change, but if you provide over 1 week notice it may be possible to carry over the fee for a future session. \-\-\-\-\- any questions do get in touch!

**Collage presents:** # **Robert Mitchell & Little Black Book** **Saturday, May 30, 2026 7:00 PM** **Karamel - 4 Coburg Road, London N22 6UJ** **Doors open 7pm \| Music starts at 8pm** **£10 Earlybird; £13 General admission; £5 Student.** **Entry Requirements: All welcome** **BOOKINGS → [https://www.musicglue.com/karamel/events/2026-05-30-robert-mitchell-and-little-black-book-karamel](https://www.musicglue.com/karamel/events/2026-05-30-robert-mitchell-and-little-black-book-karamel)** **‘Mitchell is a restless spirit musically and metaphysically, diverse in his projects, but unified in his vision that music is a power for change. ‘ Jazzwise \*\*\*\*** **\**Line up: Robert Mitchell - Piano/Keys/Spoken Word Zayn Mohammed - Guitar Laurie Lowe - Drums \**** Diversity is at the heart of **Robert Mitchell’s** remarkable career. His recent tenure as Artist in Residence at Morley College provided the setting for a new venture that builds on all his previous legacy while sounding quite unlike any of it. Drawing inspiration from the heavy fusion of *Chick Corea* and *Allan Holdsworth*, the psychedelic bluesy swagger of *Jimi Hendrix*, and the fearless multi-media explorations of *Cecil Taylor*, **Little Black Book** brings together three bravura players in an uplifting celebration. **Laurie Lowe** on drums and **Zayn Mohammed** on guitar bring the exact combination of power, accuracy and unbounded imagination to make the project come alive. All the compositions were written specially with the trio’s unique blend of musical personalities in mind with Mitchell noting that “it’s been very exciting to explore the world of electronic keyboards, with the challenge of taking on multiple roles, from lead voice to bass, all live in the studio. And I’m fulfilling a long-held dream to work more with guitar and realize the sense of excitement and exploration that it brings.” **Little Black Book** is the latest telling of a story in which every chapter is more intriguing than the last. *The debut album - Blueprint (Of An Infinite Gift) - is out on Whirlwind Recordings!* *Note: For a reserved table with the London Loves Jazz MeetUp group bookings must be confirmed by bookings in advance of the gig directly with the venue. For a comprehensive list of jazz gigs subscribe to [Jazz London Live](https://www.jazzlondonlive.com/) which lists over 5,000 gigs annually in 250 venues.*

Welcome to our brand-new event! This is a space where artists, musicians, and producers come together to collaborate on a song, build meaningful connections, and leave feeling inspired. We’ve heard many people in our community asking for more collaboration opportunities, and this is exactly that. Sign up, and start creating. The aim is simple: connect, collaborate, and write a great song together. Please note: this session is completely led by you and your group. We’ll bring you together, and the rest is in your hands to create something magical There are only **5 spots available per session**, so make sure to secure yours early. This session is exclusively for Amplify Her members. If you’d like to join the community, visit: [amplifyher.com.uk/membership](http://amplifyher.com.uk/membership) **[Make sure to grab your ticket on our website, so that you receive a QR code to use upon arrival.](https://www.amplifyher.co.uk/event-details/songwriting-co-create-session)** **Follow us on:** [https://www.instagram.com/amplify_herLive/](https://www.instagram.com/amplify_herLive/) [https://www.amplifyher.co.uk/](https://www.amplifyher.co.uk/) [https://www.linkedin.com/company/amplifyher/](https://www.linkedin.com/company/amplifyher/)

Come and get the chance to speak in a supportive and friendly environment. Public Speaking will boost your confidence and give you more power to speak and to be listened to in both your personal and professional life. **What makes this public speaking session different from others you ask?** There is a strong emphasis on self-expression, creativity, trial and error, and most importantly, speaking practice! **What will you gain from this event?** * Gain confidence by overcoming your fear of public speaking * Learn to think on your feet with our Impromptu speaking format * Get feedback and improve your public speaking with a real audience * Tips and opportunities to practice: body language, voice, tone, pitch, uses of stories, use of pauses, humour, etc... **Here's how it works:** \*I may choose to change the format from time to time based on numbers, and to practice different aspects of public speaking in order to keep it challenging\* You will put your name in a hat/bowl and when your name is chosen, you will be asked to perform. You will speak for 2 minutes on a random topic given by the audience. This is called an impromptu speech. We will do 2-3 rounds of speaking followed by a feedback session at the end of the workshop. **Public Speaking suggestions:** TIP: Give your impromptu speech the following 3 sections below. 1. Introduction ("Today, I'm going to talk about....") 2. Body ("Here is my personal experience....") 3. Conclusion ("So, my key message is ....") Each speech is to be 2 minutes long. Audience size 10-15 people. You're not obligated to speak, although I may strongly encourage you to do so. **What to bring:** Yourself only- There are no mandatory necessities which you must bring. **Dress Code:** There is no dress code. It is best practice however, that you wear the attire for the occasion which you are practicing for. **Where to find us:** **Closest underground stations:** Bank, Monument, Liverpool Street, Aldgate - All 5 minutes walk away **Theatre Delicatessen** **107 Leadenhall Street** **EC3A 4AF** Should you have any problems locating the venue, please feel free to contact me before the start of the event. The event is wheelchair accessible. **\*Please note we start and end strictly on time\*** \*You will be refused entry beyond 7:10pm, so please reschedule if you should not make it\* **EVENT DURATION:** 3:45pm - Registration :: 4:00pm - Event start - 6:00pm - End **\*This event is FREE - for first timers only\* -** **FIRST TIMERS PLEASE NOTE:** You MUST book a free "First timer" ticket through Eventbrite and present this on attendance. Failure to do so means that you will need to pay £15. This is a measure intended to keep control of the number of students attending the event. **Cost: £15 per session** **First-timers only discount: £35 for 5 sessions**. Please speak to the organiser for registration. (These can be used within 60 days and you can attend any of our public speaking practice sessions on any day.) **Payment methods:** Cash in hand, Card reader, Pay on www.veespeak.co.uk ***Marketing and email subscription disclaimer:*** *We value your privacy, and would never we will never share or sell your details to a 3rd Party.* ***Email Subscription:*** *By signing up and attending our events you explicitly agree to be contacted by email from Veespeak's marketing team regarding our newest courses, discounts, and upcoming events. You can always opt-out if you feel the information shared is no longer relevant to you.* We may take pictures or record sections of the workshops for training and quality purposes. We will never use this information without your prior consent. **Website & Social Media:** *Website: [www.veespeak.co.uk](http://www.veespeak.co.uk/)* *Instagram: @veespeak - [https://www.instagram.com/veespeakps/](https://www.instagram.com/veespeak/)* *Facebook: @veespeak - [https://www.facebook.com/veespeakps/](https://www.facebook.com/veespeak/)* *Linkedin: @veespeak - [https://www.linkedin.com/company/veespeakps](https://www.linkedin.com/company/veespeak)* *Meetup Group: [https://www.meetup.com/veespeak](https://www.meetup.com/veespeak)* **Contact Information:** Email: hello@veespeak.co.uk Contact No: 07713 123321 Valentin Todorov - Organiser

# **Kim Cypher** **31st May @ Ronnie Scott’s 12:00** **“ Kim Cypher is a rare musical treasure.”** **— Jazz FM** **“A Latin jazz party that exudes love and happiness.”** **— Bebop Spoken Here** **9th May 2026, 19.30pm** **Kim Cypher presents a Funky Latin Jazz Party, featuring Ashley Slater - an uplifting, vibrant show full of positive energy and feel-good vibes.** **Ticket prices** **£25 – £35 → [Bookings](https://www.ronniescotts.co.uk/find-a-show/kim-cypher)** **Line-up** **KIM CYPHER – saxophones & vocals** **FAYYAZ VIRJI – trombone** **CHRIS COBBSON – guitar** **ALEX STEELE – piano** **ROBERT RICKENBERG – bass** **MIKE CYPHER – drums** **A welcome return for one of the country’s most exciting saxophonists, vocalists and composers Kim Cypher, together with her band of top UK jazz musicians. Kim Cypher’s Funky Latin Jazz Party is the sequel to her hugely successful 2025 ‘LIVE and Smiling’ tour, which included sell-out shows across the country, including Ronnie Scott’s. Fresh from a return performance at the hugely prestigious Cheltenham Jazz Festival, Kim and Ashley reunite ahead of his UK tour in June with his own band, Heptet.** **Kim Cypher is a firm favourite on the UK jazz scene, renowned for her charismatic, vivacious style and warm stage presence. With four highly acclaimed albums, award-winning music videos, performancs in New York and sell-out shows across the country, Kim has firmly secured her reputation as a leading figure in contemporary jazz.** **Special guest Ashley Slater, the dynamic frontman of acid jazz/funk band Freak Power and hugely respected for his work with Norman Cook aka Fatboy Slim, Loose Tubes, George Russell and Carla Bley as well as being a composer, producer and bandleader in his own right, adds his distinctive vocal style and vibrant trombone playing to the mix.** **The band features Chris Cobbson on guitar, Alex Steele on piano, Rob Rickenberg on bass, Mike Cypher on drums who between them, have worked with some of the most highly respected artists and bands including: Courtney Pine, Curtis Stigers, Sheila Ferguson (The Three Degrees), Ray Gelato, Osibisa, Liane Carroll, Pee Wee Ellis, Maceo Parker, Fred Wesley, Monty Alexander, Spike Robinson, Van Morrison, and Paloma Faith.** **[YOUTUBE VIDEO @ CHELTENHAM JAZZ FESTIVAL](https://www.youtube.com/watch?v=I1MKFC2VQGA&t=1s)** *Note: For a reserved table with the London Loves Jazz MeetUp group bookings must be confirmed by bookings in advance of the gig directly with the venue. For a comprehensive list of jazz gigs in London and environs subscribe to [Jazz London Live](https://www.jazzlondonlive.com/) which lists over 5,000 gigs annually in 250 venues.*

**Love to Drum - Djembe and Percussion Fun!** Join us for an exciting drum circle experience with our regular host, Simon, who will be teaching simple and not-so-simple West African based drum rhythms. Together, we'll create uplifting and positive vibrations through the power of drums and percussion instruments, sharing in the joy of making music in a friendly and inclusive environment. Whether you're a beginner or have some experience, this drumming session is open to all. You'll have the opportunity to learn Djembe and Dundun drum rhythms and playing techniques. It's a chance to immerse yourself in the world of drumming and connect with others through the universal language of music. Don't miss out on this joyful and enriching experience! No matter your level of ability, you're bound to enjoy it. The cost for the entire session, including drum hire, is £20. Tickets also available at https://www.simonrowesounds.com/blank-3-1-1

We meet up in Hyde Park (Just to the West of the Rose Garden - see pin on the map). The guitars will give us away so we can recognise each other in the mass of other people. From there, we sit on the grass, and after some introductions, we start jamming. My genres are: rock, blues, folk, singer-songwriter but anything goes. For jamming, we'll pick a chord progression, something not too complicated and then we take turn to improvise melodies on top of it (both guitar solos but also vocalising). Intermediate level and above ideally but any level welcome but you should probably be able to play some chords (to get the most out of it). Other things we will do: 1. We can play songs - whoever wants to, not going to go round the circle forcing people to play. The songs can be either originals (your own songs) or known songs. 2. We can chat about music or other things 3. Have a drink - bring your fave drink (wine, beer, non-alcoholic) 4. Food goes too (bring your own) When we've had enough, we say goodbye and go home. People can leave early too if they've got other stuff to do or the whole thing is not their vibe (no hard feelings). All of that is weather permitting. If it rains, it's not happening - unless someone suggests a free venue (I don't know one :-)

full for all instruments (spot remains for vocals) **Please use this link to sign up and pay** https://tickts.co.uk/events/novice-12-2pm-may-30-vortex-upstairs (Note you must already be accepted as a member of this group, otherwise your ticket will be cancelled) **Note the Vortex rehearsals will be starting at 10am and 12pm in the coming weeks.** full list of scheduled sessions: https://www.meetup.com/Practice-Jazz-Jam-Sessions/events/ **What is it** The novice rehearsal sessions provide an opportunity for people who are relatively new to jazz, to play in a friendly, low-pressure environment. With a short set list that attendees can prepare in advance, it becomes a little less daunting to play and get the most out of practising in a group. See below for this week's setlist. Please sign up before attending. Already full for your instrument? Please check back every other Wednesday, when new sessions go live. If you keep not being able to get a spot, please message the organiser (Xie). Location: Vortex upstairs **Who's it for** Anyone who has practised following the forms (chord progressions) of jazz tunes - maybe on their own at home - and would like to build up playing experience, expand repertoire and practice performing with other musicians. There are various introductions on how jazz jams work - see e.g. https://jazznightschool.org/pages/jam-session-basics You don't need to get all these details right for these novice practice sessions. The set list format should offer opportunities for those at different levels of developing their playing. While at the beginning one might struggle to follow/comp the chords or play through the melody, it gets easier over time and one can start to develop approaches to improvisation, harmonise lead lines, add intros/endings, work on communication between band members, and even listen to recordings together and pick up specific arrangements. Bass players are expected to be able to play a walking bass line on swing tunes, and simple bossa lines for bossa novas. Playing the melody, or "head" - the responsibility is shared between horns players (e.g. sax, trumpet, violin), guitar and piano. Feel free to discuss among the group before each song - different parts of the head or the starting / ending heads can be played by different players. Some melodies will better suit several voices at the same time, whereas others are sensitive to variations in how they are played and may prefer a single instrument at a time. **What it's like** A relaxed and welcoming atmosphere - please put aside any worries of making mistakes if you’re thinking of joining us for the first time. To ensure the group is accessible for those at different levels, I ask that each novice session should work on only the below four songs of the set list, unless each and every attendee feels they prefer to move on. Each novice session is limited to up to: 1 drummer, 2 bass, 2 keys, 2 guitar, 3/4 lead instruments. The tickts.co.uk page will have tickets available only for the instruments/vocals with spots remaining. **Tunes this week (Sat May 30)** * Chitlins Con Carne in C (warm up) (Kenny Burrell) https://www.youtube.com/watch?v=ylGjvwXV3HA * Work Song in Fm (The Jazz Networks) https://www.youtube.com/watch?v=m4sTguG5aV8 * Well you needn't in F (Miles Davis) https://www.youtube.com/watch?v=5JC1iqeoNQg * Satin Doll in C (as slow swing) (Johnny Hodges) https://www.youtube.com/watch?v=8dS2Dod7CIY Everyone is encouraged to listen to a variety of recordings for each song, but please ensure you are familiar with the recording provided as a primary reference. (Note the recordings provide stylistic reference, but may not be in the key listed, with the latter based on common real books) **Tune preview - next novice session (Sat June 6)** * Mack the knife (Moritat) (warm up) (Kenny Garrett) https://www.youtube.com/watch?v=RbFIVRztZ4E * Black Orpheus in Am (Freddie Hubbard) https://www.youtube.com/watch?v=XK1lgP0WUhw * Take Five in Ebm (tricky) (Dave Brubeck) https://www.youtube.com/watch?v=vmDDOFXSgAs * Our love is here to stay in F (Dexter Gordon) https://www.youtube.com/watch?v=k_QEvFIz0qU **Preparing for the session** The chordal form of each song follow the iReal Pro app as a common reference, or you can use sheet music from Real Books. Resource for sheet music: https://www.seventhstring.com/fbindex.html http://therealbook.info/ Try to immerse yourself in the songs by listening to recordings by different artists on youtube, spotify etc. Learn the head (main melody) of the song if you can. Don't hesitate to let the band know you can play it so you can start things off **Playing well together** The rehearsal groups are often quite large for a jazz ensemble setting. Please follow the below arrangements, which are designed to help the group be mindful of each other's volumes, and to build good habits for playing as a group * Every tune should be played at least twice. Swap the bass, piano and guitar players between the two renditions (if there are two attending) * Only one guitarist should comp - i.e. play chords - for each rendition (both guitarists can solo, and comp without amplification) * After each rendition of the warm up tune, the whole group should take a moment together and help each other to check on volumes, including: \*\* Can everyone hear themselves? \*\* Are the drums too loud? \*\* Can everyone hear the bass? \*\* Is the guitar comping too loud? \*\* Is the piano loud enough? (staff at the office can turn this up) \*\* Feel free to revisit volumes after subsequent songs * For any song, if at least two people in the group feel it would be better, the guitar and piano should share the choruses for comping (instead of comping together) - e.g. guitar comps the first time through the head, then piano, then guitar, etc. **Equipment** there is a piano, drum kit (no cymbals or high hat clutch), bass and guitar amps, stands, and microphones. Drummers: please bring cymbals (none available for rental) and hi hat clutch **Percussion** Percussionists are welcome to join with their instruments, alongside the drummer. Feel free to sign up to any session, even one that says "full for all instruments" at the top, unless it explicitly mentions "full for percussion". **Vocalists** Singers are welcome, however please note that the songs have fixed keys, and some of the repertoire are likely not in the right key for your range. If you are an experienced singer, it may be possible to arrange sessions with repertoire catered to you - to explore this, please first come to the "Afternoon Open Jams" so I can get a sense of your singing. **Observing** Would you like to attend a session without playing/singing, to get an idea of the format or to get a sense of what to practise first at home? You can sign up as usual to any novice session, and send me a message that you'd like only to watch the session. When you feel ready, the fee paid can be carried over toward any future session where you join to play or sing at the rehearsal. **Cancellation policy** Please try to make it to any session you sign up to, as the jams are organised around a particular mix of instruments. However, if things do come up and you can no longer make a session, please send a message to the organiser, Xie, as soon as possible. Places are non-refundable if your plans change, but if you provide over 1 week notice it may be possible to carry over the fee for a future session. \-\-\-\-\- any questions do get in touch!

Please join me for a Sunday afternoon of open air music and pizza at the Fox and Firkin, one of Londons most active live music venues. **Theon Cross** is one of those rare musicians whose vision has redefined their instrument. The creative power and originality of Theon’s playing has reinvented the tuba’s place in modern music. Exploring the tuba’s possibilities in the light of diasporic bass culture, Theon has worked to develop the full sonic spectrum of his instrument, transforming it into a total 21st century sound-system, powered by breath. Theon released his first EP Aspirations in 2015 followed by his first album FYAH in 2019 and the Intra-I in 2021. He has He has featured on countless albums and contributed his version of Thelonious Monk’s Epistrophy to the Blue Note Re:Imagined series. https://www.youtube.com/watch?v=N4gAcqk7XV8 **Tickets:** £12 early birds - £15 second release, plus 10% booking fee. https://foxfirkin.com/event/theon-cross-open-air-31st-may-2026/ **When?** Doors open 2pm, Theon Cross 6.30pm, after party 8pm. **Where?** Fox and Firkin, 316 Lewisham High Street, London, SE13 6JZ

The Alliance is part of the Greater Central Ohio Chapter of the Barbershop Harmony Society. We are an all-voices chorus dedicated to providing an inclusive environment for all those who love to sing, regardless of their race, gender identity, sexual orientation or musical background. The Alliance is the first and only all-voices barbershop chorus in Central Ohio. **Who:** Anyone with a passion for singing at a high level. Previous barbershop chorus/quartet experience not required. **When:** The Alliance rehearses weekly on Thursdays from 7pm-10pm. **Where:** Lord Of Life Lutheran Church: 2480 W Dublin Granville Rd, Columbus, OH 43235 To become a full member of The Alliance, we welcome you to start by visiting us for a few rehearsals to experience the group and sing with us! Then, you may begin the 2-part audition process for membership: the assessement, and audition. We strive to make our auditions as stress-free as possible to help you let your best singing self shine.

Join us as we get together to see Paul Rudd in the latest comedy-drama-musical from John Carney, POWER BALLAD! The film follows a washed-up wedding singer, a fading boy band singer and a stolen hit song. Here’s a description, trailer and plan for this event: DESCRIPTION: Rick, a washed-up wedding singer, and Danny, a fading boy band star, bond over music and a late-night jam session. When Danny turns Rick's song into a hit, Rick sets out to reclaim the recognition he believes he deserves. Power Ballad is written/directed by John Carney, the master of the modern musical and creative mind behind Once, Begin Again and Sing Street! It stars Paul Rudd, Nick Jonas, Peter McDonald, Marcella Plunkett, Havana Rose Liu and Jack Reynor. BUZZ & ACCLAIM: The film premiered to rave reviews at this year’s Dublin International Film Festival where critics call it “a sure-fired crowd-pleaser” that “just might be the feel-good hit of the year!” Others say, “Paul Rudd delivers a career-best performance in this charmer” that’s both “hilarious and deeply moving." The film continues John Carney’s “long run of success with yet another charmer” and “a sharp, hopeful crowd-pleaser that strikes the right notes!” SUMMER OF ICE CREAM, VOL 2: SHAKE NO. 8! Ranked the #1 Ice Cream Shop in Columbus, this is a perfect early stop on our Summer of Ice Cream! Their menu uses made-from-scratch recipes in an array of traditional, specialty and vegan shakes, hot cocoa, crepes, waffle sticks, specialty coffee & espresso, and more! Their specialty shakes are as delicious as they are over-the-top and they offer an extensive vegan menu! You can check out their full menu here: [https://www.shakeno8.com/menu.php](https://www.shakeno8.com/menu.php) PLAN: Please purchase your ticket for the 6:45pm showing and we’ll meet in the upstairs lobby between 6:25 and 6:35pm! Advance ticket purchase is advised for this opening night showing! Once you have yours, please list your seat number in the Comments section of this event. We'll head to nearby Shake No. 8 immediately following the show! Should be a fun one, Dan

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**History** The [Franklin Park Conservatory](https://www.fpconservatory.org/)’s roots trace back to 1852 when the Franklin County Agricultural Society purchased 88 acres of land to host the Ohio State Fair. After the fair moved to its permanent home, the city of Columbus transformed the grounds into Franklin Park in 1884. This transition shifted the space from a temporary event site to a dedicated public green space for the growing community. The park became a central hub for outdoor recreation and early civic gatherings in the neighborhood. In 1895, the landmark Victorian-style Palm House opened its doors, drawing heavy inspiration from the Glass Palace of the 1893 World’s Columbian Exposition in Chicago. This iron and glass structure became an immediate icon, housing exotic plants that residents would otherwise never see in the Midwest. It remains the oldest part of the facility and serves as a primary link to the conservatory’s 19th-century origins. For decades, it stood as a singular testament to grand horticultural architecture in Central Ohio. A major turning point arrived in 1992 when Columbus hosted AmeriFlora '92, an international horticultural exhibition. This massive event prompted a $16 million renovation and expansion, adding significantly more greenhouse space and the Dorothy M. Davis Showhouse. The festival put the conservatory on the international map and fundamentally changed its scale and ambition. Following the event, the facility transitioned from a city-run park to a private, non-profit organization. In 2003, the conservatory’s identity was further defined through a long-term partnership with world-renowned glass artist Dale Chihuly. After a successful exhibition, the Friends of the Conservatory purchased most of the glass installations, creating the largest permanent collection of Chihuly’s work in a botanical setting. These vibrant glass sculptures are now woven throughout the biomes, blending art with nature. This addition helped cement the conservatory as a premier cultural destination rather than just a botanical garden. Recent years have seen the site expand beyond the glass walls to emphasize community engagement and outdoor education. The 2018 opening of the Scotts Miracle-Gro Foundation Children’s Garden added two acres of interactive landscape designed for hands-on learning. The Scotts Miracle-Gro Company Community Garden Campus also provides local residents with space to grow their own food and learn sustainable practices. Today, the conservatory balances its historic Victorian charm with modern commitments to local ecology and the Columbus community. **Maps of the Conservatory** Here is the [main map](https://www.fpconservatory.org/wp-content/uploads/2025/08/franklin-park-zones-scaled.jpg) of the Conservatory grounds. Here's a [map of the areas](https://www.fpconservatory.org/wp-content/uploads/2026/02/ConstructionMap-2026.jpg) in which the Conservatory has ongoing construction (see below). **Summary** For this event, we'll explore Columbus's highly-rated and very popular Conservatory. As mentioned above, the Conservatory is doing renovations on parts of the facility. These renovations are scheduled to be ongoing until the Fall of next year. Basically, no matter when you go to the Conservatory over the next 18 months, you're going to see some metaphorical orange barrels. So let's just go now. **Tickets and pricing** On the first Sunday of every month, the Conservatory is free for residents of Franklin County and the city of Columbus. You must bring an ID to receive this discount. (Yes, they do check.) Otherwise, tickets are $25.20. Members of the Columbus Zoo (of which I am one) do get a discount on tickets, though I have never actually bought a ticket to the Conservatory (I've always gone on free days). I believe the discount is $4. Parking is always free. If you have additional questions about pricing or whether and for what you qualify, you can reach the Conservatory at 614-715-8000. **Where we'll meet** We will meet just outside the main entrance. I guarantee there's going to be a line. The Conservatory is always popular on free days, and especially in nice weather. **Your GPS is stupid!** Be careful simply typing "Franklin Park Conservatory" in your GPS and going where it tells you. The only way to access the parking lot to the Conservatory is off of Broad Street. Unfortunately, since Google Maps is unable to find its way out of a wet paper bag, it has a tendency to want to take people to a mythical, non-existent Conservatory entrance on Nelson Road. If your GPS does this, just drive to the north side of the Conservatory along Broad Street. Your GPS should then redirect you to the main Conservatory entrance. If your GPS doesn't, then throw your phone away\* and look for the big Conservatory sign on the south side of Broad Street between Nelson Road and Franklin Park West. You also should be able to use the map pin I've provided, below, and it should properly direct you to where you need to drive. \* Don't really do this. **After the event** After stopping to smell the roses, for those that are interested, we'll head to the nearby [Columbus Brewing Company Beer Hall](https://columbusbrewing.com/location/beer-hall/) for [drinks](https://columbusbrewing.com/location/beer-hall/#draft-list) and [lunch](https://columbusbrewing.com/location/beer-hall/#food-menu). The Beer Hall's actual address is [200 Kelton Ave, Columbus, OH 43205](https://www.google.com/maps/place/200+Kelton+Ave,+Columbus,+OH+43205/data=!4m2!3m1!1s0x883889a94ac4acad:0xadb2e60240dbc38b?sa=X&ved=1t:242&ictx=111) (it's literally just on the south side of the Conservatory). Be sure this is where your GPS is taking you when you use it, as the Brewing Company has a taproom on Harrison Avenue that is *not* what you want for this event. We should be at the Beer Hall by 1 if you can't make the Conservatory and just want to join us for drinks.