London Philosophy Collective

Cool Hand Luke is a 1967 American prison drama film directed by Stuart Rosenberg written by Donn Pearce and Frank Pierson, and starring Paul Newman in the title role. The cast also features George Kennedy, J. D. Cannon, Strother Martin and Jo Van Fleet. Based on Pearce's semi-autobiographical 1965 novel, the film is about a nonconformist convict in an early 1950s Florida prison camp who refuses to submit to the system. The film also has a 100% rating on the review aggregator website Rotten Tomatoes.

Please note we will not be showing the film at the meeting. Make sure you watch the film before you attend and then come and join in with the conversation. It’s just a discussion. It’s not a screening.

Philosophy in the Park is a philosophical discussion group. Open to all. No previous philosophical experience necessary.

We will meet outside St Giles Cripplegate.

Here's how it works:

• At the start of each hour vote on which questions to discuss. You can vote for more than one question if you'd like. The questions with the most votes are the questions we discuss.
• We then break up into groups and each group does a different question. The question is just a starting point and it's cool if you go on tangents and up end talking about different things. You're welcome to join in and participate or if you'd prefer you're welcome to sit back and enjoy the conversation.

After an hour we all come back together, take a quick break and then repeat all over again. So in 3 hours we go around 3 times.

The aim is to have fun, meet new people, generate interesting and thought-provoking conversations, have your horizons expanded, challenge your preconceptions and who knows - you might even learn something?

In order to make the conversations as fun, interesting and productive for everyone as possible please follow these simple guidelines:

1. Keep it Philosophical
   (No Science, no History, no Evolutionary Psychology, no contestable facts, personal anecdotes etc).
2. Think for Yourself
   (No phones, no looking up definitions, no name dropping Philosophers / books you've read).
3. Tangents are Cool
   (Don't worry too much if the subject drifts and you don't answer the question).
4. Keep it Succinct
   (Like this).
5. Be Excellent to Each Other
   (But of course).

Philosophy is about conceptual analysis. It's thinking about thinking. It's not about empiricism or the real world. It's about abstractions, concepts and ideas.

To terms of the right attitude: It's not about debating and trying to win - it's about listening to people and working collaboratively to increase our collective understanding.

No homework or prior knowledge or reading is necessary - simply come and enjoy the discussions.

After the event finishes we have an area reserved in The Shakespeare pub which is just around the corner from the Barbican. You are very welcome to join us if you'd like.

If you would like to submit a question please join the Whatsapp group. Question submissions take place on the Thursday before the meeting.

We hope to see you there.

Nice one.

...

Rushmore is a 1998 American comedy film directed by Wes Anderson about a teenager named Max Fischer (Jason Schwartzman in his film debut), his friendship with rich industrialist Herman Blume (Bill Murray), and their shared affection for elementary school teacher Rosemary Cross (Olivia Williams). The film was co-written by Anderson and Owen Wilson. The film was selected for preservation in the United States National Film Registry by the Library of Congress in 2016, deemed "culturally, historically, or aesthetically significant".

Please note we will not be showing the film at the meeting. Make sure you watch the film before you attend and then come and join in with the conversation. It’s just a discussion. It’s not a screening.

Written in a deceptively simple, almost laconic style Borges takes us inside the minds of an unrepentant Nazi, an imprisoned Mayan priest, fanatical Christian theologians, a woman plotting vengeance on her father’s “killer,” and a man awaiting his assassin in a Buenos Aires guest house. In maddeningly ingenious stories that play with the very form of the short story, Borges returns again and again to his themes: dreams, labyrinths, mirrors, infinite libraries, the manipulations of chance, gaucho knife-fighters, transparent tigers and the elusive nature of identity itself.

Available from all good libraries and book shops.

You don't have to have read it to join us - but it'll probably help.