Susan Sontag's "The Pornographic Imagination"

In preparation for reading Bataille's novel Blue of Noon, we'll take up Susan Sontag's seminal essay on pornographic literature titled "The Pornographic Imagination". What is the literary value, if any, of pornographic writing and can it even be classed under the authoritative category of 'literature'?

Note: our discussion of Bataille's novel Blue of Noon is coming up in a couple of weeks. If you're interested in participating, I strongly suggest getting started on the longish text if you haven't already (available in the Google Drive).

You can find all texts in the Google folder linked at the BOTTOM of this description (also the Zoom link) -- scroll all the way down 👇

For notes and commentary on the texts see my Bataille blog at this link:
https://sites.google.com/view/existentialism-and-its-critics/

Tentative reading schedule:
Jun 28: Last session on Bataille's Inner Experience
Jul 5: Susan Sontag, "The Pornographic Imagination"
Jul 12: Bataille's novel Blue of Noon
Jul 19: Scholtz, "Bataille and Deleuze’s Peculiar Askesis"
Jul 26: Bataille with/against Deleuze (cont'd)

Please take the time to read and reflect on the reading prior to the meeting. Everyone is welcome to attend, but speaking priority will be given to people who have read the text.

Future topics to be discussed:

• Bataille's aesthetics: the rift with Surrealism
• Eroticism and the 'logic' of transgression
• Foucault's "A Preface to Transgression"
• Bataille's reading of Hegel, the negative and general economy
• Derrida's "From Restricted to General Economy"

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ABOUT THIS GROUP
Bataille stands out as an eclectic, fascinating and controversial figure in the world of French letters. A contemporary of Sartre and Lacan, he combined ideas from diverse disciplines to create a unique position that he labeled 'base materialism' and which could equally be called 'ecstatic materialism'. Keeping outside the academic mainstream (he worked as a librarian), Bataille writes at the intersection of multiple disciplines including philosophy, psychoanalysis, sociology, mythology, and mystical theology. His works develop a libidinal economy, offer a critique of fascism and embrace marginal experiences in the style of the French poets. He is a formative precursor to the post-structuralist philosophers of the '60s -- and may well be more relevant in our time than ever.

We'll start with Bataille's early writings on Nietzsche and make our way through his important concepts over a number of weeks. We'll aim to understand Bataille's thought on its own terms as well as to place him in the context of the German thinkers that preceded him and the French philosophers who followed his lead. In view of Bataille's early relationship with Surrealism, the referenced artworks will spotlight this movement.

Note: Bataille's texts, while philosophically important, discuss difficult themes such as mortality, the unconscious, eroticism, primeval social practices, etc. Keep this in mind as you approach him, especially if this is your first experience with French philosophy.

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GROUP RULES

• Please spend 1-2 hours per week reading and preparing for the discussion.
• Keep your comments concise and relevant to the text.
• Please limit each comment to a maximum of 2-3 minutes. You're welcome to speak as many times as you wish.
• Virtual meeting courtesy: let's not interrupt each other and keep mics muted when not speaking.
• We'll focus the discussion with key passages and discussion questions. Be sure to bring your favorite passages, questions, comments, criticisms, etc.

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Join the Facebook group for more resources and discussion:
https://www.facebook.com/groups/755460079505498
If you have attended previous meetings, please fill out a brief survey at this link: https://forms.gle/tEMJ4tw2yVgnTsQD6

All readings can be found in this Google folder:[ https://drive.google.com/drive/folders/1VPRdvZYmUKBY3cSxD8xC8sTYtSEKBXDs](https://drive.google.com/drive/folders/1VPRdvZYmUKBY3cSxD8xC8sTYtSEKBXDs)

Zoom link:
https://us06web.zoom.us/j/81251109319?pwd=R3hVQ2RqcVBvaHJwYnoxMFJ5OXJldz09

Art: Pasiphae, André Masson (1937)