Philosophers and Gamblers: Papers, Arguments, and Wagers

This critique group is kept private to preserve the privacy of critique submissions. Most don't RSVP on Meetup.

To join, please email Erik at tigurini@protonmail.com and include in your message: (1) A description of your current writing project(s), (2) Your goals for joining this writer's critique group, (3) And a brief history of yourself as a writer, including past projects, education, and related. Your message doesn't have to be anything fancy. We just wish to make sure that you're serious about observing and that your intentions/projects are a good fit for this critique group.

About:
As the title suggests, we critique writing that is speculative (sci-fi, fantasy, horror, surrealism, slipstream, etc.), philosophical (idea-driven, writing with a message, etc.), and experimental (unusual language, visual/musical aspects, transgressive, etc.). All writing submitted for critique should fit at least one of these categories. We are happy to include work in all formats (poetry, prose, playwriting, screenplay, libretto, graphic novel, and hybrid) and for any audiences (adults, YA, and kids).

Some Example Works:
Of course, the written works and authors that inspire us may vary, and widely. Nonetheless, here's a list of some written works and authors that have inspired us, and which we might use as an (incomplete) list of the kind of writing that could be submitted to this critique group.
One Hundred Years of Solitude, Gabriel Garcia Marquez; Ice, Anna Kavan; Blade Runner, Philip K. Dick; The Waves, Virginia Woolf; The Fire Next Time, James Baldwin; The Street of Crocodiles, Bruno Shulz; Stories of Your Life, Ted Chiang; The Faerie Queene, Edmund Spenser; The Book of Disquiet, Fernando Pessoa; The Dreamquest of Unknown Kadath, H. P. Lovecraft; Don't Bite The Sun, Tanith Lee; Illuminations, Arthur Rimbaud; The Rings of Saturn, W. G. Sebald; The Three Body Problem, Liu Cixin; Moby Dick, Herman Melville; Kindred, Octavia E Butler; The Handmaid's Tale, Margaret Atwood; The Divine Comedy, Dante; The Last Unicorn, Peter S. Beagle; A Doll's House, Henrik Ibsen; Les Fleurs du Mal, Charles Baudelaire; Blindsight, Peter Watts; The Left Hand of Darkness, Ursula K. Leguin; Sweat, Lynn Nottage; The Song of Maldoror, Comte de Lautremont; Solaris, Stanislaw Lem; Blood Meridian, Cormac McCarthy; Dune, Frank Herbert; Star Maker, Olaf Stapledon.

Critique Group Structure:

• Meets weekly Thursdays from 6:00pm-7:30pm PT / 9:00pm-10:30pm ET
• Submission length maximum: 20,000 words (many submissions are shorter).
• Back-to-back weekly submissions for novelists + long form writers are encouraged.
• Participants are expected to closely read the submission and arrive prepared to discuss it in depth for 1.5 hours.
• If, for whatever reason, a participant can't read the submission in time for our meeting and/or can't attend our meeting, that participant is urged to provide a written (or audio recorded) summary of feedback to the submitting writer through DM on our Discord.
• Active participation is required to ensure all members' best interests. A member can be removed from the group if found absent in critique sessions for more than 3 months. Should one wish to rejoin the group, please message me directly either in Discord or via email.

Community:
We're a serious yet fun group of writers with eclectic projects and tastes. We're always looking to meet new friends and grow our community, so we hope you'll consider observing a critique group - and if we're a good fit for one another, continuing to hang out with us Thursday evenings!

We meet on the Blinding Cyclops Discord server. Join link: https://discord.gg/urPBsNTWuK

You can read our full syllabus under the category "Writer's Critique Groups." The rest of the writer's critique group channels are kept hidden to preserve the privacy of critique submissions, but will be opened up to you when your observation has been confirmed.

Commitments:
This critique group's structure expects a weekly attendance commitment, so it's only right for writers who are committed to writing and critiquing.

Another enjoyable free flowing discussion after the regular
Saturday Melbourne Existentialist Society Meeting. Please feel free to join the Melbourne Existentialst Society meeting from 2 pm AEST
https://www.meetup.com/existentialist-society/?eventOrigin=event_home_page

Life the Universe Street Philosophy commences at cessation of
The Melbourne Existentialist Society meeting.
Some of the many topics we have discussed previously,
some of which I could almost follow, are-

The Id, Super Ego and Ego
Where did the laws of physics come from?
Why is there something rather than nothing?
Does Truth exist independent of consciousness?
Hard problem of consciousness.
Conspiracy theories - is there a psychological profile of a habitual conspiracy Theorist.
Previously
Is it possible to have ojective Morality without a concept of God?
Definition of "Information"
How do we know how a particle behaves in an unobserved state if "unobserved" by definition means we don't blinking well see it?
Meaning of meaning in "what is the meaning of life?"
Definition of Language
Ship of Thesis - is the "thing" just a construct?
Tranendentalism
Determinism
Observer effect in quantum physics
--------------
Is there a why to human existence?
Definition of experience.
Method of applying reason.
What does it mean to be "your authentic self?"
Idealism v Realism - ABSOLUTE TRUTH - What does that mean ? does it exist ? Ontology, how equipped are we to fathom the nature of things? HARD PROBLEM OF CONSCIOUSNESS: WHERE DOES CONSCIOUSNESS ARISE?: DOES DNA TRANSLATE TO BEHAVIOUR?, IF SO HOW - definition of rationality - origins of "value" - precision of mathematics - concept of infinity.
Have been having some great flowing discussion as topics arise following conclusion of existentialists meeting, Melbourne, Australia. Thanks to all attendees.
General chat for the philosophically inclined about whatever comes up,
suggest topics as suits you or -
- possible topics
Information
- where is the information in an un opened book, does it exist when unobserved?
Reason
- what is the definition of reason
does it exist in physical laws, i.e. if we can we say "the rock fell because of gravity", how is this different to "what is the reason she chose Pepsi max instead of Coke Zero?"
Validity of evolutionary psychology:
- what evidence is there for evolutionarily selected behaviour, given that we cannot observe the history of the emergence of neurological structures as we can observe evolutionarily selected anatomical changes?