
What we’re about
This is a group where we read everything out loud during our meetings — poetry, short stories, plays, novels and non-fiction. Therefore, there’s no need to prepare by reading anything in advance. Either a link to the text will be provided, or we'll do screen-sharing.
You don't have to be a "good reader" to participate; we all get better through practice. It's more fun and more learning happens when people read together, sharing their perspectives.
Another advantage of this format is that we can all react "in the moment" to what we are reading, unlike in regular book clubs where you read the book first, and then forget some of it by the time you actually get to talk about it.
The group was founded by Phyllis in mid-2020, and has been going strong ever since!
Upcoming events
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 •Online •Online- Read-Aloud: "Mr. Puntila and his man Matti" by Bertholdt BrechtOnline- (In our readalouds, the text is screen-shared. No experience in reading aloud or prep necessary.) - (Wiki:) Mr Puntila and His Man Matti (German: Herr Puntila und sein Knecht Matti) is an epic comedy by the German modernist playwright Bertolt Brecht. It was written in 1940 and first performed in 1948. 
 The story describes the aristocratic land-owner Puntila's relationship to his servant, Matti, as well as his daughter, Eva, whom he wants to marry off to an Attaché. Eva herself loves Matti and so Puntila has to decide whether to marry his daughter to his driver or to an Attaché, while he also deals with a drinking problem.
 In his essay "Notes on the Folk Play" (written in 1940), Brecht warns that "naturalistic acting is not enough in this case" and recommends an approach to staging that draws on the Commedia dell'Arte.[1] The central relationship between Mr Puntila and Matti—in which Puntila is warm, friendly and loving when drunk, but cold, cynical and penny-pinching when sober—echoes the relationship between the Tramp and the Millionaire in Charlie Chaplin's City Lights (1931). The duality of Mr. Puntila is an example of Brecht's use of the literary device, the split character.[2]
 ***- Latecomers (unless we know you) will generally NOT BE ADMITTED once the reading starts. - If this is your first time with us, consider joining five minutes early, so we can work out any technical issues you may be having. 2 attendees
Past events
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Group links
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