What we’re about
This is a group where we read everything out loud during our meetings — poetry, short stories, plays, novels and non-fiction. Therefore, there’s no need to prepare by reading anything in advance. Either a link to the text will be provided, or we'll do screen-sharing.
You don't have to be a "good reader" to participate; we all get better through practice. It's more fun and more learning happens when people read together, sharing their perspectives.
Another advantage of this format is that we can all react "in the moment" to what we are reading, unlike in regular book clubs where you read the book first, and then forget some of it by the time you actually get to talk about it.
The group was founded by Phyllis in mid-2020, and has been going strong ever since!
Upcoming events (4+)
See all- Readaloud: "Will in the World" by Stephen GreenblattLink visible for attendees
This is a read-aloud session, with all text shared on-screen. You do not need to purchase the book for yourself, although we encourage you to do so.
For the foreseeable future, we will be reading from a selection of works about William Shakespeare and his plays. Our primary works are Marjorie Garber's "Shakespeare After All" and Stephen Greenblatt's "Will in the World: How Shakespeare Became Shakespeare". We will be focusing on Greenblatt's book for the next several months.
The starting point for the current session will generally be given in a pinned comment on the event page.
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[Amazon]: Stephen Greenblatt, the charismatic Harvard professor who "knows more about Shakespeare than Ben Jonson or the Dark Lady did" (John Leonard, Harper's), has written a biography that enables us to see, hear, and feel how an acutely sensitive and talented boy, surrounded by the rich tapestry of Elizabethan life; full of drama and pageantry, and also cruelty and danger; could have become the world's greatest playwright. A young man from the provinces―a man without wealth, connections, or university education―moves to London. In a remarkably short time he becomes the greatest playwright not just of his age but of all time. His works appeal to urban sophisticates and first-time theatergoers; he turns politics into poetry; he recklessly mingles vulgar clowning and philosophical subtlety. How is such an achievement to be explained?
Will in the World interweaves a searching account of Elizabethan England with a vivid narrative of the playwright's life. We see Shakespeare learning his craft, starting a family, and forging a career for himself in the wildly competitive London theater world, while at the same time grappling with dangerous religious and political forces that took less-agile figures to the scaffold. Above all, we never lose sight of the great works―A Midsummer Night's Dream, Romeo and Juliet, Hamlet, Macbeth, and more―that continue after four hundred years to delight and haunt audiences everywhere. The basic biographical facts of Shakespeare's life have been known for over a century, but now Stephen Greenblatt shows how this particular life history gave rise to the world's greatest writer. Bringing together little-known historical facts and little-noticed elements of Shakespeare's plays, Greenblatt makes inspired connections between the life and the works and deliver "a dazzling and subtle biography" (Richard Lacayo, Time). Readers will experience Shakespeare's vital plays again as if for the first time, but with greater understanding and appreciation of their extraordinary depth and humanity.
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Late-comers, unless we know you, will generally not be admitted, as it disrupts the reading. However, it's fine for attendees to drop off at any time they want.
- Read-Aloud: "Life of Galileo", by Bertholdt BrechtLink visible for attendees
(In our readalouds, the text is screen-shared.)
In all Brecht’s work there is no more substantial and significant landmark than the first version of Galileo, which he wrote in three weeks of November 1938, not long after the Munich agreement had opened the door of Eastern Europe to Hitler. As is well known, it inaugurated the series of major plays whose writing occupied him until his return to Germany some ten years later: from Mother Courage to The Days of the Commune, those great works of his forties on which his reputation largely rests.
Brecht, Bertolt. Brecht Collected Plays: 5: Life of Galileo; Mother Courage and Her Children (World Classics) (p. 9). Bloomsbury Publishing. Kindle Edition.
Image from 2017 Young Vic production.
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Latecomers (unless we know you) will generally NOT BE ADMITTED once the reading starts.If this is your first time with us, consider joining five minutes early, so we can work out any technical issues you may be having.
