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Highlighting genre fiction done well. We read books from different genres which we believe provide an interesting experience for the reader, and hope to meet up with others to discuss. We seek to have conversations with both depth and humor.
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Piranesi’s house is no ordinary building: its rooms are infinite, its corridors endless, its walls are lined with thousands upon thousands of statues, each one different from all the others. Within the labyrinth of halls an ocean is imprisoned; waves thunder up staircases, rooms are flooded in an instant. But Piranesi is not afraid; he understands the tides as he understands the pattern of the labyrinth itself. He lives to explore the house.
There is one other person in the house—a man called The Other, who visits Piranesi twice a week and asks for help with research into A Great and Secret Knowledge. But as Piranesi explores, evidence emerges of another person, and a terrible truth begins to unravel, revealing a world beyond the one Piranesi has always known.
Lud-in-the-Mist is a 1926 fantasy novel by Hope Mirrlees, set in the orderly town of Lud-in-the-Mist, which borders the magical land of Fairyland. The story follows Mayor Nathaniel Chanticleer as he confronts the forbidden fairy fruit smuggled into his town, forcing him to reconcile his rational world with the encroaching magic and challenge his society's denial of the fantastic. It's considered a classic of the fantasy genre, praised for its rich prose, imaginative storytelling, and exploration of themes like reality, imagination, and the human condition.
What is the power of art in the face of death? In The Art Lover Carole Maso has created an elegant and moving narrative about a woman experiencing (and reliving) the most painful transitions of her life. Caroline, the novel's protagonist, returns to New York after the death of her fatherostensibly to wrap things up and take care of necessary "business"where her memory and imagination conspire to lay before her all her griefs and joys in a rebellious progression. In different voices, employing a collage-like fragmentation, Maso gently unfolds The Art Lover in much the same way the fragile and prehistoric fiddlehead fern unfolds throughout the novel, bringing with subtle grace the ever-entangled feelings of grief and love into full and tender view. Various illustrations throughout.
In The Temple of the Golden Pavilion, celebrated Japanese novelist Yukio Mishima creates a haunting and vivid portrait of a young man’s obsession with idealized beauty and his destructive quest to possess it fully.
Mizoguchi, an ostracized stutterer, develops a childhood fascination with Kyoto’s famous Golden Temple. While an acolyte at the temple, he fixates on the structure’s aesthetic perfection and it becomes the one and only object of his desire. But as Mizoguchi begins to perceive flaws in the temple, he determines that the only true path to beauty lies in an act of horrendous violence. Based on a real incident that occurred in 1950, The Temple of the Golden Pavilion brilliantly portrays the passions and agonies of a young man in postwar Japan, bringing to the subject the erotic imagination and instinct for the dramatic moment that marked Mishima as one of the towering makers of modern fiction. With an introduction by Donald Keene; Translated from the Japanese by Ivan Morris
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