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We are continuing our reading of Chapter 7 of "Eyes Wide Shut: Stanley Kubrick and the Making of His Final Film", by Robert P. Kolker and Nathan Abrams, whose topics is "Non-Submersible Units".

Despite our very lengthy study of this film, Kolker and Abrams are surprising us with even more new insights about it.

In this session, we will start with: "The camera and editing create Ziegler’s dance, tracking around, moving from close-up to far shots."
Kolker, Robert P.; Abrams, Nathan. Eyes Wide Shut: Stanley Kubrick and the Making of His Final Film (p. 178). Oxford University Press. Kindle Edition.

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Unless you have been with us before, attendees who arrive late may not be admitted, because we won't have time to vet you.

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