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So Alfred Hitchcock told Francois Truffaut about "Psycho," adding that it "belongs to filmmakers, to you and me." Hitchcock deliberately wanted "Psycho" to look like a cheap exploitation film. He shot it not with his usual expensive feature crew (which had just finished "North by Northwest") but with the crew he used for his television show. He filmed in black and white. Long passages contained no dialogue. His budget, $800,000, was cheap even by 1960 standards; the Bates Motel and mansion were built on the back lot at Universal. In its visceral feel, "Psycho" has more in common with noir quickies like "Detour" than with elegant Hitchcock thrillers like "Rear Window" or "Vertigo." (Ebert)

Please watch the movie in advance: https://vumoo.to/movies/psycho-1960

The movie was recently voted the 31st greatest movie of all time in Sight and Sound's esteemed poll of international film critics and experts.

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This meeting is part of our Meaning of Life Series

We all seek meaning in our lives and dread futility. Philosophy doesn't provide facile answers, but the philosophical quest to make sense of our fleeting lives is one that we all share.

This group explores answers by discussing not only philosophical writing, but also literature and film.

Related topics

Art
Culture
Critical Thinking
Intellectual Discussions
Philosophy

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