Authors

**Looking for a group you can write with *whilst sipping your fave coffee*?** ☕✍️ Then come join **Shut Up & Write!** on **Saturday, February 14th from 1:30pm to 4:00pm** at **Ridgetop Coffee & Tea**! Whether you're cranking out a novel, journaling, looking for new friends, or just trying to get that stubborn paragraph right—we’ve got a cozy seat and a supportive group waiting for you! **No critiques, no peer review, no pressure—just a chill space to get words on the page.** 📝 **What to expect:** 1:30–2:00pm – Grab your coffee or tea, find your seat, and meet your fellow writers. 2:00pm–3:30pm – Silent, focused writing time 3:30–4:00pm – Debrief, celebrate any writing wins, commiserate on any obstacles, and head out feeling accomplished. **RSVP Info:** The room seats only 8 people comfortably! RSVP as soon as possible to secure your spot!! If you are unable to attend, please cancel your reservation **ASAP** so those on the wait list are able to RSVP and attend!!! **Meeting Room:** Enter the coffee shop, walk straight towards the play area and on your left you will see a meeting room just past the bathrooms. The room has a TV, white board, and walls are painted green. **What to Bring:** Whatever helps you focus, and be productive. There is a wall outlet at each end of the room, so you're able to bring your laptop to write. You're welcome to bring headphones if you enjoy listening to music while working. **Parking & Accessibility:** there is a large parking lot out front and it is free! There are no stair cases when entering the coffee shop or when inside. This coffee shop is incredibly spacious with many seating options. If you have any questions, please message me through MeetUp. I'm happy to help. **Dietary Information:** many GF, Vegan, and SF options. Just ask your barista when ordering for specifics! Can’t wait to see you there! 🎉

Get to know your fellow writers! In this relaxed, easygoing environment, we'll have the space, snacks, and some interactive activities to meet your fellow writers. Led by a professional in the industry, we'll discuss upcoming events in Montgomery County, some upcoming conventions, and local open mics that are available for you to participate in. $5 donation asked to provide for food and supplies so we don't have to worry about going to a cafe or restaurant, but still have a great time. Expect coffee, pastries, and other cafe-like snacks, as well as writing supplies, goodies, and other things to do. Host will use all funds towards the group. Novices and seasoned writers welcome. Just come and make community.

Meet the author in an exclusive Blind Date with a Book event! Elle Cosimano is a New York Times and USA Today bestselling author, an International Thriller Award winner, a Bram Stoker Award finalist, and an Edgar® Award nominee. Elle’s debut novel for adults, “Finlay Donovan Is Killing It,” kicked off a witty, fast-paced contemporary mystery series, which was a PEOPLE Magazine Pick and was named one of New York Public Library’s Best Books of 2021. Participants of [Blind Date With a Book](https://pwcgov.beanstack.org/reader365) will be entered into a special drawing for signed copies of the Finlay Donovan series.

(2024) by Christof Koch, 288 pages [Psychology] • Hardcover • Kindle • Audiobook • Library: https://fcplcat.fairfaxcounty.gov/search/title.aspx?ctx=1.1033.0.0.1&pos=1&cn=613100 Check the How To Find Us section for Zoom Link **(Remember, the Zoom Link is different each month, do not bookmark)** ### Review "A wonderful book."―Sam Harris, Making Sense with Sam Harris “a fun introduction to a number of debates… Mr. Koch’s book provokes questions… and counterarguments, but that’s what gives it life.” ―The Wall Street Journal “Easily the most current, thorough, and helpful exploration of consciousness available. Koch’s light, simple, yet authoritative writing style will appeal to general audiences as well as scientists and researchers. An essential, highly recommended purchase.”―Library Journal “magisterial… charming, sometimes beautiful, and almost always illuminating” ―Science Magazine “an impressive and sometimes exuberant work, showcasing decades of [Koch’s] research”―New Scientist “Koch’s adept use of analogies and entertaining anecdotes — complete with his own near-death experience and psychedelic drug trips — make the book a compelling and surprisingly light read.” ―Science News “undeniably compelling… a smoothly written must-read for anyone interested in a detailed introduction to the relationship between the brain, consciousness, and transformative experiences” ―Ars Technica “Expertly weaving in personal experience with science that few, if any, can speak more authoritatively about, Koch leads us on an amazing journey of consciousness—from birth to death. Deeply personal and infinitely digestible, Then I Am Myself the World is a remarkable must read for anyone interested in knowing their mind.”―Judson Brewer MD, PhD, New York Times–bestselling author of Unwinding Anxiety “Koch’s latest book brilliantly navigates the intricate landscape of our mind and our brain, offering insightful perspectives on the nature of conscious experiences, both ordinary as well as extraordinary ones.”―Hartmut Neven, founder and lead of Google’s quantum AI lab “Then I Am Myself the World is the new record of note for the scientific understanding of consciousness. This is an elegant tableau, a travelogue of subjective experience grounded in the latest neuroscience and philosophy traversing religion, science, and a life dedicated to the biggest questions. Filled with crystalline prose, lucid explanation, and revelatory honesty, this book will continue to be read centuries from now.”―Patrick House, author of Nineteen Ways of Looking at Consciousness “What would happen if a hardcore neuroscientist, with encyclopedic knowledge and four decades of experience in his field, were personally confronted with transformative mystical experiences carrying inevitable metaphysical implications? What would happen if the neuroscientist in question were open-minded, humble, but remained rigorously grounded in reason, evidence, and his hard-earned understanding of how consciousness relates to brain structures and function? What would he, the most preeminent professional of his generation, make of his extraordinary experiences? And what if, in addition, the neuroscientist was a modern renaissance man versed in physics, philosophy, the arts, the classics, and could pluck irresistibly evocative metaphors from the Western literary and artistic canon as if leisurely picking apples in early fall? This is what you will find in this treasured book, a whirlwind ride of insight after insight—so many they can’t possibly be all documented in footnotes—that will surprise and delight you from the get-go. ‘Primacy goes to consciousness, not to the objective world,’ he boldly states already on page two, in a prelude of things to come. ‘Everything else follows from there, including the realist assumption of the existence of objects, out ‘there,’ independent of my experiencing them.’ The book embodies the ever-evolving wisdom of a man whose intellectual prowess is only matched by his intellectual honesty. And this man, in the seventh decade of his scintillatingly productive life, has a lifetime of learning to share with you.”―Bernardo Kastrup, executive director, Essentia Foundation “Koch’s first book was entitled The Quest for Consciousness. And such has been Koch’s life, an adventurer’s pursuit of a distant goal, undeterred by the prevailing winds. The reader will learn where this quest has led and, like the author, will be enriched by it. Koch, one of the most accomplished scientists of our time, a mind singularly open to learning and changing, here opens his soul, revealing his vast, scintillating appreciation of nature in all its forms. It is a touching, profound book. Which is as it should be, since consciousness touches everything and is everything we touch.”―Giulio Tononi, University of Wisconsin-Madison ### About the Author Christof Koch is a neuroscientist at the Allen Institute and at the Tiny Blue Dot Foundation, the former president of the Allen Institute for Brain Science, and a former professor at the California Institute of Technology. Author of four previous titles, Koch writes regularly for a range of media, including Scientific American. He lives in the Pacific Northwest.

**NOTE: This is NOT a screening, please watch the movie before the discussion.** *"Hey Ted, where the hell's the corkscrew?!"* *Friday the 13th: The Final Chapter* arrives at a point where the series knows exactly what it is. Picking up immediately after Part 3, the film traps a new group of unlucky victims near Camp Crystal Lake as Jason Voorhees continues his unstoppable march through the annals of horror history. Lean, mean, and packed with some of the series’ most memorable kills, *The Final Chapter* distills the formula to its sharpest elements — suspense, savagery, and a mounting sense of inevitability — before slamming the door shut with brutal efficiency. Often regarded as the strongest entry in the original series, the film balances classic slasher suspense with some of the most effective practical effects of the era. It’s a no-frills, high-impact installment that solidified Jason as a horror icon. ***

We will meet in the Janney parlor.

**CONTENT WARNING: Disease, mutilation, abortion.** **This film contains extreme body horror, prolonged depictions of illness and bodily decay, environmental contamination, and disturbing imagery. It also includes references to pregnancy loss and a graphic act involving the removal of a fetus from a woman’s body. Themes of obsession, emotional distress, and death are central to the film. Viewer discretion is strongly advised. You are welcome to step out at any time.** Please read the original manga ahead of the dicussion: https://mangadex.org/chapter/bf397fc1-17bc-4fa1-8cd7-2cfd35f8170c Hideshi Hino's *Mermaid in a Manhole* is body horror stripped of bravado. When a lonely artist encounters a dying mermaid trapped in an underground sewer, he attempts to care for her — documenting her condition as her body deteriorates in disturbing and intimate ways. What begins as a strange act of compassion transforms into a bleak meditation on decay, obsession, and environmental collapse. Blending body horror with tragic romance, the film replaces shock-for-shock’s-sake with an atmosphere of sickness and inevitability that seeps into every frame.