Buffy

**For ages 18 and above.** POP Dance aka MTV Dance will see you dancing to the choreography of the music videos of pop artistes like Ariana Grande and Bruno Mars! **Address** 170 Upper Bukit Timah Rd, #08 - 01 Shopping Centre, Singapore 588179 ### **Schedule** Fridays 8PM - 845PM ### **Booking Information** * Please contact **98225900** to find out how to book this class. * The instructor will reach out to you once you've booked the class.

**For ages 12 and above.** Learn to dance to a Kpop song according to the original MTV choreography, step by step. For these crash course classes, the chorus would be taught + either the pre-chorus, verse or dance break. P.S. Spots chosen does not matter, it is free standing position in class. ### **Address** J Platform Dance Studio @ Robinson Square 144 Robinson Road #05-02 Singapore 068908 ### **Schedule** Fridays 805PM - 935PM ### **Booking Information** * Please contact **98225900** to find out how to book this class. * The instructor will reach out to you once you've booked the class.

**◾[CONFIRMED TRIP] Gunung Panti Barat 猪头山 531m via Gunung Panti Tengah Hike** **◾Date**: **25 April 2026 (Sat)** **INTERESTED, WHATAPPS 94884478 Wilfred or SIGN-UP HERE:** [https://www.meetup.com/lets-go-travelling-hiking/events/313830287/](https://www.meetup.com/lets-go-travelling-hiking/events/313830287/) **◾Event Detail:** **◾Cost: $125/person** **2-3 persons payment together is $120/person** **4 persons or more sign up and payment together is $115/person** **PAYMENT:** Please Paynow $xxx/person to UEN 201727764C Wilfred Go Travelling & Hiking Pte or Bank Transfer to DBS Current Account 0029069789 and Text 94884478 with Print-screen Receipt **◾EVENT HIGHLIGHTS:** **◾ Gunung Panti Barat 猪头山 531m** is a small hill found near the town of Kota Tinggi, Johor. It is a good introduction to those who wanted to scale higher mountains in Peninsula Malaysia. It takes an average of 3 hours to reach summit & 2 hours to descend. The starting part of the trek is in a fruit plantation. However, after a few minutes of trek, the trail leads into vegetated area although tree cover is still quite sparse. After about half an hour of trek, the trail would lead into the forest into CP1 & CP2. The most exciting part of the trail is the 90-degree rock wall at CP3. You can choose either using the ladder or climbing up with rope. The rest of the way to the summit is flat with only slight ascent and descent hike. **Beautiful You-Tube taken by Haffiz on 6 Jun 2023** **[https://youtu.be/5mVtT297lws?si=d4Gv1sq-hnvPFdEx](https://youtu.be/5mVtT297lws?si=d4Gv1sq-hnvPFdEx)** **TA License No 03066** **TA NAME: WILFRED GO TRAVELLING & HIKING PTE LTD** **\*\*To Connect With Us With Latest Events Broadcast & News:** **1\. Telegram Channel:** [https://t.me/wilfredtravelsg](https://t.me/wilfredtravelsg) **2\. Whatapp Channel:** [https://whatsapp.com/channel/0029VaJmIsU9mrGTPqpect3l](https://whatsapp.com/channel/0029VaJmIsU9mrGTPqpect3l) **3\. Facebook:** [[[https://www.facebook.com/events/calendar](https://www.facebook.com/events/calendar)] **INCLUDES:** \* Transportation Van < 14 person Bus >15 person \* Group Dinner is only included if group-size is 10 or more \* Mountain Guide/s \* Hiking Permit \* 1 Event Host **EXCLUDES:** \* Personal Insurance \* Items Not Mentioned In Itinerary \* Lunch own cost if group-size less than 10 persons \* Shower own cost RM5/person **Suggested Itinerary:** **(Sat), (D)** 645am-Marsiling MRT Station 650am-Depart to Woodland Custom 730am–JB Custom 9am-Kota Tinggi Town for Breakfast/Packed Lunch 10am–Commence Trekking 1030am: Reach CP 1, Regroup 11am: Reach CP 2 (DRAGON HORN) 1130am: Reach CP 3 (BATU TIRAI), Regroup 12pm: Reach T JUNCTION 1230pm: Reach BLOOD POOL 1pm: Reach PANTI TENGAH PEAK, Photo Group 130pm: Reach PANTI BARAT, pack lunch and relax 2pm: Continue Down Hill 5pm: Reach PARKING CARE HAVEN, Shower 530pm-Depart 6pm-Dinner 7pm- Depart 9pm-JB Custom 10pm-Marsiling MRT **Disclaimer, Indemnity and Terms of Participation:** The participant acknowledges that this is an adventure trip. The itinerary serves as a guide only and changes may be required. All participants are strongly advised to have travel insurance. The participant agrees to assume all risks and indemnifies the organizers against all claims, disputes.

Learn to dance to a Kpop song according to the original MTV choreography, step by step. P.S. Spots chosen does not matter, it will be free standing position in class. ### **Address** J Platform Dance Studio @ Robinson Square 144 Robinson Road #05-02 Singapore 068908 ### **Schedule** Fridays 7PM - 8PM ### **Booking Information** * Please contact **98225900** to find out how to book this class. * The instructor will reach out to you once you've booked the class.

\*Please note the change of venue. We are no longer able to meet at Charlies and will be looking for a new venue. !!! Beware of scams! If you have been contacted about featuring your work at our meetings or have been asked for any kind of payment it is a scam. Country: Argentina Written in: 1976 Pages: 280 Starting as an experimental study of a romantic female character, Manuel Puig elaborated with streams of consciousness and unspecified dialogue to create this untraditional novel. Fast paced and challenging social, sexual and literature norms, it's seen as his most successful work, having been adapted into multiple films and plays. Here's and excerpt from [an excellent review on Medium:](https://thebiblioraptor.medium.com/literature-as-resistance-reading-manuel-puigs-the-kiss-of-the-spider-woman-9d8ce00c10fa) One of the major ways in which literature has made its presence felt is as a tool of resistance. Manuel Puig’s novel *The Kiss of the Spider Woman* is such a battle waged through words, critiquing authoritative institutions, exploring the quest for freedom, and telling human stories of rebellion, love, and loss. The novel was published in 1976 and is written mainly as dialogues between its dual protagonists — Luis Alberto Molina and Valentin Arregui Paz — detained in a Buenos Aires prison. Valentin is a Marxist rebel who is in jail for waging a political struggle against the government. Molina, who identifies as a woman and homosexual, is imprisoned for the sexual corruption of minors. They are cellmates, who go from strangers to friends and more. One might think that a story that is limited only to one location and written as dialogues between two people might be monotonous. But this is where Puig’s genius lies. Although the physical setting is confined, the reader can transcend that dingy cell, along with the characters, through the sole power of storytelling. \*\*\*\*\* **New to the Hungry Hundred Book Club?** Here's what you need to know: 1. Read the book (If you don't manage to finish it by the meetup date, don't worry. As long as you're not going to be too disappointed by spoilers, you're still welcome to join.) 2. Come to the meeting, usually (but not always!) on the last Sunday of every month. 3. Be prepared to order food/drink at the venue to show our appreciation for letting us use their space. This is a requirement. A lot of time and effort has been put into finding a place that will accommodate our group without an outrageous minimum charge or rental fee, and you'll never be asked to contribute to organiser fees, so please show your respect and support for the restaurant that's letting us use their space. 4. Discuss! It's a casual conversation, so don't be afraid to ask questions and let us know what you think.

Welcome to the Party of Fives Meetups! If you are a gamer who wants to go beyond the usual PARTY gaming fare at boardgame meetups and cafes, this is it! We don't usually play Cards against Humanity, Exploding Kittens and Unstable Unicorns. That's just us. Make us play if you can. We will be playing an assortment of board games ranging from light strategic kinds to heavy thematic ones. Games we usually play range from light ones like Azul, Splendor, Jamaica to medium ones like Yokohama, Endeavor and Nippon and of course heavy ones like Twilight Imperium, Gloomhaven, Tainted Grail and Kingdom Death Monster! Do not be surprised if you see us painting miniatures or are engaged in some sort of insanely time-consuming enhancements towards our game elements in our games. Everyone get their kick in different ways. :) Painting groups are also in their groups of fives ... For the game designers out there, just tell us that you are a creator when you see us and we will have our own private creative sessions mapped out in a feasible way. Most others don't care so we should not disturb the force unnecessarily. We will contact you when you sign up and place you into appropriate messaging groups with different needs to facilitate further communication. Total noobs are totally welcome! While we don't serve food ourselves, we are smack right in the middle of the legendary Golden Mile premises with an huge range of eateries from super curry puffs, loud Japanese izakaya food, heavenly chicken rice with steamboat, hellish black burgers and authentic Thai food that is just sick. All within a pebble's throw away. Tea and dinner sessions (at our own expenses) usually follow the gaming sessions according to our designated groups. Due to the current Covid-19 and social distancing restrictions, you are not allowed to join us for these food consuming sessions only. For your understanding, please If you have something specific in mind, do a shout out below and we see if we can help within reasonable grounds. There will be a charge of SGD $15 (ARENA: $15), (HEAVY/CAMPAIGN GAMES: $25) collected at the door (in cash) to help with the running of the event. How to sign up for our sessions: • Join the Singapore Manga Anime Games & Cosplay Assembly as a member. • RSVP below and retain a screenshot of your RSVP as proof. • Note that without proof of RSVP you will not be allowed into the premises. • Note that those who sign up but do not show up will not be allowed to sign up for future Party of Five sessions. • Note that RSVP closes 6 hours before the event takes place. For those who will like to form groups to play other games, feel free to shout out your intentions at the comments section below: Note that there won’t be any game masters around to help you with your games on site. The meetup will run from the time stated to the time ended. By signing up for this meetup, you agree to the terms and conditions set above.

Where does genuinely new stuff come from, and what does the answer obligate us to do? We are primates, evolved for the African Savana, with meat machines in our heads. These meat machines can do something curious: they can imagine. Even further, they can be “creative”; that is, they can imagine something “novel”. At first glance, imagination seems like a cute quirk. We can imagine fantasies, tell fun stories, paint pictures, make gadgets. Some of these stories we deem “creative” or “novel”. But what actually counts as “new/creative”? The commonly used notion for “creative” in various domains of study is the creation of something “novel” and “useful/appropriate”. “Novel” ensures the new idea/invention is not just a basic recombination of old things. “Useful/appropriate” ensures that the idea is meaningful, reveals something interesting, and is not just a random mess. Both of these terms are broad and contentious (intentionally so). Who defines what is “novel” or useful/appropriate”? Should it be defined by the individual who originated the idea, or by the social judgment of peers, or specifically by experts, or by history/those who come later? The **Systems Model** recognizes that “creativity” is not a property determined by individuals, but through an interaction between the domain/field of innovation, the social ecosystem (gatekeepers, institutions, etc.), and the innovation itself. Other views emphasize the **cognitive mechanisms** of creativity. New ideas do not emerge “de novo”, they emerge from a recombination of past ideas, with a novel “transformation of the problem space”. Hence, an individual needs to make the creative leap with regards to themselves (their past experiences, cultural knowledge, etc.); it is a mental operation. Even if their new idea might already be known to someone else/the public, if they themselves did not know it, it is still a novel creation for them. Thus the question: Is there a rigorous notion that can tell whether something is “truly novel”, or even quantify how much? And who decides? Beyond the domain of fiction and art, our meat sack brains can also imagine things like multiple dimensions, 4D space, invisible forces, and other notions that at the time were heavily criticized as fanciful thinking (imaginary numbers, non-euclidian geometry, microscopic germs). Our minds were shaped by natural selection to solve savanna-scale problems — predators, social hierarchies, thrown objects. There's no selection pressure for imagining or grasping 11-dimensional string theory or quantum field theory. Feynman himself suspected we might not be able to understand wavefunction collapse or superposition. And human working memory is sorely limited. It is surprising that these ideas turn out to be “*real”*. They explain the physical world and give us tremendous power over it. Sometimes, increasing our power over the physical world depends on creating ever more “novel” ideas/absurdities (e.g. Infinite dimensional vector spaces. Subatomic particles. Quantum phenomena. etc.) Outlandishness is not sufficient for scientific success, but those ideas that yielded the greatest increase in understanding/power were often the most outlandish. In other words, the degree of “creative novelty” in science is proportional to the degree of increased physical power we gain. Is there a limit to what our brains can conceive? Science and art are very different domains. But therein lies the puzzle: the process of creativity deployed in science seems no different from the process of creativity deployed in art; so perhaps the same process is generating novelty in both. This suggests a tantalizing unity of what it means to be “novel”. If the same process generates “novelty” in 2 (seemingly) different branches: art and science, and one branch leaves physical traces, then “novelty” might not be mere arbitrary social judgment. Discussion Questions: * What counts as “creative”/”novel”? Who judges this? Is it an individual or social or objective judgment? How do we know whether something is “new” or not? Are we just “doing whatever we do?” * Operationally, how does creativity work? How does creativity “create new things”? Where does the newness come from? * Is the process of creativity in art, social science, natural science, engineering, technology, all the same underlying process? * If it is the same underlying process, how does “novelty”/creativity in science relate to creativity in art? * What’s the difference between imagination, creativity, and knowledge? * Is society obligated to create the conditions necessary for people to engage their creativity? If we disable people’s creativity, is that a form of mind control?

A very unusual choice for his group... Unknown Number: High School Catfish is an American [true crime](https://en.wikipedia.org/wiki/True_crime "True crime") documentary film directed by [Skye Borgman](https://en.wikipedia.org/wiki/Skye_Borgman "Skye Borgman") and released to [streaming](https://en.wikipedia.org/wiki/Streaming_media "Streaming media") on [Netflix](https://en.wikipedia.org/wiki/Netflix "Netflix") on August 29, 2025. The documentary explores the events and investigation into an unknown person [cyberbully](https://en.wikipedia.org/wiki/Cyberbullying "Cyberbullying") and [harassing](https://en.wikipedia.org/wiki/Harassment "Harassment") teenagers in [Beal City, Michigan](https://en.wikipedia.org/wiki/Beal_City,_Michigan "Beal City, Michigan") using an unknown number via insults and sexual claims. It also explores the increasingly great impact of the harassment on the community, the eventual reveal of the culprit, and the trial that followed. IMPORTANT INFO: I strongly suggest not reading anything about it online before seeing it. It's best viewed with no previous knowledge. This documentary contains crude terminology and deals with cyberbullying, which may be a trigger for some folks. PLEASE NOTE - WE ARE STARTING AT 6:30, WHICH IS THIRTY MINUTES EARLIER THAN USUAL.

Join Neurospicy Columbus at the Stauff's for coffee and then a stroll through the Book Loft nearby! This will be a friendly chat for like minded individuals with Autism and/or ADHD (or somewhere on the Neurodiverse Spectra).

Join us for a Fun Friday event as we get together to see the long-awaited sequel to the 2006 original, THE DEVIL WEARS PRADA 2! Meryl Streep, Anne Hathaway, Emily Blunt and Stanley Tucci all return for this follow-up that finds the former assistant is now a rival! Here are details, a trailer and our plan for this event: DESCRIPTION: The film follow’s Miranda Priestly's struggle against Emily Charlton, her former assistant turned rival executive, as they compete for advertising revenue amidst declining print media. The film is directed by David Frankel and written by Aline Brosh McKenna (who wrote/directed the 2006 original). It stars returning cast members Meryl Streep, Anne Hathaway, Emily Blunt, and Stanley Tucci along with newcomers Justin Theroux and Kenneth Branagh. TRAILER: https://www.youtube.com/watch?v=e9HXmMnUEdE PLAN: We’ll plan for a 7pm-ish showing and will meet in the lobby area about 30 minutes before showtime. Advance ticket purchase not required for this theater but early arrival is advised. Be sure to mention you’re with the Movie Group for admission/concession discounts. And make this a true Fun Friday by joining us after the show for the best part of the night – food and drinks at the nearby Rusty Bucket! Complete details, including showtime, will be confirmed/announced as the date gets closer. Should be a fun one, Dan

Join us as we get together to see the BAFTA-winning British biographical dark-comedy/drama, I SWEAR! The film is based on the true-life story of a Scottish man diagnosed with Tourette’s syndrome at an early age. Here are details, a trailer and our plan for this event: DESCRIPITON: This true-life story follows a Scottish man diagnosed with Tourette's at 15. Targeted as 'insane' by his peers, he struggled with a condition few had witnessed. In search of his life’s purpose, he began campaigning for better understanding and acceptance of the condition of Tourette's as an adult. The film is written/directed/produced by Kirk Jones and stars Robert Aramayo, Maxine Peake, Shirley Henderson and Peter Mullan. TRAILER: https://www.youtube.com/watch?v=oeWqQN3snCU BUZZ & ACCLAIM: I Swear currently has an incredible 100% positive rating on Rotten Tomatoes, which says: “A deft balance of prickly and sweet that's bound together by Robert Aramayo's knockout performance, I Swear doesn't sugarcoat the challenges of Tourette syndrome while delivering an uplifting tale of resilience.” Others call it, “"funny, fierce and full of heart!” The film was released earlier in the UK making it eligible for this year’s BAFTA’s where it won Best Casting and Best Lead Actor for Robert Aramayo. The film and Robert Aramayo's performance will be eligible for next year’s Oscars! PLAN: We’ll plan for a 7pm-ish showing and will meet in the bar area about 30 minutes before showtime! Once details are confirmed, advance ticket purchase is advised! Details will be confirmed/announced as the date gets closer. Should be a good one, Dan

**We are expanding our creative programming opportunities with Queer Quills, a quiet writing and sharing space. Queer Quills features some prompts, supplies and friendly faces to help get some inspiration or feedback for your writing. Hope to see you there!**