Creative Arts

Let's meet to write! Schedule : 18:30 - 18:45: Arrival & introduction tour. Share briefly with the group your project and the "goal of the day". 18:45 - 20:00 : Let's write! 20:00 : Closing tour. Did you achieve the "goal of the day" ? See you soon !

Small curated movie nights in a hidden garden in Ixelles, next to Place Flagey. A mix of: * **cult classics** * **recent movies** * **international cinema** * **comedy nights** * **karaoke & dubbing chaos nights** * **comfort food and summer vibes** **This is not a giant public Meetup** where 40 strangers stand awkwardly around overpriced drinks pretending networking is fun. Humanity already suffered enough. Our idea is simple: we gather in a private home and transform the courtyard into a small outdoor cinema. Sometimes we cook together before the movie: Italian, Thai, Lebanese, Japanese, Balkan, Greek, Latin American street food etc. Sometimes people simply grab pizza from the excellent pizzeria next door and join the screening. Food is intentionally relaxed: bowls, finger food, street food, popcorn, snacks, comfort food. **Some nights are more gourmet.** Some are glorified pizza-and-movie nights. Both are valid forms of civilization **;-)** ## **What makes this different** The group is i**ntentionally small**: usually 6 to 8 people maximum. **People are introduced properly.** Nobody gets abandoned in a corner. The atmosphere stays human, social and safe. **No heavy drinking.** **No creepy behavior.** No random people showing up uninvited. Smoking is allowed because is outside in the courtyard and occasionally we may have **hookah nights** depending on the movie/theme. ## **Typical evenings** * Wong Kar-wai + Asian comfort food * Spaghetti western + Italian street food * Anime + sushi night * Greek cinema + mezze * Balkan chaos cinema + burek * Cult movie dubbing nights where people voice scenes live karaoke-style Yes, this is a real thing now apparently. ## **Important** Because Meetups and public internet are full of bots, spam accounts and socially radioactive individuals, **we do NOT post the exact address publicly.** To join: scan the QR code on the image and request access to the private WhatsApp group or send me a DM. From there: * we announce movies * vote on menus * organize cooking nights * coordinate places **If you are new in Brussels, introverted, traveling, recently arrived, or simply tired of giant impersonal events, this may be your thing.**

EN (FR en bas): We're still accepting people in our classes. Join us!​ -step 1: Book here! -> [https://www.danceproject.be/reservations.html](https://www.danceproject.be/reservations.html) -step 2: Show up! [Schedule](https://www.danceproject.be/classes.html#schedule) Fees : [All info on trials, packs, subscriptions here](https://www.danceproject.be/classes.html#fees) Locations: -Parc du Cinquantenaire, Brussels Metro/Tram: Mérode Salsa, Bachata, Lindy Hop, Forró Intro - 1: From base to the dancefloor! When you come for the first time we go over the base & rhythm with you. Then you are included in the group and everybody learns the same new steps for which you just need the base. Practice makes perfect: just relax and enjoy Salsa, Bachata, Lindy Hop and/or Forró! Our group is very welcoming and looking forward to meet new dancers! Salsa, Bachata, Lindy Hop, Forró Roots I - 2: Ready to go deeper on Salsa, Bachata, Lindy Hop &/or Forró? Let's go! [https://www.danceproject.be/classes.html#improvers](https://www.danceproject.be/classes.html#improvers) Salsa, Forró Roots II - 3: Looking for #SalsaChallenge? Already familiar with Forró Root? We've got your back! [https://www.danceproject.be/classes.html#intermediates](https://www.danceproject.be/classes.html#intermediates) More info: -Web: [https://www.danceproject.be](https://www.danceproject.be) -Whatsapp: +32 493 16 41 10 -Mail: brussels.salsa.project@gmail.com -[Facebook](https://facebook.com/brussels.salsa.project) -[Instagram](https://instagram.com/brussels.salsa.project) \-\-\-\-\- FR: Nous acceptons encore de nouvelles personnes dans nos cours. Rejoins-nous ! -1ère pas : Fait ta réservation ! -> [https://www.danceproject.be/reservation.html](https://www.danceproject.be/reservation.html) -2ème pas : Vient danser ! [Horaire](https://www.danceproject.be/cours.html#horaire) Les prix : [Toutes les infos sur les essais, packs, abonnements ici](https://www.danceproject.be/cours.html#prix) Endroits : -Parc du Cinquantenaire, Brussels Metro/Tram: Mérode Salsa, Bachata, Lindy Hop, Forró Intro - 1 : De la base à la piste de danse ! Lorsque tu nous rejoins on voit la base et le rythme avec toi. Ensuite, tu es inclus dans le groupe et tout le monde apprend les mêmes pas pour lesquelles tu as juste besoin de la base. C'est en forgeant qu'on devient forgeron : détend-toi et profite la Salsa, de la Bachata, du Lindy Hop et/ou du Forró ! Notre groupe est très accueillant et a hâte de rencontrer de nouveaux danseurs ! Salsa, Bachata, Lindy Hop, Forró Roots I - 2 : Prêt à approfondir la Salsa, la Bachata, le Lindy Hop &/ou le Forró ? Allons-y! [https://www.danceproject.be/cours.html#inities](https://www.danceproject.be/cours.html#inities) Salsa, Forró Roots II - 3 : Tu cherches #DefiSalsa ? Tu connais déjà Forró Roots ? Nous sommes là pour toi ! [https://www.danceproject.be/cours.html#intermediaires](https://www.danceproject.be/cours.html#intermediaires) Plus d’info: -Web: [https://www.danceproject.be/fr.html](https://www.danceproject.be/fr.html) -Whatsapp: +32 493 16 41 10 -Mail: brussels.salsa.project@gmail.com -[Facebook](https://facebook.com/brussels.salsa.project) -[Instagram](https://instagram.com/brussels.salsa.project)

🇬🇧 EN 🇬🇧 🔥 SALSA CUBANA CLASSES ARE BACK 🔥 We are delighted to see you again for the start of the 2025/26 academic year 👉 Find all the needed information on our website : **[https://danzamania.be/](https://danzamania.be/horaires/?fbclid=IwZXh0bgNhZW0CMTAAYnJpZBExUjNGU3gzRWdsUFlWMGJMQgEeCHgiKV40mum5hOp5szt0Lxx3U-5DyHO_wR_ZJekcr_m7EFRdpcRthKRV9EU_aem_W6hFXCri8O6Kd9el-RIuIQ)** ✅ PROGRAMME ✅ 👉 TUESDAY 16/09 7:00-8:00 pm - Salsa Level 1A @ Salle Oxygène - Angie, Octavia & Raffa 8:15-9:15 pm - Salsa Niveau 1B\* @ Salle Ste Suzanne - Tine & Sam 8:00-9:00 pm - Salsa Cubana Level 2 @ Salle Oxygène - Angie, Octavia & Raffa \*The Level 1B course is the same as the Level 1A course. It will be taught by Tine & Samuel and starts at 8.15 p.m. It allows those who wish to arrive one hour later and have a group of about 10 people. 👉 WEDNESDAY 17/09 7:00-7:30 pm - Body Expression @ Salle Oxygène - Yusnay, Tine & Raffa 7:30-8:30 pm - Salsa Level 3 @ Salle Oxygène - Yusnay, Tine & Raffa 8:30-9:30 pm - Salsa Level 4 @ Salle Oxygène - Yusnay, Tine & Raffa 👉 THURSDAY 18/09 8:00-9:00 pm - Cuban Salsa Partnerwork - Level 1 + @ Studio Empain - Zoli 9:00-10:00 pm - Cuban Salsa Partnerwork - Level 2 + @ Studio Empain - Zoli 👉 FRIDAY 19/09 8:30-9:30 pm - Rueda de Casino @ Vibrato - Team Danza Mania 9:30-12:30 am - Practica & Entertainment with DJ Joel 💃 Dale Mambo🕺

In June we switch on another sense and turn to our ears in search of profoundness we normally find in literature. This year we turn to greats but also to more questionable greats and the question of greatness itself. On whichever note we do land unknowns pleasures sure do await, so looking forward to any choice we make! a) “Just Kids” by Patti Smith A National Book Award winner and a masterpiece of memoir. This [soulful, evocative look ](https://www.theguardian.com/books/2010/feb/13/just-kids-patti-smith-biography) at the relationship between Patti Smith and Robert Mapplethorpe as they navigate the hunger and hustle of being young artists in New York City is a love letter to friendship, the pursuit of art, and the magic of a city that no longer exists. b) “Faith, Hope and Carnage” by Nick Cave & Sean O’Hagan Created from over forty hours of intimate conversation, this [raw and transcendent exploration](https://www.theguardian.com/books/2022/sep/28/faith-hope-and-carnage-by-nick-cave-and-sean-ohagan-review-towards-grace) of Nick Cave’s inner life tackles the heavy weights of belief, art, music, and the transformative power of grief. It’s not just a book about a musician; it’s a profound meditation on how we find the will to create in the wake of catastrophic loss. c) “Let’s Talk About Love: A Journey to the End of Taste” by Carl Wilson Part of the acclaimed 33 1/3 series, this book uses Celine Dion’s polarizing fame as a lens to examine [why we love what we love](https://pitchfork.com/features/paper-trail/9393-lets-talk-about-love-why-other-people-have-such-bad-taste/) —and why we hate what others enjoy. Wilson dives into the concept of "good taste" and "schmaltzy" pop to challenge our musical snobbery and investigate the emotional social contracts we sign with our favorite idols.

**“A creative space to connect with your body.”** ​In the rush of everyday life, it can be easy to forget to slow down and listen to what is happening within. ​Yet this is often where a deeper kind of wisdom can be found. The body is constantly communicating with us - if we give ourselves the space to notice and listen. ​This workshop offers just that: a gentle space to reconnect and explore what your body might be asking for. ​Join us for a creative journey where we will settle the nervous system through sensorial, tactile exercises that bring you into contact with your body. Laura will then guide you through an inner listening process, allowing your own sensations, images, and insights to emerge. ​ Everyone is welcome. You don’t need any previous artistic experience - just a bit of curiosity. **Price: 15 euros per person** **Please book via the following link:** [https://luma.com/a2xonlhd](https://luma.com/a2xonlhd) *Clicking 'attending' on Meetup does not secure you a space!* ​ **What you can expect:** ​- a kind, respectful and non-judgmental atmosphere \- gentle\, guided explorations \- the use of different media such as paint\, ink\, clay\, drawing or collage ​**Practical information:** ​- Workshop duration: 2 hours \- Open to all from 14 \+ \- Language: English but a French translation is possible \- Please wear comfortable\, loose clothing that allows you to move freely and that you don't mind getting paint on \- All materials will be provided \- Please bring something to take your work home in \(a folder\, a plastic sleeve\, etc\.\) ​**About Laura:** ​Laura is a second year art-therapy student. She previously trained and worked as a puppeteer for her theatre company, Théâtre de l'Heure Bleue, and continues to work as a visual artist. She is currently developing an art therapy project using shadow puppetry with patients in palliative care, alongside a somatic-based project for people living with trauma or chronic illness. Her creative process is deeply kinaesthetic, translating felt experience into visual expression. ​For more information: [www.theatredelheurebleue.com](https://www.theatredelheurebleue.com/?utm_source=luma) or find her on Instagram: theatredelheurebleue

Need some quiet time for reading? Want to share the experience with others? Join us at the charming venue of The Sister Café to read in the company of others. It’s alone, but also together, get it? We read for an hour and a half, then chat over a drink. This is a free activity except for the price of the drinks you're consuming.

***Awaken your creative energy and the healing power of your heart*** ❤️ 🪶 Come enjoy a delicious cup of invigorating cacao and participate in a beautiful ceremony of connection, self-expression and emotional healing. We will create a safe circle of joy, love and peace, in which we will express long-held emotions and uplift our energy. 📍Where: Mir Concept Coffee Store, Place Jourdan 🕧 When: Wednesday 03 June at 18.30 ➡️ Participation fee: 40 euros 🎟️ **For registrations, please visit this link: [https://www.mirconceptstore.com/event-details/cacao-ceremony](https://www.mirconceptstore.com/event-details/cacao-ceremony)** ✨ For this event, there is no need to bring something with you. We'll provide you with the ceremonial grade cacao and any materials needed for the practice. Just come as you are, open up, enjoy, connect and deeply relax! We're looking forward to meeting you and sharing this ceremony with you 🤗

**Palace : Broken View** 04/06 @ 19h00 This article was part of FORUM+ vol. 30 no. 1 | 2, pp. 68-79 Broken View. Congo and the magic lantern. **As an early projection device, the magic lantern was often used for colonial propaganda. For instance, to showcase and legitimize the ‘good works’ of the church in the colony. But lanterns were also used by missionaries in Africa to evangelize the local people and create a colonized mindset. This text is a reflection on the work process of Broken View, an essay film on colonial images from the Belgian Congo and the magic lantern. Through montage, collage, and assemblage the film examines and recontextualizes these images of the Belgian colonial past.** Als vroeg projectiemedium werd de toverlantaarn vaak gebruikt voor koloniale propaganda. Bijvoorbeeld om de 'goede werken' van de kerk in de kolonie te presenteren en te legitimeren. Maar lantaarns werden ook door missionarissen in Afrika gebruikt om de plaatselijke bevolking te evangeliseren en een gekoloniseerde mentaliteit te creëren. Deze tekst is een reflectie op het werkproces van Broken View, een essayfilm over de toverlantaarn en koloniale beelden uit Belgisch-Congo. Door montage, collage en assemblage onderzoekt en hercontextualiseert de film deze beelden uit het Belgische koloniale verleden. [...] **"I see montage not as a final stage of the filmmaking process, but rather as a way of beginning, montage as a way of writing."** In trying to find a way to present still images in a medium which relies on movement, I quite intuitively turned towards collage. This way, movement lies in the act of cutting out, in the tension between two arrested movements: the captured ça a été of the photograph and the completed collage-gesture that brings two or more images in the same space. The form gives rhythm to the discourse and engenders it. The cutting out of figures becomes a formal translation of what I try to do in the film discursively, to decontextualize and recontextualize fragments from the past. It performs the question of how to see these colonial images today, if we even should see them? Perhaps the only way to be able to show these images is when they are set in motion within a poetic space that aims to do justice to the realities of oppression from which they were taken. I am aware that some of the images in the film are hurtful to see. I am aware that some will see the reuse of these images as a continuation of the violence their taking involved, and that my position as a white European man will enforce this view. Though I have seen instances of this reiteration of colonial violence in cultural products that purport to denounce the colonial past, I do not believe that to show these images, even violent ones, even from my side of the colonial heritage, automatically implies continuing the violence they both document and materialize. I think this happens when not only the images themselves but also the spectacle-form and ideological framework in which they were presented are reproduced, in other words, when the effects of their reproduction are either ignored or anticipated and exploited in the service of this or that agenda. I have not treated this lightly. Broken View does not seek out a shock effect, it does not try to sell a product or resort to cynically rousing controversy to gain attention in an increasingly saturated audio-visual market. Nor do I claim a sort of neutral ground or moral high ground. It is the spectacle-form, the milieu in which these images were made and shown, that I hope the film interrogates and deconstructs. I do this knowing that any deconstruction is also a construction, that my film is also a form, and that there is no inherently unproblematic form. Both the essayistic montage and the collage, the poetics I turned to in this film, bring together elements that often have little to do with one another. They do this, as the writer Brian Dillon wrote about the essay form, ‘in such a way that the scandal or shock of their proximity arrives alongside a conviction that they have always belonged together’.11 So, these images must be accompanied by other images, brought into relation with other, maybe even seemingly unconnected images. These relationships are not comparisons or equations, but the threads of an unfinished fabric, a continuous work of de- and reassembly, a broader, perhaps speculative contextualization. Assemblages are formed in which the figures are brought into each other’s orbit, within a wider frame and into another timeline than those of the photographs they were taken out of, inserting them into new constellations, trying to find new rhythms. In doing so, I hope to make visible some of the brushstrokes with which they were originally made, the power relations these images texturized and helped (helplessly) to fabulate, the purposes they were to serve. The film is an essay, an atlas of sorts, or an album where fragments of images and language exchange their shortcomings, what words can show and what images can say. But what to say? Who is speaking and to whom? The spoken text is not only a feature of the essay film. Magic lantern projections were almost always accompanied by live narration. In the case of mission photography almost always in the explanatory mode, an authoritative register, a man, a priest, who spoke with full authority on what was being projected. There was no doubt in his voice. There is but one truth, and that is the Christian truth. At this stage in the editing process, I am trying to find a balance between different registers of the voice-over. The challenge is to subvert the authority of the colonial voice, to replace it not with silence, but to find another way of speaking, of giving information, to introduce an element of doubt. This can reside in subtle formal gestures, a tone of voice, an emphasis turning into a question mark, repetition, or wordplay. I am not quite sure yet how, but I want to let this informative, authoritative mode disintegrate into a poetic mode. I mean poetry in the sense that it is the opposite of the direct speech of the colonizer. That it is a tentative way of speaking. An essayistic way of speaking if you will. The text becomes a collage of registers, of sources and tones but spoken by a single voice. [Cinema Palace](https://www.cinema-palace.be/nl/film/broken-view) [This article was part of FORUM+ vol. 30 no. 1 | 2, pp. 68-79](https://forum-online.be/en/issues/februari-mei-2023/broken-view-congo-and-the-magic-lantern) **For Dreamers, Coffee shots, Orezza, eau de Saint-Georges !**

Making the new Friends after work or in your vacation.

Small curated movie nights in a hidden garden in Ixelles, next to Place Flagey. A mix of: * **cult classics** * **recent movies** * **international cinema** * **comedy nights** * **karaoke & dubbing chaos nights** * **comfort food and summer vibes** **This is not a giant public Meetup** where 40 strangers stand awkwardly around overpriced drinks pretending networking is fun. Humanity already suffered enough. Our idea is simple: we gather in a private home and transform the courtyard into a small outdoor cinema. Sometimes we cook together before the movie: Italian, Thai, Lebanese, Japanese, Balkan, Greek, Latin American street food etc. Sometimes people simply grab pizza from the excellent pizzeria next door and join the screening. Food is intentionally relaxed: bowls, finger food, street food, popcorn, snacks, comfort food. **Some nights are more gourmet.** Some are glorified pizza-and-movie nights. Both are valid forms of civilization **;-)** ## **What makes this different** The group is i**ntentionally small**: usually 6 to 8 people maximum. **People are introduced properly.** Nobody gets abandoned in a corner. The atmosphere stays human, social and safe. **No heavy drinking.** **No creepy behavior.** No random people showing up uninvited. Smoking is allowed because is outside in the courtyard and occasionally we may have **hookah nights** depending on the movie/theme. ## **Typical evenings** * Wong Kar-wai + Asian comfort food * Spaghetti western + Italian street food * Anime + sushi night * Greek cinema + mezze * Balkan chaos cinema + burek * Cult movie dubbing nights where people voice scenes live karaoke-style Yes, this is a real thing now apparently. ## **Important** Because Meetups and public internet are full of bots, spam accounts and socially radioactive individuals, **we do NOT post the exact address publicly.** To join: scan the QR code on the image and request access to the private WhatsApp group or send me a DM. From there: * we announce movies * vote on menus * organize cooking nights * coordinate places **If you are new in Brussels, introverted, traveling, recently arrived, or simply tired of giant impersonal events, this may be your thing.**

. Find us on Facebook to see what's actually happening. Bring your own knitting or crochet project and join other people who enjoy yarn crafts for a relaxing couple of hours on Saturday afternoons. The 1st Saturday of the month is not an in-person meet-up, but on zoom. All people and all levels welcome, including beginners, whom we are happy to help get started (although we don't run classes). No charge. All you need is some yarn and a crochet hook or a pair of knitting needles. We are very friendly so don't be shy. The venue may change from time to time so please check back on the day before the event to be sure you have it right. We mostly speak English, but people in the group are very international and speak many languages. Looking forward to seeing you.

**Get your creative flow going with a Sunday Afternoon Maker Meetup!** Whether you are looking to carve out dedicated creative time, wanting to get a lingering project across the finish line, or just looking to chat with fellow local makers—this is the space for you. 🧵 **What to Bring** Bring any art or craft project you are currently working on, as long as it is portable and quiet. Think: * **Yarn & Thread:** Knitting, crochet, embroidery, cross-stitch, hand-sewing, mending. * **Paper & Sketching:** Sketchbooks, adult coloring books, watercolors, bullet journaling. * **Digital:** Tablets, iPad drawing, laptop writing/design. * *Please note: Because we are meeting in a shared public space, no power tools, sewing machines, or high-odor materials (like strong solvents or spray glues), please!* **📍 Where to Find Us** * We will be meeting at **Columbus Metropolitan Library - Martin Luther King Branch** in **Meeting Room 1**. Room is reserved under **CBUS Maker Meetup.** **⏱️ Timeline** * **1:00 PM:** Arrive, grab a seat, get settled, and do a quick round of introductions so we can see what everyone is working on. * **1:15 PM - 3:00 PM:** Open maker time! Chat, craft, relax, and swap creative ideas. **⚠️ A Note on RSVPs** Space for this first meetup is strictly limited to 10 spots. If your plans change and you can no longer attend, please update your RSVP to "Not Going" as soon as possible so someone on the waitlist can grab your spot. We ask that you try to give at least 48 hours' notice if you need to cancel. *** **We can't wait to meet you and see what you're making! All skill levels welcome.**

NFT's are here to stay folks! This is a group for like minded people interested in understanding, leveraging, using, creating for, profiting from, trading too i suppose, NFT's.. everything around them, complexity, fear and exploits, best practices and more. **PLUS** This group will talk AI ART tools, techniques, artists, video, audio, prototypes and more in the AI assisted production space- ART specifically, but we can get into any aspect of some of the cooler things happening in AI in general.

Welcome to the Art School - 20's & 30's artists Meetup group! This is a community for young artists who are passionate about exploring different mediums and techniques in the world of art. Whether you're a painter, sculptor, photographer, or mixed media artist, this group is the perfect place to connect with like-minded individuals, have a space to work on your craft, and showcase your work. Let's inspire and support each other on our artistic journeys! Whether you're a novice or a seasoned artist, all skill levels are welcome. Join us and unleash your creativity! Afterwards, we will have time to work on our individual art projects, hang out, and if anyone is interested in feedback on their work, there will be time for that as well.

Let's stroll the artists' booths and enjoy some of the festival's opening day! The Columbus Art Festival features a wide and vibrant range of visual art from local and national exhibitors, plus, live music, and all kinds of food and refreshments, along the waterfront downtown. (The featured painting is by Columbus Art Festival exhibitor, Joe Engel - joe-engelart.com)

**Join us for an afternoon of community art and craft time!** Whether you are looking to carve out dedicated creative time, wanting to get a lingering project across the finish line, or just looking to chat with fellow local makers—this is the space for you. 🧵 **What to Bring** Bring any art or craft project you are currently working on, as long as it is portable and quiet. Think: * **Yarn & Thread:** Knitting, crochet, embroidery, cross-stitch, hand-sewing, mending. * **Paper & Sketching:** Sketchbooks, adult coloring books, watercolors, bullet journaling. * **Digital:** Tablets, iPad drawing, laptop writing/design. * *Please note: Because we are meeting in a shared public space, no power tools, sewing machines, or high-odor materials (like strong solvents or spray glues), please!* **📍 Where to Find Us** * We will be meeting at **Columbus Metropolitan Library - Hilltop Branch** in **Meeting Room 4**. Room is reserved under **CBUS Maker Meetup.** **⏱️ Timeline** * **1:00 PM:** Arrive, grab a seat, get settled, and do a quick round of introductions so we can see what everyone is working on. * **1:15 PM - 3:00 PM:** Open maker time! Chat, craft, relax, and swap creative ideas. **⚠️ A Note on RSVPs** The RSVP count for this event is strictly limited to 10 spots. If your plans change and you can no longer attend, please update your RSVP to "Not Going" as soon as possible so someone on the waitlist can grab your spot. Please try to give at least 48 hours' notice if you need to cancel, allowing folks on the waitlist time to check their schedule. *** **We can't wait to meet you and see what you're making! All skill levels welcome.**