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News from the Middle East, and from Iran in particular, has been stark. Following months of nationwide unrest and a severe state crackdown, casualty estimates vary widely and remain difficult to verify, ranging from official figures in the thousands to independent claims far higher. In late February 2026, Israel and the United States began a major military campaign against Iran, with publicly stated objectives ranging from degrading Iran’s nuclear and missile capabilities to calls that imply, or explicitly seek, regime change. Reports also indicate that Iran’s Supreme Leader, Ayatollah Ali Khamenei, has been killed during the strikes. Understanding this moment requires more than headlines; it requires historical perspective. Modern Iran’s relationship with Western powers has been shaped by deep mistrust. In 1953, the UK and the US backed a covert operation that overthrew Prime Minister Mohammad Mossadegh after his government moved to nationalise Iran’s oil industry. For many Iranians, the coup became a lasting symbol of foreign interference and a denial of democratic sovereignty. The decades that followed were marked by repression under the Shah and intense geopolitical competition and helped set the conditions for the 1979 Islamic Revolution, which replaced the monarchy with a theocratic system under Ayatollah Khomeini. Since then, relations with the West have been defined by sanctions, nuclear diplomacy, regional conflicts involving allied armed groups, and sharply competing visions of order in the region. The reported death of Khamenei may be seen by some as an opening for change inside Iran, and by others as a trigger for instability: succession struggles, hard-line consolidation, fragmentation, or a prolonged power vacuum. Externally, it raises urgent questions about escalation, international law, civilian protection, and the long-term consequences of force. This evening, we will explore the broader forces shaping the conflict rather than reducing it to simple narratives: * What weight does history carry in shaping today’s realities? * How do foreign interventions alter domestic political trajectories? * Can external pressure promote reform or does it entrench authoritarianism? * How should states balance strategic interests with international law and human rights? Join us for a discussion that seeks to unpack the historical roots, competing narratives, and moral complexities surrounding Iran and the wider regional crisis. This debate will follow a British Parliamentary format with eight debaters split into **four teams of two.** Participants who wish to speak are highly encouraged to bring a paper and pen. You are welcome to participate even if you have no prior debating experience. We aim for debates that are respectful, constructive, and welcoming: * **Respect ideas and people** Listen actively, stay quiet while others speak, and debate arguments, not identities or beliefs. * **Be concise and civil** Keep questions short and relevant; avoid hostility, hate speech, or discrimination. * **Respect boundaries and time** No unwanted advances or suggestive behavior; arrive on time to avoid disrupting the debate. * **Follow moderators** They guide the discussion and ensure fairness.

This is a **recurring weekly gathering** of open-minded people who want to understand geopolitics **without confirmation bias**. We are not here to repeat talking points, defend camps, or feel morally validated. We are here to **listen, compare perspectives, and learn** — especially from people who come from, live in, or are directly affected by the regions being discussed. Each week, we look at **current and long-term geopolitical issues**, including conflicts rarely covered or oversimplified by Western media. **Topics We Cover** Our discussions focus on **current and long-term geopolitical issues**, including conflicts rarely covered or oversimplified by Western media, sovereignty, and reality as it is, not as it is marketed. We approach geopolitics and society from a realist, sovereignty-first perspective, skeptical of globalist ideology and media **groupthink**. The aim is to understand interests, incentives, history, law, and consequences — not to rehearse fashionable outrage. **Examples of topics we regularly examine include:** **1\. Venezuela & Cuba** Sanctions, regime survival, sovereignty, and how U.S. policy, energy interests, and regional power dynamics shape outcomes in Latin America — beyond Cold War clichés. **2\. Ukraine\, Cyprus & European Borders** Frozen conflicts, divided territories, and how international law is selectively applied when sovereignty clashes with strategic interests. **3\. Iran\, Gaza\, Syria & Lebanon** The Middle East beyond slogans: proxy wars, regional balances, sectarian fault lines, sanctions, militias, state collapse, and why Western media framing often obscures long-term realities. **4\. Congo \(DRC\) & Resource Wars** How minerals, supply chains, and foreign interests fuel instability in Africa — and why some of the deadliest conflicts on earth barely make the news. **5\. Taiwan\, Greenland & Strategic Geography** Why islands, trade routes, chokepoints, and remote territories matter enormously in a multipolar world — and how geography shapes power more than ideology ever will. **What Makes This Different** – We prioritize **voices from affected regions**: Latin America, the Middle East, Africa, Eastern Europe, Asia – We examine **what Western media doesn’t tell, doesn’t show, or doesn’t contextualize** – We welcome **new ideas, uncomfortable facts, and disagreement** – We focus on power, interests, culture, history, economics — not slogans **This is not a safe space for ideology.** **It *is* a safe space for honest thinking.** In Brussels, there are already debate initiatives that offer structured discussions. Too often, however, a small circle curates skewed propositions and narrows the range of acceptable conclusions, turning moderation into gatekeeping . There are also plenty of spaces dedicated to repeating anti-American slogans or reducing complex geopolitics to partisan outrage. This forum is not one of them. Our approach is different. **We welcome genuine diversity of opinion and lived experience.** No one here will be cancelled, banned, or shamed for challenging dominant narratives. Ideas are debated openly; personal attacks and defamation are not tolerated. **Motions & Proposals Welcome** We actively encourage participants to propose motions for debate. If you suggest a motion, please do so with substance: a clear claim, basic historical or legal grounding, and an understanding of the stakes involved. Motions designed to provoke thinking are welcome; motions designed to score points or repeat media talking points are not. **Languages** The language of discussion will depend on the participants present. Debates are typically held in English and French, but we are comfortable switching or accommodating other languages when the moderation team can support it. Languages we can currently handle include: – English – French – Dutch – Spanish – Italian – Russian – Farsi The goal is understanding, not linguistic purity. When needed, participants may clarify or translate key points to ensure everyone can follow the discussion. If you speak more than one language, that’s an asset here ### **What We Ask of Participants** – Come to understand, not to perform or “win” – Be genuinely open to **new ideas and perspectives**, especially those that challenge your own – Speak from **knowledge**, not slogans — history, law, and context matter – If you bring a topic, come prepared: facts, timelines, sources, and legal or historical grounding are encouraged – Argue **ideas**, never individuals – No censorship of viewpoints – No personal attacks – No defamation or accusations against individuals **Strong disagreement is not only accepted — it is expected.** **Intellectual laziness is not.** **This is not a dating meetup.** Not every social space exists for flirting, hitting on people, or testing romantic opportunities. Anyone who treats this forum as a dating pool, approaches others with unwanted advances, or assumes participation implies romantic availability is misunderstanding the purpose of this group. Conversation comes first. Ideas come first. Respect comes first. If you are here primarily to date, pursue, or pressure others, this is not the right space for you. Boundaries are enforced. Discomfort is taken seriously. **Those who ignore this will be immediately asked to leave.** **Location & RSVP** The event will take place in Ixelles, in a public bar. To keep the discussion safe, focused, and accountable, the exact venue will be shared only with confirmed RSVPs via our WhatsApp chat. Depending on the final size of the group, we have several appropriate and secure venue options in the area. This allows us to: – Adapt the venue to the group size – Avoid disruptive or bad-faith behavior common to fully open meetups – Prevent meetup creeps and repeat offenders – Ensure everyone present respects the rules of conduct 👉 To RSVP and receive the location: **https://chat.whatsapp.com/LX7UkWGZ3UdLQWLBvNdezN** The goal is not exclusivity, but accountability and quality of discussion. If this format doesn’t suit you, this event may not be the right fit.

🇬🇧 EN 🇬🇧 🔥 SALSA CUBANA CLASSES ARE BACK 🔥 We are delighted to see you again for the start of the 2025/26 academic year 👉 Find all the needed information on our website : **[https://danzamania.be/](https://danzamania.be/horaires/?fbclid=IwZXh0bgNhZW0CMTAAYnJpZBExUjNGU3gzRWdsUFlWMGJMQgEeCHgiKV40mum5hOp5szt0Lxx3U-5DyHO_wR_ZJekcr_m7EFRdpcRthKRV9EU_aem_W6hFXCri8O6Kd9el-RIuIQ)** ✅ PROGRAMME ✅ 👉 TUESDAY 16/09 7:00-8:00 pm - Salsa Level 1A @ Salle Oxygène - Angie, Octavia & Raffa 8:15-9:15 pm - Salsa Niveau 1B\* @ Salle Ste Suzanne - Tine & Sam 8:00-9:00 pm - Salsa Cubana Level 2 @ Salle Oxygène - Angie, Octavia & Raffa \*The Level 1B course is the same as the Level 1A course. It will be taught by Tine & Samuel and starts at 8.15 p.m. It allows those who wish to arrive one hour later and have a group of about 10 people. 👉 WEDNESDAY 17/09 7:00-7:30 pm - Body Expression @ Salle Oxygène - Yusnay, Tine & Raffa 7:30-8:30 pm - Salsa Level 3 @ Salle Oxygène - Yusnay, Tine & Raffa 8:30-9:30 pm - Salsa Level 4 @ Salle Oxygène - Yusnay, Tine & Raffa 👉 THURSDAY 18/09 8:00-9:00 pm - Cuban Salsa Partnerwork - Level 1 + @ Studio Empain - Zoli 9:00-10:00 pm - Cuban Salsa Partnerwork - Level 2 + @ Studio Empain - Zoli 👉 FRIDAY 19/09 8:30-9:30 pm - Rueda de Casino @ Vibrato - Team Danza Mania 9:30-12:30 am - Practica & Entertainment with DJ Joel 💃 Dale Mambo🕺

🌟 Hello Yogis and Future Yogis! 🌟 NEW YEAR - New You ? :-) Maybe you've always wanted to try a Men-Only Yoga class but kept putting it off to January ? :) Well... January is here now - so no more reasons for you not to join our weekly Yoga Class **exclusively for men**. Gay, Bi, Trans, ally, curious, we don't really care... if you identify as male and have friendly vibes - come and join us ! Ladies, unfortunately you'll have to skip this one - but come and join us on Sunday mornings ! :) 🧘‍♀️🧘‍♂️ Class takes place every **Wednesday evening - from 18:30 to 19:45 :)** After class, we can hang around for a cup of tea and a chat, or go for a drink - depending on the energy. No need to worry if you've never tried Yoga before – everyone is welcome, beginners included! 🌈 Just bring yourself in some comfy clothes and let the magic happen :-). 🌿 **Class Details:** * Classes take place [Merci Wellness - Place Dillens 1, 1060 Saint-Gilles](https://www.merci-wellness.be/plan-acces.php). Very easy to get there, either by bike or metro (Hotel des Monnaies). * ⏰ 18:30 to 19:45 (doors will open at 18:15 - **class starts at 18:30 sharp** \- not possible to join after that **as the door will be closed**). 💸 **Cost:** * First class: 10 euros 🌟 * Single class: 15 euros 🧘‍♂️ * 5-class pass: 65 euros (valid for 3 months - a great deal for regular yogis! 🎉) You can pay your class on site either in CASH or through PAYCONIC. For more info - follow us on [Instagram.com/queeryogabrussels](http://www.instagram.com/queeryogabrussels) **Come and try it !** Spend a moment in a nice atmosphere and discover the benefits of Yoga, from increased flexibility, better posture, a stronger body to a calmer mind. See you on the mat! 🧘‍♀️✨ Edson P.S. We also have a "mixed gender" class on Sunday mornings from 11:00 to 12:15 - make sure to check it out on Meetup !

Welcome to our card games night. We will play on Wednesday from 19h-21h at CHEZWaWa Châtelain, a small restaurant. The address is Rue Américaine 91, 1050 Brussels. (Be careful, there also is another CHEZWaWa restaurant.) Please arrive on time. Feel free to call Bruno if you need directions or have questions at +32 485 298 713. We'll bring a selection of games, and you are welcome to bring any of your own. The restaurant serves delicious Mexican-Californian food you might wanna try. It will be available until 20h30. Our group gets a 10% discount on food. We encourage you to have at least a drink, it helps to keep the business running ;) If you like, you can also come a bit earlier for a chat or a snack. We'll be there from 18h30. Katja and Bruno

Join us every Wednesday for an authentic Korean experience in the heart of Brussels! 🇰🇷✨ Let’s share Soju, delicious Korean food, fun karaoke sessions, and plenty of good vibes. Don’t miss our photo booth moments and the chance to meet amazing new people from all over the world! 🎉 Free entry, just order at least one drink to support the venue. 📍 Gyosang, Rue Sainte-Catherine 8, Brussels 🕢 Every Wednesday, 7:30 PM – 9:30 PM Come for the language exchange, stay for the laughter, food, and Soju! 🍶🎤

Looking for a cozy and fun way to spend your time in Brussels? Join our **Board Game Meetup**, where we play a mix of strategy, party, and cooperative games. Whether you’re new to board games or an experienced player, you’re welcome! Come alone or with friends — you’ll quickly find a table to join. **Free entrance. Friendly atmosphere. Great people.**

**Cinema Galeries : En Construcción** 14/03 @ 18h45 PORTRAITS Work in Progress (En Construcción) is a portrait of people and of a neighbourhood. The film’s characters are builders working on a new building in the Raval, and the residents of this symbolic historical neighbourhood of Barcelona. Throughout the film, Guerin focuses on their faces and gestures, on how they speak and on how they occupy spaces. The composition of the shots is fundamental to his portrayal of the characters. The streets and spaces of the Raval, a popular working classneighbourhood in the city centre undergoing gentrification, are the other characters of the film. CONVERSATION AND THE POWER OF WORDS Through words, people with very different life stories and origins truly get to know each other: they listen to each other and they talk to each other. During the building work they learn to understand each other, to work together, to pass on their skills and to forge friendship. This sequence takes place when both the construction work and the film are coming to an end, and the viewer feels that a community has been created which connects the workers, local residents and also the film crew. Words are also often the means by which characters often become memorable for us, allowing us as viewers to learn to know and love them. WORK This is a film about work. It is about the builders working on the building, but also the filmmaker, Guerin and his student film crew, working to create a film over the two years during which they filmed the construction of the building. In this image, the builders are involved in the manual work of building a window. In the same way, the filmmaker uses the camera to create another window, the frame, to compose each shot in a meaningful way. Thus the construction of the building, brick by brick, progresses in parallel to the film, shot by shot. When the building is completed, so is the film. THE WINDOW AND THE FRAME WITHIN A FRAME The windows connect the outdoors and the indoors, the homes and the neighbourhood. Through the windows, the new building is incorporated into and visually connected with the neighbourhood, so that the interiors (the private spaces of homes) are linked with the exterior (the city). While Guerin uses his shots to create frames or visual windows showing the architecture, the shots are also transparent windows for seeing and documenting the life and reality of the neighbourhood. It is a visual idea of pictorial tradition that is characteristic of many of the film’s shots: the frame within a frame. In this photogram it is expressed by means of the connection between the foreground, showing the builders inside the building, and another frame in the middle distance: the window showing the façade of the church of Sant Pau del Camp. PRESENT AND PAST Different layers of time and history are brought together in a single image: the new construction of the building still in progress, the church which is still standing after eleven centuries, and even further away, other buildings from the 20th century. This gives a glimpse of a neighborhood, in which many different eras, cultures and origins coexist. And one of the main themes of the film is highlighted: the passing of time, the contrast between the stable and the transitory, the tension between construction and destruction, and memory and loss. [Cinema Galeries](https://galeries.be/fr/lheure-dhiver-2026-en-construccion/) [CinEd - European Cinema Education for the Youth - En construcción - José Luis Guerín - SPAIN, 2001 - PEDAGOGICAL PACKAGE](https://cined.eu/back-office/uploads/english_5c353d35a8.pdf) **For Dreamers, Coffee shots, Orezza, eau de Saint-Georges !**

**Cinema Galeries : La Plaga** 12/03 @ 19h00 [...] The film is a combination of fiction and reality, which deals with the impact of the economic crisis. ‘La Plaga’ tells the story of five different characters living in the suburban area of Barcelona that are all hit by the consequences of the economic crisis. For more than four years Ballús worked together with these characters with the aim of showing their fight for survival in times of economic depression. For that reason, she has painted a portrait of the lives of five people living on the outskirts of a city, fields, streets or industrial parks. The movie tells the story of five apparently independent people, who end up connected to each other. Iurie, a Moldavian wrestler, works for the farmer Raül, who has big crop failures because of a plague of insects. The third is his neighbour Maria, who has to move to a retirement home, because of health problems. There she gets to know the Filipino elderly care nurse Rosemarie, who walks a cart-track every day to come to work where she always passes Maribel on a beach chair. Maribel tries to earn her living as a prostitute so she and her unemployed son can get by. Ballús explains that the film is based on true life stories, real emotions, situations and genuine characters. However nevertheless the director points out that “La Plaga is more of a composition than truth. The word documentary has high brow connotations, but it means not being manipulated or constructed. But for me everything in a film is constructed and manipulated, so it is more a film than a documentary.” Ballús’ movie wants to reflect the current critical situation in Catalonia, Spain and Europe. “We are all living in a situation of uncertainty about the future, a feeling of being lost in the system and excluded by politicians.” The film shows the difficult and unfortunate situation of five different people, but despite life’s hardships how they can handle their daily life and this is a big strength. That’s why Ballús wanted to present her story in this film, because these characters are real heroes of everyday life. [...] [Cinema Galeries](https://galeries.be/fr/lheure-dhiver-2026-la-plaga/) [Karina Reinhard, for the Agència Catalana de Notícies](https://www.catalannews.com/culture/item/catalan-film-director-neus-ballus-presents-la-plaga-at-the-berlin-international-film-festival) **For Dreamers, Coffee shots, Orezza, eau de Saint-Georges !**

It is no secret that throughout the history of the (western) world, the individual has played more and more of a central role. When it comes to morality for example, we rarely talk about virtue, duty or the cosmic order, but mostly about pleasure, pain, human rights, … things that pertain to individual persons. During this meetup we'll discuss what came along for the ride: an idolization of authenticity. Why is “Be yourself” such an attractive slogan and what does it mean? Is being authentic always better or can it be dangerous? Are populists and extremists not the most authentic politicians? If we then consider the rise of synthetic materials, plastic surgery, virtual reality and artificial intelligence, is authenticity doomed? Is the popularity of "Reality TV" and online influencers not a sign that authenticity can be gamed? What is the difference between something/someone seeming authentic and actually being authentic? Or was authenticity an illusion all along? What (in)forms this self we need to be true to? How can we trust our own interpretation of ourselves? Come and join this philosophical conversation as you are - and try to arrive on time so you can get a drink before we start :) Cover photo: Echo and Narcissus by John William Waterhouse

This time we visit again the beautiful Theatre de Poche in Bois de la Cambre! After the show we can drink something and discuss at the cozy bar of the theater. [informations](https://poche.be/show/2025-le-long-chemin-du-retour) (language FR) [Ticket](https://shop.utick.net/?pos=POCHE&module=ACTIVITYSERIEDETAILS&s=1CDA7DC4-DB97-49B3-46D3-282B2CC97A46) Nick et Tom reviennent à la maison après avoir fait la guerre d’Afghanistan. En apparence ils vont bien. Mais ils ont ramené avec eux quelques souvenirs encombrants : les fantômes de soldats en mission envahissent leur quotidien, troublant les retrouvailles en famille, perturbant leurs jours et leurs nuits, s’immisçant dans les tâches ménagères, et leurs tentatives d’oublier ce qu’ils ont vu... Le Long Chemin du retour permet d’ouvrir la réflexion tant sur les dégâts collatéraux des guerres se profilant à nos portes, que sur une certaine attirance pour la violence.

[Buy tickets – Line of Descent – The Bridge Studio Theatre](https://www.tickettailor.com/events/improbubbleonline/2083640) *Step into a world where blood is thicker than water and loyalty is the currency. Inspired by modern family sagas like Yellowstone and Succession, this improvised show invites you in the universe of a powerful family where you will discover a melting pot of generational conflicts, forbidden romances, long-buried secrets and amusing traditions. Come watch the story unfold before your eyes, experience the tension, discover the unknown and let yourself transported in a realm where anything is possible. From dramatic to hilarious explorations of domestic chaos, this show proves that every family's history is one worth to be told.* Directed by: Rozana Radu Cast: Rozana Radu, Peggy Pexy Green, Sara de Sable, Natalie Hill, Michelle Scott, Sonja Beekman, Gilles Delvaulx, Adrien Hoppe, Carlos Carasco and Charlie Cattrall.

Welcome to our weekly event in the upstairs room of The Sister Café, rue Chair et Pain 3, one block from the Grand Place. Please get there early enough to order your drink at the bar first. Thank you! After introductions we will collect questions from the group participants, choose one by voting then discuss it for an hour. Then most of us stay for drinks and bizarre conversations. Past questions have been wide and not confined to academic philosophy: What is a genuine friend? Is social media turning us into emotional zombies? Do we lose some of the experience of things by defining them? Are we driven by sex? Is loneliness a personal failure? Is morality relative? **Crucially, be kind and respectful and generous** in your disagreements; remember how much you personally enjoy someone else proving you wrong before celebrating your cutting counterexamples.

🇬🇧 EN 🇬🇧 🔥 SALSA CUBANA CLASSES ARE BACK 🔥 We are delighted to see you again for the start of the 2025/26 academic year 👉 Find all the needed information on our website : **[https://danzamania.be/](https://danzamania.be/horaires/?fbclid=IwZXh0bgNhZW0CMTAAYnJpZBExUjNGU3gzRWdsUFlWMGJMQgEeCHgiKV40mum5hOp5szt0Lxx3U-5DyHO_wR_ZJekcr_m7EFRdpcRthKRV9EU_aem_W6hFXCri8O6Kd9el-RIuIQ)** ✅ PROGRAMME ✅ 👉 TUESDAY 16/09 7:00-8:00 pm - Salsa Level 1A @ Salle Oxygène - Angie, Octavia & Raffa 8:15-9:15 pm - Salsa Niveau 1B\* @ Salle Ste Suzanne - Tine & Sam 8:00-9:00 pm - Salsa Cubana Level 2 @ Salle Oxygène - Angie, Octavia & Raffa \*The Level 1B course is the same as the Level 1A course. It will be taught by Tine & Samuel and starts at 8.15 p.m. It allows those who wish to arrive one hour later and have a group of about 10 people. 👉 WEDNESDAY 17/09 7:00-7:30 pm - Body Expression @ Salle Oxygène - Yusnay, Tine & Raffa 7:30-8:30 pm - Salsa Level 3 @ Salle Oxygène - Yusnay, Tine & Raffa 8:30-9:30 pm - Salsa Level 4 @ Salle Oxygène - Yusnay, Tine & Raffa 👉 THURSDAY 18/09 8:00-9:00 pm - Cuban Salsa Partnerwork - Level 1 + @ Studio Empain - Zoli 9:00-10:00 pm - Cuban Salsa Partnerwork - Level 2 + @ Studio Empain - Zoli 👉 FRIDAY 19/09 8:30-9:30 pm - Rueda de Casino @ Vibrato - Team Danza Mania 9:30-12:30 am - Practica & Entertainment with DJ Joel 💃 Dale Mambo🕺

Join us as we get together for a CMG-favorite event, the OSCAR PARTY AND RED CARPET BASH at the Drexel Theatre! The highlight of the movie year live on the big screen always makes for a fun and memorable evening! Here are details for this event: WHAT TO EXPECT: This year’s ceremony will be hosted once again by Conan O’Brien. In addition to the Oscars on the big screen, your ticket includes a Meal Deal from the Drexel’s new food partner Newfangled Kitchen (I’m checking on vegetarian/vegan options) along with unlimited popcorn and sodas, a free box of candy, and your first beer, wine or specialty drink on the house! Also included: Oscar-themed trivia with prizes from local businesses, on-site paparazzi, and the Drexel's Oscar ballot contest with a chance to win a year of free Drexel movies! Plus, the BEST and most FUN way to watch the Oscars with fellow film fans and your CMG friends! ADVANCE TICKETS: General public tickets are $45 but Movie Group Members and their guests get in for just $35! Here’s how to purchase your tickets: \* Option 1 – In Person: You can purchase at the ticket counter anytime during operating hours. Just mention you are with the Columbus Movie Group for the discounted rate. \* Option 2 – Online: If you prefer to purchase online, you can do so by going to the link below and following these instructions: 1. Click the link below. 2. Click the little TICKETS box then click BUY TICKETS. 3. If you are a Drexel Member, you can log in here to receive the Member/Group rate, which is the same. If you are not a Drexel member, click “No” and the $40 Rate will pop up. But, don’t fret. It’s a little hard to find but there’s a “Promotion Code” section on the screen. Click the “Know a Promotion Code?” box, enter “CMG2026” (case sensitive) and submit. Select the appropriate number of tickets in the Discount Rate section and click “Add.” Next “Proceed to Checkout” then “Checkout” and enter your credit card info. There’s a $1.50 online service fee but it’ll save you a trip to the Drexel. (If you don’t already have one, you will need to sign in or create an account first.) Sellout possible so please purchase yours as soon as possible in advance! LINK FOR TICKETS (See Above Instructions): https://prod1.agileticketing.net/websales/pages/info.aspx?evtinfo=373546\~e2e0a350-c626-4e33-bc63-27e983f4aecf&epguid=ab0b2f82-403c-4972-9998-5475e7dcfa0e&mdy=3/15/2026& DRESS: Dressing up for the occasion art of part of the fun! Dress up as much as you like – there will be everything from casual to formal at the event! Or you can go in character as one of this year’s nominated films! ARRIVAL: Doors open for CMG at 5:30pm so that’s when we’ll plan to meet! That’ll give us plenty of time to fill out our Oscar Ballots, pick up some free popcorn, candy, and something to drink, mix, mingle, take some photos, pick up your Newfangled Kitchen Meal Deal, grab a seat in our CMG Reserved Section, then settle in to enjoy the Academy Awards on the Big Screen! PICTURES: We’ll take pics throughout the evening and the Drexel Paparazzi will be on hand as well. We’ll also take a big group photo around 6:40 near the entrance before the show begins. If you happen to take some good shots yourself, be sure to upload them on the Oscar Party Meetup event! RESERVED SEATING: As you enter the theater, the roped off section to the right marked “Reserved” is reserved for you, your guest(s) and the Columbus Movie Group! VEGAN MEALS: As previously mentioned, the food vendor does NOT have a vegan option at this year’s Oscar Party. However, we DO have a solution! I have reached out to several individuals who are affected. If you are a vegan, plan to attend the Oscar Party and did not receive an e-mail from me, please reach out via private message post a note below. I’ll provide details off-line. And while there won’t be a vegan meal option this year, I think we do have a workable solution. And, all other plans are usiness-as-usual: popcorn, sodas, candy, on-site paparazzi, decorations, bar drinks (including your first drink on the house), the Drexel’s Annual Oscar ballot contest, along with the Big Show on the Big Screen and a fun group of Movie Group friends to watch ‘em with! BONUS LINKS: \* COMPLETE LIST OF NOMINEES: https://deadline.com/lists/2026-oscar-nominations-list/ \* INTERESTING ARTICLE ON RECORDS BROKEN, SUPRISING FACTS AND OSCAR FIRSTS: https://abc7.com/post/oscar-nominations-2026-surprising-facts-nominees-98th-oscars/18448908/ \* SHORT VIDEO MONTAGE OF THIS YEAR’S BEST PICTURE NOMINEES: https://www.youtube.com/watch?v=j3abMnrsaUA \* FUN VIDEO OF OSCAR NOMINEES HEARING THEIR NOMINATIONS: https://www.youtube.com/watch?v=l6eY1yGQ2aU PARKING: Parking is available along Main Street in front of the theater, on Drexel Avenue, and other nearby side streets. Additional parking is available at the Bexley Municipal Parking Lot (two driveways west of the theatre). LINK: Should be a fun & festive evening and a terrific way to celebrate a great year of movies together! Look forward to seeing you there, Dan

By popular demand, we're reserving a special meeting to watch the Oscars at Studio 35...

**Tickets are on sale now**

**Important time note:** Please plan on arriving between 5:30 and 6:00 as the elevators lock after 6 and you'll need to message us and we'll need to come get you. The building address is 4450 Bridge Park The entrance is 6620 Mooney St, Suite 400 **Abstract** TBD **YouTube Link** TBA

This 1967 film is widely regarded as one of the best American movies ever made. Now remembered almost as much for its Simon and Garfunkel music as its deadpan comedy and being the role that established Dustin Hoffman as the hottest actor in Hollywood. It became a cultural icon for capturing the spirit of 60s angst of a young man on the make, while garnering a batch of Oscar nominations. After watching the movie on your own, join us to relive (or experience!) those feelings at our discussion.

Builders, creators, architects, admins, consultants - come one, come all. This one's for you. We're bringing a little friendly competition to the Columbus ServiceNow community while highlighting the cool things people have built on the platform. Five presenters will take the stage to showcase something they've built, solved, designed, or imagined on the ServiceNow platform - and a panel of judges (plus YOU, our amazing audience) will score them live. So basically, America's Got Talent but make it ServiceNow's Got Talent. Bring a notepad if you'd like 'cause you'll definitely be learning something new. Each presenter gets 10 minutes max to wow the crowd with: • A demo • A real-world business solution • A bold idea • A UX transformation • Or a creative use of the platform Judging Criteria: 🏆 Business Value 🚀 Innovation ✨ User Experience This event is about celebrating ideas, sharing knowledge, and showing how ServiceNow can drive both business impact and meaningful user value. Come learn. Come support. Come get inspired. Refreshments and bites will be provided. And maybe next time… you’ll be on stage.