Girls Having Fun

Join us for a CMG Discount Tuesday event to see the hilarious, action-packed and absolutely-bonkers-looking sci-fi-action-comedy, GOOD LUCK, HAVE FUN, DON’T DIE! The film follows a man from the future who recruits diners at an LA restaurant to help combat rogue AI. Here’s a description, trailer and our plan for this event: GOOD LUCK, HAVE FUN, DON’T DIE: A man from the future arrives at a diner in Los Angeles where he must recruit the precise combination of disgruntled patrons to join him on a one-night quest to save the world from the terminal threat of a rogue artificial intelligence. The film is directed by Gore Verbinski (Pirates of the Caribbean series) and stars Sam Rockwell, Haley Lu Richardson, Michael Peña, Zazie Beetz, Asim Chaudhry, Tom Taylor, and Juno Temple. TRAILER: https://www.youtube.com/watch?v=MkFW7BZyqkI EARLY BUZZ AND REVIEWS: Early reviews have been stellar with the film earning a 94% positive rating on Rotten Tomatoes! “It offers laughs, thrills, and it’s a thinker; you will not be disappointed.” It’s a “laugh-filled yet incredibly dark and poignant fever dream that pleads for a safer AI tomorrow” and director Gore Verbinski's “command over utter chaos is nothing short of marvelous!” PLAN: Please purchase your ticket for the 6:20pm showing and meet in the bar area between 5:45 and 6:00pm! A smaller theater so advance ticket purchase as soon as possible is advised! (If we fill it up, we can sometimes persuade them to move it to a larger theater.) One you have yours, please list your seat number in the Comments below. Should be a fun one, Dan

**Our February novel is: Julia by Sandra Newman** **This month is a classic, dystopian, fiction, literary fiction, women’s fiction, and science fiction novel. The book is 394 pages in print and 14 hours and 20 minutes on audiobook.** **An imaginative, feminist, and brilliantly relevant-to-today retelling of Orwell’s 1984, from the point of view of Winston Smith’s lover, Julia, by critically acclaimed novelist Sandra Newman.** Julia Worthing is a mechanic, working in the Fiction Department at the Ministry of Truth. It’s 1984, and Britain (now called Airstrip One) has long been absorbed into the larger trans-Atlantic nation of Oceania. Oceania has been at war for as long as anyone can remember, and is ruled by an ultra-totalitarian Party, whose leader is a quasi-mythical figure called Big Brother. In short, everything about this world is as it is in Orwell’s 1984. All her life, Julia has known only Oceania, and, until she meets Winston Smith, she has never imagined anything else. She is an ideal citizen: cheerfully cynical, always ready with a bribe, piously repeating every political slogan while believing in nothing. She routinely breaks the rules, but also collaborates with the regime when necessary. Everyone likes Julia. Then one day she finds herself walking toward Winston Smith in a corridor and impulsively slips him a note, setting in motion the devastating, unforgettable events of the classic story. Julia takes us on a surprising journey through Orwell’s now-iconic dystopia, with twists that reveal unexpected sides not only to Julia, but to other familiar figures in the 1984 universe. This unique perspective lays bare our own world in haunting and provocative ways, just as the original did almost seventy-five years ago.

Columbus libraries: [https://cml.bibliocommons.com/v2/record/S105C3262835](https://cml.bibliocommons.com/v2/record/S105C3262835) Location: [Knotty Pine Brewing](https://www.knottypinebrewing.net/) [Menu, scroll to the bottom](https://www.knottypinebrewing.net/menus-1) Book summary: Adunni is a fourteen-year-old Nigerian girl who knows what she wants: an education. This, her mother has told her, is the only way to get a "louding voice" -- the ability to speak for herself and decide her own future. But instead, Adunni's father sells her to be the third wife of a local man who is eager for her to bear him a son and heir. When Adunni runs away to the city, hoping to make a better life, she finds that the only other option before her is servitude to a wealthy family. As a yielding daughter, a subservient wife, and a powerless slave, Adunni is told, by words and deeds, that she is nothing. But while misfortunes might muffle her voice for a time, they cannot mute it. And when she realizes that she must stand up not only for herself, but for other girls, for the ones who came before her and were lost, and for the next girls, who will inevitably follow, she finds the resolve to speak, however she can--in a whisper, in song, in broken English--until she is heard