Geeks & Nerds

Join us for Moshi Toastmasters Club Meetings (Hybrid) We meet every Saturday! Time: 6:10 PM onwards Online: Zoom Meeting ID: 819 4955 5108 | Passcode: 589358 https://us06web.zoom.us/j/81949555108?pwd=bC0b1au3citt81jU7ae0zhahyYfXjM.1 Offline: Global Achievers School, Near Moshi Toll Plaza, Gaikwad Vasti, Moshi, Pimpri-Chinchwad, Maharashtra 412105 https://maps.app.goo.gl/5gYraevFLmMviVwp9 Get ready for an evening of inspiring speeches and insightful discussions! Contact TM Prashant +91 91455 13682 for more details

Whether you're a player looking for a campaign, or a DM looking for players, this is the event for you! We'll meet and have DMs pitch their games and then open time for Q&A (players to talk to DMs, trade contact information, or ask more questions.) **IF YOU OR YOUR GUESTS ARE UNABLE TO ATTEND, UPDATE YOUR RSVP** **Agenda:** 1900 - Arrival, gather, find seats 1915 - DMs pitch their campaigns 2000 - Open mingle, trade contact info, talk with potential groupmates All player and DM experience levels are welcome! **For DM Consideration:** When thinking of how to pitch your game, be sure to include the following details: * Game system * Location * Day/Time * Frequency of sessions * Number of players wanted * Campaign concept * Tone of the game * Any fun (but spoiler-free!) details that will really spark interest in your game! From Matt Colville: Pitching Your Game: Running the Game: [https://www.youtube.com/watch?v=MtH1SP1grxo](https://www.youtube.com/watch?v=MtH1SP1grxo) We'll be pretty informal and allow questions after each pitch. No need to over-prepare, but do think of how best to sell players on your campaign! Also, while this is a D&D group, feel free to pitch a different game system if you'd like. **For Player Consideration:** Before you arrive, consider your preferences in terms of play schedules, location, campaign style, etc. Other than that, just bring your curiosity and sense of adventure! We'll meet in Paradise Games and Gifts (new name of GCPD). If I am not there greeting people and guiding them to our reserved area please kindly ask a staff member to point you in the right direction. **Contact:** Any questions or concerns? Discord Server Invite https://discord.gg/Zj58w85XuW Looking forward to seeing everyone there! If you have any questions, please comment below or contact Alejandro (Discord: MagicalKuyo).

**NOTE: This is NOT a screening, please watch the movie before the discussion.** *"I'm scared! It's like a horror movie!"* *"That's out of date. Step aside. This is a karate movie!"* Nobuhiko Obayashi’s *House* is less a horror film than a psychedelic fever dream that happens to be haunted. When a group of schoolgirls visit a remote countryside house, logic quickly evaporates, replaced by floating heads, ravenous furniture, and a visual language that feels closer to a children’s cartoon than a traditional ghost story. *House* was created in direct opposition to the prestige dramas and somber horror of its era, resulting in a cult classic that feels anarchic even today. Using crude visual effects, cartoon logic, and musical cues, the film creates horror through excess rather than restraint. It’s funny, disorienting, and utterly unique — a film that feels like it’s being invented moment by moment. ***

**NOTE: This is NOT a screening, please watch the movie before the discussion.** *"Okay, I'm drawing a line in the fucking sand, here. Do not read the Latin."* Drew Goddard’s *The Cabin in the Woods* opens with a scenario horror fans know by heart: a group of college friends, a remote cabin, and a weekend that’s clearly going to go wrong. The setup feels ritualistic, almost inevitable — like the story itself is already in motion before anyone arrives. From there, the film pivots into something stranger and smarter, blending satire, creature-feature chaos, and genuine tension. Balancing humor with escalating spectacle, the film manages to be both deeply referential and wildly entertaining. It’s as much about why we watch horror as it is about what’s happening on screen.

**NOTE: This is NOT a screening, please watch the movie before the discussion.** *"Hey Ted, where the hell's the corkscrew?!"* *Friday the 13th: The Final Chapter* arrives at a point where the series knows exactly what it is. Picking up immediately after Part 3, the film traps a new group of unlucky victims near Camp Crystal Lake as Jason Voorhees continues his unstoppable march through the annals of horror history. Lean, mean, and packed with some of the series’ most memorable kills, *The Final Chapter* distills the formula to its sharpest elements — suspense, savagery, and a mounting sense of inevitability — before slamming the door shut with brutal efficiency. Often regarded as the strongest entry in the original series, the film balances classic slasher suspense with some of the most effective practical effects of the era. It’s a no-frills, high-impact installment that solidified Jason as a horror icon. ***

**CONTENT WARNING: Disease, mutilation, abortion.** **This film contains extreme body horror, prolonged depictions of illness and bodily decay, environmental contamination, and disturbing imagery. It also includes references to pregnancy loss and a graphic act involving the removal of a fetus from a woman’s body. Themes of obsession, emotional distress, and death are central to the film. Viewer discretion is strongly advised. You are welcome to step out at any time.** Please read the original manga ahead of the dicussion: https://mangadex.org/chapter/bf397fc1-17bc-4fa1-8cd7-2cfd35f8170c Hideshi Hino's *Mermaid in a Manhole* is body horror stripped of bravado. When a lonely artist encounters a dying mermaid trapped in an underground sewer, he attempts to care for her — documenting her condition as her body deteriorates in disturbing and intimate ways. What begins as a strange act of compassion transforms into a bleak meditation on decay, obsession, and environmental collapse. Blending body horror with tragic romance, the film replaces shock-for-shock’s-sake with an atmosphere of sickness and inevitability that seeps into every frame.