The Calgary Philosophy Meetup

The 詩經 or Shijing (alternately known as the "Classic of Poetry", "The Book of Songs", and other names) is the oldest collection of poetry in world literature and a cornerstone of Chinese cultural heritage. Compiled between the 11th and 6th centuries BC, it preserves 305 poems that capture the voices of early Zhou society — from folk songs sung in villages to ceremonial hymns performed at ancestral rites and political odes composed for rulers. Centuries later, the Shijing would become central to Confucian philosophy and re-interpreted (some would argue mis-interpreted) as a guide to moral cultivation, social order, and ritual propriety.

The collection's verses — simple yet profound — cover themes of daily life, love, family, longing, work, nature, and politics, offering insight into both the inner lives of common people and the ideals of rulers. It has deeply influenced Chinese literature, philosophy, culture, and aesthetics for over three millennia.

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We continue with our exploration of the Deleuzian eventand line of flight, contrasting it with Bataille's logic of transgression. The reading for this week is four short sections from Deleuze's The Logic of Sense, focusing on Fitzgerald "The Crack-Up":

Eighteenth series of the three images of philosophers
Twenty-first series of the event
Twenty-second series - porcelain and volcano
Twenty-third series of the aion

We'll also revisited this text:
Fredrika Spindler, "Event, Crack-up and Line of Flight – Deleuze Reading Fitzgerald"

You can find all texts in the Google folder linked at the VERY BOTTOM of this description. The Zoom link is also posted there.
👇 scroll all the way down for the links 👇

Some discussion questions:

• How does the Deleuzian line of flight differ from the Bataillean logic of transgression? Is one to be preferred over the other?
• What exactly is the Deleuzian event? Must an event necessarily be accompanied by an experience of personal trial or breakdown?
• Is Deleuze's argument for the superiority of Anglo-American literature (over the French or German, say) convincing?

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ABOUT THIS READING GROUP
This is a comprehensive reading group focusing on the works of French writer Georges Bataille. We are reading key texts from Bataille himself, as well as tracing his relationship with other major thinkers such as Hegel, Nietzsche, André Breton/Surrealism, Blanchot, Lacan, Foucault, Deleuze, Derrida, etc.

Some familiarity with Bataille's mode and style of thought is helpful but not necessary. You're welcome to join the group in medias res at any time. See, however, the group rules below.

Please take the time to read and reflect on the reading prior to each meeting. Everyone is welcome to attend, but speaking priority will be given to people who have read the text.

Topics to be discussed in the future:

• Bataillean transgression and Deleuzian line of flight
• Erotism and the 'logic' of transgression
• Foucault's "A Preface to Transgression"
• Bataille's critique of Hegel: the negative and general economy
• Derrida's reading of Bataille in "From Restricted to General Economy"

Past topics included:

• Bataille's aesthetics: the rift with Surrealism
• Susan Sontag on avant-guarde literature
• Bataille's novel Blue of Noon
• Inner Experience and a-theological mysticism
• Bataille's reading of Nietzsche and his critique of fascism

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MORE ABOUT BATAILLE
Georges Bataille stands out as an eclectic, fascinating and controversial figure in the world of French letters. A contemporary of Sartre and Lacan, he combined ideas from diverse disciplines to create a unique position that he called 'base materialism'. In the early 20s, Bataille abandoned Catholicism, embraced psychoanalysis and Marxism and initiated an unorthodox search for the sacred in late modernity. His obsessive pursuit of ecstatic liminal experiences took him across the boundaries of philosophy, sociology, political economy, mythology, poetry, literature and mystical theology. His works develop a libidinal economy of unconditioned expenditure, offer a critique of fascism and embrace marginal experiences in the style of the French poets. Though he remained largely outside the academic mainstream and worked as a librarian, Bataille is a formative precursor to the post-structuralist philosophers of the '60s -- and may well be more relevant to our time than ever.

In this group we look at a significant cross-section of Bataille's texts. Our aim is to understand his thought on its own terms as well as place him in the context of his predecessors and the French thinkers who followed his lead. In view of Bataille's early relationship with Surrealism, the referenced artworks will spotlight this movement.

Note: Bataille's texts, while philosophically important, discuss difficult themes such as mortality, violence, the unconscious, eroticism, rituals of sacrifice, etc. Discretion is advised as you approach him, especially if this is your first experience with French philosophy.

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GROUP RULES

• Please spend 1-2 hours per week reading and preparing for the discussion.
• Keep your comments concise and relevant to the text.
• Please limit each comment to a maximum of 2-3 minutes. You're welcome to speak as many times as you wish.
• Virtual meeting courtesy: let's not interrupt each other and keep mics muted when not speaking.
• We'll focus the discussion with key passages and discussion questions. Be sure to bring your favorite passages, questions, comments, criticisms, etc.

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