North Boulder Book Club Meetup

Join us for a discussion of 'A Morbid Taste for Bones' (The Chronicles of Brother Cadfael) by Ellis Peter. The meeting will be on Skype. If you haven't joined the book group before, please send a message to Deborah Galea with your Skype ID so we can add you to the call.

Book description
The “irresistible” and “compelling” first novel in the historical mystery series featuring a Welsh Benedictine monk in the twelfth century (The Washington Post).

A Welsh Benedictine monk living at Shrewsbury Abbey in western England, Brother Cadfael spends much of his time tending the herbs and vegetables in the garden—but now there’s a more pressing matter. Cadfael is to serve as translator for a group of monks heading to the town of Gwytherin in Wales. The team’s goal is to collect the holy remains of Saint Winifred, which Prior Robert hopes will boost the abbey’s reputation, as well as his own. But when the monks arrive in Gwytherin, the town is divided over the request.

When the leading opponent to disturbing the grave is found shot dead with a mysterious arrow, some believe Saint Winifred herself delivered the deadly blow. Brother Cadfael knows an earthly hand did the deed, but his plan to root out a murderer may dig up more than he can handle.

Before CSI and Law & Order, there was Brother Cadfael, “wily veteran of the Crusades” (Los Angeles Times). His knowledge of herbalism, picked up in the Holy Land, and his skillful observance of human nature are blessings in dire situations, and earned Ellis Peters a Crime Writers’ Association Silver Dagger Award. A Morbid Taste for Bones kicks off a long-running and much-loved series that went on to be adapted for stage, radio, and television.

Join us for this discussion of 'The Instrumentalist' by Harriet Constable. The meeting will be on Skype. If you haven't joined the book group before, please send a message to Deborah Galea with your Skype ID so we can add you to the call.

Book description
Music, intoxication, and betrayal combine in this “immersive, impassioned” (The Guardian) debut novel inspired by the true story of Anna Maria della Pietà, a Venetian orphan and violin prodigy who studied under Antonio Vivaldi and ultimately became his star musician—and his biggest muse.

“The Instrumentalist is more than a history lesson—with this novel, Constable has crafted an engrossing tale about an unexpected coup de musique.” —The New York Times

Anna Maria della Pietà was destined to drown in one of Venice’s canals. Instead, she became the greatest violinist of the 18th century.

Anna Maria has only known life inside the Pietà, an orphanage for children born of prostitutes. But the girls of the Pietà are lucky in a sense: most babies born of their station were drowned in the city’s canals. And despite the strict rules, the girls are given singing and music lessons from an early age. The most promising musicians have the chance to escape the fate of the rest: forced marriage to anyone who will have them.

Anna Maria is determined to be the best violinist there is—and whatever Anna Maria sets out to do, she achieves. After all, the stakes for Anna could not be higher. But it is 1704 and she is a girl. The pursuit of her ambition will test everything she holds dear, especially when it becomes clear that her instructor, Antonio Vivaldi, will teach Anna everything he knows—but not without taking something in return.

From the opulent palaces of Venice to its mud-licked canals, The Instrumentalist is a “searing portrait of ambition and betrayal” (Elizabeth MacNeal, author of The Doll Factory). It is the story of one woman’s irrepressible ambition and rise to the top. It is also the story of the orphans of Venice who overcame destitution and abuse to make music, and whose contributions to some of the most important works of classical music, including “The Four Seasons,” have been overlooked for too long.

For fans of The Queen’s Gambit and Fingersmith, The Instrumentalist is an “enthralling, passionate, vivid” (Kiran Millwood Hargrave, author of The Mercies) exploration of art and ambition, genius and exploitation, and loss and triumph.

Join us for this discussion of 'The Moonstone: A Romance' by Wilkie Collins. The meeting will be on Skype. If you haven't joined the book group before, please send a message to Deborah Galea with your Skype ID so we can add you to the call.

Book description:
‘The first detective novel in the English language’

The Moonstone (1868) by Wilkie Collins is a 19th-century British epistolary novel, generally considered the first detective novel in the English language. The story was originally serialised in Charles Dickens' magazine All the Year Round. The Moonstone and The Woman in White are considered Wilkie Collins' best novels. Besides creating many of the ground rules of the detective novel, The Moonstone also reflected Collins' enlightened social attitudes in his treatment of the servants in the novel. Collins adapted The Moonstone for the stage in 1877, but the production was performed for only two months.

Colonel Herncastle, an unpleasant former soldier, brings the Moonstone back with him from India where he acquired it by theft and murder during the Siege of Seringapatam. Angry at his family, who shun him, he leaves it in his will as a birthday gift to his niece Rachel, thus exposing her to attack by the stone's hereditary guardians, who, legend says, will stop at nothing to retrieve it.

Rachel wears the stone to her birthday party, but that night it disappears from her room. Suspicion falls on three Indian jugglers who have been near the house; on Rosanna Spearman, a maidservant who begins to act oddly and who then drowns herself in a local quicksand; and on Rachel herself, who also behaves suspiciously and is suddenly furious with Franklin Blake, with whom she has previously appeared to be enamoured, when he directs attempts to find it. Despite the efforts of Sergeant Cuff, a renowned detective, the house party ends with the mystery unsolved, and the protagonists disperse.

During the ensuing year there are hints that the diamond was removed from the house and may be in a London bank vault, having been pledged as surety to a moneylender. The Indian jugglers are still nearby, watching and waiting. Rachel's grief and isolation increase, especially after her mother dies, and she first accepts and then rejects a marriage proposal from her cousin Godfrey Ablewhite, a philanthropist who was also present at the birthday dinner and whose father owns the bank near Rachel's old family home. Finally Franklin Blake returns from travelling abroad and determines to solve the mystery. He first discovers that Rosanna Spearman's behaviour was due to her having fallen in love with himself. She found evidence (a paint smear on his nightclothes) that convinced her that he was the thief and concealed it to save him, confusing the trail of evidence and throwing suspicion on herself. In despair at her inability to make him acknowledge her despite all she had done for him, she committed suicide, leaving behind the smeared gown and a letter he did not receive at the time because of his hasty departure abroad.