Dear Feminists,
This is a brief follow-up to a topic we discussed
at the March meeting. When Emily told us about her recent trip to Chicago,
and a visit to an art exhibit there, we briefly discussed modern art and our
opinions about Dennis Hopper and Jackson Pollock. Then we got onto the
topic of "junk art" or "found art." Since I mentioned Picasso's famous
"sculpture" of a bull's head made from found objects, I thought I'd pass on a
photo of it. This is Picasso's "T?te de taureau" [Bull's Head] (1942)
found in the Mus?e Picasso in Paris. It is a bronze casting of a bicycle
seat and handlebars. Marcel Duchamp also made a lot of "found art"
sculptures and is famously quoted as saying, "It is art because I say it
is." [Hmmm, a little bit of hubris there?]
Further in our discussion, I mentioned one of my
university art history professors who subscribed to the "Conceptual Art"
movement of the late 60's/early 70's. Don Celender exhibited at the OK
Harris Gallery in New York for many years. His Corporate Letters series of
conceptual art was just one of his many projects. His premise was to write
to major corporations (e.g. IBM, General Foods, etc.) wherein he would propose
that the corporation sponsor a "major art project" that was either ridiculous or
impossible (e.g. wrap a cliff in saran wrap, fill the fountain at Rockefeller
Plaza with jello, etc.). Sometimes a corporate spokesperson would reply in
the same humorous vein, sometimes they would reply in a snooty serious vein, and
sometimes there was no reply. Don's exhibits then consisted of his letters
and the corporate responses. With his Cultural Art Movement, Celender sent
outlandish proposals to 25 museum directors, suggesting for example that Sherman
Lee, director of the Cleveland Museum of Art, drop by parachute 1,000 works of
Asian art from the museum's collection, one at a time, onto the state of
Alabama. Mr. Lee replied that since art was in the mind of the beholder,
he had "mentally performed" Mr. Celender's idea.
Is this "Art" with a capital A? I leave it to
you to decide. [As a sidebar, Celender attended Carnegie Mellon with, and
became friends with, Barbara Feldon--who played Maxwell Smart's sidekick in the
old TV series "Get Smart."] In doing a brief Internet search of him today,
I discovered that Celender was far more famous than I ever realized. His
Artball Trading Cards were featured on the cover of the magazine "Art in
America" in July, 1979. You can read a very good article about Celender's
work at:
http://www.artnet.com/magazineus/reviews/davis/davis07-11-05.asp
One of Celender's letters:
A response:
A response:
Regards,
Kathryn