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Richmond City Cinema Club is all about cultivating a community of movie lovers. Our club is meant to be a fun and inclusive safe space, an easy social experience. Life is messy, but movies are cool. There's no pressure if you can't make it or don't feel like engaging once you're there... we're just happy to have you! And if you're looking to make real friends, we got you there too.

Events are movie showtimes at Studio Two Three, the Byrd, or Movieland. All movies are fair game, from independents to blockbusters, from new releases to classic films.

Sit with the group or wherever you'd like. Once the credits roll, we’ll meet up to chat about the movie and get to know your fellow moviegoers.

Funeral Parade of Roses (1969)

Funeral Parade of Roses (1969)

Studio Two Three, 109 W 15th St, Richmond, VA, US

Join Nowhere Cinema for a special screening of Funeral Parade of Roses, the landmark Japanese film celebrating queer and trans identity! Purchase tickets here: https://www.nowherecinema.com/event-details/funeral-parade-of-roses

Doors open at 7:00 | Movie starts at 7:30

"Director Toshio Matsumoto’s shattering, kaleidoscopic masterpiece is one of the most subversive and intoxicating films of the late 1960s: a headlong dive into a dazzling, unseen Tokyo night-world of drag queen bars and fabulous divas, fueled by booze, drugs, fuzz guitars, performance art and black mascara. No less than Stanley Kubrick cited the film as a direct influence on his own dystopian classic A Clockwork Orange. An unknown club dancer at the time, transgender actor Peter (from Kurosawa’s Ran) gives an astonishing Edie Sedgwick/Warhol superstar-like performance as hot young thing Eddie, hostess at Bar Genet — where she’s ignited a violent love-triangle with reigning drag queen Leda (Osamu Ogasawara) for the attentions of club owner Gonda (played by Kurosawa regular Yoshio Tsuchiya, from Seven Samuri and Yojimbo). One of Japan’s leading experimental filmmakers, Matsumoto bends and distorts time here like Resnais in Last Year at Marienbad, freely mixing documentary interviews, Brechtian film-within-a-film asides, Oedipal premonitions of disaster, his own avant-garde shorts, and even on-screen cartoon balloons, into a dizzying whirl of image + sound." –Arbelos Films

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