What we’re about
The Morristown, Summit and Everywhere Else Book Clubs have now merged!
The Morristown Book Club
Founded in 2011 by the manager of Zebu Forno (now closed but it was a great place on South Street); we have since had a stint at Atlanta Bread in Madison – now also closed – and after that Panera Bread until IT closed in Morristown, then the one in Florham Park. Now, we have switched to the Florham Park Diner, across the street – it is much quieter, and the temperature is more moderate.
We started as a typical book club – reading mostly "literary" best-sellers with some non-fiction sprinkled in, all suggested by members. Then we had a phase where we each picked books that had special meaning for us, and discussed them with the group. Also we did a string of great YA fiction... We then tried a "featured writer" approach, first Haruki Murakami (our members are called "Laikas" in remembrance of "Sputnik Sweetheart"), then Pat Conroy, and finally Virginia Woolf. Now we are back to taking turns picking books for the group at the Meetups.
The Summit Sunday Book Club
We started up in 9 years ago in the winter of 2014. For the first couple of years, we met at the lovely Summit home of our founder, Amy P., always on Sunday afternoons.
Amy envisioned a sort of salon where we’d gather to discuss literary books over tea and cookies. She did a great job of selecting a diverse mix of books as well as moderating our discussions.
After Amy left in 2016 it took a few of us to fill her shoes. Suzanne organized and led us in choosing books while others pitched in to host us and/or provide the treats we had come to enjoy. We met less and less often, finding home hosting a challenge to schedule. But we soldiered on until COVID nearly shut us down.
That’s how we ended up online. At first we just exchanged recommendations for books, movies, TV, and local outdoor escapes to help us get through the lockdown. Last year we returned to our tradition of choosing/discussing individual books with more of us getting involved. Through our reading we traveled all over the place and back and forward in time.
We still meet virtually. We continue to look to the experts in the book biz for recommendations. They include reviewers, critics, and literary organizations from all sorts of media. All their output makes it much easier to find books that are likely to be interesting, informative and “discussion-worthy”.
Over the years we’ve learned that everyone’s book preferences are very different. It’s folly to promise you’ll love every book we choose. Instead, by choosing a wide variety of great books, we hope sooner or later to come up with some that intrigue you and a few that really inspire you. To learn more about us please join us at our next meeting.
The Everywhere Else Book Club
During the pandemic, we started to do Shakespeare readings over Zoom, and acquired members who are from elsewhere and who can't attend in-person gatherings. We are expanding the Zoom meetings to do more Shakespeare, and other authors. These are mostly "read-together" meetups; come-as-you-are; no pre-reading needed.
The Shakespeare readings are named in honor of our long-time participant, Milt Commons.
[From Amazon:] From the bestselling author of The Lincoln Highway, A Gentleman in Moscow, and Rules of Civility, a richly detailed and sharply drawn collection of stories, including a novella featuring one of his most beloved characters.
Millions of Amor Towles fans are in for a treat as he shares some of his shorter fiction: six stories based in New York City and a novella set in Golden Age Hollywood.
The New York stories, most of which take place around the year 2000, consider the fateful consequences that can spring from brief encounters and the delicate mechanics of compromise that operate at the heart of modern marriages.
In Towles’s novel Rules of Civility, the indomitable Evelyn Ross leaves New York City in September 1938 with the intention of returning home to Indiana. But as her train pulls into Chicago, where her parents are waiting, she instead extends her ticket to Los Angeles. Told from seven points of view, “Eve in Hollywood” describes how Eve crafts a new future for herself—and others—in a noirish tale that takes us through the movie sets, bungalows, and dive bars of Los Angeles.
Written with his signature wit, humor, and sophistication, Table for Two is another glittering addition to Towles’s canon of stylish and transporting fiction.
***
Please join our Bookclubs.com group -- it has more features to discuss this and other books.
Image from Abe's Books.
Upcoming events (4+)
See all- Ovid's MetamorphosesLink visible for attendees
Group Read-aloud (text will be displayed onscreen during the meetup)
Today we will read the second part of Book 2: Callisto and watch a short video clip on the Roman goddess Minerva.
Last time we read the first part of Book 2: Callisto.
Welcome to Ovid*s Metamorphoses! Please feel free to log in five or ten minutes early to work out any technical issues you might be having or just to say hello. We hope to start on time. If you have enabled any form of AI, recording, or transcribing before entering, please exit the meeting, disable it, and re-enter the session.
The meeting hosts will put David Raeburn*s English translation up on the screen, and we will all take turns reading aloud. You can join us at any point in the series of meetings. No special knowledge or preparation is necessary; all you have to do is show up. You do not need a copy of the book, nor do you need to read anything in advance. We won*t be recording this, so please keep your camera on for friendliness if you feel comfortable doing so.
Warning: the book’s content may be triggering for some trauma survivors. It contains multiple descriptions of sexual assault, incest, murder, infanticide, family violence, kidnapping, death, blood, pregnancy, plague, starvation, warfare, racism, sexism, and the hunting and killing of animals, as well as male-female, male-male and female-female sexual relationships and transsexuality.
That being said, the poem*s lyric beauty and wealth of stories are unsurpassed in world literature; its tales and themes have inspired artists ever since.
This is a slow, thoughtful reading group with ample time for discussion. We pause to savor felicitous phrases and share our emotional responses to the stories, and to spotlight recurring images and explore which stories they link together. Along the way we*re learning about the morals, customs, and beliefs of Greco-Roman antiquity, some of which were very different from our own. We stay close to the text, mentally putting ourselves in the place of the original audience, while inevitably of course comparing their worldviews with ours, thereby sliding through a continuous doublemindedness that is itself a series of metamorphoses.
Resources:
A free audiobook version of the Raeburn translation can be found here: archive.org. Wikisource has a number of older translations here: Metamorphoses Translations. The one on there by Golding was the one available in English in Shakespeare*s era. (Shakespeare himself did use at least one portion that appears only in the Latin version.)
We*ve agreed that group members who put references into Chat will also put those into the Comments section after each event; that way we have a collective permanent archive, and participants don’t have to scroll through Chat to find and copy things during the session, or interrupt the flow to ask someone to repeat it.
Group members are welcome to prepare a presentation for the group on any Ovid-related topic. This can take up all or part of a session. The only caveat is no spoilers – please plan your presentation for after the group has read and discussed a particular story. (Please contact Madeline two weeks in advance about scheduling. Since inspiration may strike you after a story is past, we*ll be happy to slot your presentation in even if it*s long after we*ve read the story. Madeline is also available for a conversation about or advance run-through of your talk if you’d like someone to do that with.)
Free online resources for many things Ovidian are listed at the bottom of the event description on all of the January Ovid meeting pages.
Ovid*s long and astonishing poem Metamorphoses has resounded throughout Western civilization for two thousand years. Exuberant, sophisticated, witty, harrowing, ambiguous, and sublimely beautiful, this compilation of Greek and Roman mythology is one of the foundational works of Western culture. Dante, Chaucer, Shakespeare, Goethe and Joyce, as well as contemporary authors such as Samuel R. Delany, Ada Palmer, and Richard Powers, have drawn upon it for themes and imagery. Metamorphoses was composed in Latin circa 8 C.E. by Publius Ovidus Naso (Ovid), a Roman poet, public intellectual, and man about town. Many of his upper-class urban contemporaries were atheists who were familiar with these tales, so nuance, presentation, and poetic skill were all. - Milt Commons Shakespeare: "Coriolanus"Link visible for attendees
Join us in reading Shakespeare plays out loud; no prior experience needed.
You only need a copy of the play to participate; we use the Folger's online version: https://shakespeare.folger.edu/shakespeares-works
Most often we complete one Act each session, and then around 8:45 switch over to watching a few scenes from a live version of the play.
A quick overview of Shakespeare: https://www.broadwayworld.com/article/The-Plays-of-Williams-Shakespeare--A-Complete-Guide-20240317
***
Click on the link at right to join the Zoom meeting. You may need to install/update the Zoom software on your device. We usually open the room a little early in case you want to test your settings.Late-comers, unless we know you, will generally not be admitted, as it disrupts the reading. However, it's fine for attendees to drop off at any time they want.
- Ovid's MetamorphosesLink visible for attendees
Group Read-aloud (text will be displayed onscreen during the meetup)
Today we will be starting with .
Last time we read .
Welcome to Ovid*s Metamorphoses! Please feel free to log in five or ten minutes early to work out any technical issues you might be having or just to say hello. We hope to start on time. If you have enabled any form of AI, recording, or transcribing before entering, please exit the meeting, disable it, and re-enter the session.
The meeting hosts will put David Raeburn*s English translation up on the screen, and we will all take turns reading aloud. You can join us at any point in the series of meetings. No special knowledge or preparation is necessary; all you have to do is show up. You do not need a copy of the book, nor do you need to read anything in advance. We won*t be recording this, so please keep your camera on for friendliness if you feel comfortable doing so.
Warning: the book’s content may be triggering for some trauma survivors. It contains multiple descriptions of sexual assault, incest, murder, infanticide, family violence, kidnapping, death, blood, pregnancy, plague, starvation, warfare, racism, sexism, and the hunting and killing of animals, as well as male-female, male-male and female-female sexual relationships and transsexuality.
That being said, the poem*s lyric beauty and wealth of stories are unsurpassed in world literature; its tales and themes have inspired artists ever since.
This is a slow, thoughtful reading group with ample time for discussion. We pause to savor felicitous phrases and share our emotional responses to the stories, and to spotlight recurring images and explore which stories they link together. Along the way we*re learning about the morals, customs, and beliefs of Greco-Roman antiquity, some of which were very different from our own. We stay close to the text, mentally putting ourselves in the place of the original audience, while inevitably of course comparing their worldviews with ours, thereby sliding through a continuous doublemindedness that is itself a series of metamorphoses.
Resources:
A free audiobook version of the Raeburn translation can be found here: archive.org. Wikisource has a number of older translations here: Metamorphoses Translations. The one on there by Golding was the one available in English in Shakespeare*s era. (Shakespeare himself did use at least one portion that appears only in the Latin version.)
We*ve agreed that group members who put references into Chat will also put those into the Comments section after each event; that way we have a collective permanent archive, and participants don’t have to scroll through Chat to find and copy things during the session, or interrupt the flow to ask someone to repeat it.
Group members are welcome to prepare a presentation for the group on any Ovid-related topic. This can take up all or part of a session. The only caveat is no spoilers – please plan your presentation for after the group has read and discussed a particular story. (Please contact Madeline two weeks in advance about scheduling. Since inspiration may strike you after a story is past, we*ll be happy to slot your presentation in even if it*s long after we*ve read the story. Madeline is also available for a conversation about or advance run-through of your talk if you’d like someone to do that with.)
Free online resources for many things Ovidian are listed at the bottom of the event description on all of the January Ovid meeting pages.
Ovid*s long and astonishing poem Metamorphoses has resounded throughout Western civilization for two thousand years. Exuberant, sophisticated, witty, harrowing, ambiguous, and sublimely beautiful, this compilation of Greek and Roman mythology is one of the foundational works of Western culture. Dante, Chaucer, Shakespeare, Goethe and Joyce, as well as contemporary authors such as Samuel R. Delany, Ada Palmer, and Richard Powers, have drawn upon it for themes and imagery. Metamorphoses was composed in Latin circa 8 C.E. by Publius Ovidus Naso (Ovid), a Roman poet, public intellectual, and man about town. Many of his upper-class urban contemporaries were atheists who were familiar with these tales, so nuance, presentation, and poetic skill were all. - Milt Commons Shakespeare: "Love's Labors Lost"Link visible for attendees
Join us in reading Shakespeare plays out loud; no prior experience needed.
You only need a copy of the play to participate; we use the Folger's online version: https://shakespeare.folger.edu/shakespeares-works
Most often we complete one Act each session, and then around 8:45 switch over to watching a few scenes from a live version of the play.
A quick overview of Shakespeare: https://www.broadwayworld.com/article/The-Plays-of-Williams-Shakespeare--A-Complete-Guide-20240317
***
Click on the link at right to join the Zoom meeting. You may need to install/update the Zoom software on your device. We usually open the room a little early in case you want to test your settings.Late-comers, unless we know you, will generally not be admitted, as it disrupts the reading. However, it's fine for attendees to drop off at any time they want.
