Creative Arts

**What to Expect:** Join us for a relaxed, supportive gathering where we'll create together, share our process, and connect mindfully. No art experience necessary, all levels and all creative expressions welcome! **What to Bring:** Please bring your own art materials and supplies, whatever you enjoy working with! **Ideas for materials:** sketchbooks, journals, pastels, crayons, markers, colored pencils, collage materials, yarn, lego, diamond art, iPad or tablet for digital drawing, or anything else that calls to you. Bring paper or surfaces to work on as well. There's no right or wrong, just bring what feels good! 🙂 **What we'll do:** **6:00 pm:** Arrive, get settled, grab a drink/snack, and find a spot **6:10 pm:** Set out your supplies, take a breath, and ease in **6:15–7:30 pm:** Create, chat, unwind, and follow the good vibes **7:30 pm:** Gentle wrap-up with *Come/leave whenever, this is relaxed and flexible gathering!* **Location:** Whole Foods, cafe area (front of the store), 4501 Market Commons Dr, Fairfax, VA 22033. Look for the table with art supplies! This is a social, low-key meetup, not a formal class, and there will be no instruction.

Join us for a Friday evening of creative practice\* and cozy conversation! Please visit the group page for details on event structure and what to expect: https://www.meetup.com/the-evening-art-society/?eventOrigin=your_groups Guests are welcome, though we request that you please let us know how many to account for. We don't want to run out of snacks! Kids are also welcome, with the understanding that this is a shared space intended to be comfortable for all and conducive to creative work. Reach out if you have any questions. We can't wait to see you! \*Because we ultimately just want to provide a safe, warm space for our community to enjoy on a weekly basis, our definition of this is pretty broad. Want to curl up with a good book? Working on the next great American novel? Looking for a café-like hum as the backing track to doing your taxes? You're also welcome here!

**NEW ADDITIONAL LOCATION – Join us in Virginia for the Arts of Life: A meditative, creative journey with local artist Nancy Burbridge.** Join us every third Friday of the month in Virginia from 11:00 AM - 1:00 PM for an afternoon of creativity, relaxation, and self-discovery. In this interactive session, you will learn how to draw, paint, and explore the beauty within, cultivating the best version of yourself in a serene and supportive environment. Come experience the magic of art and meditation as tools for self-expression and inner growth. All materials are provided, and no prior experience is necessary. Just bring your curiosity and a willingness to explore! We can't wait to see you there! Fri., Jan. 16th, 11:00 am - 1:00 pm. Held at the Brahma Kumaris Center, 14020 Thunderbolt Pl, Suite 200, 2nd Floor, Chantilly, VA. Free Event – Register at: [https://shorturl.at/JNzf4](https://shorturl.at/JNzf4)

Let’s hang out and journal together, trade stationary and stickers, and have a good time! Please note, we do not have a reservationtion, so we will do our best to find some good spots when we get there. The address is:

[Profs and Pints Northern Virginia](https://www.profsandpints.com/washingtondc) presents: **“The Life of Frankenstein,”** on the birth, evolution and impact of a tale of man-made monstrosity, with Bernard Welt, an emeritus professor of arts and humanities at George Washington University who frequently lectures on Frankenstein in literature, cinema, and culture. [Advance tickets: $13.50 plus sales tax and processing fees. Available at [https://www.ticketleap.events/tickets/profsandpints/nv-life-of-frankenstein](https://www.ticketleap.events/tickets/profsandpints/nv-life-of-frankenstein) .] Guillermo del Toro’s lush and lovingly produced film adaptation of Mary Shelley’s 1818 novel *Frankenstein; or, The Modern Prometheus* is just the latest of many iterations of the story to capture the public’s imagination. People have watched Victor Frankenstein give life to his monster in numerous films, on television, and on stage, and even perform “Putting on the Ritz” with him thanks to the comic genius of Mel Brooks. Mary Shelley did not just tell a tale. She spawned the modern genre of speculative fiction and gave rise to a myth that would crop up in debates over nature versus nurture and other matters. Even today it stokes anxieties over the potential impacts of robotics, artificial intelligence, and genetic engineering, by evoking the image of a monster turning on its progenitor. Come gain a new appreciation of Mary Shelley’s creation with the help of Dr. Bernard Welt, who has studied the relationship between nightmares and the horror genre and is the author of *Mythomania: Fantasies, Fables, and Sheer Lies in Contemporary American Popular Art.* Dr. Welt will start by telling a literary origin story almost as famous as Frankenstein itself, of how an 18-year-old Shelley started writing *Frankenstein* in 1816 while staying in a villa on Lake Geneva with two of her era’s leading poets, Lord Byron and Percy Bysshe Shelley, her lover. Housebound by foul weather, the three read Gothic tales of ghosts and monsters and challenged each other to produce something even more terrifying. Mary dreamed up a story of a man who defied death by creating a living being out of scraps of deceased men harvested from graveyards and anatomy labs. The resulting novel, *Frankenstein*, published anonymously in 1818, would by that century’s end become a touchstone in philosophical discourse on the nature of humanity and in political discussions of imperialism and populism. By the 21st century, Mary Shelley (as she became) had earned a more significant place in the literary canon than Byron and her husband Shelley. We will examine how this grisly tale became a landmark of modern thought and look at the part played by numerous film adaptations from the first years of cinema to the present day. (Door: $17, or $15 with a student ID. Listed time is for doors. The talk starts 30 minutes later.) Image: From a Theodor von Holst engraving in an 1831 edition of *Frankenstein* published by Colburn and Bentley of London.

**AI-Supported Creative Exploration** *For Unassuming Intuitives & Practicing Creatives* This meetup is part of AI as Creative Partner — A Practice Group, a set of open, non-sequential creative labs you can join at any point. We use AI as a thinking partner—not to replace your ideas, but to help surface and shape them without overthinking or pressure. You bring fragments—ideas, impulses, unfinished concepts. With AI as a supportive collaborator, we explore how those fragments can become clearer, more coherent, and ready to share if and when you want to. No technical background is required. If you can talk or type, that's enough to work with AI here. This session is intentionally low-commitment and flexible: * Arrive late or leave early * Work quietly or observe * Ask questions, or simply watch the process unfold There's no presentation and no expectation to finish anything. Showing up as you are is enough. **OPEN AI CREATIVITY LAB - DROP-IN WORKING SESSION** This is an open, low-pressure creative lab for people curious about working with AI rather than using it as a tool. There's no presentation and no requirement to arrive on time or stay the whole session. Some people work quietly. Some observe. Some ask questions. I'll be working on my own creative projects using AI as a thinking partner—you're welcome to do the same, or simply watch how the process unfolds. **NOTE**: This is the first time I'm running this format. I've scheduled two hours for this inaugural session to give plenty of room for settling in, orienting newcomers, and genuine working time. I'll be here working on my own projects regardless of attendance. If you show up, great. If not, I'm still getting work done. **HOW TO FIND US** Look for the room with the door open on the lower level. Look for the guy with the screen projector and ambient light and sound. Feel free to just walk in and settle.

[Profs and Pints Northern Virginia](https://www.profsandpints.com/washingtondc) presents: **“Satanic Panics,”** a look at waves of fear of demonic activity as an American tradition, with Luxx Mishou, cultural historian and former instructor at the U.S. Naval Academy and area community colleges. [Advance tickets: $13.50 plus sales tax and processing fees. Available at [https://www.ticketleap.events/tickets/profsandpints/nv-satanic-panics](https://www.ticketleap.events/tickets/profsandpints/nv-satanic-panics) .] The 1980s found the United States gripped by fear of Satanic cults targeting children. They were believed to be corrupting young ones in daycare centers and tempting teens through subliminal messages on heavy metal albums or through the quiet inclusion of demonic rituals in role-playing games. Satanic serial killers supposedly stalked the suburbs. Doctors helped patients uncover what were claimed to be repressed memories of ritualistic satanic abuse. Parents, police, and politicians were urged to protect impressionable youths from both moral and physical danger. With Satanic cults deemed to be a real and material threat, it was a frightening time for everyone, including those who suddenly came under suspicion for doing evil deeds. Then, suddenly, it all faded from public consciousness, just as surely as did eighties fads such mullet haircuts, leg warmers, and Cabbage Patch Kids. Why did it all start? Why did it stop? And has this happened before or since? Hear such questions tackled by Luxx Mishou, a cultural historian and media specialist who has long researched the devious and villainous in cultural artifacts. She’ll discuss moral panics as a longstanding cultural tradition, with each new one stemming from fear of cultural shifts and shaped by the time and place where it occurred. Among the panics we’ll look into are the Red Scare of the 1950s and the public response to the gruesome 1969 murders committed by the Manson Family. Delving into the 1980s panic, Mishou will describe how it began with the 1980 publication of psychiatrist Lawrence Pazder’s memoir *Michelle Remembers*, detailing the suppressed memories of ritualistic abuse reportedly suffered by a patient. As that book quickly became a best seller, its ideas saturated American culture. A California daycare center became the focus of a three-year investigation, followed by three years of trials, based on allegations that its owner had engaged in secret ritualistic abuse of the children in its care. Mishou will lead you through the media that convinced the public that devil worshipers were among them, and she’ll talk about how reactions to imagined threats can have very real social costs. (Doors: $17, or $15 with a student ID. Listed time is for doors. The talk starts 30 minutes later.) Image by Canva.