Hindi Singing

Liebe Freunde der deutschen Sprache, Alle, die gern deutsch hören bzw. sprechen möchten, zu unserem nächsten Treffen ein. Wenn Ihr eine Frage oder ein Thema habt, über das Ihr gern sprechen möchtet, seid Ihr herzlich willkommen. Hier habt Ihr Gelegenheit, Eure Deutschkenntnisse aufzufrischen bzw. zu verbessern und mit Teilnehmern aus aller Welt zu plaudern. Wer kurzfristig verhindert ist, sollte sich abmelden (WhatsApp +49 157 3388 3311). Ich freue mich auf interessante und lebhafte Gespräche.

Making the new Friends after work or in your vacation.

🇬🇧 EN 🇬🇧 🔥 SALSA CUBANA CLASSES ARE BACK 🔥 We are delighted to see you again for the start of the 2025/26 academic year 👉 Find all the needed information on our website : **[https://danzamania.be/](https://danzamania.be/horaires/?fbclid=IwZXh0bgNhZW0CMTAAYnJpZBExUjNGU3gzRWdsUFlWMGJMQgEeCHgiKV40mum5hOp5szt0Lxx3U-5DyHO_wR_ZJekcr_m7EFRdpcRthKRV9EU_aem_W6hFXCri8O6Kd9el-RIuIQ)** ✅ PROGRAMME ✅ 👉 TUESDAY 16/09 7:00-8:00 pm - Salsa Level 1A @ Salle Oxygène - Angie, Octavia & Raffa 8:15-9:15 pm - Salsa Niveau 1B\* @ Salle Ste Suzanne - Tine & Sam 8:00-9:00 pm - Salsa Cubana Level 2 @ Salle Oxygène - Angie, Octavia & Raffa \*The Level 1B course is the same as the Level 1A course. It will be taught by Tine & Samuel and starts at 8.15 p.m. It allows those who wish to arrive one hour later and have a group of about 10 people. 👉 WEDNESDAY 17/09 7:00-7:30 pm - Body Expression @ Salle Oxygène - Yusnay, Tine & Raffa 7:30-8:30 pm - Salsa Level 3 @ Salle Oxygène - Yusnay, Tine & Raffa 8:30-9:30 pm - Salsa Level 4 @ Salle Oxygène - Yusnay, Tine & Raffa 👉 THURSDAY 18/09 8:00-9:00 pm - Cuban Salsa Partnerwork - Level 1 + @ Studio Empain - Zoli 9:00-10:00 pm - Cuban Salsa Partnerwork - Level 2 + @ Studio Empain - Zoli 👉 FRIDAY 19/09 8:30-9:30 pm - Rueda de Casino @ Vibrato - Team Danza Mania 9:30-12:30 am - Practica & Entertainment with DJ Joel 💃 Dale Mambo🕺

**Palace : Broken View** 04/06 @ 19h00 This article was part of FORUM+ vol. 30 no. 1 | 2, pp. 68-79 Broken View. Congo and the magic lantern. **As an early projection device, the magic lantern was often used for colonial propaganda. For instance, to showcase and legitimize the ‘good works’ of the church in the colony. But lanterns were also used by missionaries in Africa to evangelize the local people and create a colonized mindset. This text is a reflection on the work process of Broken View, an essay film on colonial images from the Belgian Congo and the magic lantern. Through montage, collage, and assemblage the film examines and recontextualizes these images of the Belgian colonial past.** Als vroeg projectiemedium werd de toverlantaarn vaak gebruikt voor koloniale propaganda. Bijvoorbeeld om de 'goede werken' van de kerk in de kolonie te presenteren en te legitimeren. Maar lantaarns werden ook door missionarissen in Afrika gebruikt om de plaatselijke bevolking te evangeliseren en een gekoloniseerde mentaliteit te creëren. Deze tekst is een reflectie op het werkproces van Broken View, een essayfilm over de toverlantaarn en koloniale beelden uit Belgisch-Congo. Door montage, collage en assemblage onderzoekt en hercontextualiseert de film deze beelden uit het Belgische koloniale verleden. [...] **"I see montage not as a final stage of the filmmaking process, but rather as a way of beginning, montage as a way of writing."** In trying to find a way to present still images in a medium which relies on movement, I quite intuitively turned towards collage. This way, movement lies in the act of cutting out, in the tension between two arrested movements: the captured ça a été of the photograph and the completed collage-gesture that brings two or more images in the same space. The form gives rhythm to the discourse and engenders it. The cutting out of figures becomes a formal translation of what I try to do in the film discursively, to decontextualize and recontextualize fragments from the past. It performs the question of how to see these colonial images today, if we even should see them? Perhaps the only way to be able to show these images is when they are set in motion within a poetic space that aims to do justice to the realities of oppression from which they were taken. I am aware that some of the images in the film are hurtful to see. I am aware that some will see the reuse of these images as a continuation of the violence their taking involved, and that my position as a white European man will enforce this view. Though I have seen instances of this reiteration of colonial violence in cultural products that purport to denounce the colonial past, I do not believe that to show these images, even violent ones, even from my side of the colonial heritage, automatically implies continuing the violence they both document and materialize. I think this happens when not only the images themselves but also the spectacle-form and ideological framework in which they were presented are reproduced, in other words, when the effects of their reproduction are either ignored or anticipated and exploited in the service of this or that agenda. I have not treated this lightly. Broken View does not seek out a shock effect, it does not try to sell a product or resort to cynically rousing controversy to gain attention in an increasingly saturated audio-visual market. Nor do I claim a sort of neutral ground or moral high ground. It is the spectacle-form, the milieu in which these images were made and shown, that I hope the film interrogates and deconstructs. I do this knowing that any deconstruction is also a construction, that my film is also a form, and that there is no inherently unproblematic form. Both the essayistic montage and the collage, the poetics I turned to in this film, bring together elements that often have little to do with one another. They do this, as the writer Brian Dillon wrote about the essay form, ‘in such a way that the scandal or shock of their proximity arrives alongside a conviction that they have always belonged together’.11 So, these images must be accompanied by other images, brought into relation with other, maybe even seemingly unconnected images. These relationships are not comparisons or equations, but the threads of an unfinished fabric, a continuous work of de- and reassembly, a broader, perhaps speculative contextualization. Assemblages are formed in which the figures are brought into each other’s orbit, within a wider frame and into another timeline than those of the photographs they were taken out of, inserting them into new constellations, trying to find new rhythms. In doing so, I hope to make visible some of the brushstrokes with which they were originally made, the power relations these images texturized and helped (helplessly) to fabulate, the purposes they were to serve. The film is an essay, an atlas of sorts, or an album where fragments of images and language exchange their shortcomings, what words can show and what images can say. But what to say? Who is speaking and to whom? The spoken text is not only a feature of the essay film. Magic lantern projections were almost always accompanied by live narration. In the case of mission photography almost always in the explanatory mode, an authoritative register, a man, a priest, who spoke with full authority on what was being projected. There was no doubt in his voice. There is but one truth, and that is the Christian truth. At this stage in the editing process, I am trying to find a balance between different registers of the voice-over. The challenge is to subvert the authority of the colonial voice, to replace it not with silence, but to find another way of speaking, of giving information, to introduce an element of doubt. This can reside in subtle formal gestures, a tone of voice, an emphasis turning into a question mark, repetition, or wordplay. I am not quite sure yet how, but I want to let this informative, authoritative mode disintegrate into a poetic mode. I mean poetry in the sense that it is the opposite of the direct speech of the colonizer. That it is a tentative way of speaking. An essayistic way of speaking if you will. The text becomes a collage of registers, of sources and tones but spoken by a single voice. [Cinema Palace](https://www.cinema-palace.be/nl/film/broken-view) [This article was part of FORUM+ vol. 30 no. 1 | 2, pp. 68-79](https://forum-online.be/en/issues/februari-mei-2023/broken-view-congo-and-the-magic-lantern) **For Dreamers, Coffee shots, Orezza, eau de Saint-Georges !**

Join us for a laid-back **2-hour evening walk** in the green surrouindings of Brussels. Expect a **social, easy-paced stroll** with good company, relaxed vibes, and plenty of time to chat. We'll follow the canal paths and trace the River Zenne, discovering how these waterways shaped the heart of the city. 🕗 **When:** Evening 🚶 **Duration:** About 2 hours 🥤 **Bring your own drink** – something refreshing to enjoy as we walk 💬 **Open to all** – solo walkers, locals, and newcomers alike Let’s walk, relax, and connect—Brussels-style.

Join our next meetup at Collibra on June 4th! We will have 3 talks about OpenTelemetry and will share some food and drinks while networking **Location:** Collibra, Rue Picard 11, 1000 Bruxelles **Agenda:** 17:45 : Doors open 18:00 - 18:30 : Drinks and pizza 18:30 - 19:10 : Talk #1 OpenTelemery on Kubernetes with EDOT: Getting started and what's ahead 19:10 - 19:50 : Talk #2 Taming Tenancy, Cost and Architecture at Collibra Through OpenTelemetry and Our Telemetry Backbone 19:50 - 20.30 : Talk #3 Closing the Observability Gap: OpenTelemetry Meets Elastic at Telenet 20:30 : Wrap up **Talks:** **#1 OpenTelemery on Kubernetes with EDOT: Getting started and what's ahead** **OpenTelemetry has become the default way to instrument applications and infrastructure, and Kubernetes is one of the places where it makes most sense to use it.** This talk is a tour of OpenTelemetry on Kubernetes, focusing on the Elastic Distribution of OpenTelemetry (EDOT). We will explore the OTel basics (general architecture, signals) and the recommended way to deploy OTel on Kubernetes using the OpenTelemetry Operator. A live demo with an Elastic backend will showcase the correlation of metrics and logs, demonstrating how everything ties in together. Finally, it will cover the current community effort to stabilize Kubernetes observability, including the promotion of Kubernetes attributes to release candidate status and the latest updates to the semantic conventions for Kubernetes metrics. This session is useful for beginners trying to get into OTel, and for those running OTel in their Kubernetes cluster and trying to get some insights on what is to come. *Speaker: João Marques Correia, Software Engineer at Elastic* **#2 Taming Tenancy, Cost and Architecture at Collibra Through OpenTelemetry and Our Telemetry Backbone** Operating a SaaS platform presents the same observability problems as any other enterprise, but due to the scale and tenancy, we introduce a huge multiplier on the observability signals, having an effect on cost and effectiveness. This session dives into the techniques Collibra used to tame these problems and how to maintain clarity when infrastructure spans virtual machines, modern Kubernetes clusters, and a complex mix of single- and multi-tenant architectures. Without the right context, telemetry data becomes a noisy, indistinguishable flood. We will dive into the architectural decision to leverage the C4 system model, ensuring every piece of telemetry carries the vital context of what it belongs to and where it sits in the hierarchy. Enabling us to gain insights into both signal attribution and allowing virtual chargebacks. The presentation details the implementation of a pipeline using custom-built OpenTelemetry collectors designed to handle the data and enrich it before sending it to the appropriate backends. This session will give you practical insights on the challenges SaaS platforms have, but the techniques that are used to tame them can be applied everywhere. *Speaker: Alex Van Boxel, Principal System Architect at Collibra* **#3 Closing the Observability Gap: OpenTelemetry Meets Elastic at Telenet** Modern systems generate more telemetry than ever, but without consistency, that data quickly becomes noise. At Telenet, we turned to OpenTelemetry to standardise how we collect and enrich observability data across our bare-metal Kubernetes clusters. This talk dives into how we integrate OpenTelemetry into our engineering workflows and couple it with Elastic for storage, analysis, and visualisation. We’ll walk through our architecture, instrumentation strategies, and how we ensure high-quality telemetry that engineers trust. Along the way, we’ll highlight real use cases, from debugging production incidents to improving service performance, and discuss what worked, what didn’t, and what we’d do differently today. If you're an Elastic user looking to adopt or scale OpenTelemetry, this session will help you bridge the gap between theory and practice. *Speaker: Reidar Veroft, Container Platform Engineer at Telenetgroup* **Bios** **Alex Van Boxel** is a Principal System Architect at **Collibra**. With an engineering background in Research and Development at Alcatel-Lucent, Progress Software, and Veepee he loves to focus on the fundamental building blocks of the software industry. That means reading, understanding, and contributing to specifications, as well as contributing to the Open Source projects that run through our infrastructure. He is code-owner of two components of the OpenTelemetry collector. **João Marques Correia** is a Software Engineer at **Elastic**. Having recently joined Elastic, he has been focusing on OpenTelemetry, with a bigger effort being put into Kubernetes metrics stabilization. Before joining Elastic, he worked as a Software Engineer at Cisco on a Data Center network controller. He is drawn to distributed systems, and in particular how to observe them and keep them working reliably. **Reidar Veroft** is a DevOps Engineer at **Telenet**, where he builds observable, reliable systems that power critical infrastructure across Belgium. From the 5G core to our voice core, he focuses on making sure the systems behind Telenetgroup are not only running, but fully understood through high-quality telemetry. **Thanks to Collibra for hosting this meetup!**

**LIMITED SEATS!!!** **🎶💃 Get Ready to Move, Groove & Feel Alive! 🕺🔥** **✨ Join Our LIVE workshop in Brussels** Feeling tired after work or school? Need a burst of energy and fun in your day? Our high-energy Bhangra dance classes are the perfect escape — full of music, movement, and pure joy, right from your home! **🌟 Why Join Me?** ✅ Easy-to-follow sessions ✅ Perfect for **kids, teens, and adults** ✅ Great way to stay **active, fit, and stress-free** ✅ Dance like a star – no experience needed! ✅ Learn iconic moves and upbeat routines Whether you're a student, a working professional, or a parent looking for a fun break — this class is for YOU! Let’s dance, laugh, and light up your day — **Bhangra style! 💥** ***P.S. - Planning a wedding or party?*** *If you're looking to **learn Indian dance for a special event**—be it a **wedding performance, sangeet choreography, or a fun group dance for a party**—we’ve got you covered! We offer tailored sessions to help you shine on your big day and create memories that last a lifetime.*

Have you always wanted to learn Bachata? Now is the perfect time! Our regular classes at Albert Hall are designed to help beginners progress quickly and master this beautiful social dance that is very popular right now! 💃🕺 We have just started a new session where everyone can learn at their own pace. Come with or without a partner. After the beginner's class, there are more advanced classes, followed by a free dance party for students. 🎉 A nice venue and a warm atmosphere—don't miss this opportunity! 🔥 PROGRAM 🔥 7:00 p.m. → Bachata Beginner NEW (Room 1) 7:00 p.m. → Bachata Advanced (Room 2) 8:00 p.m. → Bachata Beginner II (Room 1) 9:00 p.m. → Bachata Intermediate (Room 1) 💥 10:00 p.m. → Bachata Social Party with DJ Felito on the decks for a wild night of dancing! 🎶 🍍 Fresh fruit buffet provided to recharge your batteries between dances! 📍 Location: Albert Hall 651 chaussée de Wavre 1040 Brussels 💸 Prices: 1 class: €15 10-class pass: €120 20-class pass: €210 Dance party only: €10 (cash) 👉 Registration on site

# Tired of dating apps or surface-level social events? This is different. Relational Labs is a guided connection experience for singles who want more honest, playful, emotionally intelligent interaction — without performance, pressure, or endless small talk. This is not speed dating. Not networking. Not “pitch yourself to strangers.” It’s a facilitated relational container rooted in psychology, emotional intelligence, attachment work, social dynamics, nervous system awareness, and real-world human connection — made practical enough that you can actually live it instead of reading another 50 books about it. ## What happens • A 2-hour guided online relational experience • Real-time connection exercises designed to create authentic interaction • A format that adapts in real time to whoever is present • Optional participant-led in-person continuation afterward • WhatsApp connection thread after the session ## This may be for you if: • You’re tired of shallow or repetitive social spaces • You want deeper connection without forced intimacy • You enjoy personal growth, psychology, communication, or relational work • You’re open to meeting people in a more intentional way ## Important This experience runs with whoever is present and takes its own shape each time. Sometimes expansive. Sometimes intimate. Both are the real thing. Booking happens through our website. 👉 Reserve your spot: [https://consciousconnectionsclub.com/join](https://consciousconnectionsclub.com/join) Optional in-person continuation: same day or within 48 hours depending on the city Most people come alone. People often leave surprised by how quickly strangers can feel human, warm, honest, and real. Sometimes awkwardness turns into ease. Sometimes curiosity turns into chemistry. Sometimes people simply remember what it feels like to actually connect again.

Join Us for a Meditative Forest Walk We warmly invite you to a silent, meditative walk through the forest, where we will move together in stillness for about one hour. This gentle practice helps you reconnect with nature, slow down the mind, and notice the subtle details—both around you and within you. By walking silently, we create space for calm, clarity, and unexpected insights. Details: Date & Time: Saturday 6 June Meeting Point: Herrmann Debroux Metro (exit straight ahead after leaving the platform) Start Time: We begin walking at 16:10 sharp, so please arrive on time if you plan to join. Practical Note: Please wear weather-proof walking shoes, as the forest paths can get a bit muddy when rainy. After the walk, you are warmly welcome to join for a drink at Rouge Cloître. It’s a cosy, creative space to end the evening together if you feel like staying on. If you're in the mood for a quiet inward journey, we would be delighted to walk with you this Friday. For any questions or to let me know you’re coming, feel free to contact me at 0474 60 83 70. Looking forward to sharing this peaceful moment with you.

Please [register yourself on the website ](https://api.leadconnectorhq.com/widget/booking/7QLiiTnqLMxNg6Bdm5Bm)to receive the details of how to join. This powerful healing technique removes the negative energies and blockages to then nbe replaced by life energy or prana. Organized by Juliana Cruz, a Pranic Healing practitioner for over 10 years. These donation-based sessions are in a group session, done by different practitioners who have learned Pranic Healing. The sessions take from 20 to 30 minutes. * **Sunday** **From 11:30 to 12:50** 20 - 30 min session per person First-come, first-served. This practice comes after a meditation (from 10:30 to 11:30) to receive and share energies of loving-kindness to the entire Earth. You can join by [registering yourself here](https://api.leadconnectorhq.com/widget/booking/j5YTbU6YaGLgGOXyvMNn). With love, Juliana

Need some quiet time for reading? Want to share the experience with others? Join us at the charming venue of The Sister Café to read in the company of others. It’s alone, but also together, get it? We read for an hour and a half, then chat over a drink. This is a free activity except for the price of the drinks you're consuming.

Click Here For More Videos: https://www.facebook.com/share/r/17bwkttXhV/ *********************************** Salsamante Dance Academy will be at Swerve Every Tuesday Night to share the Rhythm & Energy of Bachata & Salsa. These are Beginner Level lessons to get you comfortable and understand the two dances. Spread the Good News to all. Swerve Dance & Fitness Complex 640 Lakeview Plaza Blvd A, Worthington, OH 43085 Bachata 7pm-8pm Salsa 8pm-9pm $15 - One Lesson $20 - Both Lessons

Join us as we get together to see Paul Rudd in the latest comedy-drama-musical from John Carney, POWER BALLAD! The film follows a washed-up wedding singer, a fading boy band singer and a stolen hit song. Here’s a description, trailer and plan for this event: DESCRIPTION: Rick, a washed-up wedding singer, and Danny, a fading boy band star, bond over music and a late-night jam session. When Danny turns Rick's song into a hit, Rick sets out to reclaim the recognition he believes he deserves. Power Ballad is written/directed by John Carney, the master of the modern musical and creative mind behind Once, Begin Again and Sing Street! It stars Paul Rudd, Nick Jonas, Peter McDonald, Marcella Plunkett, Havana Rose Liu and Jack Reynor. BUZZ & ACCLAIM: The film premiered to rave reviews at this year’s Dublin International Film Festival where critics call it “a sure-fired crowd-pleaser” that “just might be the feel-good hit of the year!” Others say, “Paul Rudd delivers a career-best performance in this charmer” that’s both “hilarious and deeply moving." The film continues John Carney’s “long run of success with yet another charmer” and “a sharp, hopeful crowd-pleaser that strikes the right notes!” SUMMER OF ICE CREAM, VOL 2: SHAKE NO. 8! Ranked the #1 Ice Cream Shop in Columbus, this is a perfect early stop on our Summer of Ice Cream! Their menu uses made-from-scratch recipes in an array of traditional, specialty and vegan shakes, hot cocoa, crepes, waffle sticks, specialty coffee & espresso, and more! Their specialty shakes are as delicious as they are over-the-top and they offer an extensive vegan menu! You can check out their full menu here: [https://www.shakeno8.com/menu.php](https://www.shakeno8.com/menu.php) PLAN: Please purchase your ticket for the 6:45pm showing and we’ll meet in the upstairs lobby between 6:25 and 6:35pm! Advance ticket purchase is advised for this opening night showing! Once you have yours, please list your seat number in the Comments section of this event. We'll head to nearby Shake No. 8 immediately following the show! Should be a fun one, Dan

The Alliance is part of the Greater Central Ohio Chapter of the Barbershop Harmony Society. We are an all-voices chorus dedicated to providing an inclusive environment for all those who love to sing, regardless of their race, gender identity, sexual orientation or musical background. The Alliance is the first and only all-voices barbershop chorus in Central Ohio. **Who:** Anyone with a passion for singing at a high level. Previous barbershop chorus/quartet experience not required. **When:** The Alliance rehearses weekly on Thursdays from 7pm-10pm. **Where:** Lord Of Life Lutheran Church: 2480 W Dublin Granville Rd, Columbus, OH 43235 To become a full member of The Alliance, we welcome you to start by visiting us for a few rehearsals to experience the group and sing with us! Then, you may begin the 2-part audition process for membership: the assessement, and audition. We strive to make our auditions as stress-free as possible to help you let your best singing self shine.

The Alliance is part of the Greater Central Ohio Chapter of the Barbershop Harmony Society. We are an all-voices chorus dedicated to providing an inclusive environment for all those who love to sing, regardless of their race, gender identity, sexual orientation or musical background. The Alliance is the first and only all-voices barbershop chorus in Central Ohio. **Who:** Anyone with a passion for singing at a high level. Previous barbershop chorus/quartet experience not required. **When:** The Alliance rehearses weekly on Thursdays from 7pm-10pm. **Where:** Lord Of Life Lutheran Church: 2480 W Dublin Granville Rd, Columbus, OH 43235 To become a full member of The Alliance, we welcome you to start by visiting us for a few rehearsals to experience the group and sing with us! Then, you may begin the 2-part audition process for membership: the assessement, and audition. We strive to make our auditions as stress-free as possible to help you let your best singing self shine.