Non-Fiction Writing

This week we'll look at the third chapter of [Science and Human Values](https://sciencepolicy.colorado.edu/students/envs_5110/bronowski_1956.pdf), by Jacob Bronowski. In this work Bronowski contends that science is not merely a technical method, but instead is grounded in the same philosophical principles which characterise an open society. These values include honesty, freedom, and tolerance of uncertainty and, he argues, abandoning them leads to intellectual and moral disaster. Please read the chapter before attending.

Britain might not have a functioning economy these days, might not boast a stable political system, or a recent world cup - but if there’s one thing Britain still has, is the most fascinating and delightfully dramatic history of monarchs (yes, better than the French one) So join us for a fun, spirited debate where each team picks a British monarch and competes in categories like Style, Leadership, Historical Influence, and a wildcard round. After some quick prep, each team will debate, and then we’ll all vote on which monarch truly deserves the crown as Britain’s coolest ruler. Some resources: (There are plenty, I’ll add more later. You are also welcome to watch The Crown if you have an aptitude tor the dull) [Bbc In our time - the monarchy](https://open.spotify.com/episode/6Q9rxdaHCzDbVZMGoOGmPI?si=7tOuky8pSp-hpuS2YRk4-A) [Elizabeth 1 - the rest is history ](https://open.spotify.com/episode/59WDZC9dxwVZkjXd5D5FDo?si=5fIkzLtqQtmHTr4cjqxCRQ)

This event is for all those who missed the walk in November. Find out about the main characters in this story. Why it should not have happened. I will tell you about the devastation in the city and see the rebuilding of many of the churches and visit some of them. We will walk along the direction of the fire to reveal its many interesting stories and human tragedies. I am a qualified tour guide. The walk will last 2 hours with opportunities to use toilets. The tour fee is £10 Please be early as we like to set off on time and can only wait 10 minutes. Don’t forget to cancel via the “Edit RSVP” button if you can’t make a walk. I will be there in the event of rain.

We are a group of writers of all kinds of work - novels, short stories, academic work, scripts, poetry, flash fiction, and more. We meet once a week, on Tuesday evenings, predominantly in order to write but also to talk about what we are working on. The standard format of the group is heads-down writing until around 1940, then whatever else anyone wants to do or talk about. Everyone is welcome, regardless of what you are writing. [The Brownswood](https://thebrownswood.co.uk) is a fantastic local pub, located close to Clissold Park/Highbury/Stoke Newington/Finsbury Park. It has a large - and quiet - upstairs area. Please grab something to drink/eat from the bar, and join us upstairs at 1800. [271 Green Lanes, London, N4 2EX](https://www.google.co.uk/maps/place/The+Brownswood/@51.5639546,-0.0948438,608m/data=!3m2!1e3!4b1!4m9!3m8!1s0x48761c7893476fc5:0x9ba8e21a1cf2fee9!5m2!4m1!1i2!8m2!3d51.5639546!4d-0.0926551!16s%2Fg%2F119x6mkyr?entry=ttu). * Tube: [Manor House](https://www.google.com/maps/dir/Manor+House+Station,+Green+Lanes,+London/The+Brownswood,+271+Green+Lanes,+Finsbury+Park,+London+N4+2EX/@51.5675099,-0.099653,1216m/data=!3m2!1e3!4b1!4m14!4m13!1m5!1m1!1s0x48761b89bd91cc59:0x392f2396b4532b!2m2!1d-0.0965018!2d51.5711189!1m5!1m1!1s0x48761c7893476fc5:0x9ba8e21a1cf2fee9!2m2!1d-0.092655!2d51.5639516!3e2?entry=ttu) (Piccadilly line), [Finsbury Park](https://www.google.com/maps/dir/Finsbury+Park+Station,+Station+Pl,+Finsbury+Park,+London+N4+2DH/The+Brownswood,+271+Green+Lanes,+Finsbury+Park,+London+N4+2EX/@51.5635898,-0.1044051,1216m/data=!3m2!1e3!4b1!4m14!4m13!1m5!1m1!1s0x48761b9b2b4d19dd:0xc061583facc2ae39!2m2!1d-0.1058553!2d51.5646425!1m5!1m1!1s0x48761c7893476fc5:0x9ba8e21a1cf2fee9!2m2!1d-0.092655!2d51.5639516!3e2?entry=ttu) (Piccadilly and Victoria lines) * Overground: [Canonbury](https://www.google.com/maps/dir/Canonbury,+Wallace+Rd,+London+N1+2PG/The+Brownswood,+271+Green+Lanes,+Finsbury+Park,+London+N4+2EX/@51.5563195,-0.1017644,2433m/data=!3m2!1e3!4b1!4m14!4m13!1m5!1m1!1s0x48761c82f2cf823d:0x79587280293ef16!2m2!1d-0.0920922!2d51.5486853!1m5!1m1!1s0x48761c7893476fc5:0x9ba8e21a1cf2fee9!2m2!1d-0.092655!2d51.5639516!3e2?entry=ttu), [Harringay Green Lanes](https://www.google.com/maps/dir/Harringay+Green+Lanes,+London/The+Brownswood,+271+Green+Lanes,+Finsbury+Park,+London+N4+2EX/@51.5705266,-0.1058508,2432m/data=!3m2!1e3!4b1!4m14!4m13!1m5!1m1!1s0x48761b8b3971e23f:0xef5cf25ed3f59caa!2m2!1d-0.0979994!2d51.5771902!1m5!1m1!1s0x48761c7893476fc5:0x9ba8e21a1cf2fee9!2m2!1d-0.092655!2d51.5639516!3e2?entry=ttu), [Stoke Newington](https://www.google.com/maps/dir/Stoke+Newington+railway+station,+London/The+Brownswood,+271+Green+Lanes,+Finsbury+Park,+London+N4+2EX/@51.5640471,-0.0930668,2432m/data=!3m2!1e3!4b1!4m14!4m13!1m5!1m1!1s0x48761c67a8c80565:0xd116f4b1ef01e4e5!2m2!1d-0.07286!2d51.56523!1m5!1m1!1s0x48761c7893476fc5:0x9ba8e21a1cf2fee9!2m2!1d-0.092655!2d51.5639516!3e2?entry=ttu) * National Rail: [Finsbury Park](https://www.google.com/maps/dir/Finsbury+Park+Station,+Station+Pl,+Finsbury+Park,+London+N4+2DH/The+Brownswood,+271+Green+Lanes,+Finsbury+Park,+London+N4+2EX/@51.5635898,-0.1044051,1216m/data=!3m2!1e3!4b1!4m14!4m13!1m5!1m1!1s0x48761b9b2b4d19dd:0xc061583facc2ae39!2m2!1d-0.1058553!2d51.5646425!1m5!1m1!1s0x48761c7893476fc5:0x9ba8e21a1cf2fee9!2m2!1d-0.092655!2d51.5639516!3e2?entry=ttu) * Bus routes: [106](https://tfl.gov.uk/bus/route/106/), [141](https://tfl.gov.uk/bus/route/141/), [341](https://tfl.gov.uk/bus/route/341/?direction=inbound) * On-street cycle racks are located outside the pub. If you've any queries, you can message me through MeetUp - please don't contact the pub directly. I hope to see you soon, Adam.

This House Believes UK Museums Should Return Artefacts to Their Countries of Origin **Why Are We Having This Debate** Should museum artifacts be repatriated? Who actually owns the artifacts? Are there any legal obligations to return artefacts? **Articles** [List of contested artefacts at the british museum - British Museum](https://www.britishmuseum.org/about-us/british-museum-story/contested-objects-collection "https://www.britishmuseum.org/about-us/british-museum-story/contested-objects-collection") [Public opinion polls on the topic - YouGov](https://yougov.co.uk/entertainment/articles/36778-should-britain-return-historical-artefacts-their-c "https://yougov.co.uk/entertainment/articles/36778-should-britain-return-historical-artefacts-their-c") **Come along and have your vote!** **What To Expect** 3v3 panel debate where our members explore the strongest arguments for a given topic. A debate should tell the audience what they need to know and not just what the speakers think. If you feel the same way, then we want to meet you. Debate London is the year-round series of free public debates held across London. The series is run by Debate London, a social enterprise that helps its members to advance their personal and professional development by teaching them how to debate. All of our speakers are club members who have agreed to defend a particular perspective the audience need to hear, rather than just share their own personal opinion. After presenting the point of view assigned to them, the audience are then given the floor to cross-examine them and share their own position. The only time we hear what the speakers really think is at the end of the debate when they tell us where they really stand and whether this changed at all while learning how to defend the perspective assigned to them.

Salam, Dustan! ‘[Abbas Kiarostami](https://www.closeupfilmcentre.com/search_results/keyword/abbas+kiarostami)’ has created some of the most inventive and transcendent cinema of the past thirty years, and *[Close-up](https://www.closeupfilmcentre.com/search_results/keyword/close-up)* is his most radical, brilliant work. This fiction-documentary hybrid uses a sensational real-life event—the arrest of a young man on charges that he fraudulently impersonated the well-known filmmaker [Mohsen Makhmalbaf](https://www.closeupfilmcentre.com/search_results/keyword/mohsen+makhmalbaf)—as the basis for a stunning, multilayered investigation into movies, identity, artistic creation, and existence, in which the real people from the case play themselves. With its universal themes and fascinating narrative knots, *[Close-up](https://www.closeupfilmcentre.com/search_results/keyword/close-up)* has resonated with viewers around the world.” – Janus Films We’ll meet 10 minutes before the film and after for a chat and drinks at the cinema. Reservation link for the 6pm screening: [https://www.ticketsource.co.uk/close-up-cinema/e-qgvobz](https://www.ticketsource.co.uk/close-up-cinema/e-qgvobz)

We're the All Good Bookshop writing group - we've been around for 10 years now. We offer writing feedback and discussion, whatever your level. Never been before? That's fine. Can only come once in a while? That's fine. Want to come regularly? That's fine. While we're predominantly narrative-based, any type of writing is welcome. Fiction, non-fiction, screenplays, novels, short-stories... bring it along and see if it fits. The cost is £5 to join us. Half of this goes to the bookshop and the other half goes towards snacks/drinks for everyone. Pay when you get there. (If you're having any financial problems, feel free to have a discreet chat with Chris about it). HOW IT WORKS First, we do introductions, which cover: 1 - Who you are 2 - What kind of thing you write 3 - What you're working on 4 - What you've done in the last two weeks. Then we find out who has stuff to read out (1,000 - 2,000 words), and who has questions/discussion points. If you'd prefer to do written hand-outs, you can as well. We then run through as many people as we can fit in, so they can read out or run through a discussion point. The group is run by Chris Brosnahan, an experienced writer and a long-running facilitator of writing groups. HOUSE RULES 1 - No egos. Everyone's stuff is up for criticism/feedback. 2 - Be constructive. We're not a review group - we're trying to help each other improve. 3\. No pressure\. You can turn up and just observe if you want \- you're not under pressure to read out or feed back\. 4 - We do our best to be a safe space. You don't know the backgrounds of everyone in the room. If you're going to read something that might be problematic or emotionally difficult, talk about it first - and if you're unsure, ask. 5 - We do our best to be a safe space. For particularly graphic scenes, please discuss in advance. A reminder that listening to erotica is, in itself, a sex act, and needs the enthusiastic consent of everyone involved. 6 - Content warnings apply. This doesn't just mean things like sex or violence. It also includes things like abuse, long-term illness, death - think of things that someone may find difficult if they're dealing with at the moment. We do our best to be a safe space. 7 - If you're struggling with anything being read, you can take a break without any justification or questions. 8 - Banned question: "Is this based on your own life?" - it doesn't add anything and can make discussion awkward. Please don't ask it. 9 - Let other people talk. You'll get your chance to feedback or ask questions, but it can be all too easy to talk over people. You also don't need to respond to every piece of feedback. 10 - Keep it respectful. Keep it friendly. Any problems? Get in touch and ask.

As a reader, you may be familiar with your own historical context, but does that mean you have a clear understanding of the literature of your own culture? Read, for instance, *Middlemarch* by George Eliot, without understanding Victorian reform politics, class rigidity, and the slow transition from old to modern England, and it risks being misread as a purely psychological or moral novel. This is where colonialism, postcolonialism, and neocolonialism come into play when reading the world. Without a basic grasp of how the world has been shaped over the last hundred years, world literature cannot be adequately framed in its broader historical context. It is for this reason, and because I am preparing to enter SOAS University, that the theme of 2026 will focus on these areas. The alphabetical order will be interrupted, but as soon as I finish my MA, we will get back to Barbados. We left it off at Bahrain before we jumped to India, so from Bahrain I will be proposing the following reading list. I hope I can keep up with all this reading as I have to prepare for my course and the Spanish and French reading clubs, so just in case I cannot keep up, I would like to warn you beforehand that I am not promising anything. 2026 Colonialism/Postcolonialism/Neocolonialism To develop a comprehensive understanding of the interconnected themes of colonialism, neocolonialism, development, justice, and economics worldwide, I suggest the following sequence: 1-*Postcolonialism: A Very Short Introduction* by Robert J.C. Young 2-*Contested Modernity: Sectarianism, Nationalism, and Colonialism in Bahrain* by Omar H. AlShehabi 3-*Sultana’s Dream* by Rokeya Sakhawat Hossain—Bangladesh 4-*The Opium War: Drugs, Dreams and the Making of China* by Julia Lovell 5-*Rickshaw Boy* by Lao She—China 6-*The* *Motorcycle Diaries* by Che Guevara 7-*One Hundred Years of Solitude* by Gabriel García Márquez—Colombia 8-*How Europe Underdeveloped Africa* by Walter Rodney 9-*Heart of Darkness* by Polish author Joseph Conrad—Congo 10-*The Wretched of the Earth* by Frantz Fanon 11-*Homegoing* by Yaa Gyasi—Ghana 12-*Why Nations Fail: The Origins of Power, Prosperity, and Poverty* by Daron Acemoglu and James A. Robinson Some texts such as *One Hundred Years of Solitude* and *Sultana’s Dream* exceed colonial explanation and draw heavily on local myth, narrative experimentation and internal class and gender dynamics. Acemoglu’s institutionalist economics often *clashes* with dependency theory and postcolonial critiques. This is to say that colonialism will not be the only lens through which we will discuss these readings. We will continue with these themes in 2027 and cover the Indian subcontinent, North America, Orientalism, Soviet imperialism, and other areas of Africa, Asia and Latin America. Spanish reading club: [www.meetup.com/gaia-libros](www.meetup.com/gaia-libros) French reading club: [www.meetup.com/gaia-livres](www.meetup.com/gaia-livres)

This will be an open forum discussion of the book "Native American History."

Greetings writers! Come down and join your fellow wordsmiths for one hour of uninterrupted writing time in the upper level of the Market District Supermarket in Upper Arlington. The main entrance of the shopping center opens onto stairs/elevator leading up to the 2nd floor cafe section where we will have a table displaying a sign with the Shut Up & Write logo. Writing is largely a solitary craft. Practicing with others in a community setting may be the thing you need to fire your own routine. We’ll meet on Wednesday evenings, starting the clock at 6:30, following a brief period of introductions. This is solid writing time and all inclusive. Any project is acceptable, be it fiction, non -fiction, work or homework assignment. All is welcome and will remain private to you. The market boasts a Starbucks, a full service bar and various affordable food options. Parking is plentiful, free Wifi is provided as well as outlets for charging your devices, though they are somewhat limited, so plan accordingly. Show up as early as you like, or stay late. This group tends to socialize some, both before and after the alloted time, but this is not mandatory to you. Feel free to come and go as you please and late arrivals are welcome. The cafe may be noisy on occasion so headphones/ earbuds are reccommended as you see fit. Please try to RSVP if possible so that we may grab enough seats for all—the venue can be busy at times. Feel free to message me privately wth any questions and/ or concerns you may have. Happy writing!

For January, we’re reading Migrations by Charlotte McConaghy. For fans of Flight Behavior and Station Eleven, a novel set on the brink of catastrophe, as a young woman chases the world's last birds--and her own final chance for redemption. Franny Stone has always been a wanderer. By following the ocean's tides and the birds that soar above, she can forget the losses that have haunted her life. But when the wild she loves begins to disappear, Franny can no longer wander without a destination. She arrives in remote Greenland with one purpose: to find the world's last flock of Arctic terns and track their final migration. She convinces Ennis Malone, captain of the Saghani, to take her onboard, winning over his eccentric crew with promises that the birds will lead them to fish. As the Saghani fights its way south, Franny's dark history begins to unspool. Battered by night terrors, accumulating a pile of unsent letters, and obsessed with pursuing the terns at any cost, Franny is full of secrets. When her quest threatens the safety of the entire crew, Franny must ask herself what she is really running toward--and running from. Propelled by a narrator as fierce and fragile as the terns she is following, Charlotte McConaghy's Migrations is both an ode to our threatened world and a breathtaking page-turner about the lengths we will go for the people we love.

Join us for an hour of writing! We’ve discovered that it’s strikingly helpful to write with other writers. See if it’s true for you at 7:00pm the second & fourth Wednesday of every month at Two Dollar Radio Headquarters (HQ). Be it a book, blog, script, essay, dissertation, resume, melody, poem or just plain work stuff, you are invited to write it with us. No one will see what you've written or give you unsolicited advice. Instead of just thinking about writing, come and get some real writing done. **SCHEDULE:** 6:45ish - Quick introductions 7:00 - Timer starts: write for 1 hour 8:00 - The End **OPTIONAL SOCIALIZING** happens around 6:45pm. Writing is very solitary. Connecting (and sometimes even commiserating) with other writers is a cool thing. **BEING LATE IS OKAY:** just show up and get settled! If you were on time, please be willing to make room for the friendly latecomer. Happy writing & I look forward to seeing you at Two Dollar Radio HQ! **WHAT SHOULD I BRING?** Whatever you need to be able to write! Other customers are welcome at Two Dollar HQ at the time, so please bring earplugs/headphones if noise will bother you! **OTHER IMPORTANT DETAILS:** * **RSVP:** Please RSVP by 6:00pm the evening of the meeting. This helps me know how many to expect, and if we'll need additional space! * **COVID:** While masks are not required, please be mindful of the other writers around you and their comfort levels. * **ACCESSIBILITY:** Two Dollar Radio HQ's entrance door on Cline Street is wheelchair accessible, they have two gender-neutral bathrooms that are both wheelchair accessible, and their ordering and table-seating area is as well. Working service dogs are allowed. * **WIFI/OUTLETS:** Outlets are limited, so please ensure your devices are charged when you come! But Two Dollar Radio HQ does have free WiFi! Yay! * **PARKING:** There is free public street parking on all surrounding streets, on both sides of Parsons Ave. You are also welcome to park in the Columbus Metropolitan Library parking lot across the street (1113 Parsons Ave). Two Dollar Radio HQ has a bike rack on the corner of Cline and Parsons, and the library has bike parking (across Parsons). * **FOOD/BEVERAGE:** Two Dollar Radio HQ is a bar and vegan cafe. Their food is 100% vegan and made from scratch, with love. They also serve a range of wine, beer, and cocktails, as well as coffees and teas. If you're able to, please consider thanking our venue by purchasing something!!

**History** [Blacklick Woods Metro Park](https://www.metroparks.net/parks-and-trails/blacklick-woods/), established in 1949, holds the distinction of being the first Columbus Metro Park. Its creation stemmed from a post-World War II push to preserve natural areas amid rapid suburban growth. The land, originally farmland and woodlots along Blacklick Creek, was acquired by the Columbus Metropolitan Park Board through donations and purchases. Early efforts focused on basic trail development and reforestation to combat erosion. The park's name derives from the creek, which early settlers called "Black Lick" due to its dark, mineral-rich waters. By the 1950s, it served as a model for the expanding Metro Parks system. In the 1960s, Blacklick Woods expanded significantly with additional land acquisitions, reaching over 600 acres. A golf course was added in 1964, one of the first public courses in the region, designed to generate revenue for park maintenance. Native American artifacts, including arrowheads from the Adena culture, were discovered during construction, highlighting the area's prehistoric use as hunting grounds. The park introduced interpretive programs to educate visitors on local ecology and history. Flood control measures along the creek became a priority after heavy rains caused damage. These developments solidified its role as a recreational hub. The 1970s and 1980s brought environmental awareness, leading to habitat restoration projects at Blacklick Woods. Invasive species were removed, and native wildflowers were planted in the meadows. A nature center opened in 1976, featuring exhibits on wetlands and forests. The park's slate-covered bridge, a remnant of 19th-century infrastructure, was preserved as a historic feature. Birdwatching gained popularity with the addition of observation decks. Community volunteers played a key role in trail maintenance and cleanups. During the 1990s, Blacklick Woods underwent major upgrades, including paved multi-use trails for biking and hiking. The Walter A. Tucker Nature Preserve, a 53-acre old-growth forest within the park, was dedicated in 1995 to protect rare beech-maple woodlands. Educational partnerships with local schools introduced field trips on topics like stream ecology. The golf course was renovated to improve playability while minimizing environmental impact. Annual events, such as the fall festival, drew thousands to celebrate the park's natural beauty. These enhancements balanced recreation with conservation. In the 21st century, Blacklick Woods has adapted to increasing visitation with sustainable practices. Solar panels were installed at facilities in the 2010s to reduce energy costs. The park now spans 643 acres, offering diverse habitats from wetlands to uplands. Recent initiatives include pollinator gardens and prescribed burns to maintain prairie areas. It remains a flagship for the Metro Parks, inspiring similar preservations system-wide. Ongoing archaeological surveys continue to uncover traces of early inhabitants. **Map of the Park** Here is a [map of Blacklick Woods](https://www.metroparks.net/wp-content/uploads/2025/10/BLK-map-May-2025-with-extended-greenway_1980px.jpg). **Summary** For this event, we will hike about 4.5 miles by doing a couple loops of the Buttonbush, Tucker, Maple Loop, and Beech trails. Blacklick Woods is a very nice park, but it is generally flat and not strenuous, so this will be one of the easier hikes that we do. **Where We'll Meet** Drive all the way to the back of the park to the parking lot that is nearest the Nature Center. There are restrooms here next to the Canopy Walk. We'll meet near these restrooms. Speaking of the [Canopy Walk](https://www.metroparks.net/blog/canopy-walk-is-your-gateway-to-the-sky/), it's not officially part of the event this time. However, if interested people want to freelance and check it out after the hike (before heading to the brewery), that's okay. **After the Hike** After we're done with the trails, we'll head to [Prost Beer & Wine Café](https://prostcafe.com/) for drinks and [food](https://prostcafe.com/reynoldsburg-prost-beer-and-wine-cafe-food-menu). The actual address of the brewery is [7354 E Main St, Reynoldsburg, OH 43068](https://www.google.com/maps/place/7354+E+Main+St,+Reynoldsburg,+OH+43068/data=!4m2!3m1!1s0x8838648cfb8d2dbb:0x545274bab130e9bb?sa=X&ved=1t:242&ictx=111), and we should be there by 5:00 if you just want to do that and skip the hike.

We'll meet at The Capital One Café, 167 Easton Town Center, Space A-103. This is in the main mall where the Microsoft store used to be, on your left if you're standing at the bottom of the AMC Theater escalator. Join us on Sunday for an hour of uninterrupted wordmaking! • What we'll do Join us for an hour of writing! We’ve discovered that it’s strikingly helpful to write with other writers. See if it’s true for you at noon on Sundays. Be it a book, blog, script, essay, dissertation, resume, melody, poem or just plain work stuff, you are invited to write it with us. No one will see what you've written or give you unsolicited advice. Instead of just thinking about writing, come and get some real writing done. SCHEDULE: 12:00 - quick intros. 12:10 - timer starts: write for 1 hour. 1:10 - chat / take off / keep writing. OPTIONAL SOCIALIZING happens at 1-1:30ish. Writing is very solitary. Connecting (and sometimes even commiserating) with other writers is a cool thing. BEING LATE IS OKAY: just show up and get settled, then check-in with me after the session. If you were on time, please be willing to make room for the friendly latecomer. Happy writing and I look forward to seeing you! • What to bring Whatever you need to be able to write! Bring earbuds/earplugs if you want to block noise or the occasional conversation by other patrons. Electrical outlets are limited, so charge your devices before whenever possible. See you at The Café on Sunday!

Happy New Year Colleagues, The next Columbus Futurists public forum will be **Thursday January 15 at 12:00 pm noon** (eastern) [https://osu.zoom.us/j/93451873651?pwd=RXIyZ2t5RjRqRG02UGQ1aEFVQ1NFZz09](https://osu.zoom.us/j/93451873651?pwd=RXIyZ2t5RjRqRG02UGQ1aEFVQ1NFZz09) Please come prepared to offer your **"What if?" questions for 2026**. (I will offer seven to begin our conversation.) I also would like to announce the publication of my latest book: *[Anticipatory Biographies: Personal Histories of the Future](https://link.springer.com/book/10.1007/978-3-032-08912-0)*, the tenth volume in the “Anticipation Science” series. Grounded in design fiction, futures research, anticipation science, and scenario writing, *Anticipatory Biographies* envisions how the world will be reshaped by artificial intelligence, technological automation, climate change, political disintegration, and the decline of higher education. This work of creative non-fiction bridges literary and scholarly forms, blending biography and design fiction with research-based insights to offer a narrative-based method for exploring futures. Ed Finn, Director of the Center for Science and the Imagination at Arizona State University says: “In this book **David Staley has invented a delightful new genre: the future biography.** He invites us to step into gritty, thrilling, and inspiring futures elbow-to-elbow with the characters living those stories. *Anticipatory Biographies* beautifully synthesizes Staley’s training as a historian, his expertise as a futurist, and his desire to ignite the imagination of his readers.” Hope you'll be able to read it, and hope to see you all on the 15th. D. David J. Staley, Ph.D. President, Columbus Futurists 614.316.1348 [columbus.futurists@gmail.com](mailto:columbus.futurists@gmail.com) [http://columbusfuturists.org](http://columbusfuturists.org/) [https://davidjstaley.substack.com/](https://davidjstaley.substack.com/)