Hi All.

You will have a week to vote on July's book. The poll will close Tuesday evening (5/25).

VOTE HERE


1. The Big Clock, by Kenneth Fearing : 200 pages
George Stroud is a hard-drinking, tough-talking, none-too-scrupulous writer for a New York media conglomerate that bears a striking resemblance to Time, Inc. in the heyday of Henry Luce. One day, before heading home to his wife in the suburbs, Stroud has a drink with Pauline, the beautiful girlfriend of his boss, Earl Janoth. Things happen. The next day Stroud escorts Pauline home, leaving her off at the corner just as Janoth returns from a trip. The day after that, Pauline is found murdered in her apartment.

Janoth knows there was one witness to his entry into Pauline?s apartment on the night of the murder; he knows that man must have been the man Pauline was with before he got back; but he doesn?t know who he was. Janoth badly wants to get his hands on that man, and he picks one of his most trusted employees to track him down: George Stroud, who else?

How does a man escape from himself? No book has ever dramatized that question to more perfect effect than?The Big Clock, a masterpiece of American noir.



2. Herzog, by Saul Bellow : 400 pages
A novel complex, compelling, absurd and realistic,?Herzog?became a classic almost as soon as it was published in 1964. In it Saul Bellow tells the tale of Moses E. Herzog, a tragically confused intellectual who suffers from the breakup of his second marriage, the general failure of his life and the specter of growing up Jewish in the middle part of the 20th century. He responds to his personal crisis by sending out a series of letters to all kinds of people. The letters in total constitute a thoughtful examination of his own life and that which has occurred around him. What emerges is not always pretty, but serves as gritty foundation for this absorbing novel.



3. The Girl with the Dragon Tattoo, by Stieg Larsson : 608 pages
Once you start The Girl with the Dragon Tattoo, there's no turning back. This debut thriller--the first in a trilogy from the late Stieg Larsson--is a serious page-turner rivaling the best of Charlie Huston and Michael Connelly. Mikael Blomkvist, a once-respected financial journalist, watches his professional life rapidly crumble around him. Prospects appear bleak until an unexpected (and unsettling) offer to resurrect his name is extended by an old-school titan of Swedish industry. The catch--and there's always a catch--is that Blomkvist must first spend a year researching a mysterious disappearance that has remained unsolved for nearly four decades. With few other options, he accepts and enlists the help of investigator Lisbeth Salander, a misunderstood genius with a cache of authority issues. Little is as it seems in Larsson's novel, but there is at least one constant: you really don't want to mess with the girl with the dragon tattoo.



4. The Death and Life of Great American Cities, by Jane Jacobs : 458 pages
In this ground-breaking work written over 30 years ago, Jane Jacobs not only threw a monkey wrench into conventional thinking on the structure of cities and helped reshape urban planning, but she did so as a non-expert and as a woman-both historical taboos in the world of intellectual analysis. With flowing, descriptive prose, Jane's work leads us to think about each element of a city-sidewalks, parks, neighborhoods, government, economy-as a synergistic unit both encompassing structure and going beyond it to the functioning dynamics of our habitats. On a revealing journey through the problems of modern urban centers, artificially engineered to meet political and economic agendas, we arrive at a greater understanding of the intrinsic nature of our cities-as they should be.



5. Cloud Atlas: A Novel, by David Mitchell : 528 pages
At once audacious, dazzling, pretentious and infuriating, Mitchell's third novel weaves history, science, suspense, humor and pathos through six separate but loosely related narratives. Like Mitchell's previous works, Ghostwritten and number9dream (which was shortlisted for the Booker Prize), this latest foray relies on a kaleidoscopic plot structure that showcases the author's stylistic virtuosity. Each of the narratives is set in a different time and place, each is written in a different prose style, each is broken off mid-action and brought to conclusion in the second half of the book. Among the volume's most engaging story lines is a witty 1930s-era chronicle, via letters, of a young musician's effort to become an amanuensis for a renowned, blind composer and a hilarious account of a modern-day vanity publisher who is institutionalized by a stroke and plans a madcap escape in order to return to his literary empire (such as it is). Mitchell's ability to throw his voice may remind some readers of David Foster Wallace, though the intermittent hollowness of his ventriloquism frustrates. Still, readers who enjoy the "novel as puzzle" will find much to savor in this original and occasionally very entertaining work.