
What we’re about
"Wisdom and Woe" is a philosophy and literature discussion group dedicated to exploring the world, work, life, and times of Herman Melville and the 19th century Romantic movement. We will read and discuss topics related to:
- Works of Herman Melville: Moby-Dick, Clarel, Bartleby the Scrivener, Billy Budd, the Confidence Man, Mardi, reviews, correspondence, etc.
- Themes and affinities: whales, cannibals, shipwrecks, theodicy, narcissism, exile, freedom, slavery, redemption, democracy, law, orientalism, Zoroastrianism, Gnosticism, psychology, mythology, etc.
- Influences and sources: the Bible, Shakespeare, Hawthorne, Milton, Cervantes, Dante, Emerson, Kant, Plato, Romanticism, Stoicism, etc.
- Legacy and impact: adaptations, derivations, artworks, analysis, criticism, etc.
- And more
The group is free and open to anybody with an interest in learning and growing by "diving deeper" (as Hawthorne once said of his conversations with Melville) into "time and eternity, things of this world and of the next, and books, and publishers, and all possible and impossible matters."
"There is a wisdom that is woe; but there is a woe that is madness. And there is a Catskill eagle in some souls that can alike dive down into the blackest gorges, and soar out of them again and become invisible in the sunny spaces."
(Moby-Dick, chapter 96)
"Though wisdom be wedded to woe, though the way thereto is by tears, yet all ends in a shout." (Mardi, chapter 2.79)
"The heart of the wise is in the house of mourning; but the heart of fools is in the house of mirth." (Ecclesiastes 7:4)
NOTE: This page is intended as a thematic overview of the meetups in the series, but is not itself a meetup. To RSVP, please see the individual events as they are announced on the Wisdom and Woe calendar. This page will be updated as necessary to reflect changes to the schedule.
After a millennium of existence (697-1797), the Republic of Venice was torn asunder in the war between Napoleon Bonaparte and the Habsburg monarchy. Following Napoleon's fall in 1815, the opposing dynastic regimes reasserted control of the Italian Peninsula, annulled the constitution, and formed the Kingdom of the Two Sicilies. The new government enacted severe measures of repression and censorship, driving the republican ideals of the French Revolution underground, and fueling decades of clandestine resistance and eventually open war.
The resistance became known as the Risorgimento: the 19th-century revolution that converted "Italy" from a geographic to a political designation, expelling its foreign occupiers and unifying its disparate city-states into a single modern nation.
Its military success was indebted to general Giuseppe Garibaldi (1807-1882). He attained larger-than-life status not only as an Italian general, but as a global icon of freedom and independence. In the words of Albert Bigelow Paine, he was "the military Sir Galahad of modern times, forever seeking the Golden Grail of freedom": "What Joan of Arc had been to France, so Garibaldi became for Italy." He overthrew the Kingdom of the Two Sicilies with his volunteer forces known as "Redshirts" (due to the colors they wore in lieu of a uniform), aweing soldiers and fashionistas worldwide who emulated the look of the "Redshirt Revolution."
Dennis Berthold traces a distinctively American sympathy for the cause to the (somewhat antithetical) analogues of both the American Revolution (for the sake of independence) and the U.S. Civil War (for the sake of unification). Melville was influenced by Italian art and culture generally, but his engagement with the Risorgimento is most direct in the "Burgundy Club Sketches," a historically complex hybrid of poetry and prose that takes the revolution for its subject.
This series will survey Italian history, literature, life, language, and thought--from the Renaissance to the Ottocento revolution that forged a nation.
Series schedule:
- [1282 A.D.]: Opera night: Sicilian Vespers - Verdi - 7/27
- [1347-1354]: Rienzi: The Last of the Roman Tribunes - Edward Bulwer-Lytton - 7/20, 8/3
- [c. 1337]: The Bell-Tower - 8/7 [Thu]
- [1343-1382]: Joan of Naples - Alexandre Dumas - 8/10
- [1492-1496]: Romola - George Eliot - 8/17, 8/24, 8/31, 9/7
- [1513]: The Prince - Machiavelli - 9/14
- [1519]: Opera night: Lucrezia Borgia - Donizetti - 9/28
- [1628-1630]: The Betrothed - Alessandro Manzoni - 9/21, 10/5, 10/19
- [1647]: Masaniello - Alexandre Dumas - 10/26
- [1797]: Opera night: Billy Budd - Benjamin Britten - 10/12
- [1820-1830]: My Ten Years' Imprisonment - Silvio Pellico - 11/2
- [1835]: Poems - Leopardi - 11/9
- [1844-1858]: The Duties of Man - Giuseppe Mazzini - 11/16
- Young America In Literature [Thu] - 11/20
- [1857]: Journal of a Visit to Italy - 11/23
- [1860-1910]: The Leopard - Giuseppe Tomasi di Lampedusa (buy here) - 11/30, 12/7
- Celio - 12/14
- The Burgundy Club Sketches - 12/21
- American Risorgimento: Herman Melville and the Cultural Politics of Italy - Dennis Berthold - 12/28, 1/4, 1/11
Supplemental:
- Italian Unification Explained
- In Our Time, Garibaldi and the Risorgimento BBC Radio 4
- Star Trek Redshirt Death Supercut
Extracts:
- "I dreamed I saw a laurel grove, / Claimed for his by the bird of Jove, / Who, elate with such dominion, / Oft cuffed the boughs with haughty pinion. / ... This dream, it still disturbeth me: / Seer, foreshows it Italy?" ("Epistle to Daniel Shepherd")
- "... the Bay of Naples, though washing the shores of an absolute king, not being deemed a fit place for such an exhibition of American naval law." (White-Jacket, 88)
- "... the great Austrian Empire, Caesarian, heir to overlording Rome, having for the imperial color the same imperial hue..." (Moby-Dick, 42)
- "It was not long after 1848; and, somehow, about that time, all round the world, these kings, they had the casting vote, and voted for themselves." ("The Piazza")
- "In all parts of the world many high-spirited revolts from rascally despotisms had of late been knocked on the head.... All round me were tokens of a divided empire." ("Cock-a-doodle-doo!")
Upcoming events (4+)
See all- Rienzi: The Last of the Roman Tribunes - Edward Bulwer-Lytton (week 1)Link visible for attendees
Rienzi (aka Cola di Rienzo, 1313-1354) was a 14th-century Italian politician and leader who styled himself the "tribune of the Roman people." In his lifetime, he advocated for the unification of Italy and the abolition of temporal papal power, serving as a model and inspiration for the Risorgimento in the 19th century. He is the subject of an ode by Petrarch, an opera by Wagner, and the novel Rienzi (1835) by Edward Bulwer-Lytton.
Today, Lytton is ingloriously remembered for the opening line "It was a dark and stormy night." But he was a literary luminary in his time, credited by Edgar Allan Poe with enkindling "the wildest passions of our nature, the most profound of our thoughts, the brightest visions of our fancy, and the most ennobling and lofty of our aspirations."
Poe's review of Rienzi considered it Lytton's best novel, calling it "a profound and lucid exposition of the morale of Government — of the Philosophies of Rule and Misrule — of the absolute incompatibility of Freedom and Ignorance — Tyranny in the few and Virtue in the many." Its democratic message is "something akin to direct evidence that ... in a nation's self is the only security for a nation — and that it is absolutely necessary to model" government "upon the character of the governed."
Week 1 (July 20): Books I - II
Week 2 (August 3): Books III - XRienzi:
Supplemental:
- Rienzi opera by Wagner (1842)
Trivia:
- Rienzi is dedicated to Alessandro Manzoni, the author of The Betrothed.
Extracts:
- "... we’ve struck for liberty, and liberty we’ll have! I’m your tribune, boys; I’m your Rienzi. The Commodore must keep his word." (White-Jacket, 54)
This meetup is part of the series The Risorgimento.
- Opera night: Sicilian Vespers - VerdiLink visible for attendees
The historical event known as the Sicilian Vespers--precipitated by the oppressive rule of Sicily by the French king Charles I of Anjou--began on 30 March 1282 (Easter Monday) during the Vespers (evening prayers) in Palermo, Sicily.
It was incited when a French occupation soldier insulted a woman during the service at the Church of the Holy Spirit. It provoked a disturbance, which escalated into a riot, which--over the next four weeks--escalated into a violent uprising. The soldier and thousands of other French inhabitants (military and civilian alike) were killed as the island was overrun, culminating (albeit temporarily) in the overthrow of the foreign government.
Nearly 500 years later (1855), Verdi premiered an opera based on the event. Although Sicilian Vespers only loosely resembles history, and Austria, instead of France, was then in control of Sicily, its relevance to Italy's present moment was unmistakable.
For a detailed synopsis of the opera (recommended), see here.
Verdi has been called "the most political" of all the great opera composers, not alone because his works so frequently portray resistance to power and authoritarianism. His patriotic choruses became revolutionary anthems for the Risorgimento, especially "Va Pensiero" from Nabucco (in which Hebrew slaves dream of liberation from King Nebuchadnezzar).
This meetup will consist of a live viewing, accompanied by discussion and analysis.
About the production:
- In Italian with English subtitles
- Runtime: 2h 50m
- Stage Director: Pier Luigi Pizzi
- Recorded live at the Teatro Regio di Parma, 13 & 17 October 2010
Extracts:
- "Such a heartless massacre of hair! Such a Bartholomew’s Day and Sicilian Vespers of assassinated beards!" (White-Jacket, 85)
- "Launching my yawl no more for fairy-land, I stick to the piazza. It is my box-royal; and this amphitheatre, my theatre of San Carlo." ("The Piazza")
This meetup is part of the series The Risorgimento.
- Rienzi: The Last of the Roman Tribunes - Edward Bulwer-Lytton (week 2)Link visible for attendees
Rienzi (aka Cola di Rienzo, 1313-1354) was a 14th-century Italian politician and leader who styled himself the "tribune of the Roman people." In his lifetime, he advocated for the unification of Italy and the abolition of temporal papal power, serving as a model and inspiration for the Risorgimento in the 19th century. He is the subject of an ode by Petrarch, an opera by Wagner, and the novel Rienzi (1835) by Edward Bulwer-Lytton.
Today, Lytton is ingloriously remembered for the opening line "It was a dark and stormy night." But he was a literary luminary in his time, credited by Edgar Allan Poe with enkindling "the wildest passions of our nature, the most profound of our thoughts, the brightest visions of our fancy, and the most ennobling and lofty of our aspirations."
Poe's review of Rienzi considered it Lytton's best novel, calling it "a profound and lucid exposition of the morale of Government — of the Philosophies of Rule and Misrule — of the absolute incompatibility of Freedom and Ignorance — Tyranny in the few and Virtue in the many." Its democratic message is "something akin to direct evidence that ... in a nation's self is the only security for a nation — and that it is absolutely necessary to model" government "upon the character of the governed."
Week 1 (July 20): Books I - II
Week 2 (August 3): Books III - XRienzi:
Supplemental:
- Rienzi opera by Wagner (1842)
Trivia:
- Rienzi is dedicated to Alessandro Manzoni, the author of The Betrothed.
Extracts:
- "... we’ve struck for liberty, and liberty we’ll have! I’m your tribune, boys; I’m your Rienzi. The Commodore must keep his word." (White-Jacket, 54)
This meetup is part of the series The Risorgimento.
- The Bell-TowerLink visible for attendees
"The Bell-Tower" is a short story by Herman Melville, collected in The Piazza Tales and published in 1856.
In Renaissance Italy, an eccentric architect, Bannadonna, builds a colossal tower summited by a bell and an uncanny mechanical man to ring it. The story reveals the disturbing relationship among a creator, his creation, an obsessive artistic vision, and the Faustian bargain paid by his community for its construction.
One possible inspiration for the story is Giotto (c. 1267-1337), the great Florentine painter, sculptor, and architect who, in 1334, was commissioned to construct a similarly ambitious bell tower. The massive project was beset with difficulties: "Giotto did not live long enough to see it finished" (Vasari), and it suffered further delays by political turmoil and the Black Plague. His successors officially completed it in 1359, but it never fulfilled its original design.
Lorenzo de' Medici, "the Magnificent," memorialized the tower in 1490. A nearby plaque reads: "Do you admire a beautiful tower resounding with sacred sound? By my design this tower also reached for the stars. But I am Giotto, why cite such deeds? My name alone is worth a lengthy ode."
"The Bell-Tower":
Audiobooks:
- Librivox 40m
- HorrorBabble
Supplemental:
- "The Bell Tower" radio adaptation, The Weird Circle (1944)
- Ernst Krenek: The Bell Tower chamber opera in one act (1956)
- The Tower that Giotto Never Built lecture by Jeremy Boudreau
This meetup is part of the series The Risorgimento.