Gifted Children

Gently flow to release the week's stresses, then deeply stretch with the yin and restorative yoga in an accepting, calm environment enhanced with candlelight and meditation. Leave feeling relaxed, refreshed, restored and ready for what the weekend has in store for you! **Please reserve your spot at www.piesfitnessyoga.com.** The session is offered InStudio only. **Sign up for sessions must be made at least 2 hours prior to class.** The address is 1322 Prince St Alexandria, VA 22314. Our entrance is located on the side of the building, parallel to West St. **Street parking is available and additional parking is located at Shiloh Baptist church, spaces 3,5,7,9.** The church is located across the street from the studio, on the corner of Duke St. and West St.

Think you aren't flexible enough for yoga? Afraid to get onto the floor? Living with physical aches or restricted range of motion? Then this is the perfect yoga class for you! Explore your body's strengths in a fun, supportive environment while maintaining and growing your range of motion, flexibility, balance, strength, and sense of peace. All are welcome in this therapeutic class. Come ready to try new things, laugh, ask questions, and support each other. **Please reserve your spot at www.piesfitnessyoga.com.** The session is offered both InStudio and OnLine. The Zoom link for the OnLine session will be emailed 15 minutes before class starts to those who are registered at www.piesfitnessyoga.com. **Sign up for sessions must be made at least 2 hours prior to class.** The address is 1322 Prince St Alexandria, VA 22314. Our entrance is located on the side of the building, parallel to West St. **Street parking is available and additional parking is located at Shiloh Baptist church, spaces 3,5,7,9.** The church is located across the street from the studio, on the corner of Duke St. and West St. Discount is available to seniors, teachers, students, emergency responders, and military. All can save by purchasing class packs.

Join us for the world premiere of the musical ***Aguardiente: Where Magic Transcends Borders,*** commissioned by GALA and conceived by Helen Hayes multi-award winner Luis Salgado from Puerto Rico and Colombian artist Daniel Alejandro Gutiérrez. Blending Afro-Caribbean rhythms such as bomba, currulao, and cumbia, and Gabriel García Márquez’s magical realism, Aguardiente is a bold new musical about the messy, urgent act of making art in a world on fire. As a group of artists race to finish a new show, their rehearsal room becomes a battleground of ideas, ambition, and lived experience—especially for a composer whose undocumented status makes the dream of success anything but simple. As the team wrestles with what story they should tell, the line between reality and imagination begins to blur, until—like two currents meeting in the same river—the artists’ own struggles spill into the story they are creating: a vibrant tale set in a river town on the brink of environmental collapse, where two young lovers must decide whether to stay and fight for their homeland or leave in pursuit of a dream, making Aguardiente a theatrical journey about migration, memory, and the complicated act of transforming real lives into art. **PERFORMANCES:** ***Aguardiente*** is a bilingual production with surtitles in English and Spanish, and runs April 30 through May 24, 2026. Performances are Thursdays through Saturdays at 8 pm and Sundays at 2 pm. The show is approximately 160 minutes long and includes one intermission. Community Night is Thursday, April 30. Noche de GALA, which includes a post-performance reception with the cast and creative team, is Saturday, May 2, under the honorary patronage of His Excellency Daniel García-Peña Jaramillo, Ambassador of Colombia to the U.S. **TICKETS:** Regular tickets for ***Aguardiente*** are $60 Premium, $55 Orchestra Standard, $45 Orchestra Value, and $35 Balcony Value; $35 Seniors (65+), Military, Teachers, and Groups (10+); $25 25 and Under; Community Night tickets are $25 each and Noche de GALA: Chosen ticket price + $5 (per person). **[GET TICKETS HERE](https://ci.ovationtix.com/35923/production/1245626)** **CAST:** ***Aguardiente: Where Magic Transcends Borders*** features an 18-people multicultural cast that includes Samuel Garnica (Venezuela) as Alberto, Sebastián Treviño (Colombia and Mexico) as Alejandro, Vin Ramos (Puerto Rico) as Azuquita, Ana Luisa Martínez (Mexico) as Anís, Shayla Hernández (Puerto Rico) as Kiara, Emy Ramos (Dominican Republic and United States) as Beta, Eric González (Spain) as Eve, Machirán (Cuba) as Pepe/MC, and Leanna “Leah” Finol (Venezuela and Hungary) as Mamá/Mom. The ensemble includes Ralphie Rivera (Puerto Rico, Dance Captain), Álvaro Medina Molina (Puerto Rico and Colombia, Alberto U/S), Santiago Ayala (Colombia, Alejandro U/S), Brianna Ríos (El Salvador and Puerto Rico, Anís U/S), Ana Daniela Pérez (Panama, Beta U/S), Bibi Sánchez (Mexico, Mamá U/S), Julia Neveu (United States, Eve U/S), Zaramaría Fas (Puerto Rico, Swing), and Rodrigo Calderón (Peru, Swing, Azuquita U/S). **CREATIVE TEAM:** This enthralling new musical is written, directed, and choreographed by Luis Salgado, with music and music direction by Daniel A. Gutiérrez, and lyrics by both Salgado and Gutiérrez. Scenic Design is by Clifton Chadick, Lighting Design is by Colin Bills, Projections Design is by Milton Cordero, and Madeline “Mo” Oslejsek is Sound Designer. Costume Design is by Jeannette Christensen, Properties Design is by Chelsea Dean, and Hair and Makeup Design is by Andre Hopfer. Sorany Gutiérrez is the Dramaturg, Valeria Cossu is Associate Director, and Ralphie Rivera is Associate Choreographer. Cody Von Ruden is Assistant Costume Designer and Elias Hall is Assistant Properties Designer. The band includes Daniel Gutiérrez (Music Director, Conductor, Keys), Sebastián Natal (Assistant Music Director, Multi-instrumentalist), Juan “Juancho” Gómez (Guitar), Iván Navas (Multi-instrumentalist), Jaime Rodríguez (Percussion), Roger Torres (Trumpet), and Michael “Mike” Ventura (Saxophone). Ester Teixeira Vianna is Stage Manager, Rbekah Nogueira is NYC Assistant Stage Manager, Brian Martínez is DC Assistant Stage Manager, Ilyana Rose-Dávila is Production Manager, Amanda Leyva is Assistant Production Manager, Anson Stevie is Technical Director, Delbis Cardona is General Manager for Rehearsal Space, and Lorena Suárez is Company Administrator. Gustavo Ott is the Producer and Rebecca Medrano is the Executive Producer. The production is made possible in part with generous support from the National Endowment for the Arts (NEA), the DC Commission on the Arts and Humanities, the Paul Angell Foundation, the National Latinx Theater Initiative, and the Morris and Gwendolyn Cafritz Foundation. Additionally, GALA Hispanic Theatre is a recipient of the 2026 THRIVE! Grant, funded by the Mark Edelman Theater Fund and administered by Theatre Communications Group, the National organization for theatre leading for a just and thriving theatre ecology.

**Take your skills to the next level!** Maybe you’re feeling ready to jump into Day 2. How are you feeling about the speed with which you draw icons, symbols, and figures? How do you introduce emotions into your posters? Would you like to improve your handwriting and lettering skills? Have you worked with mobile elements? Step into the opportunity to capture live conversations using a simple, elegant technique for creating visually appealing charts There’s so much to learn and integrate into your repertoire. ***NB: bikablo Day 1 training is a prerequisite for this program, as we will complete one review exercise of learning from Day 1, and then we will move into new territory!*** **Location:** **IN PERSON** at Brian's Lizard Brain Studio in Herndon, Virginia. Exact address to be shared with registered participants. **Cost:** $600, payable to Jill Greenbaum. Go to Jill's calendar [here](www.jillgreenbaum.com/calendar), to choose and register for this course. **You MUST register with Jill to attend!**

♠️ Spades in Virginia! ♠️ Nando's Peri Peri, Mosaic District 2987 District Ave Ste 100, Fairfax, VA 22031 🌟 3rd Friday Spades in Virginia! 🕕 6:30pm to 10:30pm 😀 **Posted in multiple groups. So, expect a nice crowd.** 🚗 Parking is FREE!!! 🍷 Alcoholic beverages are available! Please support the business by purchasing food/drinks. ✅️ No partner needed! Get matched with a partner onsite. All skill levels are welcome. ❤️ Come hang out with a friendly and welcoming group. Meet new people and have a great time! 🌟 The fun starts at 7pm! RSVP today.

Venez apprécier l'ambiance chaleureuse d'une conversation en français autour d'un verre de vin et d'apéritifs. C'est ouvert à tous quelque soit votre niveau, que vous soyez intermédiaire/avancé ou bien que le Français soit votre langue maternelle. ***GRAB A DRINK AND YOU WILL BE ALL SET TO FLEX YOUR LANGUAGE CAPACITY. YOU NEED TO GET AT LEAST A DRINK OR FOOD :) To get the event going and show support. We know that you like our events. P.S. : We have non-alcoholic drinks as well.*** We have a tiny venue and we hit capacity often and early arrival is suggested. We have the discretion to decide entry. It is irresistible, to enjoy French convo with a glass of wine, appetizers and drinks. The Event is open to all levels of French language, from intermediate to native fluency. This is mainly a social for Intermediate/Advanced/Native Speakers. It is not as such to learn a language. Beginners, if you want to learn a language, reach out to us ([info@merevents.com](http://info@merevents.com/)). We have a school and will arrange you a class. ***AFTER THE HAPPY HOUR, WE HIT THE DANCE FLOOR! BRING YOUR DANCING SHOES, WE WILL DANCE THE NIGHT AWAY!***

[Book Your Classes by Clicking This Link! ](https://crowndancestudio.com/group-classes/) Friday: Advanced Expression End the work week with high-energy **Advanced Rhythm** from **7:00 PM to 8:30 PM**. This session dives deep into the technicalities of Latin and Ballroom styles like Rumba, Samba, or Mambo, designed for dancers who value precision and artistic expression. For $25, you'll receive intensive instruction that pushes your physical boundaries and refines your competitive or performance edge in a high-vibe atmosphere. **When: Every Friday** **Time: 7:00 pm to 8:30 pm.** **1 Dances per month:** **\*Please check the flyer on the group class page for the dance of the month. Or contact us to find out.** **Cost:$25 per person for 90 min.**

Francis Hutcheson (1694-1746) was a pivotal early figure of the Scottish Enlightenment, a movement which strongly embraced empiricism and concentrated on the study of human nature and the relationship of individuals and society. Born in Ireland to a line of Scottish Presbyterian ministers, Hutcheson was educated by dissenting Irish Presbyterians in Ulster before matriculating at the University of Glasgow, where he studied philosophy and theology. In 1719 he was licensed to preach in Ireland, but rather than adopting the more traditional views of his forefathers, he gravitated toward the tolerant and liberal “New Light” Presbyterianism. Instead of further pursuing the ministry for which he had trained, he put his efforts into founding a dissenting academy in Dublin—a successful venture that occupied him for the next ten years. While teaching in Dublin, he moved in intellectual circles, and it was there that he wrote the four early treatises—collected into two books, the *Inquiry* of 1725 and the *Essay* of 1728—that quickly established his reputation as a philosopher. On being appointed chair of moral philosophy at his alma mater, he left Ireland for Glasgow in 1729. Contemporaries described Hutcheson as a popular and animated professor—the first at Glasgow to deliver lectures in English rather than exclusively in Latin. His most famous student was Adam Smith (enrolled 1737-40). Hutcheson's influence on Scottish thinkers was considerable. With his emphasis on the primacy of feeling over reason in our moral perceptions, he inspired David Hume’s moral sentimentalism. His analysis of natural rights and property in the *Inquiry* (Treat. II Sect. VII) as well as in his later works directly influenced Smith. The Scottish school of common sense realism derived partly from Hutcheson's explication of moral sense theory. His influence also made its way to colonial America, where his works were included in college curricula beginning in the mid-1700s. John Adams and other signers of the Declaration of Independence are known to have read Hutcheson. In the *Inquiry*, he takes up Locke’s epistemology of sense perception and broadens it into a theory of the “internal senses”—faculties of perception as powerful as the commonly designated five external senses. Elaborating Lord Shaftesbury’s notion of a “moral sense” and the earl's analogy between beauty and virtue, Hutcheson divided his *Inquiry* into a discussion of the sense of beauty and of the paramount moral sense—both being internal senses which operate without depending on mediation by the will or reason. Like Shaftesbury and the philosopher Richard Cumberland, Hutcheson held a strong distaste for the Hobbesian worldview. In the vein of the former two, he promoted a vision of humans as naturally benevolent and innately interested in the welfare of others, maintaining that others’ good brings us no less pleasure than our own good. Notably, he also sowed the seeds of utilitarian thought with his phrase “the greatest happiness for the greatest numbers” (Treat. II Sect. III). **Main Reading** The reading below is available at the Online Library of Liberty: * The [Inquiry](https://oll.libertyfund.org/titles/leidhold-an-inquiry-into-the-original-of-our-ideas-of-beauty-and-virtue-1726-2004), comprising the first two of Hutcheson's four early treatises (we are reading the 1726, or 2nd edition, of the book): read the [Preface](https://oll.libertyfund.org/titles/leidhold-an-inquiry-into-the-original-of-our-ideas-of-beauty-and-virtue-1726-2004#lf1458_head_019) and Treat. I: Sections [I](https://oll.libertyfund.org/titles/leidhold-an-inquiry-into-the-original-of-our-ideas-of-beauty-and-virtue-1726-2004#lf1458_label_051), [II](https://oll.libertyfund.org/titles/leidhold-an-inquiry-into-the-original-of-our-ideas-of-beauty-and-virtue-1726-2004#lf1458_label_071), [III](https://oll.libertyfund.org/titles/leidhold-an-inquiry-into-the-original-of-our-ideas-of-beauty-and-virtue-1726-2004#lf1458_label_088) (Art. [IV](https://oll.libertyfund.org/titles/leidhold-an-inquiry-into-the-original-of-our-ideas-of-beauty-and-virtue-1726-2004#lf1458_label_101) is optional), ([V](https://oll.libertyfund.org/titles/leidhold-an-inquiry-into-the-original-of-our-ideas-of-beauty-and-virtue-1726-2004#lf1458_label_109) is optional), [VI](https://oll.libertyfund.org/titles/leidhold-an-inquiry-into-the-original-of-our-ideas-of-beauty-and-virtue-1726-2004#lf1458_label_137), [VII](https://oll.libertyfund.org/titles/leidhold-an-inquiry-into-the-original-of-our-ideas-of-beauty-and-virtue-1726-2004#lf1458_label_158), [VIII](https://oll.libertyfund.org/titles/leidhold-an-inquiry-into-the-original-of-our-ideas-of-beauty-and-virtue-1726-2004#lf1458_label_165); and Treat. II: [Intro](https://oll.libertyfund.org/titles/leidhold-an-inquiry-into-the-original-of-our-ideas-of-beauty-and-virtue-1726-2004#lf1458_head_032) and Sect. [I](https://oll.libertyfund.org/titles/leidhold-an-inquiry-into-the-original-of-our-ideas-of-beauty-and-virtue-1726-2004#lf1458_label_181), [II](https://oll.libertyfund.org/titles/leidhold-an-inquiry-into-the-original-of-our-ideas-of-beauty-and-virtue-1726-2004#lf1458_label_205), [III](https://oll.libertyfund.org/titles/leidhold-an-inquiry-into-the-original-of-our-ideas-of-beauty-and-virtue-1726-2004#lf1458_label_228) (Art. XI, XII until “Intention, foresight” optional), [IV](https://oll.libertyfund.org/titles/leidhold-an-inquiry-into-the-original-of-our-ideas-of-beauty-and-virtue-1726-2004#lf1458_label_258), [V](https://oll.libertyfund.org/titles/leidhold-an-inquiry-into-the-original-of-our-ideas-of-beauty-and-virtue-1726-2004#lf1458_label_275), [VI](https://oll.libertyfund.org/titles/leidhold-an-inquiry-into-the-original-of-our-ideas-of-beauty-and-virtue-1726-2004#lf1458_label_296), and especially [VII](https://oll.libertyfund.org/titles/leidhold-an-inquiry-into-the-original-of-our-ideas-of-beauty-and-virtue-1726-2004#lf1458_label_324). * Hutcheson's lecture upon his appointment at Glasgow, “[On the Natural Sociability of Mankind](https://oll.libertyfund.org/titles/hutcheson-logic-metaphysics-and-the-natural-sociability-of-mankind#lfHutcheson_head_238)." The first 3 paragraphs, until footnote 10, are optional. * The beginning of the fourth treatise [Illustrations](https://oll.libertyfund.org/titles/garrett-an-essay-on-the-nature-and-conduct-of-the-passions-and-affections-1742-2002#lf0150_label_230), Sect. [I](https://oll.libertyfund.org/titles/garrett-an-essay-on-the-nature-and-conduct-of-the-passions-and-affections-1742-2002#lf0150_head_019), and Sect. [IV](https://oll.libertyfund.org/titles/garrett-an-essay-on-the-nature-and-conduct-of-the-passions-and-affections-1742-2002#lf0150_label_296). Note that the ebook page on OLL can take a few moments to load. **Secondary resources** [IEP - Hutcheson](https://iep.utm.edu/hutcheso/) [SEP - Hutcheson](https://plato.stanford.edu/entries/hutcheson/) Liberty Fund: Editor’s [Intro to Inquiry](https://oll.libertyfund.org/pages/hutcheson-on-liberty-and-happiness). [SEP - Scottish 18th C. Philosophy](https://plato.stanford.edu/entries/scottish-18th/) [Wiki - Scottish Enlightenment](https://en.wikipedia.org/wiki/Scottish_Enlightenment) [Hutcheson and private property](https://www.adamsmithworks.org/documents/matson-hutcheson-property-virtue-march-2022) Routledge: [1](https://www.rep.routledge.com/articles/biographical/hutcheson-francis-1694-1746/v-1/sections/life-and-works-43333), [2](https://www.rep.routledge.com/articles/biographical/hutcheson-francis-1694-1746/v-1/sections/the-foundations-of-morality-and-the-moral-sense), [3](https://www.rep.routledge.com/articles/biographical/hutcheson-francis-1694-1746/v-1/sections/practical-ethics-and-influence)

Join us for the world premiere of the musical ***Aguardiente: Where Magic Transcends Borders,*** commissioned by GALA and conceived by Helen Hayes multi-award winner Luis Salgado from Puerto Rico and Colombian artist Daniel Alejandro Gutiérrez. Blending Afro-Caribbean rhythms such as bomba, currulao, and cumbia, and Gabriel García Márquez’s magical realism, Aguardiente is a bold new musical about the messy, urgent act of making art in a world on fire. As a group of artists race to finish a new show, their rehearsal room becomes a battleground of ideas, ambition, and lived experience—especially for a composer whose undocumented status makes the dream of success anything but simple. As the team wrestles with what story they should tell, the line between reality and imagination begins to blur, until—like two currents meeting in the same river—the artists’ own struggles spill into the story they are creating: a vibrant tale set in a river town on the brink of environmental collapse, where two young lovers must decide whether to stay and fight for their homeland or leave in pursuit of a dream, making Aguardiente a theatrical journey about migration, memory, and the complicated act of transforming real lives into art. **PERFORMANCES:** ***Aguardiente*** is a bilingual production with surtitles in English and Spanish, and runs April 30 through May 24, 2026. Performances are Thursdays through Saturdays at 8 pm and Sundays at 2 pm. The show is approximately 160 minutes long and includes one intermission. Community Night is Thursday, April 30. Noche de GALA, which includes a post-performance reception with the cast and creative team, is Saturday, May 2, under the honorary patronage of His Excellency Daniel García-Peña Jaramillo, Ambassador of Colombia to the U.S. **TICKETS:** Regular tickets for ***Aguardiente*** are $60 Premium, $55 Orchestra Standard, $45 Orchestra Value, and $35 Balcony Value; $35 Seniors (65+), Military, Teachers, and Groups (10+); $25 25 and Under; Community Night tickets are $25 each and Noche de GALA: Chosen ticket price + $5 (per person). **[GET TICKETS HERE](https://ci.ovationtix.com/35923/production/1245626)** **CAST:** ***Aguardiente: Where Magic Transcends Borders*** features an 18-people multicultural cast that includes Samuel Garnica (Venezuela) as Alberto, Sebastián Treviño (Colombia and Mexico) as Alejandro, Vin Ramos (Puerto Rico) as Azuquita, Ana Luisa Martínez (Mexico) as Anís, Shayla Hernández (Puerto Rico) as Kiara, Emy Ramos (Dominican Republic and United States) as Beta, Eric González (Spain) as Eve, Machirán (Cuba) as Pepe/MC, and Leanna “Leah” Finol (Venezuela and Hungary) as Mamá/Mom. The ensemble includes Ralphie Rivera (Puerto Rico, Dance Captain), Álvaro Medina Molina (Puerto Rico and Colombia, Alberto U/S), Santiago Ayala (Colombia, Alejandro U/S), Brianna Ríos (El Salvador and Puerto Rico, Anís U/S), Ana Daniela Pérez (Panama, Beta U/S), Bibi Sánchez (Mexico, Mamá U/S), Julia Neveu (United States, Eve U/S), Zaramaría Fas (Puerto Rico, Swing), and Rodrigo Calderón (Peru, Swing, Azuquita U/S). **CREATIVE TEAM:** This enthralling new musical is written, directed, and choreographed by Luis Salgado, with music and music direction by Daniel A. Gutiérrez, and lyrics by both Salgado and Gutiérrez. Scenic Design is by Clifton Chadick, Lighting Design is by Colin Bills, Projections Design is by Milton Cordero, and Madeline “Mo” Oslejsek is Sound Designer. Costume Design is by Jeannette Christensen, Properties Design is by Chelsea Dean, and Hair and Makeup Design is by Andre Hopfer. Sorany Gutiérrez is the Dramaturg, Valeria Cossu is Associate Director, and Ralphie Rivera is Associate Choreographer. Cody Von Ruden is Assistant Costume Designer and Elias Hall is Assistant Properties Designer. The band includes Daniel Gutiérrez (Music Director, Conductor, Keys), Sebastián Natal (Assistant Music Director, Multi-instrumentalist), Juan “Juancho” Gómez (Guitar), Iván Navas (Multi-instrumentalist), Jaime Rodríguez (Percussion), Roger Torres (Trumpet), and Michael “Mike” Ventura (Saxophone). Ester Teixeira Vianna is Stage Manager, Rbekah Nogueira is NYC Assistant Stage Manager, Brian Martínez is DC Assistant Stage Manager, Ilyana Rose-Dávila is Production Manager, Amanda Leyva is Assistant Production Manager, Anson Stevie is Technical Director, Delbis Cardona is General Manager for Rehearsal Space, and Lorena Suárez is Company Administrator. Gustavo Ott is the Producer and Rebecca Medrano is the Executive Producer. The production is made possible in part with generous support from the National Endowment for the Arts (NEA), the DC Commission on the Arts and Humanities, the Paul Angell Foundation, the National Latinx Theater Initiative, and the Morris and Gwendolyn Cafritz Foundation. Additionally, GALA Hispanic Theatre is a recipient of the 2026 THRIVE! Grant, funded by the Mark Edelman Theater Fund and administered by Theatre Communications Group, the National organization for theatre leading for a just and thriving theatre ecology.

15. Vers La Libération /542 end p. 600. 58 pages.

This Saturday, we celebrate more than a film premiere. We celebrate the power of storytelling, the strength of family bonds, and the love that connects us all. GYPASO. May 16th. 1:00 PM. Greenbelt Cinema. See you on the red carpet.

[Profs and Pints Northern Virginia](https://www.profsandpints.com/washingtondc) presents: **“How AI Alters Thinking,”** on dealing with artificial intelligence’s capacity to change and undermine our thought processes, with Eli Alshanetsky, assistant professor of philosophy at Temple University, principal investigator at its Cognitive Integrity Lab, and author of an upcoming book on AI and freedom of thought. [Advance tickets: $13.50 plus sales tax and processing fees. Available at [https://events.ticketleap.com/tickets/profsandpints/nv-how-ai-alters](https://events.ticketleap.com/tickets/profsandpints/nv-how-ai-alters) .] Doctors who give bad advice can be sued for malpractice. Teachers belong to a profession with set standards. When artificial intelligence guides you, however, that guidance comes with a disclaimer: Use at your own risk. Every day millions of people take that risk, and usually AI seems genuinely helpful. But even if AI gives us good answers, might its use over time do bad things to how we think? Explore the relationship between AI and our own minds with Eli Alshanetsky, whose Cognitive Integrity Lab studies how artificial intelligence changes how we think, learn, and build trust. Author of *Articulating a Thought* and the upcoming book F*reedom of Thought in the Age of AI*, he’s on the cutting edge of efforts to answer AI-related questions such as: How can we tell when work is truly our own? How can technology support rather than replace authorship and reflection? What does trust mean when AI mediates our relationships with others and with our own thoughts? To set up his discussion of potential consequences of AI, he’ll describe how social media’s impact on society serves as a preview. Social media didn’t just give people what they wanted to click on, it actually changed what they regarded as click-worthy. It broke attention spans and fueled radicalization across millions of very different people. It left us with people who doom-scroll for hours, who can’t focus, who don’t know what to trust anymore. If you’d shown people this version of themselves ten years ago, would they have chosen it? Artificial intelligence is making a similar deal with us, but the stakes are higher. It isn’t chasing clicks. It’s optimized for giving you the most satisfying response to whatever is on your mind right now. The risk over time isn’t just that you’ll get lazy. More profoundly, even when you think hard, your sense of what counts as good thinking—as well as what sounds like you—will shift to match what AI has been feeding you. We’ll consider what kind of person this produces and whether this is someone we want to be or want children to become. Professor Alshanetsky will lay out a practical framework, which he calls “the interaction layer,” for using AI without letting it replace the thinking it’s supposed to support. He’ll also talk about what AI-related concerns should be the focus of parents and educators. (Doors: $17, or $15 with a student ID. Listed time is for doors. Talk starts 30 minutes later.) Image: Illustration by David S. Soriano / Creative Commons.

Private Group. Closed to the Public Knowing ourselves and understanding our abilities is the first step toward wielding our gifts with control and accuracy. In subsequent classes we will verify and hone our talents with activities and discussion. These are hands-on workshops and participation is expected. The goal of our series will be to develop expertise in areas of particular interest such as mediumship, channeling, divination, healing and, etc.. Our ultimate directions will be determined by class members as we evolve. I look forward to sharing and discovering with you. - Cynthia

Join Neurospicy Columbus at the Stauff's for coffee and then a stroll through the Book Loft nearby! This will be a friendly chat for like minded individuals with Autism and/or ADHD (or somewhere on the Neurodiverse Spectra).

Join us as we get together to see the top-reviewed comedy-drama, I LOVE BOOSTERS! The film comes from writer/director Boots Riley and follows a group of shoplifters who take aim at a cutthroat fashion maven. Here are details, trailers and our plan for this event: DESCRIPTION: The film follows a group of shoplifters who take aim at a cutthroat fashion maven. It is written/directed by Boots Riley (Sorry to Bother You) and stars Keke Palmer, Naomi Ackie, Taylour Paige, Poppy Liu, Eiza González, LaKeith Stanfield, Will Poulter, Don Cheadle, and Demi Moore. BUZZ AND ACCLAIM: I Love Boosters was the opening film at this year’s SXSW Festival and premiered to rave reviews! It is currently earning a tremendous 97% positive rating on Rotten Tomatoes where critics call it, “an unexpected celebration of friendship, community, and solidarity.” Others call the film “an exercise in radical empathy,” a “masterful” and “optimistic” film designed to “provoke discussion” while making the audience laugh. TRAILER: [https://www.youtube.com/watch?v=r4lPRISgr9c](https://www.youtube.com/watch?v=r4lPRISgr9c) SUMMER OF ICE CREAM: GRAETER’S! Established way back in 1870 in Cincinnati, this historic, family-owned brand is famous for their delicious small batch ice cream and any chocolate chunk flavors! They are currently the only commercial ice cream maker using the French Pot method that they’ve been using since they first opened! Plus, those chocolate chunks, oh my goodness! Vegan options are available. PLAN: We’ll plan for a 7pm-ish showing and will meet in the lobby area about 20 minutes before the show. Advance ticket purchase not required for this theater but Showtime and complete details will be confirmed/announced as the date gets closer. Look forward to seeing you there, Dan