Art Classes

🇬🇧 EN 🇬🇧 🔥 SALSA CUBANA CLASSES ARE BACK 🔥 We are delighted to see you again for the start of the 2025/26 academic year 👉 Find all the needed information on our website : **[https://danzamania.be/](https://danzamania.be/horaires/?fbclid=IwZXh0bgNhZW0CMTAAYnJpZBExUjNGU3gzRWdsUFlWMGJMQgEeCHgiKV40mum5hOp5szt0Lxx3U-5DyHO_wR_ZJekcr_m7EFRdpcRthKRV9EU_aem_W6hFXCri8O6Kd9el-RIuIQ)** ✅ PROGRAMME ✅ 👉 TUESDAY 16/09 7:00-8:00 pm - Salsa Level 1A @ Salle Oxygène - Angie, Octavia & Raffa 8:15-9:15 pm - Salsa Niveau 1B\* @ Salle Ste Suzanne - Tine & Sam 8:00-9:00 pm - Salsa Cubana Level 2 @ Salle Oxygène - Angie, Octavia & Raffa \*The Level 1B course is the same as the Level 1A course. It will be taught by Tine & Samuel and starts at 8.15 p.m. It allows those who wish to arrive one hour later and have a group of about 10 people. 👉 WEDNESDAY 17/09 7:00-7:30 pm - Body Expression @ Salle Oxygène - Yusnay, Tine & Raffa 7:30-8:30 pm - Salsa Level 3 @ Salle Oxygène - Yusnay, Tine & Raffa 8:30-9:30 pm - Salsa Level 4 @ Salle Oxygène - Yusnay, Tine & Raffa 👉 THURSDAY 18/09 8:00-9:00 pm - Cuban Salsa Partnerwork - Level 1 + @ Studio Empain - Zoli 9:00-10:00 pm - Cuban Salsa Partnerwork - Level 2 + @ Studio Empain - Zoli 👉 FRIDAY 19/09 8:30-9:30 pm - Rueda de Casino @ Vibrato - Team Danza Mania 9:30-12:30 am - Practica & Entertainment with DJ Joel 💃 Dale Mambo🕺

**Palace : Broken View** 04/06 @ 19h00 This article was part of FORUM+ vol. 30 no. 1 | 2, pp. 68-79 Broken View. Congo and the magic lantern. **As an early projection device, the magic lantern was often used for colonial propaganda. For instance, to showcase and legitimize the ‘good works’ of the church in the colony. But lanterns were also used by missionaries in Africa to evangelize the local people and create a colonized mindset. This text is a reflection on the work process of Broken View, an essay film on colonial images from the Belgian Congo and the magic lantern. Through montage, collage, and assemblage the film examines and recontextualizes these images of the Belgian colonial past.** Als vroeg projectiemedium werd de toverlantaarn vaak gebruikt voor koloniale propaganda. Bijvoorbeeld om de 'goede werken' van de kerk in de kolonie te presenteren en te legitimeren. Maar lantaarns werden ook door missionarissen in Afrika gebruikt om de plaatselijke bevolking te evangeliseren en een gekoloniseerde mentaliteit te creëren. Deze tekst is een reflectie op het werkproces van Broken View, een essayfilm over de toverlantaarn en koloniale beelden uit Belgisch-Congo. Door montage, collage en assemblage onderzoekt en hercontextualiseert de film deze beelden uit het Belgische koloniale verleden. [...] **"I see montage not as a final stage of the filmmaking process, but rather as a way of beginning, montage as a way of writing."** In trying to find a way to present still images in a medium which relies on movement, I quite intuitively turned towards collage. This way, movement lies in the act of cutting out, in the tension between two arrested movements: the captured ça a été of the photograph and the completed collage-gesture that brings two or more images in the same space. The form gives rhythm to the discourse and engenders it. The cutting out of figures becomes a formal translation of what I try to do in the film discursively, to decontextualize and recontextualize fragments from the past. It performs the question of how to see these colonial images today, if we even should see them? Perhaps the only way to be able to show these images is when they are set in motion within a poetic space that aims to do justice to the realities of oppression from which they were taken. I am aware that some of the images in the film are hurtful to see. I am aware that some will see the reuse of these images as a continuation of the violence their taking involved, and that my position as a white European man will enforce this view. Though I have seen instances of this reiteration of colonial violence in cultural products that purport to denounce the colonial past, I do not believe that to show these images, even violent ones, even from my side of the colonial heritage, automatically implies continuing the violence they both document and materialize. I think this happens when not only the images themselves but also the spectacle-form and ideological framework in which they were presented are reproduced, in other words, when the effects of their reproduction are either ignored or anticipated and exploited in the service of this or that agenda. I have not treated this lightly. Broken View does not seek out a shock effect, it does not try to sell a product or resort to cynically rousing controversy to gain attention in an increasingly saturated audio-visual market. Nor do I claim a sort of neutral ground or moral high ground. It is the spectacle-form, the milieu in which these images were made and shown, that I hope the film interrogates and deconstructs. I do this knowing that any deconstruction is also a construction, that my film is also a form, and that there is no inherently unproblematic form. Both the essayistic montage and the collage, the poetics I turned to in this film, bring together elements that often have little to do with one another. They do this, as the writer Brian Dillon wrote about the essay form, ‘in such a way that the scandal or shock of their proximity arrives alongside a conviction that they have always belonged together’.11 So, these images must be accompanied by other images, brought into relation with other, maybe even seemingly unconnected images. These relationships are not comparisons or equations, but the threads of an unfinished fabric, a continuous work of de- and reassembly, a broader, perhaps speculative contextualization. Assemblages are formed in which the figures are brought into each other’s orbit, within a wider frame and into another timeline than those of the photographs they were taken out of, inserting them into new constellations, trying to find new rhythms. In doing so, I hope to make visible some of the brushstrokes with which they were originally made, the power relations these images texturized and helped (helplessly) to fabulate, the purposes they were to serve. The film is an essay, an atlas of sorts, or an album where fragments of images and language exchange their shortcomings, what words can show and what images can say. But what to say? Who is speaking and to whom? The spoken text is not only a feature of the essay film. Magic lantern projections were almost always accompanied by live narration. In the case of mission photography almost always in the explanatory mode, an authoritative register, a man, a priest, who spoke with full authority on what was being projected. There was no doubt in his voice. There is but one truth, and that is the Christian truth. At this stage in the editing process, I am trying to find a balance between different registers of the voice-over. The challenge is to subvert the authority of the colonial voice, to replace it not with silence, but to find another way of speaking, of giving information, to introduce an element of doubt. This can reside in subtle formal gestures, a tone of voice, an emphasis turning into a question mark, repetition, or wordplay. I am not quite sure yet how, but I want to let this informative, authoritative mode disintegrate into a poetic mode. I mean poetry in the sense that it is the opposite of the direct speech of the colonizer. That it is a tentative way of speaking. An essayistic way of speaking if you will. The text becomes a collage of registers, of sources and tones but spoken by a single voice. [Cinema Palace](https://www.cinema-palace.be/nl/film/broken-view) [This article was part of FORUM+ vol. 30 no. 1 | 2, pp. 68-79](https://forum-online.be/en/issues/februari-mei-2023/broken-view-congo-and-the-magic-lantern) **For Dreamers, Coffee shots, Orezza, eau de Saint-Georges !**

Join our next meetup at Collibra on June 4th! We will have 3 talks about OpenTelemetry and will share some food and drinks while networking **Location:** Collibra, Rue Picard 11, 1000 Bruxelles **Agenda:** 17:45 : Doors open 18:00 - 18:30 : Drinks and pizza 18:30 - 19:10 : Talk #1 OpenTelemery on Kubernetes with EDOT: Getting started and what's ahead 19:10 - 19:50 : Talk #2 Taming Tenancy, Cost and Architecture at Collibra Through OpenTelemetry and Our Telemetry Backbone 19:50 - 20.30 : Talk #3 Closing the Observability Gap: OpenTelemetry Meets Elastic at Telenet 20:30 : Wrap up **Talks:** **#1 OpenTelemery on Kubernetes with EDOT: Getting started and what's ahead** **OpenTelemetry has become the default way to instrument applications and infrastructure, and Kubernetes is one of the places where it makes most sense to use it.** This talk is a tour of OpenTelemetry on Kubernetes, focusing on the Elastic Distribution of OpenTelemetry (EDOT). We will explore the OTel basics (general architecture, signals) and the recommended way to deploy OTel on Kubernetes using the OpenTelemetry Operator. A live demo with an Elastic backend will showcase the correlation of metrics and logs, demonstrating how everything ties in together. Finally, it will cover the current community effort to stabilize Kubernetes observability, including the promotion of Kubernetes attributes to release candidate status and the latest updates to the semantic conventions for Kubernetes metrics. This session is useful for beginners trying to get into OTel, and for those running OTel in their Kubernetes cluster and trying to get some insights on what is to come. *Speaker: João Marques Correia, Software Engineer at Elastic* **#2 Taming Tenancy, Cost and Architecture at Collibra Through OpenTelemetry and Our Telemetry Backbone** Operating a SaaS platform presents the same observability problems as any other enterprise, but due to the scale and tenancy, we introduce a huge multiplier on the observability signals, having an effect on cost and effectiveness. This session dives into the techniques Collibra used to tame these problems and how to maintain clarity when infrastructure spans virtual machines, modern Kubernetes clusters, and a complex mix of single- and multi-tenant architectures. Without the right context, telemetry data becomes a noisy, indistinguishable flood. We will dive into the architectural decision to leverage the C4 system model, ensuring every piece of telemetry carries the vital context of what it belongs to and where it sits in the hierarchy. Enabling us to gain insights into both signal attribution and allowing virtual chargebacks. The presentation details the implementation of a pipeline using custom-built OpenTelemetry collectors designed to handle the data and enrich it before sending it to the appropriate backends. This session will give you practical insights on the challenges SaaS platforms have, but the techniques that are used to tame them can be applied everywhere. *Speaker: Alex Van Boxel, Principal System Architect at Collibra* **#3 Closing the Observability Gap: OpenTelemetry Meets Elastic at Telenet** Modern systems generate more telemetry than ever, but without consistency, that data quickly becomes noise. At Telenet, we turned to OpenTelemetry to standardise how we collect and enrich observability data across our bare-metal Kubernetes clusters. This talk dives into how we integrate OpenTelemetry into our engineering workflows and couple it with Elastic for storage, analysis, and visualisation. We’ll walk through our architecture, instrumentation strategies, and how we ensure high-quality telemetry that engineers trust. Along the way, we’ll highlight real use cases, from debugging production incidents to improving service performance, and discuss what worked, what didn’t, and what we’d do differently today. If you're an Elastic user looking to adopt or scale OpenTelemetry, this session will help you bridge the gap between theory and practice. *Speaker: Reidar Veroft, Container Platform Engineer at Telenetgroup* **Bios** **Alex Van Boxel** is a Principal System Architect at **Collibra**. With an engineering background in Research and Development at Alcatel-Lucent, Progress Software, and Veepee he loves to focus on the fundamental building blocks of the software industry. That means reading, understanding, and contributing to specifications, as well as contributing to the Open Source projects that run through our infrastructure. He is code-owner of two components of the OpenTelemetry collector. **João Marques Correia** is a Software Engineer at **Elastic**. Having recently joined Elastic, he has been focusing on OpenTelemetry, with a bigger effort being put into Kubernetes metrics stabilization. Before joining Elastic, he worked as a Software Engineer at Cisco on a Data Center network controller. He is drawn to distributed systems, and in particular how to observe them and keep them working reliably. **Reidar Veroft** is a DevOps Engineer at **Telenet**, where he builds observable, reliable systems that power critical infrastructure across Belgium. From the 5G core to our voice core, he focuses on making sure the systems behind Telenetgroup are not only running, but fully understood through high-quality telemetry. **Thanks to Collibra for hosting this meetup!**

Shake off the workday and train with a welcoming crew of internationals and Brussels professionals. This is a **co-hosted session with F45 Brussels**—fast, fun, and coached circuit training that fits perfectly after work. **Why join?** * **Community vibe:** Friendly, social, in English. * **All levels welcome:** Coaches demo every move with **easier/harder options**. * **Time-smart:** 45 minutes, full-body, high energy, great music. * **Accountability:** Come with the group, leave with endorphins. **What we’ll do** 1. Quick intro & warm-up 2. **F45 functional circuits** (intervals that mix strength + cardio) 3. Team finisher & cool down 4. Optional post workout social drink/rooftop bowling nearby (meet new people, not just new burpees 😉) **Good to know** * **When:** Thursday, **6:30 PM start** (arrive 6:15 to check in) * **Where:** **F45 Brussels** (Brussels Central Station) Galeries Ravenstein * **Bring:** Clean trainers, towel, water bottle * **Fitness level:** Beginner to advanced (scalable stations) * **Capacity:** Limited spots — **RSVP required** * **Price:** Free weekly tryout **Who this is for** * New in Brussels and want a **friendly fitness + social** routine * Busy professional looking for a **structured, coached** workout * Sunday Vacations regulars who want to stay fit for hikes & trips **About F45** F45 = **Functional 45-minute training**: coach-led, station-based, results-driven. Expect variety, technique tips, and a positive team atmosphere. See you on the floor at 6:30! 💪🏽✨ By joining this event, you agree to the Sunday Vacations [Terms & Conditions](https://www.sundayvacations.com/terms), [Privacy Policy](https://www.sundayvacations.com/privacy) & [Code of Conduct](https://www.sundayvacations.com/code)

Making the new Friends after work or in your vacation.

Socializing and Networking 🛜🆕 at PLUX on Thursday. Making new friends and drinking 🚰🎈🎉🚿🌊. Everybody Welocme, locals, expats or new 🆕 in town.

"The best time and place to start dancing salsa or improve your level" Salsa beginner class >>>>19h00-20h00 Salsa intermediate class >>>>20h-21h30 Free practice (social) >>>>21h30 \[Where\]: Atelier Gansbeek \- Rue du grand hospice 7\, 1000 Bruxelles [Registration]: Confirm your attendance in this event or send me a message here or via email urieldances@gmail.com [Fees]\*: 10€ = 1 class 45€ = 5 classes 80€ = 10 classes \*Students get a special discount [What to expect]: Salsa lessons for beginners and intermediates Meet new people (locals and expats) Nice and cosy place Fun and friendly atmosphere Practice after the class

**“A creative space to connect with your body.”** ​In the rush of everyday life, it can be easy to forget to slow down and listen to what is happening within. ​Yet this is often where a deeper kind of wisdom can be found. The body is constantly communicating with us - if we give ourselves the space to notice and listen. ​This workshop offers just that: a gentle space to reconnect and explore what your body might be asking for. ​Join us for a creative journey where we will settle the nervous system through sensorial, tactile exercises that bring you into contact with your body. Laura will then guide you through an inner listening process, allowing your own sensations, images, and insights to emerge. ​ Everyone is welcome. You don’t need any previous artistic experience - just a bit of curiosity. **Price: 15 euros per person** **Please book via the following link:** [https://luma.com/a2xonlhd](https://luma.com/a2xonlhd) *Clicking 'attending' on Meetup does not secure you a space!* ​ **What you can expect:** ​- a kind, respectful and non-judgmental atmosphere \- gentle\, guided explorations \- the use of different media such as paint\, ink\, clay\, drawing or collage ​**Practical information:** ​- Workshop duration: 2 hours \- Open to all from 14 \+ \- Language: English but a French translation is possible \- Please wear comfortable\, loose clothing that allows you to move freely and that you don't mind getting paint on \- All materials will be provided \- Please bring something to take your work home in \(a folder\, a plastic sleeve\, etc\.\) ​**About Laura:** ​Laura is a second year art-therapy student. She previously trained and worked as a puppeteer for her theatre company, Théâtre de l'Heure Bleue, and continues to work as a visual artist. She is currently developing an art therapy project using shadow puppetry with patients in palliative care, alongside a somatic-based project for people living with trauma or chronic illness. Her creative process is deeply kinaesthetic, translating felt experience into visual expression. ​For more information: [www.theatredelheurebleue.com](https://www.theatredelheurebleue.com/?utm_source=luma) or find her on Instagram: theatredelheurebleue

Have you always wanted to learn Bachata? Now is the perfect time! Our regular classes at Albert Hall are designed to help beginners progress quickly and master this beautiful social dance that is very popular right now! 💃🕺 We have just started a new session where everyone can learn at their own pace. Come with or without a partner. After the beginner's class, there are more advanced classes, followed by a free dance party for students. 🎉 A nice venue and a warm atmosphere—don't miss this opportunity! 🔥 PROGRAM 🔥 7:00 p.m. → Bachata Beginner NEW (Room 1) 7:00 p.m. → Bachata Advanced (Room 2) 8:00 p.m. → Bachata Beginner II (Room 1) 9:00 p.m. → Bachata Intermediate (Room 1) 💥 10:00 p.m. → Bachata Social Party with DJ Felito on the decks for a wild night of dancing! 🎶 🍍 Fresh fruit buffet provided to recharge your batteries between dances! 📍 Location: Albert Hall 651 chaussée de Wavre 1040 Brussels 💸 Prices: 1 class: €15 10-class pass: €120 20-class pass: €210 Dance party only: €10 (cash) 👉 Registration on site

Looking to meet new people in Brussels and do something creative and fun this Sunday? Join us for a creative & social workshop where you’ll paint your own canvas pouch (you can turn it into a makeup bag, pencil case, or an everyday essentials pouch ✨) You can personalise yours however you like! All materials will be provided so all you need to bring is your imagination 💖 No experience needed, perfect for beginners, craft lovers, or anyone wanting a slow, creative Sunday to unwind 🫶 *** ✨ **What’s included:** * Canvas pouch * Paints, brushes & design supplies * A drink from the café * A warm, social, creative atmosphere 💸 **Fee:** €16 (drink included) 📍 **MIR Concept Coffee Store** 📅 **Sunday, June 7th** 🕰️ **11:30–13:30** 🌼 Beginner-friendly (no experience needed) Sunday Craft Club is all about creativity, connection, and slow, meaningful moments, plus a chance to meet new people while making something fun!

. Find us on Facebook to see what's actually happening. Bring your own knitting or crochet project and join other people who enjoy yarn crafts for a relaxing couple of hours on Saturday afternoons. The 1st Saturday of the month is not an in-person meet-up, but on zoom. All people and all levels welcome, including beginners, whom we are happy to help get started (although we don't run classes). No charge. All you need is some yarn and a crochet hook or a pair of knitting needles. We are very friendly so don't be shy. The venue may change from time to time so please check back on the day before the event to be sure you have it right. We mostly speak English, but people in the group are very international and speak many languages. Looking forward to seeing you.

**Get your creative flow going with a Sunday Afternoon Maker Meetup!** Whether you are looking to carve out dedicated creative time, wanting to get a lingering project across the finish line, or just looking to chat with fellow local makers—this is the space for you. 🧵 **What to Bring** Bring any art or craft project you are currently working on, as long as it is portable and quiet. Think: * **Yarn & Thread:** Knitting, crochet, embroidery, cross-stitch, hand-sewing, mending. * **Paper & Sketching:** Sketchbooks, adult coloring books, watercolors, bullet journaling. * **Digital:** Tablets, iPad drawing, laptop writing/design. * *Please note: Because we are meeting in a shared public space, no power tools, sewing machines, or high-odor materials (like strong solvents or spray glues), please!* **📍 Where to Find Us** * We will be meeting at **Columbus Metropolitan Library - Martin Luther King Branch** in **Meeting Room 1**. Room is reserved under **CBUS Maker Meetup.** **⏱️ Timeline** * **1:00 PM:** Arrive, grab a seat, get settled, and do a quick round of introductions so we can see what everyone is working on. * **1:15 PM - 3:00 PM:** Open maker time! Chat, craft, relax, and swap creative ideas. **⚠️ A Note on RSVPs** Space for this first meetup is strictly limited to 10 spots. If your plans change and you can no longer attend, please update your RSVP to "Not Going" as soon as possible so someone on the waitlist can grab your spot. We ask that you try to give at least 48 hours' notice if you need to cancel. *** **We can't wait to meet you and see what you're making! All skill levels welcome.**

We are a real world Martial arts group. \ Called DO JUNG ISHU (the art of fighting) \ Based off of Jeet kune do we just continued where Bruce Lee left off. \ We have been around a while. \ Every week we get together and work technical skills and full contact spar. \ Almost all of the instructors have been in everything from street fights to the ring and some still compete in cage fighting. \ If you want to take your skills up, improve your confidence, gain self defense skills, get in better shape, test yourself or just want to kill some time and possibly get hit a bit come on down. \ We will be located at 3923 N High St, Columbus, OH 43214 Outside in the grass between the playground and horseshoe area. our instructors are normally in a black and red art of fighting shirt \ if you can not find us call or text me at 6143570295 Saturday 1:30pm Wednesday 5:45pm From Age 16 and up. attendees under the age of 18 must have a guardian with them. \ Wear workout clothes. \ Bring a MOUTHPIECE! \ WE HAVE GLOVES. \ $10 per class $5 per class if you are wearing a club shirt Club shirts are $25 Hope to see you soon. \ let me know if you have any questions :)

**✅ Bachata Mondays with Todd Smith!** **👉 Beginner Bachata Class** **$15 In Advance / $20 At the Door** 7:00 pm – 7:15 pm … Registration 7:15 pm – 8:15 pm … Beginner Class **👉 Intermediate Bachata Class** **= $15 In Advance / $20 At the Door** 8:15 pm – 8:30 pm Registration 8:30 pm – 9:30 pm Intermediate Class **👉 If You Take Both Bachata Classes** **= $25 In Advance / $35 At the Door** **👉 Buy Advance Tickets Now at:** https://columbussalsadancing.com/bachata-mondays-dance-class-tickets/

**✅ Salsa Wednesdays with Todd Smith!** **👉 Beginner Salsa Class** **$15 In Advance / $20 At the Door** 7:00 pm – 7:15 pm … Registration 7:15 pm – 8:15 pm … Beginner Class **👉 Intermediate Salsa Class** **= $15 In Advance / $20 At the Door** 8:15 pm – 8:30 pm Registration 8:30 pm – 9:30 pm Intermediate Class **👉 If You Take Both Salsa Classes** **= $25 In Advance / $35 At the Door** **👉 Buy Advance Tickets Now at:** https://columbussalsadancing.com/salsa-wednesdays-dance-class-tickets/ **👉 Questions? Text Todd @ (614) 774-8146**

Welcome to the Art School - 20's & 30's artists Meetup group! This is a community for young artists who are passionate about exploring different mediums and techniques in the world of art. Whether you're a painter, sculptor, photographer, or mixed media artist, this group is the perfect place to connect with like-minded individuals, have a space to work on your craft, and showcase your work. Let's inspire and support each other on our artistic journeys! Whether you're a novice or a seasoned artist, all skill levels are welcome. Join us and unleash your creativity! Afterwards, we will have time to work on our individual art projects, hang out, and if anyone is interested in feedback on their work, there will be time for that as well.

**✅ Bachata Mondays with Todd Smith!** **👉 Beginner Bachata Class** **$15 In Advance / $20 At the Door** 7:00 pm – 7:15 pm … Registration 7:15 pm – 8:15 pm … Beginner Class **👉 Intermediate Bachata Class** **= $15 In Advance / $20 At the Door** 8:15 pm – 8:30 pm Registration 8:30 pm – 9:30 pm Intermediate Class **👉 If You Take Both Bachata Classes** **= $25 In Advance / $35 At the Door** **👉 Buy Advance Tickets Now at:** https://columbussalsadancing.com/bachata-mondays-dance-class-tickets/

5:45-7:45 in Conference Room A, Library lower level. Bring your yarn projects, meet new friends. If you plan to attend, please RSVP yes. If you can’t attend, please change your RSVP to no. This helps anyone who is waitlisted and it allows me to have an accurate count of attendees as our space is quite limited. Plenty of parking in the lot, in the overflow lot across the street, and on the street. See you there!